
Video reveals air guitar was born in Hampstead, not Woodstock
Cocker plucked an invisible instrument during the opening bars of With A Little Help From My Friends, a performance that has gone down in history.
However, a newly unearthed video has revealed the first recorded air guitar performance was given by a little-known band called Rupert's People, in a film taken on Hampstead Heath in 1968.
The group had not been asked to bring their instruments – so the director asked them to improvise.
The footage has been inspected by Juha Torvinen, the world's most senior air guitar judge, who said: 'This must be the first known recording of a person playing air guitar. This discovery gives a whole new perspective to the phenomenon of air guitar.'
Rupert's People were a psychedelic pop band from North London consisting of Rod Lynton on vocals and lead guitar, Ray Beverley on bass, John Tout on keyboards and Steve Brendell on drums.
In 1968, they were preparing to release a song titled I Can Show You and met up on the Heath to record a promo.
Steve Brendell recalled: 'The director brought along his 16mm camera and a reel-to-reel tape deck to blast out the song to make sure we were in sync. But the plans changed because we didn't bring any of our instruments. We just turned up, dressed in our stage outfits.
'It was all, 'Hey, man,' very laidback in the 1960s. The director said, 'Fine, why don't you just mime in that case?' So we did – and air guitar was born.'
The moment was captured in the black and white, two-minute film.
Rupert's People never hit the big time, although they didn't leave the music business. Brendell went on to work for the Beatles as a film and tape librarian – on his first day at work in 1969, he doubled for Ringo Starr in the test shoot for the Abbey Road album cover.
After the Beatles broke up in 1970, he went on to work as an assistant to John Lennon and Yoko Ono in the UK and New York, accompanying Lennon on anti-Vietnam War demonstrations.
Three members of the band played on Lennon's track Imagine. Lynton became an executive with Atlantic Records, working with the Rolling Stones; Beverley became a commercial artist, and worked on George Harrison's All Things Must Pass album cover; and Tout, who died in 2015, joined the band Renaissance.
The discovery of the film was made by Scott and Naomi Jones, the husband-and-wife investigative team who tracked down Sir Paul McCartney's missing bass in 2023. Stolen in 1972 from the back of a van belonging to a Wings sound engineer, it was eventually found in a loft in Hastings, East Sussex.
In the course of their research they interviewed Brendell and watched the film. Scott Jones said: 'It's a fun discovery but an important one. It gives Rupert's People a place in rock'n'roll history.'
Air guitar now has its own world championship, which takes place in Finland each August. The contest began in 1996 and attracts competitors from all over the world, playing their invisible instruments on stage.
The organisers say that air guitar promotes world peace, and use the slogan: 'You can't hold a gun while you play the air guitar.' Juha Torvinen, the lead judge, has inspected the Rupert's People footage and confirmed that it is the earliest known recording.
As for the band, they are ever hopeful of chart success and are re-releasing I Can Show You on Cherry Red Records.
'We always thought Rupert's People would be world famous one day, and it looks like that day has finally arrived 57 years later,' the band said.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


The Sun
27 minutes ago
- The Sun
Man Utd fans say ‘if only we were as good as our kit designs' as Red Devils unveil stunning new third kit
MANCHESTER UNITED have unveiled their new third kit - and fans absolutely love it. The black strip has yellow and blue details with the Adidas Trefoil logo and a shield around the club badge. 3 3 3 It is a reimagination of the legendary away kit worn by the club between 1993 and 1995 - a period which coincided with their first Double win. United have described it as "a tribute to timeless style and football heritage" with Dimitar Berbatov leading the promotional video. The new kit has drawn a fantastic reaction from supporters, with one person taking to X to write: "If only we were half as good our kit designs." Another commented: "This is the best kit there is." A third said: "Love the retro vibe! Reminds me of the Cantona era when I first became a fan." While a fourth wrote: "This is the best jersey in decades, and needs King Cantona wearing it." Man Utd kick off their Premier League campaign on Sunday at home to Arsenal. Head coach Ruben Amorim has added four new players to his ranks so far in the transfer window. Matheus Cunha, Diego Leon, Bryan Mbeumo and Benjamin Sesko have all joined this summer in time for the new season. Sesko became the latest addition when he signed on Saturday. The striker said: "The history of Manchester United is obviously very special but what really excites me is the future. "When we discussed the project, it was clear that everything is in place for this team to continue to grow and compete for the biggest trophies again soon. "From the moment that I arrived, I could feel the positive energy and family environment that the club has created. It is clearly the perfect place to reach my maximum level and fulfil all of my ambitions. "I cannot wait to start learning from Ruben [Amorim] and connecting with my team-mates to achieve the success that we all know we are capable of together."


