
It's no longer hyperbolic to ask if Britain is still a free country
Foulkes' horrendous treatment was as absurd as it was illiberal. The offending tweet that led six police officers to his door was actually condemning anti-Semitism. He accused London's 'pro-Palestine' hate-marchers of being 'one step away from storming Heathrow looking for Jewish arrivals' – a reference to a recent anti-Semitic riot at an airport in Dagestan.
The subtlety was apparently lost on Kent's finest, who cuffed Foulkes, held him for eight hours and began ransacking his house as if he were a drug kingpin.
Last week, Kent Police apologised and wiped the caution from Foulkes' record. But to chalk this up as some kind of hapless error risks normalising this new breed of authoritarianism – even more so than it already has been.
Being slammed in a cell for hate speech is really not nothing. Foulkes feared he'd never be able to visit his daughter abroad again. He feared his neighbours would think he was a paedophile, as cops hauled out laptops in evidence bags. No free nation can allow this state-led harassment of innocent people, merely for expressing their opinions on the internet, to become routine.
But it has. A recent Times investigation found that at least 30 people a day are being arrested for saying 'grossly offensive' things on the internet. According to Greg Lukianoff – president of the Foundation for Individual Rights and Expression in the US – this means that Dear Old Blighty is already, easily, arresting more people for speech crimes today than America did during the first Red Scare. It's no longer hyperbolic to ask if Britain in 2025 still qualifies as a free country.
Were we just going after genuine hate-speakers, that would be bad enough. No one should be arrested for an opinion, no matter how odious. But it's obviously gone far beyond that now.
As two parents from Borehamwood found out recently, even criticising your daughter's school too vigorously can lead to a knock at the door. YouTube comics have been convicted for off-colour jokes. Lying social-media attention-seekers have been convicted for being lying social-media attention-seekers. This really isn't normal. Or at least, it shouldn't be.
The establishment appears to have imbibed the paternalistic notion that censorship begets harmony. That involving the police in even the most minor social-media squabbles is essential, lest widespread unrest ensue.
This oozes contempt for the public, of all backgrounds – as if white Brits are only ever a few spicy tweets away from a pogrom and minorities would rather be protected from offence than violence and burglary.
Well, the treatment of Foulkes and many more reveals that censorship only begets more censorship. Our decades-long experiment in policing 'hate' has ended up with pensioners being handcuffed for criticising anti-Semites. Yet more proof that we cannot trust the state to decide what is right, good and true – and that speech codes, however tightly drawn, can balloon to include totally innocent, even righteous, speech.
So it's time for a people's revolt against our supposed betters – against a distant establishment that thinks it has the right to dictate what we can say, think and do. Very Brexity, I know. But they surely can't arrest all of us.
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Telegraph
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The millionaire Marxist who became a political problem for the BBC
Sally Rooney once argued that writers have more influence than they deserve. 'Novelists are given too much cultural prominence,' she said in an interview with The New Yorker in 2018. 'I know you could point out they're really not given a lot of prominence but… it's still too much.' And yet, surely, a prominent voice and an outsized cultural heft were exactly what Rooney was banking on when she wrote a piece in The Irish Times last weekend saying that she would be using funds generated by the sale of her books and their BBC adaptations to support Palestine Action, which has been proscribed as a terrorist group in the UK. 'If the British state considers this 'terrorism', then perhaps it should investigate the shady organisations that continue to promote my work and fund my activities, such as WHSmith and the BBC,' was one of the 34-year-old's many controversial lines. A self-proclaimed Marxist, Rooney has frequently been outspoken on abortion rights, housing reform and climate change. 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I have had authors who have turned down prizes because they disagree with the sponsors, but I have never heard of a situation where someone is actively supporting an illegal organisation – she's implicating a lot of people without realising it.' The agent believes Rooney's British publishing house, Faber & Faber, will be forced to make a statement. 'I imagine they will want to take an agnostic view on this, as it is a no-win for them. If they support this, there may be legal issues, but if they say nothing, they are allowing it to be unchallenged that they are taking money… and giving it to someone funding an outlawed organisation.' Rooney's net worth is reported to total at least £10m, owing to her runaway success in recent years. At just 24 – then a Trinity College Dublin graduate and European champion debater – she was taken on by the prestigious Wylie Agency and over the past decade she has been lauded with a string of awards. 