Dear Richard Madeley: My girlfriend is taking me on an active holiday, but I prefer cultural breaks
My girlfriend has delightfully surprised me with a week away in Malta, a place I've spoken fondly about to her in the past, to celebrate my birthday in September. Unfortunately, the thing I like about it is the landscape and culture, but what it turns out to be more widely known for is active sport and clubbing – both of which happen to be enthusiasms of hers. So the resort we're staying at is not at all well situated to explore neolithic settlements or baroque churches, but we're booked in for a windsurfing course and even a Padi scuba-diving certificate. I have nothing against any of this but I'd rather save a few bob and do it in Dorset, frankly.
Meanwhile, if I do manage to get away and explore some catacombs, I'm worried that I'll either annoy my girlfriend by leaving her alone with her paddleboard, or drag her along and leave her with the impression that I'm a dusty old bore – which I probably am, but I thought I'd managed to conceal the fact pretty well thus far. Is there a way we can both get what we want out of this while still getting to enjoy one another's company?
– D, via telegraph.co.uk
Dear D,
Of course there is! There's nothing wrong with having diverse interests! And anyway, clearly you share many of hers so there's plenty of overlap here.
So stop worrying about what she might think of you if you declare your private passions to her. She loves you for who you are. I'd say being happy to go scuba diving or paddleboarding in the morning and then keen to wander round some ruins after lunch makes you a more interesting person, much less an old bore!
So sit down and agree a rough schedule of how you'll divide your days in Malta. Be a gentleman and err on the side of generosity; offer a few more action hours than dusty diversions. But who knows? She may love a dive into the past as much as a dip in the Med.
Send me a postcard!
You can find more of Richard Madeley's advice here or submit your own dilemma below.
Broaden your horizons with award-winning British journalism. Try The Telegraph free for 1 month with unlimited access to our award-winning website, exclusive app, money-saving offers and more.
Solve the daily Crossword

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Skift
an hour ago
- Skift
Spain to Delist Thousands of Airbnbs and Other Vacation Rentals
Spain's approach to de-listing units is similar to the one New York City has taken in the past couple of years. Spain's short-term rental market is bracing for major disruption as its housing ministry prepares to delist thousands of unregistered tourist apartments during the peak summer season. Starting in mid-August, Spain's housing ministry will begin enforcing a 2024 law that requires all short-term rentals to display a unique rental registration number (NRA in Spanish). Listings that fail to comply will be removed from major platforms like Airbnb. 'We continue to put a stop to illegal tourist apartments to guarantee the right to decent housing,' Housing Minister Isabel Rodríguez said in mid-July when the government and Airbnb announced an agreement to enforce the new law. The first apartments will be removed from platforms in mid-August after they are given a 10-day grace period to appeal. An Airbnb spokesperson told Skift on Tuesday that the company has led discussions at the European


Forbes
2 hours ago
- Forbes
BMW Presents Raphaëlle Peria And Fanny Robin's Poetic Photographic Journey At Les Rencontres D'Arles
Raphaëlle Peria. Gathering the Whispers, 2025. Courtesy of the artist / BMW ART MAKERS. Courtesy of the artist / BMW ART MAKERS. In a powerful convergence of memory, photography, and environmental reflection, French artist Raphaëlle Peria and curator Fanny Robin unveil their collaborative exhibition Traversée du fragment manquant ("Crossing the Missing Fragment") at the 56th edition of Les Rencontres d'Arles, one of the world's most prestigious photography festivals. Staged at the atmospheric Cloître Saint-Trophime–a 12th-century Romanesque cloister and UNESCO World Heritage Site–this exhibition is the winning project of the BMW ART MAKERS 2025 programme and marks the 15th year of BMW France's cultural partnership with the festival. The result is an elegy in images: a poetic dialogue between past and present, childhood and adulthood, memory and loss–rendered through a deeply personal story with universal environmental implications. Fanny Robin and Raphaëlle Peria, BMW ART MAKERS. Photograph by David Coulon (2025). DavidCoulon (2025)/ BMW Art Makers A Fragment Reconstructed The exhibition began with a photograph–several, in fact. Raphaëlle Peria, only three years old at the time, embarked on a journey with her father and sisters along the Canal du Midi aboard their family barge. That memory was hazy, half-lost–until a family photo album resurfaced decades later. "Page after page, the story of this crossing unfolded," she says. That rediscovery became the catalyst for a multi-layered project combining old family photographs, newly shot images of the same canal, and Peria's own signature techniques of photographic transformation. But there is a darker undertone. The plane trees that line the historic canal, once captured in the glow of childhood and sunlight, are now dying—devastated by an invasive fungal disease known as canker stain . 