
If love hurts, the Sufis say you're doing it right
The question of our being - why and how we exist – can only be contemplated in light of the question of desire, and by extension, love.
In Sufi thought, desire animates and shapes the soul. Interrogating what we desire, and how we desire it, is vital to transforming our relationship with ourselves, others in this world, and ultimately to the transcendent reality itself, that is, God.
In Plato's seminal text on love,
The Symposium
, Socrates proposes that all humans love because love is the desire to live a happy life, and that beauty is the means to this happiness since 'what is good is the same as what is beautiful'. According to this logic, all human beings, animated by a desire to live well, are drawn to love what is 'Good' and 'Beautiful'.
But abstractions aside, what
is
love? More importantly, what does love
entail
?
Love in the Sufi tradition, is not just a feeling or emotion, it is expansive, ecstatic, it pervades all beings and is the root of all creation; love is the primordial cosmic force that creates and sustains life.
There is no single authority on the subject, but this is not for a lack of resources. In the Indo-Persian tradition alone – one luminous corner of a vast literary world – there are infinite, archival sources from which we draw our ideas about love.
There is a lot to learn from the stories we inherit. Looking to the popular romances of Heer & Ranjha, Sassui & Punnu, Layla & Majnu, as well as all other folk tales like them, one thing is for certain: no love story is without its tragedies, and fulfillment of our desire to be with our beloved is not a promise true love keeps.
Love is scarcely about fulfilling one's desires. When we commit to loving someone, we are pierced by a double edged sword, one that promises pleasure and suffering in one fell swoop.
For Farid ud-Din Attar (1145–1221), risk is an unalterable part of the path toward true love, that is, toward union with the divine beloved - the ultimate source of all that is 'Good' and 'Beautiful'.
In praise of the Persian Sufi poet, mystic, and philosopher, known for his epic poem The Conference of the Birds (Mantiq al-Tayr), Rumi writes:
Attar has roamed through the seven cities of love while we have barely turned down the first street.
When it comes to the question of love, who better to turn to than the poet who endlessly roams love's cities and valleys?
The Conference of the Birds is an allegorical tale in which a group of birds, guided by their leader the hoopoe, embark on a journey to find their king, the Simurgh, who symbolises God.
Along the way, they must cross seven valleys: the Valley of Quest, the Valley of Love, the Valley of Knowledge, the Valley of Detachment, the Valley of Unity, the Valley of Bewilderment, and the Valley of Annihilation. Many birds abandon the journey due to fear or attachment to their earthly stations, but those who persevere are rewarded with mystical union.
Risk is a vital step to take in order to test the true nature of one's love. Attar writes:
True lovers give up everything they own
To steal one moment with the Friend alone –
They make no vague, procrastinating vow,
But risk their livelihood and risk it now.
There are a variety of experiences of love, some of which may not involve the risks that he is talking about, but when it comes to true love, we must risk everything we own.
The risk that comes with this journey is both physical and metaphysical. On one level, the risk is a material risk. The birds in Attar's tale are compelled to give up their material comforts which includes their natural habitats, their material possessions and their worldly stations or responsibilities.
On a deeper level, this idea of dispossessions entails a renunciation of one's selfhood, that is, a perceived ownership over one's 'self'. True love blurs the boundaries between the self and the other. It tests everything one appears to own, even in the metaphysical terrain.
Importantly, there is no promised reward at the end of this renunciation; the thought of a single moment with the beloved is enough cause to risk one's entire life.
This is because the risk involved does not entail that something is gained or reimbursed in return but is instead a proclamation of one's devotion – love is an act of wilful submission.
The lover's task is to submit, beyond reason and without hesitation. The birds in Attar's story are not afforded the time to make a vague promise or procrastinate on their decision; they must devote themselves to the path of love in one all-encompassing gesture:
But you, unwilling both to love and tread
The pilgrim's path, you might as well be dead!
The lover chafes, impatient to depart,
And longs to sacrifice his life and heart.
The true lover is devoted with such intensity and vigor that it chafes the soles of their feet, even before they have set out on their journey.
Anyone who is unwilling to express their devotion in this way may as well be dead.
