Mission: Impossible - The Final Reckoning Review: I Choose To Accept Tom Cruise's Blockbuster Finale As An Explosive Kickoff To Summer Movie Season
When you buy through links on our articles, Future and its syndication partners may earn a commission.
On May 22, 1996, audiences accepted a mission that seemed impossible: a successful modern adaptation of a classic TV series. Tom Cruise and the Mission: Impossible franchise have long outlasted the original fad that gave it life, with almost 30 years under the belt of this Paramount Pictures franchise. But as we're commonly reminded, all good things must come to an end – which is part of why the eighth chapter in this series has been given the subtitle The Final Reckoning. That reality is bittersweet, because while this does feel like a big goodbye to Ethan Hunt, the story that's employed to bid this farewell is going to leave you wanting more.
Mission: Impossible - The Final Reckoning
Release Date: May 23, 2025Directed By: Christopher McQuarrieWritten By: Christopher McQuarrie & Erik JendresenStarring: Tom Cruise, Hayley Atwell, Ving Rhames, Simon Pegg, Esai Morales, Pom Klementieff, Henry Czerny, Holt McCallany, Janet McTeer, Nick Offerman, Hannah Waddingham, Tramell Tillman and Angela Bassett, Shea Whigham, Greg Tarzan Davis, Charles Parnell, Mark Gatiss, with Rolf Saxon, and Lucy TulugarjukRating: PG-13, for sequences of strong violence and action, bloody images, and brief language.Runtime: 169 minutes
Two months after the events of Mission: Impossible - Dead Reckoning, Ethan Hunt (Tom Cruise) has once more gone into hiding. Refusing several requests to rejoin the fight against The Entity's malicious A.I. antics, the governments of the world are on the brink of all out war. With Ethan's Impossible Mission Force team still assembled (Hayley Atwell, Simon Pegg, Pom Klementiff, and Ving Rhames) and nemesis Gabriel (Esai Morales) also remaining on the board, Mission: Impossible - The Final Reckoning boils down to a four-day window that could spell nuclear armageddon.
Anyone wondering if director Christopher McQuarrie's fourth entry in the Mission lexicon can be enjoyed without prior knowledge is in for a bit of a paradox. While The Final Reckoning does have tons of callbacks, flashbacks, and exposition that gives you the Cliff's Notes version of Ethan's exploits up to this point, having experiencing those previous adventures does lend depth to all of the shocking turns.
That's something very important to consider, as our eighth and final joyride with superspy Ethan Hunt tries to tie up a whole lot of loose ends in its almost three-hour running time. Which is both a blessing and a curse, due to all of the moving parts this continuity has integrated over the last three decades.
Let's just put some good news on the table right up front. As someone who's followed Mission: Impossible's movies from the beginning, I can confidently say that this is a proper finale to Tom Cruise's spy game. Even better still, I'm very happy to report that The Final Reckoning is a vast improvement from Dead Reckoning, despite being cut from the same story cloth.
Following its slightly more convoluted predecessor, this picture starts in high gear, and doesn't let up until it crosses the finish line – which is something I'll always commend a nearly three-hour movie for being able to do. Perhaps it's the supposed finality of this eighth Mission that inspired Christopher McQuarrie and co-writer Erik Jendresen in plotting what's being billed as the swan song for this iteration of this espionage saga.
The former's love for the 1996 franchise started is still clear throughout various choices in the narrative at work, with a gigantic hat tip to Mission: Impossible III poised to also give loyal IMF fans another moment to gleefully snap and point at the screen a la Rick Dalton. If you've missed the days of the more fleshed out team-based dynamic previous missions have contained, then consider that another jewel in The Final Reckoning's crown.
Series newcomers Hayley Atwell and Pom Klemantiff get to land outstanding moments of quippy dialogue and intense action, while Simon Pegg's return boosts his role in the team to a point where Benji Dunn even gets to throw hands. Wrapping it all together is a pleasant undercurrent of humor, which keeps our IMF agents moving in a style more akin to the halcyon days of Mission: Impossible - Ghost Protocol.
Reintroducing that element also helps supporting cast members like Severance's Tramell Tillman make the most of their limited screen time. But that also ties into a slight downside to what the past couple of outings have been trying to do.
