
In brief: 33 Place Brugmann; The Decline and Fall of the Human Empire; A History of the World in 47 Borders
Set in Brussels as the Nazis invade Belgium, Austen's debut novel focuses on the inhabitants of a large apartment building. There's a Jewish art dealer and his family, an art student and her father, an elderly gossip and a talented seamstress. As the war progresses, each must decide who they can trust. Polyphonic in structure, the distinctiveness of each narrative voice is testament to Austen's skill and the resulting novel is both intimate and ambitious, lyrical and moving.
Henry GeePicador, £18.99, pp288
In his latest highly engaging work of popular science, Gee explores whether the human race is doomed. Highlighting the many cousins of Homo sapiens driven to extinction – from neanderthals to Homo floresiensis – he goes on to examine aspects of more recent history that threaten our future, from our reliance on agriculture to climate change. But Gee is not without hope, suggesting that the future of humanity lies not on Earth but in space.
Jonn ElledgeWildfire, £10.99, pp384
Taking a lateral view of history, Elledge focuses on the borders between territories, states and counties, and how they have been shaped by political forces. In entertaining, short chapters, he traverses wide sweeps of history from the Roman empire to the US-Mexican border by way of Russia, India and Korea. With a breezy, conversational tone, Elledge writes with wry humour and infectious enthusiasm.
To order 33 Place Brugmann, The Decline and Fall of the Human Empire or A History of the World in 47 Borders go to guardianbookshop.com. Delivery charges may apply
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Daily Record
8 hours ago
- Daily Record
Harry Potter star Miriam Margolyes says 'I'm not anti-Jewish' over Gaza stance
The 84-year-old, who is herself Jewish, branded critics "chickens*** people". Harry Potter star Miriam Margolyes has defended her pleas for peace in Gaza after calls she should be stripped of her OBE. The Campaign Against Antisemitism group claims the actress, who is Jewish, should lose a gong she received in 2002 and a Bafta she won in 1993. The group accused her of spreading 'racist bilge' after she compared the Israeli occupation of Gaza to the Nazi Holocaust. The actress, who is performing at the Edinburgh Fringe, said: "I have every right to be an OBE. Join the Daily Record WhatsApp community! Get the latest news sent straight to your messages by joining our WhatsApp community today. You'll receive daily updates on breaking news as well as the top headlines across Scotland. No one will be able to see who is signed up and no one can send messages except the Daily Record team. All you have to do is click here if you're on mobile, select 'Join Community' and you're in! If you're on a desktop, simply scan the QR code above with your phone and click 'Join Community'. We also treat our community members to special offers, promotions, and adverts from us and our partners. If you don't like our community, you can check out any time you like. To leave our community click on the name at the top of your screen and choose 'exit group'. If you're curious, you can read our Privacy Notice. "It's nonsense. "I'm very proud of my OBE and I think I deserved it, and I'd be sad if it was taken away. "But I don't think it's seriously going to happen. 'I would not like to have it taken away because it would imply the government agrees that I shouldn't be an OBE.' Margoyles, 84, has been an outspoken critic of the Israeli government and its role in the humanitarian disaster in Gaza. She added: 'I'm not anti-Semitic, I'm anti-killing children. "But I am also criticising the Jewish people in the UK, the community that I belong to, which is not coming out in support of me. "I just want people not to kill each other.'