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Whatever her motivations, at home, Rooney's stance on the Israel-Palestine conflict is a popular one: Ireland is – by and large – very pro-Palestine (and has not proscribed Palestine Action). But in the UK and the US, where her major publishing houses are based, she is causing problems not only for herself but for people associated with her work. This includes editors and producers, and may yet see A-list actors such as Paul Mescal and Daisy Edgar-Jones, who had break-out roles in the BBC adaption of Normal People, drawn into the controversy. Like Emma Watson and Daniel Radcliffe from the Harry Potter franchise – who stood against JK Rowling and her stance on the trans debate – they can be expected to face uncomfortable questions about where they themselves stand on this subject in the days to come. As for her relationships within the industry, Rooney will receive a lot of support in part because of her sales record. 'If Sally Rooney were a failure then the question would be different,' says literary agent David Godwin. 'But publishing houses, like all businesses, are always tinged with self-interest – they're shameless in many ways, and she sells so many copies. I can't imagine a situation where they wouldn't publish her. That gives her a lot of freedom.' Still, he agrees that most executives would prefer her not to be quite so open about her beliefs. ' When it comes to Palestine, publishers are much more frightened these days,' he says, 'and they are more inclined to stay far away from controversy. Publishing was once very individualistic and authors were left to say what they wanted, but things are more corporate now and people are conscious of what could create a backlash.' Equally, others note that Rooney isn't the most profitable writer on the circuit – and that she can't always expect unwavering support from publishers. 'She sells a lot of books, but she's not the biggest author out there,' says another literary insider. 'She's the biggest author for Faber, and she's culturally significant, but there are many authors in front of her in terms of sales. Richard Osman sells far more books than she does.' More than the response from readers (one agent claims most of her fans will already be aware of her beliefs and so are unlikely to suddenly stop buying her books), her editors will be concerned about Rooney's ability to promote future works. 'I would be worried about whether she would be able to travel to the UK easily,' says one. 'A book tour is an essential way of getting sales up – can she legally come here now?' And then there is the question of America, where entering the top 10 means earning millions of dollars but where the debate over the future of Israel is even more fraught than it is in Britain. Jessa Crispin, a US-based author and the editor-in-chief of the literary webzine Bookslut, says Rooney may ultimately emerge unscathed. 'Sally Rooney is one of the few writers who sells enough worldwide to have a real power to make a stand within publishing,' she says. 'She makes her publisher a lot of money, it seems, so if she doesn't want to be published in Israel or translated into Hebrew, they will want to go along with that to keep her happy.' And luckily for Rooney, the publishing industry on both sides of the Atlantic tends to be far more Left-leaning than the general public. 'I think her readership is probably with her,' says Christian Lorentzen, a US-based writer and critic. 'I think she's brave and admirable and righteous on this question, and it might even increase her sales, but I do not think at all that she's acting cynically. She's an idealist and it's to her credit.' Television and film, however, is a different story. For authors, that's where the real money usually lies – and Rooney must be aware that Hollywood takes a stronger view on this debate than most booksellers. 'The likes of Netflix and other corporate people will evaluate the risk versus the reward of working with her from now on,' says Mark Borkowski, a British PR executive and author with an interest in reputation and crisis management. 'By doing this she sacrifices a lot of potential relationships in Hollywood – which is very supportive of the Jewish cause. From now on, she will be fairly Marmite in terms of deals, which will shrink her commercial ecosystem.' As for the BBC – which is closely linked to Rooney after adapting two of her novels and which she singled out in her editorial – it may well pause before collaborating with her in the future. 'The BBC will obfuscate on this topic for a long time,' says Borkowski. 'I would think that they are pretty uncomfortable because it puts them in the firing line.' Some have even argued that there might be room for legal action against the corporation. 'By providing financial assistance to an organisation which clearly intends to commit criminal damage in the UK, she is likely to be guilty under UK law for knowingly assisting the commission of criminal offences,' says Jonathan Turner, the chief executive of the legal advocacy organisation UK Lawyers for Israel. 'I think the BBC and sellers of her books could also be liable for assisting criminal offences by Palestine Action, as well as offences under the Terrorism Act 2000, for transferring funds that may be used for the purposes of terrorism.' The BBC, which now finds itself facing calls to pull Rooney's dramas from iPlayer, has itself said: 'Matters relating to proscribed organisations are for the relevant authorities.' The corporation is not thought to be working with Rooney on any projects at present. As for the author herself? Rooney may yet ride out this storm – but at 34 she has a long career ahead of her and, by taking such a controversial stance, has made herself more vulnerable. 'She will have made some enemies by doing this,' says one agent. 'Let's just say that this is not the time to put out a bad book.'