Paramount Shareholder Mario Gabelli Seeks ‘More Equitable Distribution' of Shari Redstone's Payout in Skydance Merger
Gabelli, who is the second largest Class A Paramount shareholder behind Redstone, believes that Paramount ascribed no value to any of National Amusement's assets other than its Paramount stock in the deal with David Ellison's studio, allowing her to receive 'significantly greater value' than the $23 per share offered to other Class A shareholders.
He filed an initial books and records request last July, seeking to determine the exact value of Redstone and NAI's shares. He would later file a formal complaint under a Section 220 demand after telling the Delaware court that Paramount had refused to produce certain electronic documents, including communications, that were deemed 'critical' to his effort.
Following a trial, a judge from the Delaware Court of Chancery determined earlier this month that Gabelli's Value 25 mutual fund 'stated and proved a credible basis to suspect wrongdoing,' but stopped short of ordering Paramount to provide any additional documents. As of Jan. 31, Paramount produced nearly 6,000 pages of records for Gabelli's initial request. As of March 19, he'd received nearly 10,000 of those documents, which included board and committee-level minutes and materials, director questionnaires and draft public filings. The production of documents remains ongoing.
'Justice Brandeis said it best: 'Sunlight is the best disinfectant,'' Gamco Investors co-chief investment officer Chris Marangi said in a statement on Wednesday. 'It has become clear that NAI directed the transaction to Skydance and in doing so secured additional compensation for their voting shares of Paramount that was not offered to other shareholders.'
Gabelli's effort, dubbed Project Fishbowl, is being pursued on behalf of over 700 clients. A Paramount spokesperson declined to comment.
Other Paramount shareholders who have called out the deal include The Employees Retirement System of Rhode Island, who the Delaware Court ordered the media giant to turn documents over to for a similar investigation into potential corporate wrongdoing, Scott Baker, who has filed a proposed class-action lawsuit arguing the Skydance deal could cost shareholders $1.65 billion in damages, as well as the California State Teachers' Retirement System (CalSTRS), which believes the damages could exceed that figure.
In addition to the books and records request, Gabelli has asked the FCC to pause its review of the transfer of broadcast licenses in connection with the transaction as his firm conducts its investigation into 'potential fiduciary and/or federal securities violations.'
The Skydance deal has faced additional objections from The Center for American Rights, LiveVideoAi.Corp and Fuse Media, which Skydance has asked the FCC to dismiss, as well as Project Rise Partners, which has made an alternative offer of $13.5 billion to acquire Paramount. Skydance has said the latter's bid is 'belated' and 'unserious' and contains 'overwhelming evidence of fraud.'
Separately, President Donald Trump has called for CBS News' broadcast license to be revoked and is suing the network for $20 billion over a '60 Minutes' interview with former Vice President Kamala Harris. CBS and Trump are in settlement talks and have reportedly agreed to a mediator.
The Skydance deal, which was initially set to close on April 7, has triggered its first automatic 90-day extension. If the deal is not closed by July 6, the deadline will be automatically pushed another 90 days to Oct. 4. After that, if the deal is still not closed, or if a regulator blocks the merger or one of the parties involved breaches the terms of the agreement, then Skydance and Paramount will have the option of terminating the deal. Exercising that option would leave Paramount on the hook to pay Skydance a $400 million breakup fee.
The post Paramount Shareholder Mario Gabelli Seeks 'More Equitable Distribution' of Shari Redstone's Payout in Skydance Merger appeared first on TheWrap.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Geek Tyrant
11 minutes ago
- Geek Tyrant
Scott Bakula Could Return to the STAR TREK Universe in an Interesting New Spinoff Idea — GeekTyrant
Star Trek: Enterprise seems to have been the black sheep of the Star Trek franchise's TV history. While it was great, it was a show that never got the seven-season run of its predecessors and ended with a finale that left fans disappointed. Now, more than two decades later, Scott Bakula could finally get the chance to give Captain Jonathan Archer the send-off he deserves… by making him President. During a recent interview with TrekMovie, longtime Enterprise writer and producer Michael Sussman revealed that he and Bakula have been tossing around the idea for a new series centered on Archer's later years, a political drama in the Star Trek universe. The concept was sparked after the success of Star Trek: Picard . As Sussman explained, what started as a joking email to Bakula about a potential Star Trek: Archer show quickly turned into something they both thought had real potential. The seed for this idea actually comes from a moment in the Enterprise episode 'In a Mirror, Darkly, Part II.' In it, an evil Mirror Universe Archer pulls up the personnel file of his Prime counterpart. Some fans noticed it outlined Archer's impressive career trajectory after the events of Enterprise — Admiral, Chief of Staff of Starfleet Command, honorary Andorian Imperial Guard, Federation councilman, and, finally, President of Earth in 2184. Sussman said: 'It occurred to me that someone on the writing staff, not the art department, needed to write this graphic. Somebody needed to think about this, right? This was going to be a graphic that spelled out Archer's life and career after the series ended. '[This was after knowing that] the franchise was going into the freezer for a spell. [Archer's future] might be fully visible on the finished episode.' Sussman's working title for the project is Star Trek: United , and he envisions it as a blend of The West Wing and The Diplomat , only set in the formative years of the Federation. 'It's a political thriller and a family drama set in those chaotic, formative years of the Federation. […] We did 98 hours of Enterprise and I think [Bakula] really explored that character, but this was a very different direction for Archer to go in. And I think he was really intrigued by that.' Sussman even drew a comparison to how Andor elevated the Star Wars franchise, hoping Star Trek: United could do the same for Trek. He's already pitched the idea to franchise overseer Alex Kurtzman, and the initial meeting went well enough that Sussman is ready for a longer pitch if the interest continues. Whether it happens is another matter. Paramount's recent merger with Skydance has thrown the future of Star Trek into uncertainty, though the new leadership reportedly includes some dedicated fans. Right now, Star Trek: Strange New Worlds is the only series actively running, with Starfleet Academy set to arrive in early 2026. Could there be room for Star Trek: United alongside them at some point? Sussman and Bakula certainly think so. I would love to see a series like this get made! I'm a fan of the Enterprise series and would love nothing more than to see Jonathan Archer's story explored further in a new series and I'm totally on board with the concept!

