'New Saga' Anime Adds Takehito Koyasu & Yoko Hikasa to Cast, Theme Song Details Also Revealed
'New Saga' anime has just announced that Takehito Koyasu and Yoko Hikasa are joining the cast! Along with this announcement, the details about the opening and ending theme song are also revealed. Messages from the theme song artists, 4s4ki and Mahiru Code, also arrived.
TV anime "New Saga" is set to air from July 2025 while the availability for the global streaming is yet to be announced.
New Character Information
Ganias (CV. Takehito Koyasu)
A male demon possessing exceptional physical abilities and immense magical power. With a ruthless personality, he treats human lives like trash.
Yuriga (CV. Yoko Hikasa)
A female demon who accompanies Ganias. Her combat prowess is formidable enough to give Kyle and his companions a tough fight. Due to her different values from humans, she occasionally makes inappropriate or out-of-place remarks without considering the situation.
Opening Theme Song
"Enja" by 4s4ki
Lyrics: 4s4ki
Composition/Arrangement: 4s4ki/NUU$HI
Message from the artist
This is 4s4ki, and I had the pleasure of creating the opening theme.
As a huge anime fan, I had a lot of fun creating the music!
For this song, I incorporated the story, morality, and characters' emotions from "New Saga" into the lyrics, while also projecting myself as an "actor" portraying these anime characters.
I'm super hyped for the anime, and we really put a lot into the sound and melodies. So, I hope you can feel the speed, and the characters' strong will and sense of mission while listening for all the little details!
The whole process was incredibly fun!
Everyone, make sure to watch it!!!
【Profile】
4s4ki is a new-generation artist from Tokyo, bringing a fresh alternative pop sound to the world stage.
She's a multi-talented creator who not only writes lyrics, composes, and arranges music, but also produces tracks using DTM (DeskTop Music) software and performs piano solo acts. While showcasing her diverse skills, she collaborates extensively with various musicians and creators, breaking genre boundaries and establishing new musical values.
In 2021, she made her major debut with Victor/SPEEDSTAR RECORDS and performed at Japan's largest outdoor music festival, "FUJI ROCK FESTIVAL '21".
In 2025, she completed her largest-scale solo tour to date, "4s4ki Oneman Live Tour 2025 '4444 Year ; C4'", covering six major cities across Japan and concluding with a final performance at Zepp Shinjuku.
4s4ki is recognized as one of the most promising female artists, transcending both national and genre boundaries.
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■YouTube
Ending Theme Song
"her" by Mahiru Coda
Lyrics: Mahiru Coda
Composition: Mahiru Coda / Yoichiro Nomura
Arrangement: Yoichiro Nomura
Message from the artist
I'm Mahiru Coda, and I'm honored to be in charge of the ending theme.
While reading the original work, I was drawn into the unique and exciting elements of this series. While we tend to focus on the main characters' strong drive towards their goal, I realized that the interactions with the women around them are also an essential part of the story. So, I decided to depict their love triangle from a female perspective.
The meaning behind the title "her" is part of a poignant story that will spark your imagination. I hope that when you listen to the song, you'll feel as if you've been transported into the world of the anime.
【Profile】
Mahiru Coda is a singer-songwriter with roots in jazz and hip-hop, known for her unrestricted and free-flowing sound. She writes and composes all of her own music.
In 2021, she made her debut as a singer-songwriter with her first EP "California," released under Warner Music Japan. In September 2023, she released her first full album "22 Deluxe Edition" on CD. Then in December 2024, she digitally released the EP "STOP ME."
Beyond her work as a musician, Mahiru is also active in various fields as an actor, TV personality, and fashion icon.
■Official Website
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■TikTok
■YouTube
About 'New Saga'
Synopsis
"It's over... finally... at last..."
In a world where humanity was pushed to the brink of extinction by the "Great Invasion," a massive war waged by the demon race.
Amidst the chaos, Kyle, a young man, loses his irreplaceable loved ones and his hometown.
