Judge Threatens To Bar Sean 'Diddy' Combs From Courtroom If He Continues To Interact With Jurors
Sean 'Diddy' Combs might be barred from his own trial, the judge said Thursday in a bombshell moment.
With the jury absent, Judge Arun Subramanian warned defense attorneys in a sidebar that he might exclude the defendant from the Lower Manhattan courtroom if he continued to look, nod or make facial expressions at jurors, CNN reported.
More from Deadline
Sean 'Diddy' Combs: An Updated Timeline Of Charges, Allegations & Consequences The Rap Mogul Faces
Sean 'Diddy' Combs: An Updated Timeline Of Charges, Allegations & Consequences The Rap Mogul Faces
Warner Bros Discovery Hits Back At Russell Simmons' "Unfounded Allegations" In Ex-Mogul's $20M Suit Over 2020 Sexual Assault Documentary - Update
The admonition came after Subramanian said he saw Combs looking at and 'nodding vigorously' toward the jury twice during today's cross-examination of prosecution witness Bryana Bongolan, who had told the court Wednesday that the defendant had dangled her off a 17th-story balcony in 2016.
Subramanian told defense lawyer Marc Agnifilo that he had been clear that there were to be no theatrics during Combs' trial on federal charges of racketeering, sex trafficking, transportation to engage in prostitution and more. 'I looked and I saw your client looking at the jury and nodding vigorously,' CNN reported the judge telling the attorney. 'It is absolutely unacceptable.'
Asked by the jurist if it would happen again, Agnifilo said per CNN that it would not. Subramanian said that if there was any further juror interaction by Combs, he might instruct the jury about it and, potentially, consider barring the defendant from the courtroom.
Combs, 55, faces up to life in prison if convicted.
At the four-week mark of the trial, the jury of eight men and four women in the courtroom has heard explicit and sometimes heartrending testimony about rapes, emotional and physical violence, blackmail, and filmed drug-juiced 'freak-offs' from Combs' former longtime girlfriend Cassie Ventura and his ex-personal assistant 'Mia.'
Best of Deadline
'Stick' Soundtrack: All The Songs You'll Hear In The Apple TV+ Golf Series
'Nine Perfect Strangers' Season 2 Release Schedule: When Do New Episodes Come Out?
'Stick' Release Guide: When Do New Episodes Come Out?
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
6 hours ago
- Yahoo
Russia launches one of war's largest air attacks days after Ukraine's bomber raid
Russia launched a barrage of drones and ballistic missiles across broad swaths of Ukraine early Friday, killing at least six people and injuring dozens of others, days after Kyiv launched a daring raid on Moscow's fleet of strategic bombers. For residents of Kyiv, the night's soundtrack was familiar: the shrieking whir of drones, air raid sirens and large explosions overhead – whether from air defenses successfully downing missiles, or projectiles puncturing the capital. Three firefighters were killed in Kyiv, two civilians were killed in Lutsk, and another person was killed in Chernihiv, according to the Ukrainian State Emergency Service. Ukrainian President Volodymyr Zelensky said Russia had used more than 400 drones and 40 missiles in the overnight attack, putting it among the war's largest. He said Moscow's attack injured 80 and targeted 'almost all' of Ukraine, listing nine regions, from Lviv in the west to Sumy in the northeast. Although Russia has pummeled Ukraine almost daily over three years of full-scale war, Ukrainians had been bracing for retaliation since Sunday, when Kyiv launched an audacious operation that struck more than a third of Russia's strategic cruise missile carriers. In a call with his US counterpart Donald Trump on Wednesday, Russian President Vladimir Putin said that Moscow would have to respond to Kyiv's assault. Speaking aboard Air Force One on Friday, Trump told reporters Ukraine 'gave Putin a reason to go in and bomb the hell out of them last night.' Russia's Ministry of Defense said its strikes were in response to what it called Kyiv's 'terrorist acts.' It was not immediately clear if the attack was the extent of Russia's pledged retaliation, or if Putin intends to escalate further. After the embarrassment of Kyiv's operation, there was a chorus of bellicose calls from pro-Kremlin pundits for a severe – potentially nuclear – response. Although Ukrainians had been buoyed last weekend by the news of Kyiv's successful operation, many were wary of how Russia might strike back. But after Friday's strikes, Kyiv residents told CNN they supported Ukraine's strikes against the aircraft Moscow has used to bomb Ukraine for more than three years. 