
Review: ‘Running Point' is a cozy comedy that's ‘Ted Lasso' meets ‘Succession'
Created by Mindy Kaling, with her 'Mindy Project' co-star Ike Barinholtz and producer David Stassen, 'Running Point,' which premieres Thursday on Netflix, is an adorable workplace family sports comedy set around a fictional Los Angeles basketball team, the Waves.
The shorthand pitch might have gone something like 'Ted Lasso' meets 'Succession,' but it's less sentimental than the former, much, much sweeter than the latter and less 'naturalistic' than either — by which I mean, it lives in that particular cozy unreality known as situation comedy.
Kate Hudson stars as Isla Gordon, who, with two brothers and a half brother, is part owner of the franchise, passed down from their late father, a 'creep' under whose stewardship the team nevertheless won a lot of trophies. Under oldest brother and team president Cam (Justin Theroux), the streak has extended … until lately. (Team with a problem — needs solving!) It was Cam who brought Isla into the organization, as its coordinator of charitable endeavors, as a remedy for embarrassing rich-girl behavior, including a Playboy spread, a 20-day marriage to Brian Austin Green and general hard-partying. (It's a job at which she's seen to be good, being good.)
Ironically, it's Cam's own bad behavior that kicks the series off. Smoking crack and driving fast and furiously along the coast, he runs into a family of Dutch tourists (unseen, unharmed) and appoints Isla interim president while he's in rehab, trusting neither of his brothers to handle the job. Brother Ness (Scott MacArthur, consistently amusing), the team's general manager, is a lovable lunkhead of no discernible abilities — and no portrayed responsibilities — but is 'the only Gordon who could actually play ball' (and the players like him). Younger half brother Sandy (Drew Tarver), who is as well put together as Ness is disheveled, is the CFO; his apparent primary qualification for that job is that he's cheap.
As in 'Ted Lasso,' and innumerable stories in myriad settings, this is a tale in which the seemingly wrong person chosen, or forced, to lead an enterprise is revealed to be exactly the right person. (After some missteps and seasoning, naturally — chief of staff and best friend Ali Lee, played by Brenda Song, is her Jiminy Cricket: 'On behalf of all women,' says Ali, 'don't ever make a mistake. It looks bad for all of us.') What makes Isla the right person, besides her lifelong love for and knowledge of basketball, which the men in her family have dismissed, is that — like Ted Lasso — her heart is (relatively) pure, a 'weakness' she will have to leverage as a strength.
Her appointment is greeted skeptically, to understate the case, by her brothers, the team, the sports commentator played by Jon Glaser and Vegas oddsmakers.
I have no idea how basketball works apart from the dribbling and throwing the ball in the net, and the business of picking and trading players is an impenetrable fog to me; you don't need to know those things to enjoy the show. But Isla understands, and we understand, that whatever she doesn't know yet, she's cleverer than the doubters give her credit for. (This doesn't keep her from repeatedly walking into a glass door, or falling off her exercise bike; Hudson is a game clown.)
More troublesome are the big personalities she'll have to manage, including Travis Bugg (Chet Hanks), a rude, crude, tattooed player with a sideline in rap; and Marcus Winfield (Toby Sandeman), the team's aging star, who carries himself like royalty and has a line of wellness products at Target. A smaller personality who will also need managing is rookie Dyson Gibbs (Uche Agada), brought up from the Waves' development team, the Long Beach Raccoons.
Into this congregation comes Jackie Moreno (Fabrizio Guido), a Boyle Heights teenager who sells peanuts and popcorn at the Waves' stadium and suddenly learns that he shares a biological father with the Gordons — his mother was the housekeeper — and that he's entitled to a share in the business, which he regards as a community. Is he therefore a problem to be made to go away? An opportunity for growth? An avenue for comedy? That last one, certainly; Jackie is a sweet, innocent goof and Guido is very funny playing him.
Anyway, there's a lot going on; 10 episodes afford plenty of room for episodic adventures to feed the longer arcs. It's more than a sports story, of course — the team will win or lose, but winning isn't everything and losing isn't the end of the world. Family is the greater subject, as will be made explicit from time to time. Apart from the sibling relationships, Isla has a longtime fiancé, Lev, a pediatrician (Max Greenfield, in a more relaxed role than he often plays); Ness has a wife, Bituin (Jessalyn Wanlim); Sandy has a boyfriend, dog groomer Charlie (Scott Evans), whom he is not bringing around to meet the family. And there's Jackie, and the team itself, which is, it will be said at least once, part of the family. Obviously, not everything will run smoothly. It's a hectic show, full of disaster even as it's full of love.
The series begins with Isla offering a more profane version of the oft-quoted Tolstoy observation that all happy families are alike, but each unhappy one is unhappy in its own way. But in the world of situation comedy, unlike that of prestige drama, unhappy families are all potentially happy families, or actually happy if only they knew it. The work of the sitcom is to waken them to this fact — as often as it takes.