Rising as a magic swordsman to seek revenge, he engages in fierce battles and ultimately defeats the Demon King. However...
The price of victory is far too steep, leaving Kyle on the verge of death, his body battered and broken...
At that moment...
Enveloped by the light of a crimson gem, Kyle awakens to find himself in his hometown—a place that should have been long destroyed!
Having traveled back in time by four years, Kyle reunites with his lost family, friends, and lover. Armed with the memories and experiences of his past life, he embarks on a second chance determined to prevent the same tragedy from unfolding!
Now, a "New Saga" to save the world begins!
Cast
Kyle: Yuma Uchida
Seran: Hiro Shimono
Lise: Fairouz Ai
Urza: Asami Seto
Sildonia: Minami Takahashi
Milena: Kaori Maeda
Zentos: Hiroki Yasumoto
Miranda: Riho Sugiyama
Go: Rie Hikisaka
Gazas: Tetsu Inada
Ganias: Takehito Koyasu
Yuriga: Yoko Hikasa
(C)2025 阿部正行・アルファポリス／強くてニューサーガ製作委員会
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Japan Times
11 hours ago
- Japan Times
Gaza's young musicians sing and play in the ruins of war
A boy's lilting song filled the tent in Gaza City, above an instrumental melody and backing singers' quiet harmonies, soft music that floated into streets these days more attuned to the deadly beat of bombs and bullets. The young students were taking part in a lesson given on Aug. 4 by teachers from the Edward Said National Conservatory of Music, who have continued classes from displacement camps and shattered buildings even after Israel's bombardments forced them to abandon the school's main building in the city. "When I play I feel like I'm flying away," said Rifan al-Qassas, 15, who started learning the oud, an Arab lute, when she was 9. She hopes to one day play abroad. "Music gives me hope and eases my fear," she said. Al-Qassas hopes to one day play abroad, she said during a weekend class at the heavily shelled Gaza College, a school in Gaza City. Israel's military again pounded parts of the city on Aug. 12, with more than 120 people killed over the past few days, Gazan health authorities say. The conservatory was founded in the West Bank and had been a cultural lifeline for Gaza ever since it opened a branch there 13 years ago, teaching classical music along with popular genres, until Israel launched its war on the Mediterranean enclave in response to the Oct. 7, 2023 Hamas attacks. "When I play I feel like I'm flying away," said Rifan al-Qassas, 15. "Music gives me hope and eases my fear." | REUTERS Before the fighting, Israel sometimes granted the best students exit permits to travel outside Gaza to play in the Palestine Youth Orchestra, the conservatory's touring ensemble. Others performed inside Gaza, giving concerts in both Arabic and Western traditions. After 22 months of bombardment, some of the students are now dead, said Suhail Khoury, the conservatory's president, including 14-year-old violinist Lubna Alyaan, killed along with her family early in the war. The school's old home lies in ruins, according to a video released in January by a teacher. Walls had collapsed and rooms were littered with debris. A grand piano had disappeared. The Israeli military declined to comment on the damage without more details. During last week's session, over a dozen students gathered under the tent's rustling plastic sheets to practice on instruments carefully preserved through the war and to join together in song and music. "No fig leaf will wither inside us," the boy sang, a line from a popular lament about Palestinian loss through generations of displacement since the 1948 creation of Israel. Palestinians shelter in tents, as seen from Gaza College, where instructors from the Edward Said National Conservatory of Music train Palestinians on music. | REUTERS Three female students practised the song "Greensleeves" on guitar outside the tent, while another group of boys were tapping out rhythms on Middle Eastern hand drums. Few instruments have survived the fighting, said Fouad Khader, who coordinates the revived classes for the conservatory. Teachers have bought some from other displaced people for the students to use. But some of these have been smashed during bombardment, he said. Instructors have experimented with making their own