
Ozzy Osbourne's family wants to ‘wait a bit longer' before airing documentary, BBC says
In a statement to BBC News on Tuesday, the British broadcaster said it opted to hold back the documentary centered on the musician's final years out of respect for Osbourne's loved ones who are still mourning the Black Sabbath frontman's death. Osbourne died July 22 of a heart attack at the age of 76.
'Our sympathies are with the Osbourne family at this difficult time. We are respecting the family's wishes to wait a bit longer before airing this very special film,' the BBC said, adding that it will confirm a new air date 'shortly.'
BBC turned heads on Monday after it pulled 'Ozzy Osbourne: Coming Home' from its programming lineup before it was supposed to air later that evening. A BBC spokesperson confirmed to several outlets that the film 'has moved in schedule' and that the broadcaster would confirm details about a new air date 'in due course,' but did not provide a reason for the pivot.
Osbourne, who lived with Parkinson's disease, died two weeks after his farewell concert at his hometown of Birmingham, England. The BBC announced its documentary on Aug. 7, revealing that 'Ozzy Osbourne: Coming Home' would chronicle the English rockstar's final years, from his health issues to the preparations for his grand finale. The documentary was filmed over three years and also features Osbourne's wife Sharon Osbourne and children Kelly and Jack Osbourne. The pair also have another daughter together: Aimee Osbourne.
The documentary started out as a series, then titled 'Home to Roost,' but evolved into a one-hour film due to the rocker's deteriorating health.
'We hope it brings comfort and joy to Ozzy's fans and viewers as they remember and celebrate his extraordinary life,' BBC Head of Commissioning, Documentaries, Clare Sillery said in August.
Osbourne was laid to rest in Birmingham during a private funeral last month. A public celebration of Osbourne's life preceded the burial. Thousands of Black Sabbath fans honored the musician's legacy as his hearse, followed by his wife and children, made its way through Birmingham, the Associated Press reported.
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Chicago Tribune
25 minutes ago
- Chicago Tribune
Today in Chicago History: The Beatles play two shows at Comiskey Park, and scarcely a note was heard
Here's a look back at what happened in the Chicago area on Aug. 20, according to the Tribune's archives. Is an important event missing from this date? Email us. Weather records (from the National Weather Service, Chicago) How George Halas' columns for the Chicago Tribune, a field goal and a charity game helped the Chicago Bears prove their legitimacy in 19351948: The National League champion Chicago Cardinals beat the College All-Stars 28-0 in front of 101,220 fans at Soldier Field. Chicago White Sox pitchers have thrown 20 no-hitters since 1902 — including 3 perfect games. Relive them all here.1957: Bob Keegan — at 37 — became the oldest player to throw a no-hitter for the Chicago White Sox. The Sox beat the Washington Senators 6-0 in the second game of a doubleheader at Comiskey Park. 1961: The international press called it 'a stunning upset.' Three American teenagers scored a Wightman Cup victory at Saddle & Cycle Club over veteran British tennis stars Ann Haydon, Cristine Truman, Angela Mortimer and Deidre Catt. Billie Jean King on today's tennis, the media and a new play at Chicago Shakespeare about her lifeThe American teens were Karen Hantze and Justina Bricka, both 18, and bouncy 17-year-old Billie Jean Moffitt, who spurred on her own game by muttering 'Come on, baby' to herself. Moffitt later played under her married name, King. The American teens had lost to the same Britons at Wimbledon earlier in the year. They said that playing the established British stars before huge crowds helped them gain experience and confidence for the Wightman matches in Chicago. 1965: After arriving quietly at Chicago's Midway Airport, the Beatles played a day-night doubleheader at Comiskey Park. More than 50,000 incessantly screaming fans drowned out the Beatles during the 3 p.m. and 8 p.m. shows. John Lennon, then 24, was not annoyed. 'They pay good prices to get in (top tickets, $5.50). Who are we to say whether or not they should scream?' A solid line of officers sat shoulder to shoulder, with their backs to the infield, to prevent teens from taking second base, where the Beatles performed on a plywood bandstand. Paul McCartney singing 'I'm Down' pumped up the volume of the screamfest. Based on that alone, Tribune reviewer Will Leonard surmised that this was 'easily the artistic success of the evening.' The take at the Comiskey gate was an estimated $150,000 to $160,000, compared with the year before at the Chicago Amphitheatre, when the Beatles had a reported $30,000 in ticket sales. After the concert the Beatles stopped at Margie's Candies in Bucktown for ice cream, recalled owner Peter Poulos Jr. 'They sat at the back booth and ordered Atomic Busters (banana splits standing up). They began singing, John was standing on the table. The place was packed. They stayed about an hour.' 1976: Polish Cardinal Karol Wojtyla led a group of bishops on a tour of the United States that included Chicago. He returned in October 1979 — then known as Pope John Paul II. 2014: The Chicago Cubs won 2-0 over the San Francisco Giants after 4½ innings and a 4-hour, 34-minute rain delay when the grounds crew mishandled the tarp. The Giants appealed the ruling, won, but lost 2-1 a day later. Subscribe to the free Vintage Chicago Tribune newsletter, join our Chicagoland history Facebook group, stay current with Today in Chicago History and follow us on Instagram for more from Chicago's past.
