'Everybody has a story about Kids Ink': Local bookstore owner retires after 39 years
But many say they became a reader because of a book a teacher read aloud to them decades ago.
That's what happened for Mullin, 80, in her rural Nebraska schoolhouse in rural Nebraska where her second grade teacher read 'Little House on the Prairie' to the class. When the teacher finished reading the series, the students begged her to read the books again — and she did.
Mullin went home and played 'Little House on the Prairie' with her siblings on their family farm, where she was convinced Laura Ingalls Wilder had lived before her.
'It came alive,' she said.
Mullin has spent her career making children into readers, first as a kindergarten teacher, and then a librarian and then the owner of Kids Ink Children's Bookstore on North Illinois Street. She's worked to put books in kids' hands for more than 40 years — and now she's retiring.But the store is not closing. A mother-daughter pair has purchased it from Mullin and plans to carry on her legacy.
Kids Ink is a small shop, nestled between storefronts in the Butler-Tarkington neighborhood. Colorful books line the shelves from floor to ceiling, with wooden puzzles, stuffed animals and Playmobil toys tucked between titles.
Mullin opened the store in 1986 after a visit to Waldenbooks in the Glendale Mall to buy one of her favorite baby books, 'Goodnight Moon." She said when her own children were growing up, they ruined at least one copy each.
So when the bookstore chain didn't have the title on hand, she made a decision.
'If they cannot keep that book in stock, I'll just do it myself,' she said.
Almost four decades later, Mullin jokes about what a great business decision that was. Impulsive though it was, it worked.
The store hosts story times and author visits. Every summer, Kids Ink participates in the area's 'Where's Waldo' competition for kids to spot Waldo dolls in local shops to win prizes.
'They know my kids, they know my family,' said Lindsay Donaldson, a regular customer who lives nearby. 'We just love it.'
Five years ago, the staff helped her pick books to teach her son how to read. Today, they remember he likes historical fiction and stories with dragons.
The store has been around long enough that some kids who grew up going to Kids Ink now bring in their own children.
'Everybody has a story about Kids Ink,' Wendy Fitzgerald said.
And now Wendy and her daughter Kate will be telling stories of their own. The older Fitzgerald moved to Indianapolis from Wisconsin in February to be close to Kate and her 18-month old granddaughter. One of the first places Wendy visited in her new neighborhood was Kids Ink.
A day after Wendy bought her house in Indianapolis, she was let go from her job. Four days later, Kate was let go too. So in June when Wendy heard Kids Ink was for sale, she reached out to Mullin.
After what Mullin's lawyer said was the simplest and shortest property sale he'd ever seen, the Fitzgeralds became the new owners of Kids Ink.
Mullin has always worked with children and books. Before Kids Ink, she was a kindergarten teacher and a librarian, and then taught children's literature at what was then IUPUI. She reopened the library at Riley Hospital for Children and ran it for almost a decade before she opened Kids Ink.
Running a store, she learned, was not the same as working in a library. Mullin wanted to give children books, not sell them.
So Mullin found ways to share books with kids who couldn't afford them. She received grants to donate books to Indianapolis Public Schools and other schools around the state. During Christmas, she set up a giving tree for customers to buy books for kids.
'It's just so amazing when they get a first book,' she said.
A few years ago, Kids Ink received hundreds of thousands dollars from a private donor to gift packages of books to 900 immigrant children in Wayne Township. The best part, Mullin said, was choosing the books herself. She included an age-appropriate atlas in each child's package so they could look up their homeland.
Mullin has spotlighted several Indiana-based authors over the years. Troy Cummings, a children's book author and illustrator who lives in Greencastle, said it seems like every author, teacher and librarian in the state knows Shirley.
Cummings remembers the first event he attended at Kids Ink, where kids brought drawings of monsters emulating the creatures in his own books. He sees Kids Ink as a 'launchpad for creativity,' a place for kids to realize the joy to be found in reading.
'It should feel like playing,' he said. 'It should feel like you're getting away with something.'
Mullin hand picks what the store stocks — the 'great old books,' quality nonfiction, works by local authors, books on parenting and potty training.
'It's not unusual for Barnes & Noble to call and say, 'We have a customer wanting books on whales, do you have anything?'' she said. 'Well yeah, we do.'
Mullin has also tried to appeal to diverse clientele over the years. Kids Ink stocks stories with LGBTQ+ characters and every display includes books about children of color.
'Most librarians and most teachers, they understand that the kids need to see themselves in a book,' Shirley said. 'And they're not going to see themselves in a book if they don't see kids like them.'
The Fitzgeralds are eager to carry on that mission. Especially in the current political climate, Kate said, it's important to give kids books that prepare them to go to school with kids different from themselves.
'This is their chance to build their empathy,' Kate said. 'Reading a book is the closest that you'll get to being in somebody else's shoes or feeling feelings that you've never felt before.'
Mullin's family worked at Kids Ink from the start and many of her staff became like family to her. Two of her children (both of whom are now authors) worked there for years.