Telegraph
27 minutes ago
- Telegraph
Why did we ignore this glorious classic musical for 35 years?
If there is to be a revival of Lerner and Loewe's unrepentantly whimsical 1947 musical – and there hasn't been one in London for 35 years – then Regent's Park Open Air Theatre is the place to do it. Known primarily through the 1954 film starring Gene Kelly and Cyd Charisse, Brigadoon has enchantment in its bones, demanding its audience buy into the idea of a magical Highland village that emerges from the mist for just one day every 100 years. That is considerably easier to do with an outdoor venue in which the falling dusk during evening performances is an inbuilt part of the scenery. And if Drew McOnie's effervescent yet punchy production – the first he has directed since taking over the venue this year – relies on admittedly flimsy source material, then so be it. This show is delightful. There's a hint of Powell and Pressburger's 1946 film A Matter of Life and Death to Rona Munro 's new adaptation, which accentuates the musical's Second World War setting by changing the two American men who find themselves lost in rural Scotland on May Day, 1945, from hunters to shot-down pilots. Is the idyllic village that suddenly appears to them, with its indefatigably happy residents blissfully unaware of the war (indeed, they have no concept of modernity at all), the hallucination of Tommy and Jeff, who are badly damaged by the horrors they have witnessed on the battlefield? Or have the pilots willed the village into being as an alternative to the prospect of dying on the hills before they can be saved? Either way, Munro subtly reinforces the idea of fantasy as a self-protective mechanism by suggesting the village itself originally 'disappeared' in order to escape the 1745 Jacobite uprising. Reality and dream co-exist in both uneasy and bewitching ways in this sensitive update, even as it unapologetically rests on Lerner's undeniably barmy book in which the wounded Tommy falls in love with local girl Fiona (a winning Danielle Fiamanya; she shares the role with Georgina Onuorah) whom he is to lose at midnight when the village vanishes, unless he commits himself to living in Brigadoon forever. McOnie's production retains Brigadoon's old-fashioned MGM musical quality with beautifully choreographed Oklahoma! -style scenes of swirling village women in full skirts and lace-up boots, and men merrily loading wagons with milk churns, images that knowingly lean into the idea of the art form itself as escapism incarnate. Loewe's score is pure romance, too, with its swooning harmonies led by filigree fiddles, the melodies unashamedly pretty. Basia Binkowska's set, with its sloping wood-clad walls and inclines, bears an unfortunate resemblance to a provincial ecology centre, but the pink and blue hue of the lights and the abundance of gorse and heather provide twinkling compensation, as does powerful use of a couple of pipers, particularly during a desolate funeral scene. There are some fine performances – notably from Gilli Jones as a puppyish Charlie and Jasmine Jules Andrews as Fiona's spirted sister Jean, whose marriage the villagers are celebrating. There is darkness, too, in the subsumed violence of an en pointe sword dance, and in Danny Nattrass's performance as the embittered Harry, desperately, unhappily in love with Jean. He provides a haunting counterfoil to the utopian happiness the village supposedly embodies. And as that dusk falls, Munro's ending neatly resolves the plot, while leaving a few unsettling questions lingering in the night air. At Regent's Park Open Air Theatre until Sept 20


Daily Mail
27 minutes ago
- Daily Mail
Harry and Meghan's £75m Netflix deal has been an 'expensive failure' for streaming giant, admit insiders - and miffed bosses feel 'undercut' by Duke's memoir Spare
Meghan Markle and Prince Harry are said to be 'absolutely over the moon' with their new Netflix deal - but behind the scenes there are claims the couple have been an 'expensive failure' for the streamer. The Duke of Sussex's biography 'Spare' is said to have 'upset' Netflix executives who felt it was 'undercutting' the docu-series that they had paid a fortune for, it has also been claimed by insiders. 'The $100million deal has been an expensive failure for Netflix, however they want to dress it up', one source told the Daily Mail today. An insider with knowledge of the deal told The New York Times the Sussexes' new deal is less lucrative and 'a sign that the high-profile 2020 deal may not have met expectations'. Archewell Productions, Meghan and Harry's media company, had said it would make 'inspirational family programming' in documentaries, docu-series, films, scripted shows and children's television when the $100million (£75million) deal was announced in 2020. But in those five years, Archewell has not made any children's television, feature films or scripted shows at all. Pearl, the working title for the Markle-created animated show about a 12-year-old, was cancelled in 2022. The Sussexes then announced in August 2023 that they would be producing a film of romantic novel Meet Me At The Lake - but two years on Archewell is reportedly yet to hire a director or pick a cast. Sources have claimed 'it may never