Maybe it's because I've been invested in this series since the beginning that I find my own expectations for how Mission Impossible 8 would wrap to be slightly unfulfilled. Simultaneously, there are some instances where the dedication to the past is a little overzealous, with highlights featured in the opening montage being repeated at various points in the overall narrative. It's minor, and probably more suited for casual viewers who haven't owned a copy of Brian de Palma's original Mission: Impossible through three eras of physical media.
But if you're a die hard for this saga, it really is a minor gripe when it comes to The Final Reckoning's well-paced thrill ride. Whereas Dead Reckoning felt like it flew a bit too fast when it came to setting up its narrative, Christopher McQuarrie's steady hand in co-writing and directing the sequel help right the ship. It's an apt metaphor considering Tom Cruise's voyage to the sunken wreckage of the Sevastapol is a prime example of the pacing.
More recent Mission: Impossible adventures have made it a habit of advertising a massive practical stunt as the big draw, which has left the story a bit lacking in other places. There's still a pretty huge feat on display with Cruise's madness-inducing biplane chase sequence, and that moment is as fantastic as advertised. But the true star of the show is the submarine adventure, which pushes Ethan to even more extreme circumstances.
The Sevastapol sequence couldn't have been placed at a more perfect point in Mission: Impossible - The Final Reckoning's story either. Taking place in Act II, this moment galvanizes the final act with well earned urgency; which is only goosed along even further by the return of Angela Bassett as President Erika Sloane.
As we frequently cut back to the President and her advisors as the weigh their options to beat The Entity, the film shifts into a small-scale remake of Sidney Lumet's Fail Safe. Considering Christopher McQuarrie loves to reference classics like Hitchcock's The Man Who Knew Too Much as much as he enjoys connecting previous Missions, the result helped me forget the fact that this cadre doesn't really get much development in the grand scheme of things. While the massive cast of players in The Final Reckoning don't all get proper setups and payoffs, cast members like Holt McCallany and Nick Offerman do their best to keep us invested, through a combination of gravitas and shorthand.
If there's any one thing that makes the 'final' Mission: Impossible film worth seeing, it's that it's a timely story that doesn't go too wild with its message. The Entity's power of misinformation is better fleshed out in this conclusion, as we see the consequences it has on the larger world. Modern concerns over A.I., deep fakes, and fake news are reflected rather brilliantly here and in a way that doesn't preach to the audience.
Once more, Tom Cruise and Christopher McQuarrie's combined talents have given us a summer blockbuster worth showing up for. Come to think of it, the whole premise of rethinking reality and examining long held narratives a bit harder plays even better in The Final Reckoning, as one of the core questions asked in this tale cuts down to something the pickiest audience member may have asked long ago: is Ethan Hunt really good at his job?
Mission: Impossible - The Final Reckoning has lit the fuse on summer movie season, and the resulting explosion is one that other legacy-adjacent titles are going to have to reckon with. The eighth outing for this action-adventure mainstay proves that stakes are back, humor is back, and Ethan Hunt has arrived for audiences to trust him… one last time. And to put a more familiar spin on things, I firmly believe that you should choose to accept this mission.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
an hour ago
- Yahoo
Top Gun: Maverick director says he cast Brad Pitt over Tom Cruise in his new F1 movie because "Tom always pushes it to the limit" and "that terrifies me"
When you buy through links on our articles, Future and its syndication partners may earn a commission. Top Gun: Maverick director Joseph Kosinski says he went with Brad Pitt for his new F1 movie over Tom Cruise – mainly for safety reasons. "Tom always pushes it to the limit, but at the same time is super capable and very skilled," Kosinski told Variety. "They both have the natural talent for driving. But yeah, I could see Tom maybe scaring us a little bit more." Cruise is known for his death-defying stunts, going all out for Mission: Impossible – The Final Reckoning by hanging from a biplane and holding his breath in a submarine quickly filling with water. In Top Gun: Maverick, the majority of the aerial stunts were done in real time and without CGI – with Cruise making the new, younger cast members undergo a bootcamp of sorts where they learned to fly for real. F1 stars Pitt as Sonny Hayes, a Formula One driver who raced in the 1990s and had a horrible crash that forced him to retire from Formula One. Many years later, Ruben, A Formula One team owner and longtime friend, asks Sonny to come out of retirement to mentor rookie prodigy Joshua "Noah" Pearce (Damson Idris) for the Apex Grand Prix team (APXGP). 'We'd have had a crash," action-vehicle supervisor Graham Kelly agreed. 'Tom pushes it to the limit. I mean really to the limit. That terrifies me. I mean, I've done loads of Mission: Impossibles with Tom and it's the most stressful experience for someone like me building cars for him, doing stunts with him. Whereas Brad listens and he knows his abilities, and I think he'd be the first to say, 'Yeah, I'm not going to do that.'" F1 is set to hit theaters on June 27. For more, check out our list of the most exciting upcoming movies in 2025 and beyond, or, check out our list of movie release dates.