'There are parts of the canal now with no trees at all,' Peria says. 'In ten years, they'll be gone.' Lever les voiles sur le passé Raphaëlle Peria - BMW ART MAKERS Raphaëlle Peria - BMW ART MAKERS Photography As Archaeology Curated by Fanny Robin, the exhibition is an ambitious feat considering the rapid timeline: from selection in December 2024 to full production and installation by May 2025. Robin, Artistic Director of Lyon's Bullukian Foundation, has worked with Peria on multiple projects over nearly a decade, but this exhibition marks a turning point. 'This is our fifth exhibition together,' she says, 'but it's much more experimental than anything we've done before.' The body of work displayed in Traversée du fragment manquant is structured around a dialogue—between Peria's own photographs, captured during a return journey to the canal this spring, and her father's archival images from the 1970s. Peria explains, 'There are three types of works in the show: my scratched photographic prints on paper, new works on plexiglass, and archival family photos scratched into copper-toned paper. I chose copper because the fungus that kills the trees leaves behind a copper stain on their bark.' This act of scratching—an almost archaeological gesture—serves to reveal and conceal at once. In Peria's hands, photography is not merely a process of documentation, but a tactile excavation of memory, decay, and disappearance. The scratch marks, delicate yet insistent, reflect the tension between time's erosive nature and the human desire to preserve. A Journey Through Scenography At the heart of the exhibition is a stunning immersive installation, designed by Robin in close collaboration with Peria. Constructed from wooden structures and double-sided panels, the scenography invites visitors to move through the space as though navigating the narrow corridors of a barge. On one side are Peria's modern-day images; on the other, her father's archival photos—each one scratched, sculpted, and recontextualized into new meaning. 'It's a dialogue of transparency between past and present,' Peria explains. The setting enhances the work's emotional gravity. The Cloître Saint-Trophime envelops viewers in ancient stone and filtered light, a living monument to time's passage. Robin and Peria's construction mirrors that experience, with framed images glowing subtly through semi-translucent supports, evoking the canal's reflective waters and the memory-traces of a vanishing ecosystem. Robin notes that while the work will be shown at Paris Photo later this year, the scenography will shift. 'It will be adapted to the Grand Palais and its light,' she says. 'But the emotional core remains the same.' BMW ART MAKERS exhibition "Traversée du fragment manquant" at Les Rencontres d'Arles 2025 by artist Raphaëlle Peria and curator Fanny Robin. © Raphaëlle Peria/BMW ART MAKERS (07/2025) Memory, Melancholy, and Urgency Beyond the technical and curatorial achievements, what truly defines Traversée du fragment manquant is its emotional resonance. The title itself hints at absence—the missing fragment that Peria seeks to reconstruct not only through image, but through sensation and memory. The photographs bear poetic titles— Le Reflet de ce qu'il reste ( The Reflection of What Remains ), Gathering the Whispers —underscoring the elegiac tone. These are not just images of a canal; they are meditations on how landscapes carry human histories, how childhood moments become mythologized, and how fragile our ties to nature really are. 'I think it's important to show the evolution of an ecosystem,' Peria says. 'The trees are like ghosts now.' The urgency of climate change and environmental degradation is never stated explicitly—but it haunts every image. In revisiting the route of her childhood voyage, Peria finds the trees she once remembered reduced to stumps, scars, and absence. In bringing them back through her art, she creates a powerful tribute to what is already lost and what may soon vanish. Les fantômes du canal, Raphaëlle Peria - BMW ART MAKERS (2025) Raphaëlle Peria - BMW ART MAKERS (2025) The Power of Partnership BMW ART MAKERS, the program that brought this collaboration to life, is unique in that it funds a curator-artist duo, rather than a single artist. It's a model that fosters deep artistic dialogue, something both Peria and Robin have clearly embraced. 'The BMW program gave us the chance to take risks,' Robin says. 