
Friday briefing: How Palestine Action arrests expose a new authoritarian edge to UK police
These eminently establishment figures are just a few of the 700 arrested for showing support for Palestine Action after it was proscribed as a terrorist organisation. Many were in their seventies or older, and video footage made one of the mass arrests look like a giant garden party gone sour.
Safe to say, manhandling octogenarians is sub-optimal optics for the police. 'I've never been arrested before so I'm quite nervous, actually,' said one elderly man wearing a beige blazer.
But bigger shifts in policing appear to be under way. Most recently, new government guidance says police forces should look to disclose the ethnicity and migration status of suspects charged in high-profile investigations. Although this may solve one headache for the criminal justice system – stopping the spread of conspiracies about alleged offenders – it could create another by damaging race relations across the country.
For today's newsletter, Rajeev Syal, home affairs editor at the Guardian, discusses the police's pivot to a more authoritarian approach to protest, the potential impacts of releasing information about race, and which voters are being wooed. That's after the headlines.
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A total of 532 people were arrested in London last Saturday at the largest demonstration in support of Palestine Action. Most of them were simply holding supportive placards or signs. Half of the people arrested were aged 60 or older, according to police figures. Nearly 100 of those detained were in their 70s and 15 were in their 80s.
Police officers manning the protest were obliged to make these arrests. 'It's not how one would envisage the job. And they are just doing their job,' says Rajeev Syal. 'When you speak to officers privately, they know that they're not picking up thugs, they're picking up people who are motivated by politics and beliefs, and they're also peaceful. So it does certainly make police officers sit up and think.'
Such events illustrate broader changes in policing driven by changing priorities in the Labour government. 'I would say that this government has certainly moved towards a more authoritarian line on protests compared to previous governments,' says Rajeev.
'It does look as if they are pivoting towards an electorate who are less comfortable with asylum seekers in their constituencies, who are more worried about small boats coming over the sea. They know they have to win those people over in order to win a general election.'
The surge in Reform UK support has made the government nervous, even though we're barely a year past an historic landslide election. Labour remain focused on so-called red wall seats dominated by white working-class voters in market, former mill and seaside towns. 'Those are the places they think they've got to win people over,' explains Rajeev.
What is the logic behind revealing the racial identity of suspects?
In recent days, home secretary Yvette Cooper, welcomed new police guidelines that encourage forces to release the race and nationality of those charged in high-profile cases. It comes after an independent watchdog found that failure to share basic facts about the Southport killer last summer led to 'dangerous fictions' which helped spark riots across the country.
The policy is designed to work on two fronts, explains Rajeev. Firstly, the government wants to stop the rise of the far right and their ability to organise through misinformation and fomenting public disorder by spreading untruths about suspects (such as the Southport case). And secondly, it sends a signal to potential Reform UK voters that the government is taking the issue of people committing crimes while applying for asylum seriously.
'Reform UK politicians have promoted the idea that the government and the police are involved in a cover-up of information, and this allows the government to say, 'well we can't be',' says Rajeev. 'I think there's a lot of politics involved behind some of these decisions: it's the politics of winning over Reform voters and undermining Reform in those pivotal seats that will define the next election.'
What are the criticisms of the policy?
The family of Bebe King, one of the three girls killed in the Southport attack last year, have expressed their dismay at the decision. They have urged ministers to reconsider support for disclosing the ethnicity of serious crime suspects saying the information was 'completely irrelevant'. The family's position is that mental health issues, and the propensity to commit crime, have nothing to do with ethnicity, nationality or race. Their argument is that such tragedies are too often used as a political football, especially by the far right.
Campaigners have argued it could set a dangerous precedent for 'dog-whistle politics', Rajeev says: 'When a suspect involved in an alleged crime is thought to be a black or brown person, or an asylum seeker, there will be huge pressure on the Home Office from right-leaning media and on social media to release details … but there won't be as much pressure, when it's obviously a white man.'
'This will add to the distorted impression that minority ethnic people and refugees are responsible for a disproportionate number of crimes.'
What is the counter argument?
Lawrence Sherman, a criminology professor from the University of Cambridge, and ex-chief scientific officer for the Met Police, disagrees that it will inflame racial tensions – he believes the opposite to be true.
Last summer, after false rumours spawned online about the Southport killer's foreign nationality, the police were not in a position to correct the misinformation. 'I would say that was a problem with the rules,' he says. These rules have now been changed.