percussion instruments from empty cans and containers to train children, Khader said. A broad smile Early last year, Ahmed Abu Amsha, a guitar and violin teacher with a big beard and a broad smile, was among the first of the conservatory's scattered teachers and students who began offering classes again, playing guitar in the evenings among the tents of displaced people in the south of Gaza, where much of the 2.1 million population had been forced to move by Israeli evacuation orders and bombing. Then, after a ceasefire began in January, Abu Amsha, 43, was among the tens of thousands of people who moved back north to Gaza City, much of which has been flattened by Israeli bombing. For the past six months, he has been living and working in the city's central district, along with colleagues teaching oud, guitar, hand drums and the ney, a reed flute, to students able to reach them in the tents or shell-pocked buildings of Gaza College. They also go into kindergartens for sessions with small children. Palestinian musician Osama Hajhuj writes notes on a whiteboard at Gaza College, in Gaza City. | REUTERS Teachers are also offering music lessons in southern and central Gaza with 12 musicians and three singing tutors instructing nearly 600 students across the enclave in June, the conservatory said. Abu Amsha said teachers and parents of students were currently "deeply concerned" about being uprooted again after the Israeli cabinet's Aug. 8 decision to take control of Gaza City. Israel has not said when it will launch the new offensive. Hunger and fatigue Outside the music teachers' tent, Gaza City lay in a mass of crumbling concrete, nearly all residents crammed into shelters or camps with hardly any food, clean water or medical aid. The students and teachers say they have to overcome their weakness from food shortages to attend the classes. Britain, Canada, Australia and several of their European allies said on Aug. 12 that "famine was unfolding before our eyes" in Gaza. Israel disputes malnutrition figures for the Hamas-run enclave. Sarah al-Suwairki, 20, said sometimes hunger and tiredness mean she cannot manage the short walk to her two music classes each week, but she loves learning the guitar. "I love discovering new genres, but more specifically rock. I am very into rock," she said. Mohammed Abu Mahadi, 32, said he thought music could help heal Gazans psychologically from the pain of bombardments, loss and shortages. "What I do here is make children happy from music because it is one of the best ways for expressing feelings," he said. | REUTERS Palestinian health authorities say Israel's military campaign has killed more than 61,000 people, including more than 1,400 going to aid points to get food. Israel says Hamas is responsible for the suffering after it started the war, the latest in decades of conflict, with the October 2023 attack from Gaza when its gunmen killed 1,200 people and seized 250 hostages according to Israeli tallies. Music therapy In a surviving upstairs room at Gaza College, the walls pocked with shrapnel scars, the windows blown out, three girls and a boy sit for a guitar class. Their teacher Mohammed Abu Mahadi, 32, said he thought music could help heal Gazans psychologically from the pain of bombardments, loss and shortages. "What I do here is make children happy from music because it is one of the best ways for expressing feelings," he said. Elizabeth Coombes, who directs a music therapy program at Britain's University of South Wales and has done research with Palestinians in the West Bank, also said the project could help young people deal with trauma and stress and strengthen their sense of belonging. "For children who have been very badly traumatized or living in conflict zones, the properties of music itself can really help and support people," she said. Ismail Daoud, 45, who teaches the oud, said the war had stripped people of their creativity and imagination, their lives reduced to securing basics like food and water. Returning to art was an escape and a reminder of a larger humanity. "The instrument represents the soul of the player, it represents his companion, his entity and his friend," he said. "Music is a glimmer of hope that all our children and people hold onto in darkness," he said.
