Zach Bryan, John Moreland feud explained: Here's why Bryan removed a song with the Oklahoma folk artist
The two collaborators took jabs at one another over social media following the May 5 news that Bryan, a 29-year-old country singer, signed a $350 million publishing deal, selling his catalog and reupping with Warner Records.
After some back-and-forth posts over the weekend, Moreland accused Bryan of inappropriate and objectionable behavior.
Here's how the conflict between the two singers began.
Moreland, a 29-year-old folk musician known for tracks "You Don't Care for Me Enough to Cry" and "Break My Heart Sweetly," had some thoughts to share about Bryan's multi-million dollar deal.
'$350M is a lot of money to pay for the f***in off-brand version of me,' he said on social media in a since-deleted post. 'Y'all have a great day.'
On May 9, Bryan removed the track from streaming services.
He said he'd be rereleasing the track "Memphis; the Blues" later, a tune that appeared on Bryan's 2024 record "The Great American Bar Scene," but without Moreland's feature.
The track had garnered over 20 million streams on Spotify and was one of Moreland's top-streaming tracks ahead of its removal.
Bryan shared Moreland's comments on his social media, saying, 'Yooo just saw this from an artist I've always respected and supported. Not trying to be dramatic but refuse to have anyone with a problem with me on my records.
"Replacing 'Memphis the Blues.' If it goes down for a bit just know this is the reason! No hard feelings! Confused as s***, Tulsans look out for Tulsans," he said.
"Last thing I say on it! Not partial to arguing with butt hurt grown men.'
After Bryan's post, Moreland responded in a pair of videos on his Instagram stories.
' As far as I'm concerned, getting kicked off a Zach Bryan album is way fucking cooler than being on a Zach Bryan album," he said on May 10.
'Oh, guys, the Zachies are coming after me,' Moreland said, referring to Bryan's fans. 'They're gonna ruin me. They're gonna cancel my small-time folk-music career that I've had since they were in elementary school.'
Moreland explained that he had never met Bryan when he was asked to record the track "Memphis; the Blues" with him. Upon their first introduction, Moreland did not get the best impression from Bryan.
"I don't like this mother*****r," Moreland said after describing more more time with Bryan in the recording process.
'Am I supposed to be upset? If I was asked to be on the album today, I wouldn't do it," he said.
"I don't want to be on an album with a dude who is a d***head to my wife and my friends right in front of me every time I see him. I don't want to be on an album with a dude who I've heard tell borderline racist jokes more than once.
"I don't want to be on an album with a dude who brings a 19-year-old girl in the bar, and then when they tell him she can't be in there, looks at me like I'm supposed to have his f***ing back," Moreland said. "I don't like that person.'
Moreland, a respected musician in the Americana space, has released ten records since 2008, with his most recent studio record, "Visitor," dropping in April 2024.
Bryan, a notable country chart-topper, is best known for his tracks "Something in the Orange" and "I Remember Everything" with Kacey Musgraves.
The Tennessean has reached out to reps for both John Moreland and Zach Bryan for comment. Bryan's camp responded with no comment.
Bryan's name has been in the headlines multiple times over the past year for a number of conflicts.
In November, Bryan posted online that Ye, formerly Kanye West, is better than Taylor Swift.
Swifties did not respond well, and Bryan apologized for the post, saying he "respects her so much as a musician."
More: Zach Bryan apologizes for 'drunkenly' comparing Taylor Swift and Kanye West
The month before, Bryan and his girlfriend of over-one-year, Internet personality Brianna "Chickenfry" LaPaglia, broke up.
LaPaglia has publicly accused Bryan of emotionally abusing her, claims Bryan has not openly addressed.
Audrey Gibbs is a music journalist with The Tennessean. You can reach her at agibbs@tennessean.com.
