
Can love survive Brexit and babies?
Never go out with a journalist. Sure, they may have promised to cook dinner, but when a story breaks, that's it — all plans are off. And political journalists are the worst offenders.
Consider Yourself Kissed (bear with it, it's less frothy than the title suggests) follows a couple over ten years, from 2013 to 2023, as Adam gets his dream job at The Times, 'trying to be funny' about 'life and death' politics, and his girlfriend, our heroine Coralie, struggles to remember why she fell in love with him. His all-consuming career makes her feel 'like a widow without the sympathy' as she brings up their two children and his daughter from his first marriage. This is a man who describes being on The

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Daily Mail
14 minutes ago
- Daily Mail
Secret Lives of Mormon Wives cast banned from discussing politics amid wild pro-Trump accusations
The cast of Hulu's hit series The Secret Lives of Mormon Wives have reportedly been banned from discussing their political views. The show, which follows a group of Mormon momfluencers from the notoriously conservative Utah, have often been accused by viewers of supporting Donald Trump. Cast member Mayci Neeley broke her silence on the group's politics this week on TikTok after a follower commented, 'If only you weren't a Trump supporter.' Firing back, the 30-year-old wrote, 'These assumptions are wild. Contractually we aren't allowed to talk about our political views.' She continued, 'So I'm sick of seeing these comments on every post even though no one knows my views. They assume since I'm Mormon that I am super conservative and that's not the case.' This isn't the first time that the Mormon Wives cast have been pegged as Trump supporters. There are countless threads on Reddit speculating about the group's political leanings, with some fans even finding out which political figures the cast follow on social media. While the cast refuse to comment on their personal political views, Utah is one of the most conservatives states in America. The Church of Jesus Christ of Latter-day Saints has a significant influence on the state's culture and politics. Around 60 percent of Utah residents are members of the LDS Church, which traditionally supports conservative values. The second season of The Secret Lives of Mormon Wives has been a blockbuster hit so far. In its first five days, the series amassed over five million on Hulu and Disney+. Season two saw the addition of TikTok influencer Miranda McWhorter, 26, who is an original member of MomTok and was once best friends with Taylor Frankie Paul. Unsurprisingly, she was also implicated in Taylor's swinging scandal. Season one of The Secret Lives of Mormon Wives revolved around MomTok, a group of glamorous Mormon influencers led by Taylor who were plunged into a sex scandal when Taylor outed herself as a swinger. Last year, The Secret Lives Of Mormon Wives was ranked the number one unscripted show on Hulu, becoming the streamer's biggest premiere since The Kardashians. The 30-year-old wrote, 'These assumptions are wild. Contractually we aren't allowed to talk about our political views' Sparks flew between the members of the principal cast, which was made up of Taylor, Jen Affleck, Demi Engemann, Whitney Leavitt, Mikayla Matthews, Mayci Neeley, Jessi Ngatikaura, Layla Taylor. The show caused a stir both online and in the LDS church thanks to the outrageous antics of the cast. Some of the wild scenes on the show have included a sex act involving breakfast cereal, a swinging scandal, a drunken arrest, and a trip to a male strip revue in Vegas. One cast member also revealed the results of her labiaplasty on camera, while another confessed to getting pregnant to her now-husband when she was just 16 and he was 21. The series is produced by the team behind Netflix's My Unorthodox Life, which followed designer Julia Haart after leaving her strict orthodox Jewish community behind to become a hotshot in the fashion world.


The Independent
21 minutes ago
- The Independent
PSG and Inter Milan face off in the Champions League final
Paris Saint-Germain and Inter Milan go head-to-head in the Champions League final in Munich on Saturday. European club soccer's biggest prize is at stake between two teams that have felt the pain of falling at the last hurdle in recent years. Inter was a losing finalist against Manchester City in 2023 and PSG lost in its only final against Bayern Munich in 2020. After spending billions of dollars and signing some of the sport's greatest players like Neymar, Kylian Mbappe and Lionel Messi, PSG is still waiting to win its first Champions League title. Those superstars have now departed, but coach Luis Enrique has assembled one of the most exciting squads in Europe, with the likes of Ousmane Dembele, Desire Doue and Khvicha Kvaratskhelia filling the void left by that trio. Enrique is aiming to win the competition for the second time as a coach, having lifted it with Barcelona in 2015, and would become the seventh coach to win the trophy with different teams. 'The motivation for me is to win the Champions League title for the first time for PSG,' he said. 'That is the gift I want to give the people, the club, the city.' Inter was looking for a treble just over a month ago, but is now left with the Champions League as its only possible trophy. It lost the Italian title by a point and was knocked out of the Italian Cup in the semifinals. 'These players in these four years did a lot — won a lot and lost sometimes. It happens. But we all gave our all, everyone. We are proud to be Inter," coach Simone Inzaghi said. 'I dreamed of playing the Champions League final. I didn't do it as a player, but thanks to this group of players I've been in two finals as a head coach.' Inter has won the Champions League or European Cup on three occasions, most recently in 2010. When does the Champions League final begin? The match at Bayern Munich's Allianz Arena is scheduled to start at 9 p.m. local time (1900 GMT). ___ ___


