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Turning heads on a 250th anniversary

Turning heads on a 250th anniversary

West Australian06-07-2025
Joseph Mallord William Turner — often better known simply as J.M.W. Turner — is revered perhaps more than any other artist to emerge from Britain.
And this year, the 250th anniversary of his birth, will see events and exhibitions taking place across the island. Here are some of the key places paying homage and which showcase some of Turner's best watercolours, oil paintings and sketches.
Born into a working/lower-middle-class family in the Covent Garden district of the capital, and keeping a Cockney accent all his life, Turner is the face of the £20 note and a star turn at some of London's top galleries. The Tate Britain has the largest free collection of Turners anywhere, and it's also compiling a comprehensive catalogue of his 37,500 works, which will be available to browse on its website.
Meanwhile, the National Gallery by Trafalgar Square boasts what is frequently touted as Turner's most famous painting, The Fighting Temeraire (1838), which features his distinctive brushwork and trademark shafts of colour and light, depicting an old warship being towed at sunset on the River Thames. You'll also find Turner pieces at the Royal Academy of Arts, the prestigious institution that enrolled him as an art student when he was 14.
Other spots on London's Turner trail include the artist's former country retreat, now a museum between the south-western suburbs of Richmond and Twickenham (this year it's exhibiting a batch of his watercolours of animals, birds and fish) and St Paul's Cathedral, where he was buried after his funeral on December 30, 1851.
Lauded as a romantic landscape painter, Turner was also attracted to the sea, and spent a lot of time painting on the south coast of England, particularly in Kent, where the town of Margate is home to the Turner Contemporary.
This striking 21st-century gallery, on the site of an old guesthouse where Turner used to stay, is on the Margate seafront with inspiring views through its floor-to-ceiling windows of the sea and the broad sandy beach.
Exhibitions by artists — local and global — are held here, and this year, on loan from Tate, Turner's 1840 piece, Waves Breaking on a Lee Shore at Margate (Study for Rockets and Blue Lights), is on display, accompanied by activities to celebrate the artist's connections with the town.
One highlight of the year-long festival is a poem by Margate artist Tracey Emin, a kind of love letter to Turner, which is projected at the gallery.
Margate, incidentally, featured in the 2014 biopic, Mr Turner, with Timothy Spall in the lead role, although the coast of Cornwall stood in for Kent on screen.
Stocked with one of the most important collections of Turner watercolours outside of London, the Whitworth Gallery is a gem in Manchester's leafy university district. One of its big exhibitions for 2025, supplemented with loans from Tate Britain, is Turner: In Light and Shade.
Last presented here more than a century ago, it focuses on the 71 prints from the artist's Liber Studiorum project, which Turner crafted in the first quarter of the 19th century. Comprising an evocative cluster of sepia-toned drawings, etchings, mezzotints and copper plates, it features mostly land and seascapes that Turner captured across Britain and Europe, including pieces from the north of France, Italy and the Swiss Alps. You can ponder what you've seen at the gallery's glass-fronted cafe, which overlooks the trees and sculptures of Whitworth Park.
Turner's legacy is such that the UK's most acclaimed annual award for contemporary art is named after him. This year's Turner Prize is taking place in Bradford, the 2025 UK Capital of Culture (and the birthplace of another well-known artist, David Hockney, who once curated an exhibition of Turner watercolours at Tate Britain).
Also set in a lovely park, and containing a special gallery dedicated to Hockney, Cartwright Hall is hosting the Turner Prize 2025 exhibition from September 27 to February 22, 2026. Visitors will be able to peruse work from the shortlisted contenders: Nnena Kalu, a Glasgow-born artist who makes cocoon-like installations using materials like fabrics, paper and cellophane; London-based photographer Rene Matic; Zadie Xa, a Korean-Canadian who now resides in London and weaves painting, mural, textile and sound; and Mohammed Sami, who's originally from Baghdad and best-known for his large-scale paintings about war, memory and loss.
Also in Yorkshire, Harewood House, an elegant pile outside Leeds that Turner once painted, has an exhibition that celebrates both him and Jane Austen, who was also born 250 years ago this year. It looks at their shared interest in the society and culture of the British country house and its landscape. In England's north-west, the Walker Art Gallery in Liverpool will host Turner: Always Contemporary (October 25 to February 22, 2026), tracing both the artist's own work and his enduring impact on later generations, covering themes like travel, landscape, and artistic experimentation.
Scotland was another place that enchanted Turner. He painted its lochs, mountains and castles, and also portrayed the streets and setting of Edinburgh on canvas. If you happen to be in Scotland's capital next January, pay a visit to the Scottish National Gallery. For more than a century, it has showcased the watercolours of Turner throughout the first month of the year — respecting a wish by Henry Vaughan, an art collector and Turner fan, who gifted 38 works to the gallery in 1899.
+ To plan a trip to Britain, see
visitbritain.com
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What to stream this week: Eric Bana's Netflix thriller and five more picks
What to stream this week: Eric Bana's Netflix thriller and five more picks

