THUNDERBOLTS* Teaser Trailer Shows the Villainous Void and Notes the Missing Avengers
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Did Marvel's AVENGERS: DOOMSDAY Cast Announcement Really Have to Spoil THUNDERBOLTS*?
In the clip, David Harbour's Red Guardian speaks on heroism, saying that there is no higher calling and that heroes are adored like gods. His daughter Yelena quickly reminds him that it is just a fairytale.
And things are getting real dangerous with the Void coming on the scene and literally obliterating anything in his path. The Void is indeed the big villain in Thunderbolts* alongside whatever Valentina is up to. The Avengers are gone but this collective is here to save the day. Hopefully…
We only have less than one month to go before Thunderbolts* hits theaters on May 2. You can grab your tickets today.
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Blockbuster status in today's theatrical marketplace is reserved for globally kid-appealing movies first and foremost, with room for two or three adults-/parents-first films that also appeal to kids, and maybe a lucky parents/adults movie that breaks out as the choice for date night when there's a babysitter. Superhero films and franchises built on the brands most appealing to kids first and then also parents and adults (Superman), or appealing to parents and other adults primarily but equally as much to children (the R-rated Deadpool & Wolverine), are part of that winning formula for Marvel and DC going forward, in my opinion, at least unless/until a new paradigm takes hold at the box office (which I don't see happening until the right forces come into play, which won't happen for a while if I'm correct). But films like The Fantastic Four: First Steps that appeal first to parents, and then to other adults, and then to children are going to be iffier. 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Marvel navigated the shutdowns and initial revival better than anyone, frankly, and had multiple big blockbuster hits during this period right after Avengers: Endgame, even if the ceiling on potential box office came down to Earth a bit. Notice, though, those last two films – Thor: Love & Thunder and Black Panther: Wakanda Forever – really had particularly adult-skewing perspectives and appeal first and foremost, with the kid-accessibility in around third place. This is where I believe important blocks of mainstream audiences started to apply a new far more family-and-child skewed preference for spending money at theaters. It's a subtle shift in some ways, but I'm talking about specifically blockbuster-status films, so roughly at least $500-600 million on the lowest end, and at least $1-2+ billion on the high end. You can read the details of the audience paradigm shift in my article about how Superman won the family audience that Fantastic Four couldn't quite capture. 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The Fantastic Four: First Steps failed to become an MCU summer blockbuster tentpole as hoped and expected by many of us, for a host of reasons having nothing to do with the film's quality or even the marketing, the latter both looking and being perfect for any time other than the past 18 months. For the sake of their future, Marvel's needs to implement a more family and child-focused approach, as DC Studios so far has already mastered. And if both studios rise to the challenge, we'll be in for a new golden age of superhero cinema.
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