Kyodo News
3 days ago
- Kyodo News
The Resolve to Portray Shinobu Kocho: An Interview with Saori Hayami in "Demon Slayer: Kimetsu no Yaiba - To the Infinity Castle Chapter 1: The Return of Akaza"
The first chapter of the "Demon Slayer: Kimetsu no Yaiba - To the Infinity Castle" trilogy is now in theaters in Japan, having premiered on July 18, 2025. Tanjiro and his companions have finally made contact with Muzan Kibutsuji - and now, the stage is set for their decisive battle against the demons in their stronghold, the Infinity Castle. To commemorate the release, Animate Times is publishing a series of cast interviews. Today, we're speaking with Saori Hayami, the voice behind Shinobu Kocho. Hayami shares her thoughts on the resolve required to portray Shinobu. What lies behind her words? Through this interview, we'll explore the unique tension of the "Infinity Castle" arc and delve deeper into Shinobu's character. I want to pour everything I can into expressing Shinobu Kocho in the "Infinity Castle Arc." ―― The film Demon Slayer: Kimetsu no Yaiba The Movie - Infinity Castle Arc Part 1: Akaza's Return was released on Friday, July 18th. The Demon Slayer anime, which first aired in April 2019, is celebrating its sixth anniversary this year and is finally beginning the "Infinity Castle Arc." What are your thoughts on reaching this point? Saori Hayami (Shinobu Kocho): I'm surprised to think that it's "only been six years." It feels like the time has been so incredibly dense. Looking back over these six years, there have been so many different stages and a long road, so there's a strong feeling of finally having made it this far. ―― Please share your honest impressions after watching "Demon Slayer: Kimetsu no Yaiba -To the Hashira Training-" Hayami: It's difficult to express in words how deeply it stirred various emotions in me. I think it's a work that moves the heart from all angles, something that can't be described in a single phrase. As someone who plays Shinobu Kocho and is involved in this work, I felt very emotional being able to do the voice recording for this film. Seeing those scenes on the big screen again really touched my heart. ―― Please tell us about your memories or impressions of recording for this work. Hayami: This might be a bit off-topic, but before the voice recording, the staff and cast members had a kind of pep rally where we said, "Let's run in the same direction towards the 'Infinity Castle Arc'." From the very beginning, I felt that this is a work where the staff and cast are united in moving in one direction. This strengthened my resolve even further, and my approach to this work became to pour everything I could express into it. ―― In the previous work, the "Hashira Training Arc", we saw Shinobu Kocho preparing for the next battle. Based on that, could you tell us about any changes in Shinobu or how you approached your role for this story? Hayami: Since I joined this project, Shinobu-san has always been at the root of who I am. From the first scene where Shinobu-san appeared in the "Tanjiro Kamado, Unwavering Resolve Arc", I feel like I've been able to experience Shinobu-san's journey alongside her as the story progressed. Especially from the "Hashira Training Arc", I felt like I was carrying everything flowing through Shinobu-san's body along with her. I have this feeling of wanting to go anywhere and everywhere with Shinobu Kocho as a person. With that feeling, when I received the voice recording script, I couldn't bring myself to open it for a while. ―― In past interviews about the series, you mentioned that Shinobu Kocho might be outwardly imitating her sister Kanae's words and actions while keeping her true feelings deep inside. Hayami: That's right. Before reading the script, I thought I would express Shinobu-san as if she had internalized her sister. But when I finally gathered the courage to read the script before recording, feelings welled up inside me, and I felt like I wanted to do more and more. Shinobu-san has always been a person who's kept various thoughts bottled up inside her heart. ―― It becomes clear that Upper Rank Two, Doma, is the one who killed her sister. Could you share your memories or impressions