Sydney Morning Herald

time17-07-2025

  • Sydney Morning Herald

What to stream this week: Eric Bana's Netflix thriller and five more picks

This week's picks include an American murder mystery featuring Eric Bana and Sam Neill, a much-hyped Stephen King adaptation and sturdy crime procedural from the Bosch universe. Untamed ★★★ (Netflix) Early on in this American murder mystery, which is set in California's vast Yosemite National Park, a veteran federal agent, Kyle Turner (Eric Bana), takes a new park ranger, Naya Vasquez (Lily Santiago), out on official business via horseback. 'I haven't seen this view before,' Vasquez says as they cross a gorgeous riverside glade, to which Turner replies that most people only see the same 10 per cent of Yosemite. 'The rest of it's out there,' he sagely adds. That's also my take on Untamed. While it's made with care and staffed with capable performances, the take on crime and punishment in this limited series too often feels like the same 10 per cent of the crime genre we've seen before. In its outline and emotional currents, the show flirts with the generic at times. That it holds together as a whodunit and eventually an examination of what protecting your family really means is credit to the show's perseverance and our willingness to follow this genre's well-worn trail. Loading The first episode, in particular, is a spartan checking of boxes; beginning with a young woman plunging off the famous El Capitan granite monolith and the arrival of Turner, the park's criminal investigator. He's a scrupulous if taciturn detective and a sad drunk – he calls his remarried ex-wife Jill (Rosemarie DeWitt) at 2am, an unspoken loss haunting him. Vasquez is unperturbed by this lone ranger. 'I got a toddler at home.' she reasons. 'So I know how to deal with difficult.' A succinct six episodes, Untamed was created by the father and daughter team of Mark L. Smith and Elle Smith. The former's credits include the recent Netflix western American Primeval and his calling card is nature's fury magnified by humanity's hunger for violence. This show is nowhere near as calamitous, but it racks up bodies, facts about Yosemite anthropology, and some particularly prickly exchanges between Turner and the soldier-turned-wildlife-control-officer Shane Maguire (Wilson Bethel). Anything predictable is nonetheless professional, but a sharper directorial eye would have helped. Bana, who has aged exceedingly well into his silver fox era, puts emotional weight on the generic punctuation; his eyes say more than his dialogue in certain scenes. Sam Neill has even less to work with as Turner's boss and longtime friend Paul Souter, who needs the case solved as the media pack grows. By the final episodes, the story has dug down enough, with past crimes and melancholic discoveries, to give the leads more to do. It's just that Untamed requires patience to get that far. The Institute ★★½ (Stan) The screen rights for Stephen King's 2019 novel The Institute were sold on the day the book was released, in 2019. It's not difficult to see why. The story of a group of teenagers with telekinetic powers trapped in a monstrous institution running experiments on them was a throwback to some of the prolific author's earliest hits, which in turn had influenced the likes of Netflix's Stranger Things. This competent adaptation makes the creative circle complete. Loading Overseen by King veterans – writer Benjamin Cavell (The Stand) and director Jack Bender (Mr Mercedes) – the story sets up two strands: 14-year-old prodigy Luke Ellis (Joe Freeman) is violently abducted and sent to the secretive Institute, while in the nearby Maine town of Dennison River Bend a haunted police officer, Tim Jamieson (Ben Barnes) is trying to fix his life. The latter's arc is a holding action, barely ticking over until Luke's desperation brings him to Tim's attention. Life at the facility, with its adolescent inmates and creepy adult scientists, is bleak, but the horror in this science-fiction drama mostly feels compact and cautious. There's rarely a sense of the unhinged or genuinely otherworldly. As the uncompromising supervisor Ms Sigsby, Mary-Louise Parker is suitably unsettling, but like too much of this eight-part series, the capable never reaches the compelling. The Cleaner (season 3) ★★★½ (BritBox) The new season of this British comedy, where creator Greg Davies plays crime scene cleaning technician Paul 'Wicky' Wickstead, is starting to test the show's limits. In each episode, Wicky goes to a new crime scene and interacts with witnesses, officials, and survivors. It's an unlucky dip that makes Wicky look anew at his life. The writing is clever, the humour sardonic, and the reflections on lost opportunities always thoughtful, but Davies obviously wants to experiment with the format and tone. There are episodes here that start to unstitch the series. Ballard ★★★ (Amazon Prime Video) Adapted from the Los Angeles crime novels of Michael Connelly, the Bosch television franchise moves seamlessly into this spin-off, which follows dedicated LAPD detective Renee Ballard (Maggie Q, Designated Survivor). Shunned by colleagues for being a straight arrow, Ballard gets a Department Q -like shift into an understaffed cold case squad. With six Ballard novels to call on, the series is a sturdy procedural, complete with Bosch -friendly cameos, that is trying to very carefully grapple with institutional failings while maintaining a run-and-gun cop show momentum. The Keepers ★ ★ ★ ★ (Netflix) Netflix is a relentless producer of true-crime documentaries. The quality can vary greatly, but I'm not sure they've made one better than this still haunting 2017 series. Directed by Ryan White (Into the Fire: The Lost Daughter), it uses the unsolved 1969 murder of Baltimore Catholic nun Catherine Cesnik to examine corrupt institutional power and the pain of unacknowledged abuse. The show functions as a mystery, complete with cliffhangers, but at its core, it is a sombre study focused on individuals trying to advance justice. It hasn't lost a skerrick of its strength. Snowfall (seasons 1-6) ★★★½ (Disney+) There was a fair amount of attention for this American crime drama, which debuted in 2017 and was primarily set in Los Angeles during the crack epidemic of the early 1980s. But it's still worth a retrospective binge. With F1′ s Damson Idris as ambitious young drug dealer Franklin Saint, the show mixed The Wire 's grit with historical conspiracy theories such as the CIA aiding the crack trade to finance anti-communist rebels in Central America. The show's profile decreased behind Foxtel's pay TV wall, but now all six seasons are streaming on Disney+.