Attar makes it clear that suffering and misery are part and parcel of the path toward this genuine experience of love:
Until their hearts are burnt, how can they flee
From their desire's incessant misery?
One must risk their livelihood and renounce everything they seem to have ownership over till their very hearts are burnt. And until this happens they have not known the true misery that is integral to desire. Suffering itself is a revelatory experience!
To love in this sense is to experience a radical transformation, where the lover's will merges with the divine will, and the boundaries between the self and the divine dissolve.
Any kind of love, whether that is between humans or of God, is marked by some form of misery because it is this misery that allows the full experience of its pair: ecstasy and joy.
True life, living well, begins after this risk has been taken, and anything before is simply a half-life. Both God and the world are disclosed through our capacity to love. Without it, how meaningful is our time on this earth?
In the Valley of Love, logic and reason become useless; the lover must willingly burn in love's fire. To live with this fire, to live in it, is undeniably demanding and requires total surrender. But it is this very fire that also illuminates our existence. As far as our mortal bodies allow it, aren't we all seeking illumination?

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Business Recorder
07-08-2025
- Business Recorder
Sindh govt declares Aug 9 public holiday on urs of Shah Abdul Latif Bhittai
The Government of Sindh has declared Saturday, August 9, 2025, as a public holiday across the province on the occasion of the annual Urs of Hazrat Shah Abdul Latif Bhittai (R.A), a revered Sufi saint and poet of Sindh. According to an official notification issued by the Services, General Administration & Coordination Department (SGA&CD), the holiday will apply to all offices, autonomous and semi-autonomous bodies, corporations, and local councils under the administrative control of the provincial government, except essential services. The notification, signed by Chief Secretary Sindh Dr. Muhammad Fakhire Alam Ifran, was circulated to all relevant departments and officials, including the Sindh High Court, Police, Revenue Board, Public Service Commission, and Commissioners across the province. The annual Urs of Shah Abdul Latif Bhittai is commemorated to honour the spiritual and literary legacy of the Sufi saint, whose poetry and teachings continue to influence Sindhi culture and identity. The event typically draws thousands of devotees to Bhit Shah, where his shrine is located. The holiday is observed annually on the 14th of Safar in the Islamic calendar.


Express Tribune
28-07-2025
- Express Tribune
A fountain of legacies
There's something about the shimmer, tinkle and graceful arc of water in motion. From ancient Minoan courts and Persian gardens to Roman aqueducts and modern plazas, fountains have been more than just ornamental - they've been sacred, social, symbolic and of late, cooling-off spots in sweltering cities. As per DW, with a history spanning almost five millennia, fountains first served practical needs. Around 2,000 BCE on Minoan Crete, water from springs was channeled through terracotta pipes into stepped basins at palaces like Knossos and Zakros. These weren't just for washing - they were integrated into religious sites for purifying rituals. In ancient Egypt, fountains often featured lion's head spouts, a motif passed down through Greco-Roman and Islamic traditions. For instance, the Court of the Lions in the 14th?century Moorish Alhambra palace in Granada Spain features a fountain consisting of 12 lion figures spouting water. Associated with strength and divine guardianship, lions symbolized protective power. Thus, a lion in mid-roar made an ideal candidate for visually striking spouts, especially at palaces or grand entryways. In traditional Islamic gardens, fountains and water features played a central role, reflecting the Quranic vision of paradise and symbolised purity, life and divine beauty. Influenced by the Moors of the Nasrid dynasty (residents of the aforementioned Alhambra) and the Persians of the Sasanian Empire, these gardens were designed to evoke spiritual bliss and harmony by integrating, among others, fountains into their layout. Symbolism and service In Europe, the Renaissance and Baroque periods transformed fountains into vehicles of spectacle and political symbolism. Leading the pack are Rome's famed fountains: Bernini's Fountain of the Four Rivers in Piazza Navona represents the four major rivers known during the Renaissance: the Nile (Africa), the Danube (Europe), the Ganges (Asia) and the Rio de la Plata (Americas). Commissioned by Pope Innocent X and built in 1651, it symbolised the global reach of the Catholic Church and the pope's power. Completed in 1762, the Trevi Fountain has since achieved pop