logo
Decline of nightclubs feeding demand for festivals

Decline of nightclubs feeding demand for festivals

Yahoo06-04-2025
The decline of the nightclub scene is helping to boost demand for music festivals, the founder of an award-winning event has said.
James Ralls helped launch the Victorious Festival in Portsmouth in 2012 when it was a modestly sized event held at the Hampshire city's historic dockyard.
The event moved to Southsea Common two years later, where it has expanded in size and ambition, with headline acts including Ian Brown, Sam Fender, Mumford and Sons and Jamiroquai.
Last year's top acts, Biffy Clyro, Snow Patrol, Jamie T and Fatboy Slim, helped the event win the major festival of the year category at the Live Awards 2024.
Mr Ralls said the success of regional festivals such as Victorious showed a changing dynamic with fewer people regularly going to nightclubs and people of all ages seeking alternatives to the often sold-out major events such as Glastonbury and Reading and Leeds.
Victorious has grown from about 40,000 people attending in 2013 to around 170,000 last year.
The Night Time Industries Association (NTIA) released data last year showing 37% of nightclubs had closed across the UK since March 2020.
Mr Ralls said: 'Traditionally you've had nightclubs, but with the loss of some of the night-time economy, people are going out to festivals as an alternative.'
He added: 'The scene has definitely changed, I think some of the big players are still big but the independent festival sector has grown massively.
'Since Covid, we've lost a lot of festivals, but there's still many more festivals than there were.
'There's still much more options for people to go to. People are expecting more of a product than they were, you can't just stick a band on a stage and expect them to run to buy tickets.
'They're expecting decent food, decent toilets, not massive queues, easy to get in as well as other entertainment, comedy, the list is endless.
'The metropolitan festivals like us have taken off, it seems like every field in London has a festival now at some point in the year.'
He said there is now demand from multiple generations for festivals, with not only young people attending, but their parents wanting to carry on enjoying the events.
Mr Ralls said city centre festivals also help attract children and their parents because their closeness removes the need for camping, with Victorious only providing camping for about 10% of those attending.
He added that some families treat smaller festivals as a 'training ground' for youngsters attending their first events.
He said: 'If you've got a kid and it's their first festival, you're going to be a bit nervous about throwing them into a festival (which) might be a bit of a step too far.
🎉More Acts Added!🎉
Comedian, actor, and now ballroom dancer @chrismccausland will join this year's incredible comedy lineup, alongside @joeldommett and @Rubywax!@BeatsandSwing are bringing the party to the Seaside Stage with @fabioandgroove , @cubanbrothers, and @UtahSaints… pic.twitter.com/n601M1DlSk
— Victorious Festival (@VictoriousFest) February 5, 2025
'But I think they are coming here and seeing that festivals are safe and then they go on to some of the big festivals.'
Mr Ralls said one of the biggest challenges in organising festivals is the demand from social media-savvy youngsters looking for an 'immersive' experience beyond just seeing headline acts.
He said: 'We've still got a lot of good content, but I think you're going to need more content, better content, better produced content.
'They want to feel engaged by it, they just don't want to come see a band, they want to see, they want to be part of the story of things, so there's a lot of immersive things that are coming down the pipeline.'
Describing his own personal highlight, he said: 'I love the headliners, when the field is full, I'm always like, 'This is amazing'.
'It feels the same every time. Although we've been doing this for years, we've only done 30 of those days in all those years so it feels crazy every time – that's great.'
Victorious Festival will be held over the August Bank Holiday weekend with headliners Queens of the Stone Age, Kings of Leon and Vampire Weekend.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

PinkPantheress Is a Queen Looking for Her King in Chess-Themed ‘Romeo' Video
PinkPantheress Is a Queen Looking for Her King in Chess-Themed ‘Romeo' Video

Yahoo

time3 hours ago

  • Yahoo

PinkPantheress Is a Queen Looking for Her King in Chess-Themed ‘Romeo' Video

PinkPantheress is a chess master in the video for 'Romeo,' the latest single off her second mixtape Fancy That. Directed by Iris Luz, the video features PinkPantheress competing in a South London chess tournament. Her main opponent is played by Destin Conrad, and their romantic tension is reflected in their high-stakes game. When not at the tournament, the pair transform into the King and Queen on a life-size board who engage in a dance-off on the checkered floor. More from Rolling Stone Why Amaarae Chose PinkPantheress as a Duet Partner: 'She's a Genius' PinkPantheress Showcases 'Illegal,' 'Girl Like Me,' 'Tonight' Medley on 'Fallon' PinkPantheress Invites North America to a 'Residency-Style' Tour PinkPantheress released her sophomore mixtape this past May. The song 'Illegal' has since taken off on TikTok, so far cracking the Top Five on the dance charts. Last month, the U.K.-born star made her television debut with a medley of Fancy That singles on The Tonight Show. The singer, songwriter, and producer has had a busy summer, playing Glastonbury in the U.K. and Way Out West in Sweden. In September, she will play two sold-out nights at London's O2 Academy Brixton before she embarks on her North American tour later this year. An Evening With PinkPantheress will kick off Oct. 24 in Brooklyn at Kings Theater and wrap on Nov. 13 in Oakland with stops in Toronto, Chicago, Los Angeles, and San Francisco along the way. Best of Rolling Stone Sly and the Family Stone: 20 Essential Songs The 50 Greatest Eminem Songs All 274 of Taylor Swift's Songs, Ranked Solve the daily Crossword