What to stream this week: Eric Bana's Netflix thriller and five more picks
What to stream this week: Eric Bana's Netflix thriller and five more picks

The Age

time17-07-2025

  • The Age

What to stream this week: Eric Bana's Netflix thriller and five more picks

This week's picks include an American murder mystery featuring Eric Bana and Sam Neill, a much-hyped Stephen King adaptation and sturdy crime procedural from the Bosch universe. Untamed ★★★ (Netflix) Early on in this American murder mystery, which is set in California's vast Yosemite National Park, a veteran federal agent, Kyle Turner (Eric Bana), takes a new park ranger, Naya Vasquez (Lily Santiago), out on official business via horseback. 'I haven't seen this view before,' Vasquez says as they cross a gorgeous riverside glade, to which Turner replies that most people only see the same 10 per cent of Yosemite. 'The rest of it's out there,' he sagely adds. That's also my take on Untamed. While it's made with care and staffed with capable performances, the take on crime and punishment in this limited series too often feels like the same 10 per cent of the crime genre we've seen before. In its outline and emotional currents, the show flirts with the generic at times. That it holds together as a whodunit and eventually an examination of what protecting your family really means is credit to the show's perseverance and our willingness to follow this genre's well-worn trail. Loading The first episode, in particular, is a spartan checking of boxes; beginning with a young woman plunging off the famous El Capitan granite monolith and the arrival of Turner, the park's criminal investigator. He's a scrupulous if taciturn detective and a sad drunk – he calls his remarried ex-wife Jill (Rosemarie DeWitt) at 2am, an unspoken loss haunting him. Vasquez is unperturbed by this lone ranger. 'I got a toddler at home.' she reasons. 'So I know how to deal with difficult.' A succinct six episodes, Untamed was created by the father and daughter team of Mark L. Smith and Elle Smith. The former's credits include the recent Netflix western American Primeval and his calling card is nature's fury magnified by humanity's hunger for violence. This show is nowhere near as calamitous, but it racks up bodies, facts about Yosemite anthropology, and some particularly prickly exchanges between Turner and the soldier-turned-wildlife-control-officer Shane Maguire (Wilson Bethel). Anything predictable is nonetheless professional, but a sharper directorial eye would have helped. Bana, who has aged exceedingly well into his silver fox era, puts emotional weight on the generic punctuation; his eyes say more than his dialogue in certain scenes. Sam Neill has even less to work with as Turner's boss and longtime friend Paul Souter, who needs the case solved as the media pack grows. By the final episodes, the story has dug down enough, with past crimes and melancholic discoveries, to give the leads more to do. It's just that Untamed requires patience to get that far. The Institute ★★½ (Stan) The screen rights for Stephen King's 2019 novel The Institute were sold on the day the book was released, in 2019. It's not difficult to see why. The story of a group of teenagers with telekinetic powers trapped in a monstrous institution running experiments on them was a throwback to some of the prolific author's earliest hits, which in turn had influenced