'It didn't break us at all. The morale is as high as it was. We strongly believe in our armed forces,' said Olha, a 39-year-old from the capital who did not wish to give her last name. She said the apparent 'retaliation' from Russia was not so different to countless other nights of the war. 'Maybe (this was the retaliation), but maybe the retaliation is yet to come. Either way, it doesn't change our attitude towards the enemy or towards our country.' Meanwhile, Ukraine's general staff on Friday said it launched overnight strikes on two Russian airfields, where it said Moscow had concentrated many of the aircraft that had not been damaged in Kyiv's 'Spiderweb' operation last weekend. Ukraine stressed that the operation, which blindsided the Kremlin, had targeted the planes that Russia uses to launch missile strikes on Ukrainian cities and kill civilians. After Russia's large-scale attack Friday, Ukraine's Foreign Minister Andrii Sybiha said Moscow had 'responded' to its destroyed aircraft by once again 'attacking civilians in Ukraine.' As daylight broke, images from Kyiv showed flames rising over apartment buildings and firefighting crews at work, with residents picking through the debris of damaged apartments. Several cars parked in the streets below were covered with shards of glass and slabs of masonry torn from the walls of residential buildings. Ukraine's air force said Russia's barrage comprised 407 drones, six ballistic missiles, 38 cruise missiles and an anti-radar missile. Of those 452 projectiles, the air force said it had downed 406, including 32 of the cruise missiles and four of the ballistic missiles. The other two ballistic missiles did not reach their targets, it added. The strikes also hit Chernihiv, near the border with Belarus, which was rocked by 14 explosions from drones and ballistic missiles, including cruise missiles and Iskander-M missiles, local officials said. Five others were wounded in strikes in the northwestern city of Lutsk, near the border with Poland. Footage geolocated by CNN showed at least four missiles slamming into the city, kicking up fiery explosions on impact. The Russian Ministry of Defense said it had also intercepted and destroyed 174 Ukrainian drones from Thursday evening to early Friday morning and had destroyed three Ukrainian Neptune-MD guided missiles over the Black Sea. All week, Ukrainians have been bracing for Russia's retaliation to last weekend's drone attack, which struck 34% of Moscow's nuclear-capable bombers stationed at airfields as far away as Siberia. On Tuesday, Ukraine also launched an attack on the Kerch Bridge, the only direct connection point between Russia and the annexed Crimean Peninsula, with 1,100 kilograms of explosives that had been planted underwater. After Trump's call with Putin on Wednesday, the US president said his Russian counterpart had told him that Moscow would have to respond to Ukraine's assaults. Trump's account of the call gave no indication that he had urged Putin to temper his response, to the dismay of many in Ukraine. 'When Putin mentioned he is going to avenge or deliver a new strike against Ukraine, we know what it means. It's about civilians,' Ukrainian lawmaker Oleksandr Merezhko told CNN earlier this week. 'And President Trump didn't say, 'Vladimir, stop.'' Despite Trump's support for recent peace talks in Istanbul between Ukraine and Russia, on Thursday he signaled that he may be adopting a more hands-off approach, likening the war to a brawl between children. 'Sometimes you see two young children fighting like crazy,' Trump said in the Oval Office, while German Chancellor Friedrich Merz looked on silently. 'They hate each other, and they're fighting in a park, and you try and pull them apart. They don't want to be pulled. Sometimes you're better off letting them fight for a while and then pulling them apart.'