Spotify just redesigned the way you'll ‘listen' to audiobooks
Spotify just redesigned the way you'll ‘listen' to audiobooks

Fast Company

time6 hours ago

  • Fast Company

Spotify just redesigned the way you'll ‘listen' to audiobooks

When you consume a book, you're always making compromises. Print means no animation and no outbound links to enhance the reading experience. E-ink often yields potato-quality images and muted colors. An iPad's LED-backlit display strains the eyes. Audiobooks, meanwhile, generally rely solely on the theater of the mind. But what if they didn't have to? Blending the audiobook experience with sight and sound might seem like fertile, if not obvious ground for innovation—but it's not happening within a traditional publishing house. Rather, it's happening at Spotify. While the majority of Spotify's audiobooks are currently just that—audio—for Bruce Holsinger's summer hit Culpability and some 100 other books, Spotify has crafted something more. Through its new Follow Along feature, the company is bringing bespoke visuals and music to the mix, and nudges the form of the audiobook forward in the process. Spotify sounds off The feature, currently being tested, follows years of increased focus on the audiobook segment by the music streamer. Spotify launched an à la carte audiobook offering in 2022, and then followed it with its Audiobooks in Premium program in 2023, granting premium subscribers 15 hours of books per month. The company currently has some 400,000 books under its belt, and is licensing, producing, and publishing more than 150 titles a year, and just last week launched a new $11.99 per month Audiobooks+ add-on, which grants 15 hours of listening on top of whatever plan one has. (It's a business expansion that perhaps comes at an ideal time for Spotify, which just reported a 12% year-over-year rise in subscribers to 276 million—but also a Q2 net loss of around $100 million.) 'No shade on PDFs' The Follow Along initiative spawned from the supplementary PDF files publishers provide with audiobooks, according to Niamh Parsley, Spotify's director of product design for audiobooks. Now, 'no shade on PDFs,' Parsley says, 'I love a good PDF,' but Spotify users weren't engaging with those files much, even though they often contained rich imagery or tools to assist with the retention of complex topics. Follow Along emerged from a thought experiment about how Spotify could get more value out of its existing content. 'It really stemmed from real experiences,' says Parsley. 'Wouldn't it be cool if this cookbook that we have the audio for showed us the recipes so I can be inspired by it and be more likely to actually make the recipe?' Rather than start with a wireframe filled with dummy text, she says the Spotify team led with the book's actual content to create solutions organic to each book. When Follow Along first launched as a test last November, users discovered visual assets like photos and diagrams synced to the narration in real time in the Spotify app. But with the launch of the AI techno-thriller family drama Culpability last month, the team has taken the model to new levels. New, custom visuals Even before Culpability became an Oprah's Book Club pick, the Spotify team knew it'd be a hit, according to Associate Director of Audiobook Publishing Colleen Prendergast. Spotify's producer and casting director worked directly with author Bruce Holsinger to bring the experience to life, and hearing the narrator's early recordings prompted the team to consider adding custom visuals to the mix for the first time. 'Her performance was so multifaceted, it inspired us to explore ways to make the listener experience on Spotify even more dynamic,' recalls Prendergast. advertisement With publisher Spiegel & Grau on board, the team began identifying moments in the manuscript that lent themselves to visual storytelling. Rodrigo Corral Design Studio had created the book's cover, so they brought Corral and his crew into the project as well. Ultimately, the team created more than 100 custom assets for the audiobook, from section headers to chat logs and conceptual images that echo the vibe of the cover. 'We frequently create interior illustrations for printed books, but seeing these visuals integrated into the digital and audio space is genuinely new and exciting,' says Anna Corral, partner at Rodgiro Corral. Of the process itself, she added, 'We worked to distill the emotional undercurrents into images that guide the listener without overexplaining, allowing the reader to reflect and make it their own.' Of course, like anything new, you've got to figure out the best way to use it—and while listening to Culpability, I likely no doubt missed certain visuals by virtue of not staring at my phone for the duration of the book, waiting to see what might pop up. Interfaces like Apple CarPlay also don't generally display visuals like these so as not to distract drivers—so in lieu of something like an audible chime to check your phone or tablet for a given image, you may need to hop over to the 'Extras' section of the audiobook to find what you missed. The tune of the tomes In May, Spotify partnered with 33 ⅓, Bloomsbury's cult-favorite line of books about popular albums, to add another Follow Along element that seems like a no-brainer for the streaming service: music. Now, when the audio books are probing an album or discussing a certain song, a link to it will appear in the app so users can save it to their library or listen in the moment. Currently, Follow Along is still a test feature. While Spotify declined to provide more robust usage metrics, Parsley noted that users actively engaging with the initial slate of titles' supplementary material within the app increased by 245% over their former PDF counterparts. Publishers have been requesting the feature, according to Parsley. Spotify has also observed an increase in listeners per title, with 'the hypothesis there being that providing more visual-forward experiences can entice more listening,' she says. Ultimately, Parsley sees opportunity for not just a new visual spin on an old form, but for the types of books associated with audiobooks at large. For instance, Billie Eilish released an audio component to her eponymous photo book, and Spotify created a Follow Along experience merging both. And therein lies perhaps the next unexpected frontier for audiobooks, which Parsley enthusiastically endorses: the humble coffee table tome. 'There's a lot of untapped potential there [with] content that is visually based, and how we can create this multimodal experience around it,' she says. 'The door is wide open right now because it is so early—so it's very exciting.' The early-rate deadline for Fast Company's Most Innovative Companies Awards is Friday, September 5, at 11:59 p.m. PT. Apply today.