the likes of Netflix's Stranger Things. This competent adaptation makes the creative circle complete. Loading Overseen by King veterans – writer Benjamin Cavell (The Stand) and director Jack Bender (Mr Mercedes) – the story sets up two strands: 14-year-old prodigy Luke Ellis (Joe Freeman) is violently abducted and sent to the secretive Institute, while in the nearby Maine town of Dennison River Bend a haunted police officer, Tim Jamieson (Ben Barnes) is trying to fix his life. The latter's arc is a holding action, barely ticking over until Luke's desperation brings him to Tim's attention. Life at the facility, with its adolescent inmates and creepy adult scientists, is bleak, but the horror in this science-fiction drama mostly feels compact and cautious. There's rarely a sense of the unhinged or genuinely otherworldly. As the uncompromising supervisor Ms Sigsby, Mary-Louise Parker is suitably unsettling, but like too much of this eight-part series, the capable never reaches the compelling. The Cleaner (season 3) ★★★½ (BritBox) The new season of this British comedy, where creator Greg Davies plays crime scene cleaning technician Paul 'Wicky' Wickstead, is starting to test the show's limits. In each episode, Wicky goes to a new crime scene and interacts with witnesses, officials, and survivors. It's an unlucky dip that makes Wicky look anew at his life. The writing is clever, the humour sardonic, and the reflections on lost opportunities always thoughtful, but Davies obviously wants to experiment with the format and tone. There are episodes here that start to unstitch the series. Ballard ★★★ (Amazon Prime Video) Adapted from the Los Angeles crime novels of Michael Connelly, the Bosch television franchise moves seamlessly into this spin-off, which follows dedicated LAPD detective Renee Ballard (Maggie Q, Designated Survivor). Shunned by colleagues for being a straight arrow, Ballard gets a Department Q -like shift into an understaffed cold case squad. With six Ballard novels to call on, the series is a sturdy procedural, complete with Bosch -friendly cameos, that is trying to very carefully grapple with institutional failings while maintaining a run-and-gun cop show momentum. The Keepers ★ ★ ★ ★ (Netflix) Netflix is a relentless producer of true-crime documentaries. The quality can vary greatly, but I'm not sure they've made one better than this still haunting 2017 series. Directed by Ryan White (Into the Fire: The Lost Daughter), it uses the unsolved 1969 murder of Baltimore Catholic nun Catherine Cesnik to examine corrupt institutional power and the pain of unacknowledged abuse. The show functions as a mystery, complete with cliffhangers, but at its core, it is a sombre study focused on individuals trying to advance justice. It hasn't lost a skerrick of its strength. Snowfall (seasons 1-6) ★★★½ (Disney+) There was a fair amount of attention for this American crime drama, which debuted in 2017 and was primarily set in Los Angeles during the crack epidemic of the early 1980s. But it's still worth a retrospective binge. With F1′ s Damson Idris as ambitious young drug dealer Franklin Saint, the show mixed The Wire 's grit with historical conspiracy theories such as the CIA aiding the crack trade to finance anti-communist rebels in Central America. The show's profile decreased behind Foxtel's pay TV wall, but now all six seasons are streaming on Disney+.