Edinburgh Reporter
18 hours ago
- Edinburgh Reporter
Fringe 2025 – Between the River and the Sea ⭐⭐⭐⭐
The Israeli-Palestinian conflict has generated no shortage of competing and conflicting narratives and part of the potency of Yousef Sweid's one-man play is that, by dint of his family's multi-faceted background, he is able to bring many of them together. Sweid, 49, a Palestinian-Israeli Christian living in Berlin, has two Jewish-Arab children through his two Israeli-Jewish ex-wives. As he explains: 'We are a completely normal family; an Arab, Palestinian, Jewish, Israeli, Austrian, Romanian, Christian family.' After opening against a soundtrack of a demonstration, courtesy of the Israeli-Brazilian sound designer Thomas Moked Blum, and brandishing a few banners ranging from 'Stop the Islamic terror', in Hebrew, and 'Israeli apartheid' to 'From the river to the sea. Christians, Jews and Muslims will live in peace and harmony', Sweid relaxes into storytelling mode. As a child in the northern Israeli city of Haifa, he was called the Israeli Jewish-sounding Yossi by his Jewish friends at kindergarten and school and introduced himself as such to his Jewish acquaintances, only reverting to Yousef when he studied theatre at Tel Aviv University, where it was trendy to have Arab friends. He says he didn't know he was Arab until a four-year-old Jewish boy at kindergarten called him 'a stinking Arab'. Likewise his father, Sliman, whom he impersonates as an affably shouty, lecturing 'baba', was called Shlomo by his Jewish friends. There's a warm, witty interplay between the two of them, relayed via phonecalls as his father has decamped to Canada, just as there is between him and his teenage son, for whom he assumes a more measured demeanour. Sweid's sensitively relayed sexual fantasies with Carolin, whom he met at a Christian youth group in Haifa, and a more lascivious relationship with Shani, whom he fell for while apple-picking at a kibbutz in the Golan Heights close to Syria, bear testament to the uncertainties inherent in his chameleon character as he writhes around on the stage angsting over how best to present himself to them and their families. Yet it is his son's simpler, idealistic fantasies that lift the play into the stratosphere where hope for a peaceful co-existence between people of different faiths resides. The conflict, where it does feature, is often in the context of Sweid's attempts to define his identity and his place in the world, such as in his description of different types of Palestinians. 'I'm a Palestinian Israeli.' 'You're not a Palestinian-Israeli; you're a Palestinian with an Israeli passport,' he interjects as his father. 'There are Palestinians in Gaza who are starving to death, Palestinians living in Canada… I prefer to call us Arabs, not Palestinians. We are the ones who weren't kicked out [of Israel in 1948],' he continues. The human cost of the Hamas atrocities on October 7, 2023, also feature movingly, while referring to Israel's war with Hamas, he says: 'I don't know if you would call it like that any more.' It's an evocative, nuanced and, at times, darkly humorous performance, co-written by Isabella Sedlak, the director, in which the Arab language – 'it's delicious', says Sweid – has to contend with a downside. As Sweid quips sardonically to his son – who queries whether, given his mixed identity and the conflict he is 'lucky' not to live in Israel – he is 'half-lucky and half-screwed… Here [in Germany] they will fear you because you're Arab and hate you because you are Jewish.' One quibble: it could be argued, not unfairly, that there's a theatrical elephant in the room, insofar as in a play that is about people of different backgrounds living together (or not living together) in peace and harmony the main character's two interfaith marriages have broken down and there's no attempt to examine why. On the face of it, it's not a great advert for peaceful coexistence. But perhaps, as Sweid says on several occasions, it's complicated. Between the River and the Sea Zoo Southside Until Aug 13 (not Aug 10) Like this: Like Related

South Wales Argus
19 hours ago
- South Wales Argus
Caerleon's National Roman Legion Museum celebrates 175 years
Saturday saw the museum be taken over by a range of activities for all ages attended by gladiators and soldiers. The museum itself saw its courtyard transformed into an authentic Roman garden. A group of soldiers look over their courtyard (Image: NQ) Guests were able to immerse themselves in activities and feel like a real Roman. The smell of a makeshift kitchen wafted throughout the courtyard where guests prepared and ate their own flatbreads with dates and honey, just like a real Roman soldier, and could participate in their own feast. Gladiators patrolled the gardens, complete with armour and weaponry, ensuring that guests were enjoying themselves in the craft area. At the far end of the courtyard, guests could learn about Roman art and fashion, taking the chance to try on some roman finery and find out some more about family life at the time. A dig pit also allowed youngsters to get hands on with archaeology. Visitors from far and wide were in attendance during the day, using the sunshine as an excuse to bask in the amphitheatre and witness the gladiator's work. Children jumped at the chance to get involved, taking the gladiators on headfirst and learn the ropes of capturing and conquering their enemies. Alongside these activities, visitors could relax with games or learn circus acts. The day truly had something for everyone, whether you're a hands on energetic learner or prefer to peruse at your own pace. Gladiator fights took over the amphitheatre (Image: NRLM) Catherine Jenkins, a representative for the National Roman Legion Museum, said: 'We had 700 people register their interest to attend today. "Knowing that so many people are interested in what we do is incredible. 'We've been lucky enough to have a steady stream of these visitors across our sites through the day. 'We just hope that events like this remind people that we are here and open for business.' Alongside this weekend's anniversary party, the celebrations will continue throughout with a programme of events that will continue throughout the summer holidays and during the rest of the year.