Miami Herald
42 minutes ago
- Miami Herald
Cote: Like it or not UFC & Dana White's world domination tour just grew
UFC is taking on the world, and not just figuratively. UFC is taking on everything else you watch — yeah they're talking to you, NFL — and aiming to be the biggest sports-entertainment product there is. UFC already has the global presence football and other American sports are craving to have, and now the leader in mixed martial arts/combat fighting has an ability it hasn't had before to attract multitudes of new fans. That's what this week's seven-year, $7.7 billion broadcast partnership between Paramount+ and UFC parent company TKO Group Holdings means. It wasn't so much a deal as a declaration. Ultimate Fighting Championship CEO and president Dana White, a face of UFC since 2001, likes to say, 'I sell 'Holy s---!' moments for a living.' That should have been the approximate reaction across sports (Holy s---!) when Paramount+ won the broadcast rights beginning in 2026 that ESPN+ owns through the end of this year by paying UFC double the $550 million per year the erstwhile 'WorldWide Leader in Sports' has been paying. (As if aware it could not compete with Paramount+ to keep UFC, ESPN just earlier announced a five-year, $1.6 billion deal to win rights to WWE wrestling for its own planned new streaming service beginning in '26. A consolation prize of sorts.) I must say at this point I'm not a fan in general of sports-business stories (or columns). It's like what is said about the sausage being made. I want to drive that sports car; don't care to see it being assembled.) But I make an exception for this sports-business story because of what it will mean to UFC's growth. UFC's main-card numbered events currently are locked behind a paywall: pay-ver-view. In the ESPN+ deal; the main events cost you $79.99 per show — a lot, especially if it's a so-so card as is frequently the case. But under the new deal the numbered events along with secondary Fight Night cards will be on Paramount+ and occasionally simulcast on CBS Sports with a premium plan at $12.99 a month. White says flatly the relative new affordability will expose his sport to a huge number of newly interested fans among Paramount+'s 77.7 million subscribers, fans who were on the periphery or priced out before. The irony, and another reason the amount of the new deal is a bit jaw-dropping, is that UFC is seen by many as being in a bit of a lull these days. Says respected MMA writer Ariel Helwani: 'Every time I go on these radio shows or podcasts, and especially when I talk to 'mainstream' general sports shows, they always ask me about who's the next star. Who's the next A-lister? Who's the next draw? Who's the next Conor McGregor, the next Jon Jones, GSP [Georges St-Pierre] or Anderson Silva? We are approaching a territory now where it feels like there's a bit of a superstar shortage.' Even former UFC star and current color commentator Danel Cormier buys into that perception. 'There was a time in the UFC where the champions were absolute stars. They were blockbusters, must-see attractions,' he said on the Good Guy/Bad Guy podcast. 'It was Anderson Silva, Jon Jones, Conor McGregor. Every guy that held that belt seemed to warrant you coming and paying attention. Brock Lesnar. Cain Velasquez. Great fighters you had to watch. Today, it doesn't seem [that way] so much. Is there a void of that big star?' (I might add Ronda Rousey to any good-old-days lament.) Yet ditching the pay-per-view model starting in '26 will open up a whole new audience to UFC as its awaits its next wave of 'must-see attractions.' The brand will further grow next July with gears turning on a UFC event at the White House as part of celebrations for the 250th anniversary of U.S. independence, a product of White's relationship with pal Donald Trump. I am not a huge UFC fan personally. Sort of value MMA in terms of fitness, zen or self-defense more than as a combat sport. There have been four numbered UFC fights in Miami, all at the Heat arena: 47 in 2003, 287 in 2023, 299 in '24 and 315 just this past April. I have not attended any. Neither am I a big admirer of White. But I do appreciate what the man has grown and shaped UFC into: a global force that has staged 743 events since its first in 1993, including 318 numbered events. The U.S. has hosted 524 of those total events, but UFC also is huge in Brazil, Canada, the United Kingdom and elsewhere. Now TKO Group Holdings, which owns both UFC and WWE, is delving into creating a new boxing venture, with a bipartisan group in Congress already introducing a bill for a different framework for boxing separate from current sanctioning bodies. The streaming services will be watching. No matter if you are a fan of UFC, you can't but credit the business model that just struck gold yet again.