Turning heads on a 250th anniversary
Turning heads on a 250th anniversary

West Australian

time06-07-2025

  • West Australian

Turning heads on a 250th anniversary

Joseph Mallord William Turner — often better known simply as J.M.W. Turner — is revered perhaps more than any other artist to emerge from Britain. And this year, the 250th anniversary of his birth, will see events and exhibitions taking place across the island. Here are some of the key places paying homage and which showcase some of Turner's best watercolours, oil paintings and sketches. Born into a working/lower-middle-class family in the Covent Garden district of the capital, and keeping a Cockney accent all his life, Turner is the face of the £20 note and a star turn at some of London's top galleries. The Tate Britain has the largest free collection of Turners anywhere, and it's also compiling a comprehensive catalogue of his 37,500 works, which will be available to browse on its website. Meanwhile, the National Gallery by Trafalgar Square boasts what is frequently touted as Turner's most famous painting, The Fighting Temeraire (1838), which features his distinctive brushwork and trademark shafts of colour and light, depicting an old warship being towed at sunset on the River Thames. You'll also find Turner pieces at the Royal Academy of Arts, the prestigious institution that enrolled him as an art student when he was 14. Other spots on London's Turner trail include the artist's former country retreat, now a museum between the south-western suburbs of Richmond and Twickenham (this year it's exhibiting a batch of his watercolours of animals, birds and fish) and St Paul's Cathedral, where he was buried after his funeral on December 30, 1851. Lauded as a romantic landscape painter, Turner was also attracted to the sea, and spent a lot of time painting on the south coast of England, particularly in Kent, where the town of Margate is home to the Turner Contemporary. This striking 21st-century gallery, on the site of an old guesthouse where Turner used to stay, is on the Margate seafront with inspiring views through its floor-to-ceiling windows of the sea and the broad sandy beach. Exhibitions by artists — local and global — are held here, and this year, on loan from Tate, Turner's 1840 piece, Waves Breaking on a Lee Shore at Margate (Study for Rockets and Blue Lights), is on display, accompanied by activities to celebrate the artist's connections with the town. One highlight of the year-long festival is a poem by Margate artist Tracey Emin, a kind of love letter to Turner, which is projected at the gallery. Margate, incidentally, featured in the 2014 biopic, Mr Turner, with Timothy Spall in the lead role, although the coast of Cornwall stood in for Kent on screen. Stocked with one of the most important collections of Turner watercolours outside of London, the Whitworth Gallery is a gem in Manchester's leafy university district. One of its big exhibitions for 2025, supplemented with loans from Tate Britain, is Turner: In Light and Shade. Last presented here more than a century ago, it focuses on the 71 prints from the artist's Liber Studiorum project, which Turner crafted in the first quarter of the 19th century. Comprising an evocative cluster of sepia-toned drawings, etchings, mezzotints and copper plates, it features mostly land and seascapes that Turner captured across Britain and Europe, including pieces from the north of France, Italy and the Swiss Alps. You can ponder what you've seen at the gallery's glass-fronted cafe, which overlooks the trees and sculptures of Whitworth Park. Turner's legacy is such that the UK's most acclaimed annual award for contemporary art is named after him. This year's Turner Prize is taking place in Bradford, the 2025 UK Capital of Culture (and the birthplace of another well-known artist, David Hockney, who once curated an exhibition of Turner watercolours at Tate Britain). Also set in a lovely park, and containing a special gallery dedicated to Hockney, Cartwright Hall is hosting the Turner Prize 2025 exhibition from September 27 to February 22, 2026. Visitors will be able to peruse work from the shortlisted contenders: Nnena Kalu, a Glasgow-born artist who makes cocoon-like installations using materials like fabrics, paper and cellophane; London-based photographer Rene Matic; Zadie Xa, a Korean-Canadian who now resides in London and weaves painting, mural, textile and sound; and Mohammed Sami, who's originally from Baghdad and best-known for his large-scale paintings about war, memory and loss. Also in Yorkshire, Harewood House, an elegant pile outside Leeds that Turner once painted, has an exhibition that celebrates both him and Jane Austen, who was also born 250 years ago this year. It looks at their shared interest in the society and culture of the British country house and its landscape. In England's north-west, the Walker Art Gallery in Liverpool will host Turner: Always Contemporary (October 25 to February 22, 2026), tracing both the artist's own work and his enduring impact on later generations, covering themes like travel, landscape, and artistic experimentation. Scotland was another place that enchanted Turner. He painted its lochs, mountains and castles, and also portrayed the streets and setting of Edinburgh on canvas. If you happen to be in Scotland's capital next January, pay a visit to the Scottish National Gallery. For more than a century, it has showcased the watercolours of Turner throughout the first month of the year — respecting a wish by Henry Vaughan, an art collector and Turner fan, who gifted 38 works to the gallery in 1899. + To plan a trip to Britain, see

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