Los Angeles Times
7 hours ago
- Los Angeles Times
‘Somebody hug me!' 7 Emmy hopefuls on staying calm, hitting their marks and more
The Emmys' limited series/TV movie acting categories have come to represent some of the best and most-talked-about shows on television, and this year's crop of contenders is no exception. The seven actors who joined the 2025 Envelope Roundtable were Javier Bardem, who plays father, victim and alleged molester Jose Menendez in Netflix's 'Monsters: The Lyle and Erik Menendez Story'; Renée Zellweger, who reprises her role as the British romantic heroine in 'Bridget Jones: Mad About the Boy'; Stephen Graham, who co-created and stars in 'Adolescence' as the father of a teenage boy who commits a heinous murder; Jenny Slate, who plays the best friend of a terminally ill woman in FX's 'Dying for Sex'; Brian Tyree Henry, who portrays a man posing as a federal agent in order to rip off drug dealers in Apple TV+'s 'Dope Thief'; Elizabeth Banks, who takes on the role of an estranged sibling and recovering alcoholic in Prime Video's 'The Better Sister'; and Sacha Baron Cohen, who appears as the deceived husband of a successful filmmaker in Apple TV+'s 'Disclaimer.' The Times' news and culture critic Lorraine Ali spoke to the group about the emotional fallout of a heavy scene, the art of defying expectations and more. Read highlights from their conversation below and watch video of the roundtable above. Many of you move between drama and comedy. People often think, 'Drama's very serious and difficult, comedy's light and easy.' Is that true? Banks: I think the degree of difficulty with comedy is much higher. It's really hard to sustainably make people laugh over time, whereas [with] drama, everyone relates to loss and pining for love that's unrequited. Not everybody has great timing or is funny or gets satire. Henry: There's something fun about how closely intertwined they are. In my series, I'm playing a heroin addict running for my life, and I have this codependency with this friend … There's a scene where I've been looking for him, and I'm high out of my mind, and I find him in my attic, and all he's talking about is how he has to take a s—. And I'm like, 'But they're trying to kill us.' You just see him wincing and going through all these [groans]. It is so funny, but at the same time, you're just terrified for both. There's always humor somewhere in the drama. Banks: There's a reason why the theater [symbol] is a happy face/sad face. They're very intertwined. Renée, with Bridget Jones — how has she changed over the last 25 years and where is she now with 'Mad About the Boy'? Zellweger: Nobody's the same from one moment to the next, one chapter to the next and certainly not from one year to the next. It's been a really interesting sort of experiment to revisit a character in the different phases of her life. What I'm really grateful for is that the timing runs in parallel to the sort of experiences that you have in your early 20s, 30s and so on. With each iteration, I don't have to pretend that I'm less than I am, because I don't want to be the character that I was, or played, when she was 29, 35. I don't want to do that, and I certainly don't want to do that now. So it was really nice to meet her again in this place of what she's experiencing in the moment, which is bereavement and the loss of her great love, and being a mom, and trying to be responsible, and reevaluating what she values, and how she comports herself, and what's important and all of that, because, of course, I relate to that in this moment. Stephen, 'Adolescence' follows a family dealing with the fallout of their 13-year-old son being accused of a brutal murder. You direct and star in the series. What was it like being immersed in such heavy subject matter? Did it come home with you? Graham: We did that first episode, the end of it was quite heavy and quite emotional. When we said, 'Cut,' all of us older actors and the crew were very emotional. There were hugs and a bit of applause. And then everyone would be like, 'Where's Owen?' [Cooper, the teenage actor who plays Graham's character's son]. 