BLACKPINK at Wembley Stadium review: The world's biggest girl group are at the top of their game
BLACKPINK at Wembley Stadium review: The world's biggest girl group are at the top of their game

Yahoo

time16 hours ago

  • Yahoo

BLACKPINK at Wembley Stadium review: The world's biggest girl group are at the top of their game

Olivia Rodrigo owning Glastonbury, Sabrina Carpenter playing two nights at Hyde Park, Charli XCX's Brat victory lap, 2025 has undoubtedly been the summer of the pop girlies. It's only right then that BLACKPINK, the biggest girl band in the world, get in on the action. The K-pop titans' Deadline world tour took over London's Wembley Stadium for the first of two shows on Friday night, following an 18-month hiatus where the four-piece worked on solo projects. Each member was given plenty of space to flex during the two-hour show. Jisoo performed her dreamy Your Love accompanied by confetti and chairography, Jennie was every bit the swaggering rockstar for her snarling viral hit Like Jennie. Lisa couldn't have been more different to her softly-spoken The White Lotus character during a trio of brilliant, high-energy tracks from debut solo album Alter Ego while Rosé went full '00s for the snotty pop-punk inspired Toxic and a surprisingly chaotic APT.. All four are clearly stars and looked very comfortable on their own in the spotlight but together, they're on a whole other level. Previous BLACKPINK tours have been incredibly choreographed events, performed with an eventual concert movie in mind. Deadline was a far more relaxed affair – well, as relaxed as a six-act stadium show with a curved runway, fireworks and an entire dance academy can really be. There was still plenty of polish and no one could accuse the group of phoning it in, but they spent as much energy interacting with the crowd and trying to make each other laugh as they did recreating their slick music videos. The whole thrilling gig was wonderfully playful. At one-point FKA Twigs joined Rosé backstage for a scone and a shot. Why? Why not. A live band gave earlier, more polite tracks WHISTLE and BOOMBAYAH an added bite while the obnoxiously OTT pop of Pink Venom and Pretty Savage were clearly written to make a stadium full of people dance. Their music has always been ambitious, taking the best bits of countless different genres to create perfectly-formed pop spectaculars, but there was a joyous, infectious energy that came with performing it in one of the biggest venues around. As the first K-pop group to headline Wembley Stadium, BLACKPINK made sure to have the most fun possible, but they also took every opportunity to soak up the 'surreal' and 'insane' achievement. 'It really is such an honour,' said Jennie, thanking the crowd for supporting the band over the past nine years. There have been rumours circulating online that BLACKPINK will go on a more permanent hiatus after this tour, but at no point during the show did it feel like things were winding down. 'I wanted to do a song that felt like a goodbye, just for the meantime,' Rosé said before the tender Dance All Night, deliberately hinting at a return, while the mini-movies that were played during the gig were a celebration of the girls coming back together. Despite their historic legacy it was the recently released Jump, an urgent mash-up of Spice Girls camaraderie and the energy of a sweaty rave, that got the biggest reaction of the night. It's such a banger, it was played twice. What more could you possibly want?

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store