Telegraph
28 minutes ago
- Telegraph
This might be the funniest TV show you'll ever see – and it's not Fawlty Towers
Last One Laughing, a series recently released on Amazon Prime, might be the funniest thing I've ever seen. The schtick, if you haven't seen it or its endless clips on Instagram, is simply this: ten comedians are stuck in a room for six hours, trying not to laugh. That's it. I mean, it can't be the funniest thing I've ever seen. I've seen Fawlty Towers. I've seen Some Like It Hot, Airplane! and Groundhog Day. I've seen Eddie Izzard doing live stand-up comedy in the 1990s, I've seen Dame Edna host a chat show. An anonymous media source of my acquaintance, often quoted in this column, is the funniest person I've ever met and he's not in this series – so how could it be? It's not painstakingly crafted; it's a studio show which covers a single day and is broken into six half-hour bits. And it's broadly improvised! How could any of that result in the funniest thing I've ever seen? And yet its bang-for-buck, laugh-per-minute rate seems unbetterable; I have laughed without cessation through every episode. And that's speaking as someone ageing, tired and sleep-deprived, juggling children and pets and National Insurance (which I really wasn't when I saw Eddie Izzard doing live stand-up comedy in the 1990s) with a global backdrop that is bleak and riddled with horror, and I'm still laughing without cessation through every episode. So it certainly feels like the funniest thing I've ever seen. I should make it clear: the comics assembled for the series aren't trying not to laugh as a collective. That would be too easy. They are in competition. If anyone chuckles, they're knocked out. So the job of the contestants is simultaneously to make each other laugh while remaining totally impassive themselves. It's a very, very funny idea for a programme. Even if the comedy bits weren't funny in themselves, the importance of their onlookers not laughing would immediately render them so. It brings a wave of the ghastly hilarity we feel when someone whispers a joke during a funeral, or passes you a secret cartoon of the maths teacher. It takes me back to my days at the Edinburgh Fringe (often in the company of some of the people who make this programme), when tickets for everything were about £3 so you could see ten shows a day, finding ourselves reasonably diverted by the comedy acts but only made helpless with painful, unconquerable merriment by amateur opera, or fiery political tub-thumping, or inexpert contemporary dance. The only thing in the world that's funnier than trying not to laugh, or watching someone else trying not to laugh, is someone who's genuinely unamused for reasons of disapproval. 'This is no laughing matter' is one of the funniest sentences in the English language. And that's why the cultural era we're living through, while no doubt the most puritanical and purse-lipped it's been for over a century, is also, in many ways, the funniest. With that in mind, the show is tremendously well cast. It's hosted by Jimmy Carr, the court jester of our age, who has survived attempted cancellation so often that his whole self is a counter-argument to 'This is no laughing matter'. He just stands and stands and stands for the principle that everything is. The contestants are perfect for the game in hand, including some (Daisy May Cooper, Richard Ayoade) whom you'd particularly credit with the ability to keep a straight face, and some (Bob Mortimer, Joe Wilkinson, Judi Love) who are so deeply, naturally hilarious that it's hard not to start giggling before they even speak. This makes for a magnificent tension as the competition gets underway. We see Bob Mortimer putting on a magic show, alive with patter and veils. Lou Sanders performs a piece of expressive mime with someone who may or may not be her mother. Rob Beckett explains the role of a proctologist ('Have you ever had a check up the bum?', he asks; 'A Czechoslovakian?' replies Bob Mortimer, puzzled). Each comedian in turn is obliged to sing Lovin' You by Minnie Riperton, with its high rippling falsetto – and all of it through the prism of fellow contestants twitching and fidgeting as they desperately try not to smile. And then, somehow, the funniest thing of all is Joe Wilkinson delivering an impromptu factual lecture on the 200th anniversary of the RNLI. We all know what it's like to try and quell a laugh that comes when it shouldn't. In a customs queue, just as you've been asked whether you packed your bag yourself. During a work meeting, as you're being told that everyone's being made redundant. In a school assembly, while a guest speaker describes the challenges of their disability. I don't think that comes from the bad part of us; quite the reverse, I think it's a physical reaction to an overdose of empathy. It requires full understanding of the gravity of the scenario; a sociopath wouldn't be tickled at all. It is the very confrontation with humanity that is, sometimes, our undoing. But this wonderful series has found a way to bottle that hilarious resource, the laugh-that-must-be-stifled, without having to lean on cruelty or bigotry or anything off-colour at all. It's not about 'saying the unsayable' or 'jokes you can't make any more'; in fact it demonstrates how the most powerful weapon in the comic armoury is simple silliness. Without spoilers, that is what must and does triumph in the end.