'Is Owen OK? Is he with his child psychologist?' No, Owen's upstairs playing swing ball with his tutor. It was like OK, that's the way to do this — not to take myself too seriously when we say, 'Cut,' but when I am there, immerse myself in it. Let's be honest, we can all be slightly self-obsessed. My missus, she's the best for me because I'd phone her and say, 'I had a really tough day. I had to cry all day. My wife's died of cancer, and it was a really tough one.' She goes, 'The dog s— all over the living room. I had to go shopping and the f— bag split when I got to Tesco. There was a flat tire. They've let the kids out of school early because there's been a flood. And you've had a hard day pretending to be sad?' Bardem: I totally agree with what Stephen says. You have a life with your family and your children that you have to really pay attention to. This is a job, and you just do the job as good as you can with your own limitations. You put everything into it when they say, 'Action,' and when you're out, you just leave it behind. Otherwise, it's too much. Certain scenes, certain moments stay with you because we work with what we are. But I think it doesn't make you a better actor to really stay in character, as they say, for 24 hours. That doesn't work for me. It actually makes me feel very confused if I do that. On the show 'Monsters' I tried to protect Cooper [Koch] and Nicholas [Alexander Chavez], the actors who play the children, because they were carrying the heavy weight on the show every day. I was trying to make them feel protected and loved and accompanied by us, the adults, and let them know that we are there for them and that this is fiction. Because they were going really deep into it, and they did an amazing job. Elizabeth, in 'The Better Sister,' you portray Nicky, a sister estranged from her sibling who's been through quite a bit of her own trauma. Banks: I play a drunk who's lost her child and her husband, basically, to her little sister, played by Jessica Biel. She is grappling with trauma from her childhood, which she's trying not to bring forward. She's been working [with] Alcoholics Anonymous, an incredible program, to get through her stuff. But she's also a fish out of water when she visits her sister, who [lives in a] very rarefied New York, literary, fancy rich world. My character basically lives in a trailer park in Ohio. There's a lot going on. And there's a murder mystery. I loved the complication … but it brought up all of those things for me. I do think you absolutely leave most of that [heaviness] on set. You are mining it all for the character work, so you've got to find it, but I don't need to then infect my own children with it. Sacha, you have played and created these really gregarious characters like Ali G or Borat. Your character in 'Disclaimer,' he's not a character you created, but he is very understated. Was that a challenge? Cohen: It took me a long time to work out who the character was. I said to [director] Alfonso [Cuarón], 'I don't understand why this guy goes on that journey from where we see him in Act 1.' For me it was, how do you make this person unique? We worked a lot through the specificity of what words he uses and what he actually says to explain and give hints for me as an actor. A lot of that was Alfonso Cuarón saying, 'Take it down.' And there was a lot of rewriting and loads of drafts before I even understood how this guy reacts to the news and information that he believes about his wife. Jenny, 'Dying for Sex' is based on a true story about two friends. One has terminal cancer, and the other — your character — supports her right up until the end. Talk about what it was like to play that role in a series that alternates between biting humor and deep grief. Slate: Michelle Williams, who does a brilliant job in this show, her energy is extending outward and [her character] is trying to experiment before she does the greatest experiment of all, which is to cross over into the other side. My character is really out there, not out there willy-nilly, but she will yell at people if they are being rude, wasteful or if she feels it's unjust. [And she's] going from blasting to taking all that energy and making it this tight laser, and pointing it right into care, and knowing more about herself at the end. I am a peppy person, and I felt so excited to have the job that a lot of my day started with calming myself down. I'm at work with Michelle Williams and Sissy Spacek and Liz Meriwether and Shannon Murphy and being, like, 'Siri, set a meditation timer for 10 minutes,' and making myself do alternate nostril breathing [exercises]. Brian, many people came to know you from your role as Paper Boi in 'Atlanta.' The series was groundbreaking and like nothing else on television. What was it like moving out of that world and onto other projects? Henry: People really thought that I was this rapper that they pulled off the street from Atlanta. To me, that's the greatest compliment … When I did 'Bullet Train,' I was shocked at how many people thought I was British. I was like, 'Oh, right. Now I've twisted your mind this way.' I was [the voice of] Megatron at one point, and now I've twisted your mind that way. My path in is always going to be stretching people's imaginations, because