of recording with Mr. Miyano, who plays Doma? Hayami: I was able to record in direct interaction with Mamoru Miyano-san (who plays Doma), which allowed me to express many times more emotion. Shinobu-san is also desperate, so I felt my emotions escalate more and more. I've worked with Miyano-san on so many projects over the years, and he's an actor I respect and trust, so this time it felt like we were starting from a relationship we've already built rather than creating something from scratch. ―― What are your impressions of Shinobu Kocho's successor, Kanao Tsuyuri? Hayami: When Shinobu first met Kanao, she was feeling a bit irritable. She couldn't ignore Kanao and was a girl who boldly threw money to take her in. But I think it was Kanao who was closest to Shinobu, watching her change after she lost her older sister. Kanao was initially silent and didn't show her emotions, but with the addition of many new friends, she also changed. In the "Hashira Training Arc," she was able to say, "I want to train more with you, Master." I believe Shinobu was able to feel Kanao's growth every step of the way. Because the two of them walked this path together, they were able to communicate their feelings to each other. I think this is proof of the bond that existed between them. Hayami: This is a story from the recording studio, but when Ai Kayano-san, who plays older sister Kanae, entered the booth, I was a little selfish and asked her to sit next to me, saying, "I want my sister right next to me." So, Ai-san sat on my left. Then, Reina Ueda-chan, who plays Kanao, sat next to Ai-san. We were able to have the three Kocho family members all sitting in a row. I felt like I could give my all to the recording after that! (laughs). So, I was able to record while feeling my sister and Kanao right there with me. As a side note, after the recording session was over, I was drenched in sweat and just casually said, "I want to eat meat." Ai-san immediately said, "Okay, let's go eat!" She invited Reina-chan, and the three of us from the Kocho family went to a yakiniku restaurant. I was so happy that Ai-san took us to a delicious yakiniku place. I was just overflowing with gratitude for everyone in the Kocho family. I want to continue moving forward without ever letting this sense of unity fade. Shinobu Kocho is a "being whose souls we have clashed and merged with each other." ―― What does Shinobu Kocho mean to you now, Hayami-san? Hayami: I feel like I've walked alongside Shinobu Kocho for a long time, getting to touch the very roots of her heart from up close. It might be a bit abstract, but she is a being whose soul and my own have clashed and merged. ―― In that sense, do you feel there are any shared traits between yourself and Shinobu? Hayami: If anything, she's a figure I look up to. Shinobu is someone with a strong will and a passionate fire burning inside her. At times, she teases the other Demon Slayers, like Tanjiro and Zenitsu, or deliberately says something a little mean, but at her core, she's completely straightforward. When I connect with that strong will, it's like she influences me—when I'm playing Shinobu, I get this feeling of emotions welling up from the pit of my stomach. ―― I imagine you've had opportunities to interact with international fans during the World Tour Screenings and other overseas events. Hayami: They greeted me with such big smiles, and it was clear to me that they truly love the Demon Slayer series. When I was talking about the show, they listened so intently, and I felt like I could sense how much they love the work, even beyond the language barrier. They brought so many things, like plates and fan-made goods, that I couldn't even hold them all. It made me realize that where you're from doesn't matter. Of course, I could only feel this by being there in person. It made me so happy to feel that I was connected to people all over the world through Demon Slayer. ―― Do you have a message for the fans who are looking forward to this film? Hayami: The film, Demon Slayer: Kimetsu no Yaiba The Movie - Infinity Castle Arc Part 1: Akaza's Return, has finally been released. While I can't say I understand all of Shinobu's feelings, I did my best