This article originally appeared on Nashville Tennessean: Zach Bryan, John Moreland feud: Why Bryan removed 'Memphis; the Blues'
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
18 minutes ago
- Yahoo
For Elvis, death has proved disturbingly good business
Elvis lives. A 'new' Elvis Presley album is out this week, Sunset Boulevard, comprising fresh mixes of songs recorded in Los Angeles between 1970 and 1975, two years before the King died. This was a period when Elvis was arguably at the top of his game as an entertainer, relentlessly touring America with a big, super-tight ensemble of outstanding musicians, flying in on his jet and collecting a million dollars a show. Yet he was at a critically low ebb, derided for embracing Las Vegas's cheesy showbiz values and pouring out subpar albums overstuffed with middle-of-the-road material barely fit for his stellar talents. Yet here we are, still sifting through his recordings for lost gems. An extended five-disc box set that includes 89 rarities, mainly rehearsals and out-takes, more than half of which have never come out officially before. Its chief selling point is that it features songs stripped of excess overdubs to give Elvis a more raw and contemporary sound. It makes you wonder where they find this stuff? What dusty vault still contains unreleased Elvis recordings more than half a century since he died? Elvis put out 24 studio albums and 17 soundtracks within a 21-year period between his recording debut aged 19 in 1954 and death aged 42 in August 1977. Since then, there have been a mind-boggling 307 posthumous compilations, 21 remix albums, 80 box sets and 271 special collectors' releases in the Follow That Dream series. That is a lot of music, and a lot of it is the same music, repackaged over and over again. The 'Elvis lives' slogan started appearing in the immediate aftermath of his televised funeral procession, as the world grappled with the sudden disappearance of this lightning-bolt figure who had symbolised such virility. Nearly half a century later, what started out as a kind of sentimental wish seems manifestly true in terms of the way Elvis has persisted as a fixture of popular culture. The curation of the Elvis legend and management of his estate have become object lessons in the commercial exploitation of posthumous music careers. Where Elvis treads, every ageing pop brand (and their heirs) can only aspire to follow. Mercifully it is not all exploitative tat like the much derided 'interactive experience' Elvis Evolution that opened in London in July, charging up to £300 for a bit of pimped-up video footage and some over-familiar memorabilia. Elvis racks up huge streaming numbers, with more than 20 million monthly listeners on Spotify. A close look at the statistics is fascinating. His key modern audience (according to music industry site Chartmetric) are not old rock'n'roll diehards but women between the ages of 25 and 34. His most popular song is not even one of his classic rockers but dreamily romantic 1961 ballad Can't Help Falling in Love, which has garnered over a billion Spotify streams. Connecting to new generations is crucial to posthumous longevity. You have to remain present in the streaming and social media mix, with constant new releases (archive or remixes), documentaries and films (Baz Luhrmann's 2022 Elvis biopic provided a huge boost to his income and image) and even live (or almost live) performances. The best example is probably Queen, who are Spotify's most streamed vintage musical artists at number 37, and have toured with substitute singers Paul Rodgers and Adam Lambert since the death of Freddie Mercury in 1991. If we include the Beatles (at 55), Nirvana (111), Bee Gees (335) and the Cranberries (482), there are just 14 deceased vintage 20th-century artists in Spotify's all-time top 500 streamers (Michael Jackson at 78, Bob Marley, 122, Tupac Shakur, 157, Elvis, 205, Frank Sinatra, 208, David Bowie, 224, the Notorious BIG, 249, Whitney Houston, 294, and film composer John Williams, 446). There are also a number of late contemporary 21st-century stars, including Amy Winehouse (343), Aviici (74) and rappers Juice Wrld (21), XXXTentacion (20), Mac Miller (70) and Pop Smoke (97). Ozzy Osbourne and Black Sabbath's streams skyrocketed this week following Osbourne's death, increasing between 1,000 and 2,000 per cent, hurling them into Spotify's current top 200 and establishing Ozzy as the number one heavy metal artist in the world. I wonder if Sabbath might be tempted to tour again with another singer, Queen style? The three surviving members were on incredible form at Ozzy's farewell concert, and it would almost be a shame if they let that music fade away. There would be no shortage of contenders, with great singers from pop star Yungblud to Rival Sons' Jay Buchanan and Lzzy Hale of Halestorm giving powerful renditions of Sabbath classics at that moving show. Death can be disturbingly good for business, as anyone who has pored over Forbes's ghoulishly fascinating annual chart of highest-earning dead celebrities can attest. Yet there are notable absences, too, from once-supreme bands and stars who appear to be fading from the firmament, such as the Doors, Marvin Gaye and even Jimi Hendrix. To protect your legacy, you have to work it. Elvis Presley's personal fortune at death was a modest $5m (around $20m/£15m adjusted for inflation). By 2022, it was estimated at more than $1bn, and he is still raking in around $100m a year, with his granddaughter, Riley Keough, his sole beneficiary following the death of her mother, Lisa-Marie, in 2023. Elvis is literally worth more dead than alive. Sunset Boulevard is out now On the Record I've been listening to Lord Huron's fine new album, The Cosmic Selector Vol. 1, a slice of atmospheric Americana with thoughtful lyrics, pitched