they get so attached to characters that I've played that they really believe that I'm that person. People feel like they have an ownership of who you are. I love the challenge of having to force the imaginations of the viewers and myself to see me in a departure [from] what they saw me [as] previously. Because I realize that when I walk in a room, before I even open my mouth, there's 90 different things that are put on me or taken away from me because of how I look and how I carry myself. Javier, since doing the series are you now frequently asked about your own opinions on the Menendez case? The brothers claim their father molested them, and that is in part what led to them murdering their parents. Bardem: I don't think anybody knows. That's the point. That was the great thing about playing that character, is you have to play it in a way that it's not obvious that he did those things that he was accused of, because nobody knows, but at the same time you have to make people believe that he was capable. I did say to Ryan [Murphy] that I can't do a scene with a kid. Because in the beginning, they do drafts, and there were certain moments where I said, 'I can't. It's not needed.' The only moment that I had a hard time was when [Jose] has to face [his] young kid. It was only a moment where Jose was mean to him. That's not in my nature. Henry: I discovered, while doing my series, 'My body doesn't know this isn't real.' There's an episode where I'm shot in the leg, and I'm bleeding out and I'm on all this different morphine and drugs and all this stuff, and I'm literally lying on this ground, take after take, having to mime this. To go through the delusion of this pain ... in the middle of the takes, it was just so crazy. I would literally look at the crew and say, 'Somebody hug me! Somebody!' Stephen, that scene where you confront the boys in the parking lot with the bike, I was just like, 'Oh, my God, how many times did he have to do that?' This kid gets in your face, and I was like, 'Punch the kid!' My heart went out to you, man, not just as the character but as you being in there. Graham: Because we did it all in one take, we had that unique quality. You're using the best of two mediums. You've got that beauty and that spontaneity and that reality of the theater, and then you have the naturalism and the truth that we have with film and television. So by the time I get to that final bit, we've been through all those emotions. When I open the door and go into [Jamie's] room, everything's shaken. But it's not you. It's an out-of-body experience and just comes from somewhere else. Bardem: Listen, we don't do brain surgery, but let's give ourselves some credit. We are generous in what we do because we are putting our bodies into an experience. We are doing this for something bigger than us, and that is the story that we're telling. What have been some of the more challenging or difficult moments for you, either in your career or your recent series? Zellweger: Trying not to do what you're feeling in the moment sometimes, because it's not appropriate to what you're telling. That happens in most shows, most things that you do. I think everybody experiences it where you're bringing something from home and it doesn't belong on the set. It's impossible to leave it behind when you walk in because it's bigger than you are in that moment. Banks: I would say that the thing that I worked on the most for 'The Better Sister' was [understanding] sobriety. I'm not sober. I love a bubbly rosé. So it really did bring up how much I think about drinking and how social it is and what that ritual is for me, and how this character is thinking about it every day and deciding every day to stay sober or not. I am also a huge fan of AA and sobriety programs. I think they're incredible tools for everybody who works those programs. I was grateful for the access to all of that as I was making the series. But that's what you get to do in TV. You get to explore episode by episode. You get to play out a lot more than just three acts. Stephen, about the continuous single shot. It seems like it's an incredibly difficult and complex way to shoot a series. Why do it? Graham: It's exceptionally difficult, I'm not going to lie. It's like a swan glides across the water beautifully, but the legs are going rapidly underneath. A lot of it is done in preparation. We spend a whole week learning the script, and then the second week is just with the camera crew and the rest of the crew. It's a choreography that you work out, getting an idea of where they want the camera to go, and the opportunity to embody the space ourselves. Cohen: That reminds me of a bit of doing the undercover movies