Yahoo
4 hours ago
- Yahoo
The Bold and the Beautiful preview week of May 26: proposals, threats and goodbyes, oh my!
When you buy through links on our articles, Future and its syndication partners may earn a commission. This week, The Bold and the Beautiful fans have been treated to not one but two big look-ahead previews of what's coming up. Now that Memorial Day is behind us, it's time to focus on sweeps week and it looks like the B&B team saved the biggest drama for one of the biggest weeks in the TV calendar. Here's The Bold and the Beautiful preview for the week of May 26. More soaps coverage The Young and the Restless spoilers week of May 26-30General Hospital spoilers week of May 26-30Days of Our Lives spoilers week of May 26-30Beyond the Gates spoilers week of May 26-30The Bold and the Beautiful spoilers week of May 26-30 After last week saw Liam's (Scott Clifton) condition worsening, Daphne (Murielle Hilaire) catching a plane and Hope (Annika Noelle) getting a surprise proposal from Carter (Lawrence Saint-Victor), well, it seemed like there was no way to top that. Clifton has been giving the performance of a lifetime as he portrays Liam's slow decline as the result of a brain tumor and during the May 26 episode he implored Finn (Tanner Novlan) to help take care of his girls when the time comes. Liam is also hoping that Carter will be there to help, too. Little does Liam know, while he's giving a heartfelt soliloquy to Finn, Carter is on one knee, asking Hope to marry him. She didn't have an answer for him, so it's anyone's guess how this is going to turn out. Here's the first look-ahead preview of what's coming up this week: And here's even more of a look-ahead: The first look-ahead is the one that came at the end of the May 26 episode. In it, Liam hugs Beth and tells Finn that he doesn't know how he's going to say goodbye. Next we see Steffy (Jacqueline MacInnes Wood) telling Hope and Ridge (Thorsten Kaye) that "she" is a monster and she needs to be kept away from her family. The "she" in question, of course, is Luna (Lisa Yamada), who, in the following scene, can be seen telling Sheila (Kimberlin Brown) that Steffy will never accept her, so "why not just eliminate that threat?" To her credit, Sheila shuts that down quickly, but it doesn't look like Luna is convinced. In the YouTube clip, Steffy and Finn share a moment together while Ridge tells the couple that Luna is one the hunt for Steffy. Finn looks upset. Next we see a different moment in the conversation between Luna and Sheila. Sheila tells Luna that Finn and Steffy have made a decision and she has to accept it, and Luna needs to "go." The clip ends as Luna is seen buying a gun and aiming it at a picture of Steffy. Interestingly, this is the first time we've seen Luna in her murderous element. We saw her before in flashbacks, but this time we're seeing the moment when she hatches a plan to kill someone who's standing in the way of getting what she wants. We have a feeling that things are about to take a very dark turn in the next week. The Bold and the Beautiful airs weekdays on CBS and the following day on Paramount Plus. Check your local listings to see when it comes on where you are.