to feel them alongside her during the recording. I hope everyone will enjoy it on the big screen with great sound in the theater. Interview by: Risk Son Photo by: MoA About "Demon Slayer: Kimetsu no Yaiba Infinity Castle" Synopsis Tanjiro Kamado – a boy who joined an organization dedicated to hunting down demons called the Demon Slayer Corps after his younger sister Nezuko was turned into a demon. While growing stronger and deepening his friendships and bonds with fellow corps members, Tanjiro has battled many demons with his comrades, Zenitsu Agatsuma and Inosuke Hashibira. Along the way, his journey has led him to fight alongside the Demon Slayer Corps' highest-ranking swordsmen, the Hashira, including Flame Hashira Kyojuro Rengoku aboard the Mugen Train, Sound Hashira Tengen Uzui within the Entertainment District, as well as Mist Hashira Muichiro Tokito and Love Hashira Mitsuri Kanroji at the Swordsmith Village. As the Demon Slayer Corps members and Hashira engaged in a group strength training program, the Hashira Training, in preparation for the forthcoming battle against the demons, Muzan Kibutsuji appears at the Ubuyashiki Mansion. With the head of the Demon Corps in danger, Tanjiro and the Hashira rush to the headquarters but are plunged into a deep descent to a mysterious space by the hands of Muzan Kibutsuji. The destination of where Tanjiro and Demon Slayer Corps have fallen is the demons' stronghold – the Infinity Castle. And so, the battleground is set as the final battle between the Demon Slayer Corps and the Demons ignites. Cast Tanjiro Kamado: Natsuki Hanae Nezuko Kamado: Akari Kito Zenitsu Agatsuma: Hiro Shimono Inosuke Hashibira: Yoshitsugu Matsuoka Kanao Tsuyuri: Reina Ueda Genya Shinazugawa: Nobuhiko Okamoto Giyu Tomioka: Takahiro Sakurai Tengen Uzui: Katsuyuki Konishi Muichiro Tokito: Kengo Kawanishi Shinobu Kocho: Saori Hayami Mitsuri Kanroji: Kana Hanazawa Obanai Iguro: Kenichi Suzumura Sanemi Shinazugawa: Tomokazu Seki Gyomei Himejima: Tomokazu Sugita Akaza (Upper Rank Three): Akira Ishida Dōma (Upper Rank Two): Mamoru Miyano Kaigaku: Yoshimasa Hosoya Keizō: Yuichi Nakamura Koyuki: Lynn ©Koyoharu Gotoge / SHUEISHA, Aniplex, ufotable *Some parts of this text have been translated using machine translation
Kyodo News
07-08-2025
- Kyodo News
Unraveling Akaza's Overwhelming "Strength" -- Interview with Akira Ishida, Voice of Upper Rank Three Akaza in "Demon Slayer: Kimetsu no Yaiba Infinity Castle"
To mark the release of "Demon Slayer: Kimetsu no Yaiba Infinity Castle," the latest installment in the series, animate Times is publishing a series of cast interviews. In this installment, we interviewed Akira Ishida, the voice actor for Upper Rank Three Akaza, who made a powerful debut in the "Mugen Train Arc" movie version. This interview delves into his return in the new film. We explore Akaza's character through Ishida's insights, specifically how he portrayed Akaza's obsession with "strength" and his thoughts on the intense battles with Tanjiro Kamado and Giyu Tomioka. As an Overwhelmingly Powerful Villain ――Five years after his shocking appearance in "Demon Slayer -Kimetsu no Yaiba- The Movie: Mugen Train," Akaza returns to the big screen. Ishida: As a voice actor, I'm truly happy that fans can experience Akaza's story in theaters again. His first appearance brought a unique tension, but having also appeared in the series, I felt more relaxed this time. ――What did you focus on when portraying Akaza throughout the series? Ishida: Given Akaza's role as a villain, I'm aware that a formidable enemy is crucial for an exciting story. He's depicted as incredibly strong, and I always strive to convey that strength convincingly. It's an aspect I can't overlook when playing Akaza. ――How do you perceive Akaza's popularity after the "Mugen Train" arc? Ishida: To be honest, I don't truly feel his popularity firsthand. Perhaps it's because he made such a big impact as "the one who defeated Rengoku." Nevertheless, he's undeniably an overwhelmingly powerful character—strong to the point of being detestable. I believe these extreme characteristics are what captivate the audience. The Contrasting Evolution of Tanjiro and Giyu ――Akaza once again