'It was a very short timeline, but that urgency led to something much more alive and immediate.' BMW's 15-year partnership with Les Rencontres d'Arles represents a long-standing commitment to cultural support, but Traversée du fragment manquant feels particularly timely. As industries reckon with their role in environmental crises, supporting work that speaks directly to issues of memory and ecology feels less like branding and more like responsibility. Raphaëlle Peria, BMW ART MAKERS (2025). Photograph by Lee Sharrock © Lee Sharrock A Family's Silent Witness As for Peria's father–whose photographs sparked the entire project–he had not yet seen the exhibition at the time of our interview. 'He found out about it in the newspaper,' Peria laughs. 'He'll come at the end of August.' One imagines that the experience will be profound. His casual snapshots have now become a visual cornerstone of an exhibition that combines intimate family history with urgent environmental commentary. What began as a child's summer adventure is now transformed into a work of art seen by thousands—and possibly, a record of a natural world that may not survive another generation. Le reflet de ce qu'il reste. Raphaëlle Peria, BMW ART MAKERS (2025) Raphaëlle Peria, BMW ART MAKERS Final Reflections In an age of digital overload and synthetic imagery, Raphaëlle Peria and Fanny Robin offer something far more tactile, poetic, and haunting. Traversée du fragment manquant isn't just about looking–it's about remembering, feeling, and mourning. It reminds us that photography, at its best, doesn't just capture the world; it interrogates our place within it. As Peria so poignantly puts it: 'Trees are living beings that carry our memory; they are the guardians of our secrets.' Through this remarkable collaboration, those secrets whisper again–etched in light, scratched into history, and carried forward, even as the waters rise and the trees fall. Traversée du fragment manquant is on view at Cloître Saint-Trophime, Arles, until October 5, 2025. The exhibition will also travel to Paris Photo in November at the Grand Palais Éphémère. Cloître Saint-Trophime, Marseille. Photograph by Lee Sharrock © Lee Sharrock


CNET
2 hours ago
- CNET
Two Days Left to Score Babbel for Life at a Special Price
If you've traveled internationally this summer, you know how helpful it could have been to know the language of where you went. But learning a language can take more time than most of us have, especially if you're starting from scratch. Whether you're looking to learn French, Italian or Portuguese, a Babbel subscription can definitely help. With programs available right on your phone, you'll be speaking another languge before you know it. Thankfully, StackSocial has a limited-time offer for the language learning platform right now. Act soon and you can get a lifetime subscription to Babbel for only $135 when you apply the coupon code LEARN. That'll save you 58% off the usual asking price, and it's the kind of deal that you definitely don't want to sleep on. Unfortunately, this kind of deal expires on Aug. 7, so you only have two days left to pick one up. Babbel's extensive language software includes French, German, Indonesian, Italian, Portuguese, Russian, Spanish and Swedish. Lessons are short so you won't find yourself overwhelmed with information. Skill levels range from beginner to advanced and the content is self-paced. And it's right at your fingertips, perfect for any busy person. Hey, did you know? CNET Deals texts are free, easy and save you money. Babbel's speech recognition software offers instant feedback so you know what you're doing right and where things can be improved, and personalized review sessions help reinforce what you've already learned. The Babbel app works on phones and computers and while you do need an internet connection to get the most out of it, an offline mode provides access to key features if you download them ahead of time. Why this deal matters A lifetime subscription is always a good way to avoid adding another monthly fee to your growing collection and it removes the pressure of putting a restrictive timeline on your learning. Plus, buying lifetime access directly from Babbel would normally cost $599. Even with the current promotion, this StackSocial deal beats the price by a long shot. Just make sure to order your subscription before this deal ends on Aug. 7 and remember that you have only 30 days after your purchase to redeem the subscription. This isn't the lowest price we've seen, but it's only $5 more. For a lifetime of learning, it's hard to beat this limited-time deal. Note: Although this is advertised as a lifetime subscription, there are no guarantees that purchases will be supported for life. As we've seen in the past, a change of ownership, a service shutting down or some other unforeseen circumstance may result in your lifetime subscription ending sooner than anticipated.