In the back of the store, the white walls in the bathroom are scribbled with signatures and notes of affection from authors who have visited Kids Ink. The small room features signatures from Cummings, John Green and hundreds of others.
The tradition began almost 30 years ago when Mullin's family repainted the bathroom. Her baby son's footprints were painted and stamped on the wall, and the rest of her family signed their names, she said.
Some of the staff have worked there for decades. A teacher, Kathy Taber, came to Kids Ink for book recommendations in 1992 and started working part time. When business was slow, she and Mullin would just sit and chat.
'She cared about each and every one of us that worked there,' Taber said. 'Not only was her knowledge so great, but you know, she just cares about us and what's going on in our lives, which makes her very special.'
Many other employees have also been with the shop for more than 20 years. That's part of the reason, Taber said, that it was hard for the staff to hear Mullin would be retiring.
'It'll be different, because you know — Kids Ink is Shirley, or Shirley is Kids Ink, to us,' Taber said. 'But it's a well deserved time for her to retire. You know, she's got plans.'
Mullin will garden and continue to speak at local library events. She'll devote time to what she calls her "forever research project," a dive into her family history during WWII.
Mullin said she doesn't know how she feels about retirement yet as it's only been a few weeks. She's mostly been "untangling" things so far.
'For me, it feels a lot like ripping off a Band-Aid,' she said. 'But that's okay. I was ready for it. I was ready for it before it happened.'
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It's hard to believe it's been over 50 years since audiences fell in love with Little House on the Prairie. I grew up watching Little House reruns, and the world of Walnut Grove always felt so lifelike. Watching the adventures of Laura, Pa, Mrs. Oleson, Nellie, and so many others was like watching old friends on your television screen. Little House would not be the show it became without the contributions of Susan [casting director] and Kent McCray [producer]. To celebrate over 50 years of Little House, I sat down with Susan to hear her memories of casting the beloved characters, and her and Kent's close friendship with Michael Landon. father worked on music for Bonanza, and she first met Michael Landon and Kent McCray working as a receptionist for the casting office. Susan McCray: My first impression of Michael Landon was that he was very funny. I met Michael when he walked into the reception office, and he said, "Hi there." He knew my dad, because my father had been recording music for Bonanza that year. He said, "I gotta go to the store." And I asked, "What are you going to the store for?" He replied, "Well, I have to go buy 13 toilet seat covers. I bought this new house in Beverly Hills, and it has 13 bathrooms, and they all need new toilet seat covers!" That was my first impression of Michael Landon. As you know, and everyone knows, his laugh was fantastic. That giggle of his was fantastic, and that's what I heard as he left to go get his toilet seat covers. My first impression of Kent was when my father introduced me while I interviewed for my job. I thought, "Wow, what a great-looking man!" And my father said to me, "If you can find a man like this someday to marry, I'd be very happy." Susan and Kent later got married in 1984, with Michael Landon as their best man! told Susan he thought the show was going to be "something special," and he was right. Susan: It's a period piece, and it's based on fact. I mean, some of the stories were embellished and brought forward by Michael, who was an incredible writer. But I remember thinking to myself, "This is really a beautiful family show." It just seemed to be the right thing, especially with the politics at the time, and the networks were looking for something that would be family-oriented. I do remember Michael saying to me, "Susan, I think this is going to be something special." If you read the Little House books, the books don't embellish some of the things that could be brought to life a little bit more vividly, and Mike was able to do that. He said, "I think I can make people feel," and he did. I told him I had to buy Kleenex stock, because whenever I looked at an episode, or I read actors for a part, I would cry every single time. It was not because of the words; it was because of the feeling I would get when I would see the show. It just felt so good to me. casting for Little House, Susan never received descriptions of the character from Michael. Susan: When I worked on casting for other shows, I always got a description of a part. Mike Landon didn't write any descriptions; I would only get a script. It really gave me the opportunity to use a creative sense, like when you read a book and you envision what that character is going to look like. I was really grateful for it, because it gave me a chance to hire and find actors who didn't already have a lot of experience. I went to a lot of theaters and showcases, and I was able to give many actors an opportunity that the networks wouldn't usually give. The networks loved Michael. He was their star, and so he got whatever he wanted. I was so lucky, because he would say, "If Susan wants them, that's the way it's going to be." I was very fortunate. I would bring in about five different people, and they would read. Then I would bring back the ones that I thought were right for the director, which, in most cases, was Michael. I always tell people that I had two ways of casting. When I saw a part, I could do what they call 'on the nose casting,' which is exactly what you envision, or 'offbeat,' which is completely different from what you originally expected, but when you see it, you say, "Wow, I never thought of it that way." In the photo above, Susan's arm is around a young Shannen Doherty, who portrayed Jenny Wilder in season nine! Susan, and Michael would carpool together to the Little