Boston Globe
42 minutes ago
- Boston Globe
A UFC fight at the White House? Dana White says it's happening as part of deal with Paramount.
'It's absolutely going to happen,' White told The Associated Press. 'Think about that, the 250th birthday of the United States of America, the UFC will be on the White House south lawn live on CBS.' Advertisement The idea of cage fights at the White House would have seemed improbable when the Fertitta brothers purchased UFC for $2 million in 2001 and put White in charge of the fledging fight promotion. Get Starting Point A guide through the most important stories of the morning, delivered Monday through Friday. Enter Email Sign Up White helped steer the company into a $4 billion sale in 2016 and broadcast rights deals with Fox and ESPN before landing owner TKO Group's richest one yet — a seven-year deal with Paramount starting in 2026 worth an average of $1.1 billion a year, with all cards on its streaming platform Paramount+ and select numbered events also set to simulcast on CBS. ESPN, Amazon and Netflix and other traditional sports broadcast players seemed more in play for UFC rights — White had previously hinted fights could air across different platforms — but Paramount was a serious contender from the start of the negotiating window. Advertisement The Paramount and UFC deal came just days after Skydance and Paramount officially closed their $8 billion merger — kicking off the reign of a new entertainment giant after a contentious endeavor to get the transaction over the finish line. White said he was impressed with the vision Skydance CEO David Ellison had for the the global MMA leader early in contract talks and how those plans should blossom now that Ellison is chairman and CEO of Paramount. 'When you talk about Paramount, you talk about David Ellison, they're brilliant businessmen, very aggressive, risk takers,' White said. 'They're right up my alley. These are the kind of guys that I like to be in business with.' The $1.1 billion deals marks a notable jump from the roughly $550 million that ESPN paid each year for UFC coverage today. But UFC's new home on Paramount will simplify offerings for fans — with all content set to be available on Paramount+ (which currently costs between $7.99 and $12.99 a month), rather than various pay-per-view fees. Paramount also said it intends to explore UFC rights outside the U.S. 'as they become available in the future.' UFC matchmakers were set to meet this week to shape what White said would be a loaded debut Paramount card. The UFC boss noted it was still too early to discuss a potential main event for the White House fight night. 'This is a 1-of-1 event,' White said. There are still some moving parts to UFC broadcasts and other television programming it has its hands in as the company moves into the Paramount era. White said there are still moving parts to the deal and that includes potentially finding new homes for 'The Ultimate Fighter,' 'Road To UFC,' and 'Dana White's Contender Series.' It's not necessarily a given the traditional 10 p.m. start time for what were the pay-per-view events would stand, especially on nights cards will also air on CBS. Advertisement 'We haven't figured that out yet but we will,' White said. And what about the sometimes-contentious issue of fighter pay? Some established fighters have clauses in their contracts that they earn more money the higher the buyrate on their cards. Again, most of those issues are to-be-determined as UFC and Paramount settle in to the new deal — with $1.1 billion headed the fight company's way. 'It will affect fighter pay, big time,' White said. 'From deal-to-deal, fighter pay has grown, too. Every time we win, everybody wins.' Boxer Jake Paul wrote on social media the dying PPV model — which was overpriced for fights as UFC saw a decline in buys because of missing star power in many main events — should give the fighters an increased idea of their worth. 'Every fighter in the UFC now has a clear picture of what the revenue more PPV excuses,' Paul wrote. 'Get your worth boys and girls.' White also scoffed at the idea that the traditional PPV model is dead. There are still UFC cards on pay-per-view the rest of the year through the end of the ESPN contract and White and Saudi Arabia have teamed to launch a new boxing venture that starts next year and could use a PPV home. White, though, is part of the promotional team for the Canelo Álvarez and Terence Crawford fight in September in Las Vegas that airs on Netflix. Advertisement 'It's definitely not run it's course,' White said. 'There were guys out there who were interested in pay-per-view and there were guys out there that weren't. Wherever we ended up, that's what we're going to roll with.' White said UFC archival footage 'kills it' in repeat views and those classic bouts also needed a new home once the ESPN deal expires. Just when it seems there's little left for UFC to conquer, White says, there's always more. Why stop at becoming the biggest fight game in the world? Why not rewrite the pecking order in popularity and riches and go for No. 1 in all sports? 'You have the NFL, the NBA, the UFC, and soccer globally,' White said. 'We're coming. We're coming for all of them.'