Yahoo
an hour ago
- Yahoo
New BBC thriller The Guest celebrates women 'being messy, angry and ugly'
Eve Myles and Gabrielle Creevy tell Yahoo UK about the BBC thriller's realistic depiction of women, and why a lot of women portrayed in TV are unrecognisable. Women, more often than not, aren't given the space to be messy onscreen, that's why BBC series The Guest deserves to be a cause for celebration, co-stars Eve Myles and Gabrielle Creevy tell Yahoo UK. Myles admits she hardly recognises the women portrayed in TV and film because they aren't representative of real life, but The Guest hopes to change that. The four-part series follows cleaner Ria (Creevy) who is taken under the wing by her wealthy employer Fran (Myles), who is captivating and unapologetic in equal measure. Fran is a woman who does what she wants and encourages others, like Ria, to do the same instead of limiting themselves to what society expects of them. As an intense friendship grows between them things take a dark turn, Ria becomes embroiled in a psychological game where nothing is as it seems and she must question everything and everyone, including her new employer. "It's great to see women, and play women, and celebrate their flaws and to celebrate what is deemed to be unfeminine, whatever the hell that means," Myles admits. "It's about voice, it's about presence, it's about being seen and being heard. It's about opinions, it's about friendship and love. "And, playing these types of women, it's about how the most unlikely of relationships can spark up because they need each other. They need something from each other, and yet in needing something from each other, what do they take from each other and never get back? "[We're] playing women that we recognise certain elements of and truly understand, because there are a lot of women on television who are played and I don't recognise them, I don't understand them, I don't see them. So, trying to find a real place for these women in our society is key to our show." "I think we can be afraid of that sometimes," Creevy adds of the show's exploration of women who push against societal expectations by being messy. "And I think what's really refreshing about their relationship is that they allow each other to be that. "I think being messy, being angry, being... ugly is a weird word, but I feel like being ugly is really exciting to play because you just sometimes feel afraid of it. But it's who we are, really. We are human beings, and we are allowed to feel like that, and I think that this relationship is that. "I think that's what Fran does for Ria, because she just doesn't feel like she's being seen, so Fran allows her to let go, essentially. And I think that's why she keeps coming back to her because she allows her to see all parts of herself." It was the strength of the characters and the writing on the page that the actors fell in love with, with the pair sharing how easy it was for them to join a project like The Guest. Creevey admits that when she received the script, she "couldn't stop turning the pages" because of how absorbed she became by the story's twists and surprises. She adds, "I just love a thriller like I love a Netflix thriller, so that's it for me." Myles first experienced The Guest under unique circumstances: "about 40 minutes before" she was set to take her daughters to see Taylor Swift in concert in Cardiff. "I had glitter all on one eye and the Taylor Swift shirt's on with all out hair like Taylor Swift, and my kids are all excited and Taylor Swift was playing in the kitchen and everything," she says, but the prospect of reading the first script by Matthew Barry was so enticing she couldn't help but keep thinking about it all the way through the show. "I'm like, this is an incredibly special scene, there's a very strong chemistry, I need to read the script, but we need to see Taylor Swift. I went to Taylor Swift and all I thought about — and Taylor Swift don't get me wrong, was incredible, — but all I could think of, my entire brain was going 'The Guest, The Guest, The Guest'. I've got to get back and read this. "So we go home and put my children in bed and read it, and I knew I was doing it before we'd had any conversations. It was intoxicating and intriguing and different and challenging. And I needed to do it." With such a strong connection to Taylor Swift in Myles' mind, Yahoo can't help but ask what song she'd choose from the pop star to describe The Guest. Her answer, perhaps unsurprisingly given the nature of the psychological thriller genre, was Look What You Made Me Do. With a show of this nature, it was important that the actors supported each other through it, but luckily, the stars became fast friends on set. It was an example of an instant connection that helped enhance the performance and take it further than they thought. Creevy explains: "We just kind of clicked, and that lent itself really into the show. We had conversations, but it's tricky because they're very complicated women, and it's a complicated relationship, but they were never really conversations that were like scene by scene; we didn't really talk in detail about it, we kind of just went with it. "Even before I met Eve, I knew I was going to trust her, like I've seen her work and I'm a fan, and I know I can trust her. Every take was really exciting, and that's what you want, really, when you're working with someone. Especially with a thriller, you want to be on your toes, and that's what it kind of felt like." Myles adds that they had a fine balancing act of embodying their characters while also not giving too much away to the audience too early: "With a thriller, you can only, and you should only, play what's on the page. "Because if you transcend the last scene in the last episode, you've spoiled it for everybody, and there's nothing going on, there's nothing dangerous, and there's nothing delicious and saucy to play in that moment. But if you play what's on the page, it maintains that element of surprise. Whether it's right or whether it's wrong, we're all hiding something in this show, and it's a thriller, so the subtext is all over it, but you have to bury all of that to surprise the audience." And there are certainly a lot of surprises in store for viewers, which we would be remiss to reveal too soon. But Myles and Creevy are adept at teasing without giving too much away, as the latter admits she "didn't expect" what takes place in the show. "I just don't think you can say that it's going to be one thing because it actually turns out to be another," she explains. Myles concurs, as she adds: "I think they can absolutely expect the unexpected, but really enjoy the journey on the way and be surprised and shocked. And I would hope that the viewers who watch this have a different, or some, understanding of both of these women that wasn't there at the beginning but do definitely have at the end." The Guest premieres on BBC One this Autumn.