icon status and is now an influencer magnet, partly due to the legend that a coin tossed into it would ensure a return to the Eternal City, likely influenced by the 1954 film Three Coins in the Fountain. In Ottoman Istanbul, public "cesme" or fountains were donated by wealthy families as acts of charity. Often bearing poetic inscriptions, these fountains offered water freely in a hot climate and were meeting spots for the city's residents. Modern spectacles Fast forward to the 20th and 21st centuries, and some fountains have even become iconic "performers." California-based WET Design has created two such examples. The Bellagio Fountains in Las Vegas, opened in 1998, feature more than 1,000 fountains swaying to music and enhanced by light. The display spans more than 300 meters (around 1,000 feet) with water soaring as high as 138 meters. This audiovisual spectacle reportedly utilises water from an on-site well, and not city water systems. With 6,600 underwater lights that some claim can be seen from the International Space Station, the Dubai Fountain located on the Burj Khalifa Lake is reportedly the world's largest performing fountain. Close to 275 meters wide and shooting water 150 meters high, its waters are choreographed to sway to Arabic classics or K-pop hits. Critics have argued that fountains waste water, especially in drought-prone regions. During drought conditions, some cities turn off their decorative fountains to preserve water resources, as was the case in Milan in 2022. Facing this problem, modern designs often use recirculated water and solar-powered pumps. Research has shown that fountains can have localized cooling effects - especially when they incorporate fine sprays or mist, which increase evaporative contact with air. According to the European Climate-Adapt initiative, released in 2024, "water spray from a fountain has an even greater cooling effect due to the large contact surface between water and air, which stimulates evaporation." Similarly, Urban Green-Blue Grids states that "fountains and misting installations cool the air and skin by means of evaporation." Timeless purpose Thus as Europe - the fastest-warming continent, according to the World Meteorological Organisation - wilts under punishing heat waves, cities have been adapting their existing water features to meet modern needs. In Paris, the 19th-century Wallace fountains, scattered across the city and originally created to dispense free drinking water, were retrofitted in 2021 with misting nozzles that spring into action during strong heat. Vienna has misting arches, interactive fountains and playful water zones for kids and adults looking to cool off. Berlin is expanding its network of touchless drinking fountains, combining hygiene and hydration. In 2022, archaeologists restored a Roman imperial period fountain in Turkey's ancient city of Kibyra using over 150 original marble fragments. Turkiye Today reported in April 2025 that the fountain built in 23 CE "has begun flowing again" making Kibyra the second Turkish ancient city "to feature a restored and functioning Roman fountain." It has to be underscored, though, that fountains alone could not temper city temperatures; that would require a complete overhaul of how cities are planned. Yet the fact that urbanites are often drawn to fountains in their living spaces - whether to immerse themselves in the cool water or quench their thirst at those offering potable water - show that fountains aren't just relics of gilded eras. Their soothing relevance may see a renaissance as we face a hotter future.


Business Recorder
05-07-2025
- Business Recorder
Data's shrine: CM directs top level arrangements for ‘Ghusl' ceremony
LAHORE: Punjab Chief Minister (CM) Maryam Nawaz Sharif Saturday issued directions to authorities concerned for ensuring top-level arrangements and continuous security monitoring for the annual 'Ghusl Mubarak' ceremony at the shrine of Hazrat Syed Ali Bin Usman Al-Hajweri popularly known as Data Ganj Bakhsh. Emphasizing the importance of hospitality and discipline, the CM said, 'Pilgrims attending the Ghusl Mubarak are our esteemed guests, treat them with love and respect.' She instructed the departments concerned to provide the best possible facilities for devotees including effective crowd management to prevent any rush or stampede. She also directed that Langar (free meals) be distributed with care and dignity, reflecting the spirit of compassion associated with the revered Sufi saint. The CM further underscored the importance of maintaining order and ensuring the spiritual atmosphere of the event was preserved. 'Special prayers should be offered for the country's security, stability and prosperity,' she added, nothing that Hazrat Data Ganj Bakhsh's teachings of love, peace and tolerance were a guiding light for society. The CM said that every effort must be made to facilitate the visitors. Copyright Business Recorder, 2025