Sherman believes that stating the demographic details of suspects will help with transparency. 'Especially in an era of what Richard Hofstadter, the American historian, called 'paranoid politics', in which people are always suspicious of 'elites' trying to cover things up. Greater transparency about all these things will help to shape a dialogue around peacekeeping on one hand and proportionality on the other.'
And while the far right may be championing the changes, he cautions it may not have the result they are hoping for: 'Being transparent about it will remind people that there's a lot of very violent white people in this country.'
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'Putin is ready to make a deal, says Trump ahead of Alaska meeting,' is the splash on the Guardian today. The Telegraph covers the same meeting with ''The West must not be cowed by Putin'' and the Times: 'Trump eyes economic incentives for Putin.'
'Our VJ Day heroes 'gave us more than freedom... they left us the example of how it can and must be protected'' says the Express. The Mirror puts it more succinctly with: 'Thank you.'
'Cost of fat jabs to triple,' says the Metro, while the Mail leads with 'Fat jab price soars after Trump threat.'
'Relief for Reeves as non-dom tax returns quell fears of mass exodus,' is the headline at the FT. 'Students face yearly tuition fee hikes to bail out struggling universities,' at the i paper.
'Now boot him out,' says the Sun, over an outrageous video on Tik Tok. Finally, the Record with 'Sturgeon: I failed poor kids.'
Our critics' roundup of the best things to watch, read, play and listen to right now
MusicCass McCombs: Interior Live Oak | ★★★★★
As bloated piles of 'content' overfill our cultural to-do lists, a double album isn't always met with a warm welcome. But the US singer-songwriter's 74-minute new double LP begins at the highest songwriting level and barely wavers. Full of dreamscapes anchored in real-world settings, and backings that are both classically American but also have their own weird back-country accent, the album's long runtime means the songs all feel wonderfully unhurried. If anything, 74 minutes doesn't feel remotely long enough. Ben Beaumont-Thomas
TVAlien: Earth | ★★★★☆
A new TV take on cinema's greatest sci-fi horror franchise with a bristling, bewildering, overpoweringly confident aura. We are in the year 2120, corporations have taken over the universe, and which one achieves total domination will be determined by which of three technologies wins a 'race for immortality'. Whether it's a padded corridor filmed at a 10-degree angle or the look in someone's jaded eye, the series always has a way of making us feel like helpless prey being circled. Jack Seale
Film
Wolf Children | ★★★★★
In Mamoru Hosoda's emotionally rich fable from 2012, single urbanite mum Hana moves her two werewolf children to a beaten-up country house, where she struggles to cope with their bestial and human needs. Her son is a clingy mother's boy, her daughter a whirlwind of claws and teeth who insists on starting proper human school. Swept up in potent nostalgia for early parenthood, childhood and the cradle of nature itself, this is a modern classic. Phil Hoad
GamesTiny Bookshop | ★★★★☆
A rare game made with readers in mind. The setup is simple: you're selling books. Actual books. From Shakespeare and Agatha Christie all the way through to Toni Morrison and John Green, you are providing the inhabitants of a sleepy seaside and university town with books that are recognisable and real. The gameplay is rhythmic and mellow, and, dare I say it, genuinely cosy, providing players with a job that doesn't feel like a job but a lovely escape into words and stories. Sarah Maria Griffin
Ghosting, breadcrumbing, one-night stands: are we done with dating apps?
More than a million people in the UK left dating apps last year – a problem so severe, explains the Guardian writer Kitty Drake, that the apps are in 'financial crisis'.
A bit of good news to remind you that the world's not all bad
Amitav Ghosh is the latest contributor to the Future Library Project, known for his well-loved work in historical fiction and, more recently, climate change.
The Future Library project was set up in 2014 by Scottish artist Katie Paterson. Innovatively, the project places books and nature in conversation with one another as authors contribute a new manuscript yearly, to be printed only a 100 years later, in 2114. The paper used to print these books will come from a forest just outside Oslo, also planted in 2014.
Paterson celebrates the work of Ghosh and the fact that 'His stories traverse oceans and centuries, revealing how the climate crisis is inseparable from histories of empire, migration and myth'.
Sign up here for a weekly roundup of The Upside, sent to you every Sunday
And finally, the Guardian's puzzles are here to keep you entertained throughout the day. Until tomorrow.
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