New York Times
an hour ago
- New York Times
YouTuber Mark Goldbridge among Bundesliga's UK broadcast partners for this season
The Bundesliga has become the first major European football league to award part of its live broadcasting rights in the United Kingdom to a content creator, with That's Football — a channel hosted by the online personality Mark Goldbridge — to show matches this season. The new agreement is due to be announced today and is expected to be in place for the Bundesliga's first round of games this weekend, starting with Friday night's clash between defending champions Bayern Munich and RB Leipzig at Allianz Arena. Advertisement That game — and all other Friday night fixtures for the next two seasons — will be shown live on the BBC, on both the website and the iPlayer. The Overlap, a British-based YouTube channel with 1.5m subscribers, and Goldbridge's That's Football, which boasts a further 1.38m subscribers, will share those rights, showing 20 live Friday night games in 2025-26 in watch-along formats. All games will be free-to-air. In addition, the Bundesliga's own YouTube channel will be broadcasting all Friday night games in the Bundesliga and the second tier of German football, as live. In August 2025, The Rest is Football, part of the Goalhanger stable of podcasts, became the first UK platform of its kind to secure a highlights package, when it agreed to a three-year deal with La Liga. The Bundesliga's agreement, however, is for a full live broadcast and step further away from traditional broadcasting models. nobody cared who i was until i put on the ball holder — That's Football! (@ThatsFootballTV) August 16, 2025 Sky Sports has been the Bundesliga's long-term partner in the UK. Its most recent agreement was signed in 2021 and included exclusive rights for the last four seasons. That deal has now ended, but Sky will retain the rights to the Saturday evening game in Germany, which will include the clashes between Bayern Munich and Borussia Dortmund later in the season. In a further change, Amazon has acquired the exclusive rights to all of the Bundesliga's Sunday fixtures, which will be available on a pay-per-view basis, adding to a sports portfolio in the UK which includes three Ligue 1 matches per week and one Champions League fixture per round. But it will be the involvement of the content creators that draws the most attention. The Overlap regularly features ex-players Gary Neville, Roy Keane and Jamie Carragher, as well as debates between fans of Premier League clubs, but has never been a rights holder before. Similarly, while That's Football's growth has depended on its watch-along format, this will be the first time the channel has featured live footage from a major league. Advertisement Sources close to the deal, who have been granted anonymity to protect relationships, have told The Athletic that the agreement for both channels will run until the end of the current season. Neither The Overlap nor Mark Goldbridge responded to The Athletic's requests for comment. By Dan Sheldon Mark Goldbridge, whose real name is Brent Di Cesare, is arguably one of the biggest personalities on YouTube when it comes to football content. Having gained popularity via his Manchester United-specific channel, The United Stand, which has more than two million subscribers on YouTube, Goldbridge has built a significant following globally. Although Goldbridge, 46, is a polarising figure and he has as many detractors as he does supporters, the Bundesliga wanting to utilise his platform shouldn't come as a huge surprise. That's Football, which is another of Goldbridge's YouTube channels, has amassed nearly 1.4million subscribers and, unlike his Manchester United show, focuses more generally on a wide range of football topics. His last six videos uploaded have been watched more by more than a combined 1.5m people, so the Bundesliga has obviously seen the value in wanting to get their product in as front of as many eyes as possible. And given Goldbridge has a global reach, coupled with how the current discourse suggests that younger audiences are turning to YouTube for their content, it is a deal that will suit both parties. Spot the pattern. Connect the terms Find the hidden link between sports terms Play today's puzzle