House set. Susan: Michael directed practically every episode. He wrote practically every episode. He starred in almost every episode, and so I didn't have a lot of time with him in my office. I would either have to go out to the set, or I would bring pictures of actors in the car, because Kent and I used to drive him to work. We lived near each other, and he would always sit in the backseat. He would joke and say, "Mommy and daddy have to sit in the front!" We called him Sonny, and as a matter of fact, I have an autographed picture of Mike saying Sonny at the bottom. So, 'Sonny' would sit in the backseat. I would show him pictures of a few actors that I thought were right for a part. And he'd say, "Well, you like that one? Okay, there you go!" of Susan's favorite guest stars include Ernest Borgnine, Patricia Neal, and Johnny Cash. Susan: There are many actors that I felt very lucky to get. There were guest stars that were just incredible. Ernest Borgnine was an exceptional man, and that episode, "The Lord is my Shepherd," happens to be my favorite. When I interviewed Ernest for my radio show, he said Little House was his proudest work out of all the shows that he ever did. Patricia Neal was exceptional, and so was Johnny Cash. Really wonderful guest stars. I'm so proud of the actors. I'm very proud of Jason Bateman [who portrayed James Cooper] and Melissa Gilbert [Laura Ingalls]. I'm very proud of Linwood Boomer [Adam Kendall], who became a successful producer with Malcolm in the Middle. memories of the iconic Katherine MacGregor [Mrs. Oleson]: Susan: Up to the day she passed, Katherine always was the same. She was a lot of fun, and I think the most challenging role for any actor or actress is somebody nasty. When she auditioned for Mrs. Oleson, Katherine was not quite sure of what Michael wanted, and actually, I wasn't either. But somehow, when she walked in, it was one of those things where you think, "Oh my gosh, that's got to be her!" With the added costumes, the hats, and the way she carried herself, it was just so good. I don't think I know anybody who liked Mrs. Oleson, and that's exactly what you want for the part! Katherine really was a very good actress. actors on set trusted Michael Landon to get the job done well. Susan: Mike was just the best to work with. He was really funny, and he was also honest. He was real, he knew what he wanted, and he made actors feel good, especially if someone was nervous. I remember Stan Ivar [who portrayed John Carter in season 9] was extremely nervous his first day, because Little House was his first major television role. There he was, standing with Michael Landon, and Melissa Gilbert, and all these people around him, and he was making mistakes, and his lines weren't coming out. Michael said to him, "What's the matter?" Stan said, "I'm just so nervous, Mike." Michael said, "Let me tell you something. No matter what, just know I will never make you look bad. Never." From then on, Stan was okay because he knew it was going to be okay. Stan is on Michael's right, at the top of the above picture. Landon and Kent McCray thought of each other as brothers. Susan: Michael adored Kent, and the feeling was mutual. Mike used to say to him, "You're the brother I never had." Mike loved him dearly, and he trusted him. Kent would tell him exactly how he thought, and if Mike was wrong, he would tell him. Mike would accept it from Kent — that was the closeness. We were with Mike every day, day to night, and we were with him when he passed away. Kent missed him to the day that he passed, and we couldn't really talk about Michael without crying, because we were exceptionally close. Nobody knew Mike like we did. We saw the emotion, we saw the disappointment, and we saw the happy times. Michael had an incredible sense of humor. When Mike would start a funny story, Kent was able to finish it. Mike would say, "Darn it, stop finishing my joke!" They were wonderful people. auditions, Michael would sometimes sit under Susan's desk to help the actors feel less nervous. Susan: A lot of times, people felt intimidated by Mike, not only because he was so bright and so talented, but he was such a good-looking guy. I would have to tell actors that Mike wouldn't want to make them nervous, and so he used to sit on the floor next to me, under my desk! I would tell the actors, "He's not sitting there because he doesn't like you. He's sitting there because he doesn't want you to feel intimidated!" I once told Michael that I said that to the actors, and he asked, "Well, why do you tell them that?" (Susan laughs) I was like, "They don't understand! You're sitting under my desk for goodness' sake!" is currently directing the play Love Letters, starring Little House co-stars Pamela Roylance [who portrayed Sarah Carter] and Stan Ivar [who portrayed John Carter]. Susan: The play is real. The play has dialogue that people have said through the years in their lifetime. It's about a relationship between two very close friends who really love each other, but never had a life together. They wrote letters to each other. There's funny dialogue, and there's sensitive dialogue. It's wonderful, and working with Pamela and Stan is exceptional, because they were great on Little House, and they're great in this. It's like working with my family all over again. I really enjoy it, and I hope that people, especially fans, will come to see it. I think they'll get from it what they got from Little House. I have really enjoyed directing the show with Pamela and Stan. They're really terrific people. Thank you, Susan, for sharing your incredible memories of bringing the world of Little House to life! Get tickets to Love Letters here, running at the Whitefire Theatre in Sherman Oaks, CA, between August 21-31. Can't get enough Little House content? Check out our other interviews with the cast: - Patrick Labyorteaux on Andy Garvey - Alison Arngrim/Dean Butler on Nellie/Almanzo - Charlotte Stewart on Ms. Beadle - Bonnie Bartlett on Grace Edwards - Sherri Stoner on Rachel Oleson and The Little Mermaid Solve the daily Crossword