Yahoo
4 hours ago
- Yahoo
The Bold and the Beautiful recap for May 27, 2025: Hope gives Carter an answer
When you buy through links on our articles, Future and its syndication partners may earn a commission. Carter gets an answer to his proposal while Ridge presses Steffy for information in The Bold and the Beautiful recap for May 27, 2025. More The Bold and the Beautiful The Bold and the Beautiful recap for May 26, 2025The Bold and the Beautiful recap for May 23, 2025The Bold and the Beautiful recap for May 22, 2025The Bold and the Beautiful recap for May 21, 2025 We begin today with a look at the engagement ring Carter (Lawrence Saint-Victor) has for Hope (Annika Noelle). He continues his impassioned speech to her, letting her know she's the best thing that's ever happened to him. He asks her to marry him, but she stays silent. Taylor (Rebecca Budig) finds Steffy (Lawrence Saint-Victor) in the office late. Taylor knows she's been taking care of Liam and cautions her daughter that there are only so many hours in the day. She offers to stop in and check on him now that Liam knows what's going on. Steffy hates keeping the secret from Ridge (Thorsten Kaye), who walks in at that moment. Liam (Scott Clifton) and Kelly (Sophia Paras McKinlay) are in the middle of an intense game of Go Fish. Kelly is so happy to have Liam staying with them and she never wants her father to leave. Liam looks distressed as he holds her so Kelly asks if he's sad. Finn (Tanner Novlan) walks in as Liam tells Kelly how happy she makes him. As he hugs her, Liam and Finn share a look. Steffy greets her father while Taylor says she's been looking for Ridge. Ridge says it's time for them to come clean and he thinks it has something to do with Hope. He wants to know what changed Steffy's mind about allowing Hope back to the company. Carter says he wants to start their happy ever after right away, but Hope says she thought they already had that. When he tells her to trust him, he realizes it's hard because of the betrayal. Hope knows he was sincere in his apology, but a proposal is a 'big step' that she's clearly not ready for. Finn asks who won the game? Liam says Kelly won again. Kelly tells Finn she loves having her father living with them. Finn diplomatically says Liam will eventually leave, as will she after she grows up. Liam says even when she's grown up, she'll never be alone. Steffy says she took a 'hard line' about the takeover, but her perspective shifted. Ridge says Hope said the same thing and Taylor says that's exactly what they all want. But Ridge won't let it go, he wants to know what the 'other priorities' are. Hope wasn't expecting a proposal so soon after reuniting. Carter says he would marry her on the spot if he could. Carter knows he broke her trust and promises he'll never let that happen again. But he wouldn't be there with a ring if he didn't think he could be the man she needs. Finn checks his phone and sees a text from Dr. Buckingham asking if Liam knows what he wants to do about treatment. Liam returns from putting Kelly to bed. They share a moment talking about the kids. Liam asks if Finn told Li about his condition, but Finn promises he hasn't said a word to anyone. Liam thanks him; he knows Steffy told Taylor but understands Steffy needed someone to talk to. Finn is happy to be there to help, telling him that he needs to focus on living, not dying. He knows it, as a doctor, a father and a husband. Liam says he was watching Kelly fall asleep and he knows he can't keep his secret from the kids for much longer. He doesn't know how to tell them that he's dying, but he has to figure out how to say goodbye to his daughters. Steffy doesn't want to give Ridge the wrong impression. She and Hope still have things to work out, but they are making progress. Ridge asks what they're going to do with Hope, prompting Taylor to ask if she's going to re-launch Hope for the Future. Steffy says that's a decision for her, Ridge and Eric. 'And Carter,' Taylor adds. She notes that Carter must be very happy having Hope back. Hope admits she's been thinking about having a life with Carter. She points out that she's never felt a man's full commitment to her and she doesn't want to settle for anything less. He promises all of that, and more. 'Just say yes,' he says. Ridge asks if Steffy knows anything about Hope and Carter getting back together. Steffy says she has concerns about Hope and Carter 2.0 after the coup, but ultimately she wants them to be happy. Finn says when the time comes, Liam will know what to say to Kelly. And Steffy can be there with him. Liam says Steffy has been his rock, but so, too, has Finn. He's been more than just a doctor, he's been a great friend and it is very comforting knowing Finn will be there. Finn tells Liam about the text and asks if he's thought about the treatment? Liam says he's hoping to make sure the kids are ok. He knows Steffy has Finn, so he's hoping Hope can have Carter. He knows Hope could have an amazing life with him if Hope will only say yes to it. Carter continues his plea for Hope to say yes. He says he can make sure he'll be the best stepfather he can be to Beth. And maybe they'll have a child of their own, which makes Hope laugh. He says he believes in their love more than ever and he promises that being her husband will always come first. He asks her again to marry him, and Hope says yes. 'Yes, Carter Walton, I will be your wife,' she says. They share a kiss and lots of laughs before he slides the ring on her finger. The Bold and the Beautiful airs weekdays on CBS and the following day on Paramount Plus. Check your local listings to see when it comes on where you are.