that I do because you have one take. ... I did a scene where I'm wearing a bulletproof vest. There were a lot of the people in the audience who'd gone to this rally, a lot of them had machine guns. We knew they were going to get angry, but you've got to do the scene. You've got one time to get the scene right. But you also go, 'OK, those guys have got guns. They're trying to storm the stage. I haven't quite finished the scene. When do I leave?' But you've got to get the scene. I could get shot, but that's not important. Henry: There's a certain level of sociopathy. Slate: I feel like I'm never on my mark, and it was always a very kind camera operator being like, 'Hey, Jenny, you weren't in the shot shoulder-wise.' I feel like such an idiot. Part of it is working through lifelong, longstanding feelings of 'I'm a fool and my foolishness is going to make people incredibly angry with me.' And then really still wanting to participate and having no real certainty that I'm going to be able to do anything but just make all of my fears real. Part of the thing that I love about performance is I just want to experience the version of myself that does not collapse into useless fragments when I face the thing that scares me the most. I do that, and then I feel the appetite for performance again. Do you see yourself in roles when you're watching other people's films or TV show? Graham: At the end of the day, we're all big fans of acting. That's why we do it. Because when we were young, we were inspired by people on the screen, or we were inspired by places where we could put ourselves and lose our imaginations. We have a lot of t— in this industry. But I think if we fight hard enough, we can come through. Do you know what I mean? It's people that are here for the right reasons. It's a collective. Acting is not a game of golf. It's a team. It's in front and it's behind the camera. I think it's important that we nourish that. Henry: And remember that none of us are t—. Bardem: What is a t—? I may be one of them and I don't know it. Graham: I'll explain it to you later.
Yahoo
8 hours ago
- Yahoo
Senator Who Called For Abrego Garcia's Return Uses White House's Words Against Trump
Sen. Chris Van Hollen (D-Md.) hit back at President Donald Trump's administration Friday after the return of Kilmar Abrego Garcia — the Maryland father mistakenly deported to a prison in El Salvador — to U.S. soil. Van Hollen, who met with Abrego Garcia in April as the Trump administration refused to abide by a Supreme Court order to facilitate his return to the States, responded to a White House statement that asked him and others 'who defended this illegal criminal abuser to immediately apologize' to the man's 'victims.' 'You know, I will never apologize for defending the Constitution,' he told CNN's Anderson Cooper, who read part of the White House statement to Van Hollen. 'In fact, it's the Trump administration and all his cronies who should apologize to the country for putting us through this unnecessary situation and to Abrego Garcia for putting him through this situation and his family,' Van Hollen added. Abrego Garcia, perinitial reports later confirmed by Attorney General Pam Bondi in a press conference, landed back in the U.S. to face federal criminal charges that accuse him of transporting unauthorized migrants into the country. The move to charge Abrego Garcia reportedly led to the resignation of a top federal prosecutor in Tennessee, where the two-count indictment was filed in May and unsealed Friday. In the lead-up to the charges, Trump officials repeatedly stressed that Garcia was 'never' coming back from El Salvador, shifting the responsibility of facilitating such a move to that country. They also pushed claims that Abrego Garcia is a 'known member' of the MS-13 gang, allegations that his family and his attorneys have rejected. Van Hollen said the federal prosecutor's resignation 'raises questions' about the move to charge Abrego Garcia, but the focus should be on his return, adding that it's a 'good news story' for due process rights in America. 'The Trump administration should respect the rule of law and the Constitution of the United States. So really, it's President Trump who should apologize to the country for violating his oath to the Constitution,' he said. 'I'm glad in this moment, they are finally, finally doing what the Supreme Court said but they continue, Anderson, to violate the Constitution in many, many other [deportation] cases.' Kilmar Abrego Garcia Has Returned To The United States Eric Swalwell Blasts Kristi Noem For 'Bulls**t' Over Abrego Garcia Tattoo Pic Trump Admin Reportedly Told Court A Different Story Than The Public In Sealed Communications