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Elle
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I'm Already Losing Track of Everything That Happened in the ‘Ginny & Georgia' Season 3 Finale
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Netflix recently released the final season of the hit animated show 'Big Mouth," serving up one last crudely hilarious deluge of puberty jokes and high school drama. Nick, Andrew, Jessi, Missy, Jay, and Matthew are all growing up — both inside and out — and the series continues to embrace the messy, awkward and deeply weird process of adolescence. And now that the last episode has dropped, 'Big Mouth' fans might find themselves itching to fill the hormone-fueled void with another favorite adult animated binge. Here are five shows like "Big Mouth," all of which you can stream on Netflix. The creators of 'Big Mouth' (comedian Nick Kroll and showrunner Andrew Goldberg) saw how successful their first series had become and launched a spin-off in 2022 featuring a new cast of emotional 'monsters.' This time, the setting is an HR department, which brings some refreshing office humour to what could've been a staid backdrop. SNL alum Aidy Bryant personifies Emmy the Lovebug, the key character driving the story of 'Human Resources." She struggles to identify with her first client, Becca, a pregnant lawyer with various shades of depression. Randall Park voices Pete the Logic Rock, who is as stoic as his name and often acts awkward in any interaction, but he begins to open up as the seasons progress. And comedian Maria Bamford brings her unique voice to Tito the Anxiety Mosquito, who often chills with Depression Kitties, as you would expect. Segueing from 'Big Mouth' to 'Human Resources' is as easy as diving into 'Better Call Saul' after 'Breaking Bad,' and the tight writing and complex themes around self-actualization will be familiar ground for B'ig Mouth' veterans — especially those who would love a cameo or two from Maury the Hormone Monster. Watch on Netflix Get instant access to breaking news, the hottest reviews, great deals and helpful tips. The five-season show, which ended in 2021, is the brainchild of stand-up star Bill Burr, and it's one of the more realistic animated shows on the list. Set in the 1970s and inspired by Burr's own family experiences, the show gives viewers a raw portrayal of a dysfunctional family navigating generational clashes and financial quagmires. With the father being a perpetually angry guy, Bill Burr afficionados will see many themes cropping up from the comedian's popular stand-up bits. But 'F is for Family' allows Burr to explore deeper probes into the, say, father-son dynamic that he rarely discusses on stage. You'll also notice an A-list cast of actors lending their voices to the series, from Laura Dern to Sam Rockwell to Justin Long. Watch on Netflix The biggest criticism this show gets is that Coach Ben (voiced by Jack Johnson, also the creator) is an unlikable character, but to each their own, right? If you can get past this issue, you'll likely enjoy this fun show about a high school basketball coach overwhelmed by his own ego. Believing he's destined for coaching greatness, Ben is obsessed with recruiting a seven-foot student with no interest in basketball, which is the main arc of the show, except for bits about his thorny relationship with his wife and battling Principal Opal. 'Hoops' only lasted one season (did the vulgarity turn off Netflix in the end?), but it's still an engaging watch whether or not you've come across a disillusioned coach like Ben. Watch on Netflix Lasting five seasons before Netflix axed it, 'Disenchantment' has the same animation style as 'Futurama' and 'The Simpsons' thanks to creator Matt Groening, who brought us Homer, Marge and Bart eons ago. Set in a fictional Medieval country, the series stars Princess Tiabeanie (Abbi Jacobson) revolting against her parents' plans to marry Prince Merkime (Matt Berry), but she only has eyes for Elfo (Nat Faxon), a naïve and lovesick elf. It doesn't always hit the same comedic notes as Groening's other popular shows, but it's fair to call 'Disenchantment' charming and digestible. It's also a great watch for family viewing if your children are pre-teens or older, as this series doesn't boast the same crude jokes as 'Human Resources' and 'Hoops.' Another strong anchor of the show is Luci (Eric Andre) who is a demon acting as the princess's lovable but scheming companion. He also often has the best lines: 'Being evil is a lot of work. You gotta tempt, you gotta corrupt, you gotta convince people to do bad stuff. It's exhausting.' Watch on Netflix Without a doubt, 'BoJack Horseman' is one of the more popular animated shows on Netflix for being a mature and smart look at mental health, intergenerational trauma and addiction. All this from a cast of characters with names like Mr. Peanutbutter and Pinky Penguin. As the titular character falls into a depression after realizing his career as a professor is a far cry from his early days as an actor on the show "Horsin' Around," we see a range of storylines about BoJack finding validation in one-night stands, recovering from his traumatic upbringing, and reconnecting with someone from his past he never thought was alive (don't worry, we won't spoil it here). Starring Will Arnett, Paul F. Tompkins, Amy Sedaris and Aaron Paul, the show is punchy and confident, and the writing is tight and at turns beautiful. It truly should've won more Emmy Awards. Rest assured, you won't look at how we view fame and self-worth the same when 'BoJack' is done with you. Watch on Netflix