confronts Tanjiro and his companions. What are your thoughts on Tanjiro's ongoing transformation and growth? Ishida: It's fascinating to observe the shift in Akaza's perception of Tanjiro, a change that Tanjiro himself seems to acknowledge. As the story's protagonist, Tanjiro's growth is essential. Akaza's presence at this juncture is serendipitous; as a character consumed by the pursuit of strength, he serves as a formidable obstacle in Tanjiro's path. ――So, Akaza's role in Tanjiro's development carries multiple significant implications? Ishida: Indeed. Akaza, through his relentless pursuit of ultimate strength, has become an incredibly powerful adversary. This paradoxically highlights why Tanjiro needed to grow. ――Then, what are your thoughts on Giyu Tomioka? Ishida: Giyu is strong, but he also judges himself fairly. He sets a strict standard for himself, which is a defining characteristic. ――The battle scene with Tanjiro, Giyu, and Akaza is a major highlight. What were your impressions after watching the footage? Ishida: It's a perfectly crafted visual spectacle with continuous, intense action and sword fighting. You can truly sense why these three characters excel, making it a highly satisfying scene. What Makes Voicing Akaza Fun? ――As mentioned earlier, Akaza looks like he's enjoying the battle itself, which symbolizes his strength, doesn't he? Ishida: Akaza thrives on fighting, especially against stronger opponents. My focus during recording was to convey his intense enjoyment while battling Giyuu. ――Sakurai-san mentioned feeling "overwhelmed" by your portrayal of the battle. Ishida: Really? Tanjiro and Giyuu have a different intensity in battle compared to Akaza. Confronting them, I felt Akaza's stance shifting, particularly at the beginning where he clearly underestimated Tanjiro. ――Lastly, any message for fans eagerly anticipating the upcoming story? Ishida: Part 1 is "Akaza Returns," as the subtitle suggests. While I want everyone to enjoy his story, the episode is incredibly dense, truly cinematic. I hope you'll come to the theaters and follow the progression into the second and third chapters. Let's all move towards the ultimate goal of "Demon Slayer." [Interview by Layla] About "Demon Slayer: Kimetsu no Yaiba Infinity Castle" Synopsis Tanjiro Kamado – a boy who joined an organization dedicated to hunting down demons called the Demon Slayer Corps after his younger sister Nezuko was turned into a demon. While growing stronger and deepening his friendships and bonds with fellow corps members, Tanjiro has battled many demons with his comrades, Zenitsu Agatsuma and Inosuke Hashibira. Along the way, his journey has led him to fight alongside the Demon Slayer Corps' highest-ranking swordsmen, the Hashira, including Flame Hashira Kyojuro Rengoku aboard the Mugen Train, Sound Hashira Tengen Uzui within the Entertainment District, as well as Mist Hashira Muichiro Tokito and Love Hashira Mitsuri Kanroji at the Swordsmith Village. As the Demon Slayer Corps members and Hashira engaged in a group strength training program, the Hashira Training, in preparation for the forthcoming battle against the demons, Muzan Kibutsuji appears at the Ubuyashiki Mansion. With the head of the Demon Corps in danger, Tanjiro and the Hashira rush to the headquarters but are plunged into a deep descent to a mysterious space by the hands of Muzan Kibutsuji. The destination of where Tanjiro and Demon Slayer Corps have fallen is the demons' stronghold – the Infinity Castle. And so, the battleground is set as the final battle between the Demon Slayer Corps and the Demons ignites. Cast Tanjiro Kamado: Natsuki Hanae Nezuko Kamado: Akari Kito Zenitsu Agatsuma: Hiro Shimono Inosuke Hashibira: Yoshitsugu Matsuoka Kanao Tsuyuri: Reina Ueda Genya Shinazugawa: Nobuhiko Okamoto Giyu Tomioka: Takahiro Sakurai Tengen Uzui: Katsuyuki Konishi Muichiro Tokito: Kengo Kawanishi Shinobu Kocho: Saori Hayami Mitsuri Kanroji: Kana Hanazawa Obanai Iguro: Kenichi Suzumura Sanemi Shinazugawa: Tomokazu Seki Gyomei Himejima: Tomokazu Sugita Akaza (Upper Rank Three): Akira Ishida ©Koyoharu Gotoge / SHUEISHA, Aniplex, ufotable *Some parts of this text have been translated using machine translation