somewhere between such unmodern influences as the Band and Chris Isaak. Movie star Kristen Stewart lends her moodily dramatic delivery to one track. The surprising thing is how popular this old-fashioned, rootsy US quartet are. One of their songs, The Night We Met, has accrued more than three billion plays on Spotify since its release in 2015. It is the 22nd most popular song of the streaming age, putting it ahead of anything by Taylor Swift (whose Cruel Summer is number 28 in all-time streams). Come critical lists and award season, I expect Jim Legxacy to be a contender for his intriguing second album, Black British Music. He is a singer, rapper and producer with an experimental bent married to sinuous pop craft, blending indie, rock and folk with quirky electronica and grime influences. It hints at the shapeshifting potential of such groundbreaking American producer-songwriters as Frank Ocean and Kanye West, and provides an interesting snapshot of a kind of uniquely British take on modern musical forms. Broaden your horizons with award-winning British journalism. Try The Telegraph free for 1 month with unlimited access to our award-winning website, exclusive app, money-saving offers and more.


Gizmodo
2 days ago
- Gizmodo
‘KPop Demon Hunters' and ‘Expedition 33' Are Having a Moment
Have you watched KPop Demon Hunters on Netflix or played Clair Obscur: Expedition 33? Chances are the answer is 'yes,' and if not, you've certainly heard of them: both were released earlier this year to fairly glowing reviews (if not outright critical acclaim) and performed very well commercially. The latter, a turn-based RPG from newcomer Sandfall Interactive, will likely pick up some awards at year's end, while Netflix is planning to go all in on KPop. Along with talks of sequels and an ever-growing wave of merchandise, the streamer submitted the mid-movie song 'Golden' for Academy Award consideration. Both may also wind up jumping to live-action; Expedition had a movie announced months before the game's release, while Netflix is reportedly mulling over a remake with human actors. There's at least one movie, game, or show that becomes the talk of the town each year, but the way KPop and Expedition have been moving feels more significant than most. Both of them certainly build on the foundation set by their predecessors; musically, K-pop has been a popular genre for years, but it's possible general audiences didn't fully know just how much until now. Even if folks didn't watch KPop Demon Hunters, they've sure heard the music, which has risen in the charts in the weeks after release and beat real groups like BTS and Blackpink. (In a fun nod to the film, the two bands, Huntrix and the Saja Boys, became the highest-charting female and male K-pop groups for U.S. Spotify while competing against each other.) Several prominent artists in the genre have reacted to or covered the film's music, which has also become a viral sensation in Korea. Even before that point, viewers had KPop fever the moment the credits rolled and immediately demanded Netflix greenlight a sequel and shared their ideas for a TV spinoff. View this post on InstagramMeanwhile, Expedition 33 was built on the back of decades' worth of turn-based RPGs made in Japan, from heavy hitters like Final Fantasy and Persona to modern cult classics Blue Dragon and Lost Odyssey. Whether you knew the influences or not, that didn't stop the game from feeling like a breath of fresh air (well, paint) at a time when the industry could've used some good news in between the next rounds of layoffs and cancellation-focused news. It's also a game that did its job too well: between bad faith actors and a general need to deify Sandfall for making a strong debut title, the RPG has become overwhelmed by discussions about what its success could and should mean for the industry—and, more pointedly, the ever-evolving Final Fantasy franchise, whose mainline installments have taken more of a real-time combat focus—that subsequently smothered any real talks about its mechanics or late-game narrative swerves. Sandfall's kept its head down and focused on updating the game (and probably its next project next), so it's hard to know how much of this has gone to their heads, for better and worse. For folks hoping for some originality, KPop Demon Hunters and Expedition 33 couldn't have come at a better time. The 2020s have seen franchises start to buckle under continuous sequels and expanded universe games, prompting many to go back to their old ways, if not reboot entirely. So many headlines have focused on what's being rebooted or remade, what's coming back for another go years or decades after the fact. Original works feel more rare than they have in some time, even despite the odds becoming increasingly stacked against them. It's always been a crap shoot as to what originals will land with audiences and to what degree, as seen with the split between how they took to 2023's Elemental versus Elio this past summer. But when one seems like it's got the juice, there's hope that it can build up the proper momentum and find an audience so it becomes a true great. Or failing that, it can always be a stepping stone towards later projects from its creators and gain more attention down the line. Netflix will get to fulfill several of its KPop-related ambitions, and if Sandfall ever makes an Expedition sequel, players will be all over it. But the most interesting thing about them is seeing the shadow they'll have both cast years after the fact and what new creations come to follow in its footsteps. And if what comes next looks, sounds, and plays as great as what inspired them or finds their own voice, it'll all have been worth it. Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what's next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.


New York Post
2 days ago
- New York Post
These are the Top 10 most streamed Billy Joel songs on Spotify
We're all in the mood for these melodies. Spotify compiled a list of the Top 10 most streamed Billy Joel songs for The Post — and the tune that took the crown pays homage to his supermodel ex. The 1983 hit 'Uptown Girl,' which Joel penned for his future wife, Christie Brinkley, landed in the No. 1 spot, according to the stats, compiled after the July 26th soundtrack album release for Joel's new HBO documentary 'Billy Joel: And So It Goes.' 'I wasn't even dating Christie when I started writing the song, I was dating Elle [Macpherson],' Joel once told Howard Stern. 'And then I started dating Christie and rather than it be about all these different girls, she became the 'Uptown Girl.'' 4 Spotify complied a Top 10 list of most streamed Billy Joel songs. Jack Forbes / NY Post Design The Top 10 most streamed Billy Joel songs on Spotify globally are: 'Uptown Girl' 'Piano Man' 'Vienna' 'She's Always a Woman' 'My Life' 'We Didn't Start the Fire' 'Just the Way You Are' 'It's Still Rock and Roll to Me' 'Only the Good Die Young' 'Movin' Out (Anthony's Song)' In the film, Brinkley, who was married to Joel from 1985 to 1994, said she enjoyed being his muse. 'It was fun to be having this whirlwind romance and having certain aspects of that turn into music,' she gushed. 'Piano Man,' in second place, was the six-time Grammy winner's first hit, released in 1973. It was inspired by characters Joel met at The Executive Room, the bar where he played when he and his first wife, Elizabeth Weber, moved to Los Angeles after his first record 'Cold Spring Harbor' flopped. 4 Joel's second wife, Christie Brinkley, is the subject of the first song on the list, 'Uptown Girl.' Getty Images Weber, who worked at the bar as well, was the one Joel refers to in the lyric 'the waitress is practicing politics' — and she told The Post how her now-famous serving gig came about. 'Bill didn't drive and when he went to work, I drove him and waited around to drive him home. John at the bar convinced me to be a cocktail waitress even though I had no experience,' she recalled. 'He knew we had little money and figured if I had to be there while Bill was working, I could make some money too.' The piano man, 76, who has been married four times, admitted that many of his hits were about Weber. 'They say 'Write what you know,' so I wrote what I knew. A lot of the songs were based on Elizabeth,' Joel, a Bronx native who grew up on Long Island, said in the film. 4 In the HBO documentary 'Billy Joel: And So It Goes,' Joel explains that his first wife, Elizabeth Weber, was his muse. Getty Images Two of the songs on the Top 10 list — 'She's Always a Woman' and 'Just the Way You Are' — are based on Weber. 'Oh, I couldn't answer how many songs are about me,' she said. 'We were just living our lives together and we never spoke of it.' The 1977 song 'Vienna,' which Joel wrote about visiting his father — who abandoned him when he was 8 — in the Austrian city in his 20s, came in third place. 4 Joel, a Bronx native who grew up on Long Island, sold more than 150 million records in his career. Getty Images Joel has sold over 150 million records in his career — making him one of the most popular recording artists on the planet — and it's not hard to understand why his songs still resonate, Weber said. 'The human condition has not changed since time began. We all fall in love, experience pain, sorrow and joy,' she said.