happen'. Meghan Markle and Prince Harry are said to be 'absolutely over the moon' with their new Netflix deal Meghan said in a statement that she and Harry are 'proud' and 'inspired' to extend their 'creative partnership' - but experts have said their relationship has been 'downgraded' because it is a 'first look' deal - meaning Netflix will have first refusal on Sussex projects but is not compelled to make them. The Duchess of Sussex in her Netflix series With Love, Meghan which came out in March. Season 2 is on the way The couple yesterday signed a new 'multi-year' contract with the streaming giant, however, it is understood to be worth much less for the pair than their previous contract. Experts have pointed out that their relationship has been 'downgraded' deal because it is a 'first look' - meaning Netflix will have first refusal on Sussex projects but is not compelled to make them. Meghan said in a statement that she and Harry are 'proud' and 'inspired' to extend their 'creative partnership'. Bela Bajaria, Netflix's Chief Content Officer, insisted: 'Harry and Meghan are influential voices whose stories resonate with audiences everywhere. But three sources at the streaming giant have told the New York Times of 'tensions' over the years. There were similar reports of tensions between the Sussexes and Spotify before their deal ended, with one executive branding them 'grifters'. The NYT has claimed that Netflix bosses were upset when they only found out about the release date of Harry's bestselling memoir 'Spare' a matter of months before the docu-series come out over consecutive weekends in December 2022. Spare came out on January 2023 but this 'upset some Netflix executives because the book covered some of the same ground as the series, undercutting the exclusive nature of the show', the newspaper said. Spokesmen for Archewell and Netflix have said there 'was no tension between the two companies', calling the notion 'false'. The 'first-look' arrangement announced yesterday means Netflix can say yes or no to new film or television projects before anyone else - allowing them to pick and choose what they invest in. PR expert Mark Borkowski described the new deal as a 'downgrade', claiming it falls a long way from the jackpot figure of Harry and Meghan's original contract in 2020. He told the Daily Mail: 'I think Netflix has done a very neat job of pivoting away from two very expensive people who didn't deliver, and they've taken that deal off the table, and they've given them a modest one. 'It's not like they're gradually uncoupling – it's a downgrade. Netflix are not going to expose themselves to those budgets again. It's Netflix saying, 'Let's have a look at your content, but we'll pick and choose, mate'.' He believes the pair will be paid for each production selected by Netflix rather than receiving an overall fee, such as the reported $100million of their first deal. 'I would be surprised if it's not pay-as-you-go and it's well, well below that first mark,' he added. The couple's new output will include a second season of the Duchess's 'With Love, Meghan' lifestyle show later this month, as well as a Christmas special in December. The Sussexes are also working on 'Masaka Kids, A Rhythm Within' - a documentary about orphaned children in Uganda, where the 'shadows of the HIV/Aids crisis linger'. There is also 'active development' on other projects with Netflix which 'span a variety of content genres', including an adaptation of romantic novel Meet Me At The Lake. But Mr Borkowski said the couple will not be granted the same budget as they were under their previous contract with the streaming service. 'They have shot the golden goose of 2020 - more of a 'we'll call you' than 'here's the chequebook',' he said. 'It's a first-look deal, which means Netflix gets first dibs but no obligation to bankroll every semi-royal whim. 'I reckon Netflix is trimming fat industry-wide, so this is less carte blanche, more curated cameo. 'They're still in business together - Meghan's. As ever brand and seasonal specials keep them in the Netflix shop window but make no mistake, this is a slimmed-down sequel to the blockbuster original. So Harry and Meghan's new Netflix chapter [is] less champagne budget, more Prosecco by the glass.' The couple's new output will include a second season of the Duchess's 'With Love, Meghan' lifestyle show later this month, as well as a Christmas special in December Netflix has already released the first series of With Love, Meghan as well as Polo, Heart of Invictus, Live to Lead and the couple's bombshell documentary Harry & Meghan as well as being a business partner on Meghan's lifestyle brand, As Ever. Five years ago, Harry and Meghan secured a lucrative contract thought to be worth $100million (£74million) with Netflix after quitting as senior working royals in 2020. The renewed deal was described by the Sussexes - who made the announcement with Netflix - as 'extending their creative partnership' through Archewell Productions. But the new terms are understood to be worth less for Harry and Meghan than their previous contract, according to a person familiar with the deal, and represent Netflix loosening its ties with the couple. In a statement, Meghan said: 'We're proud to extend our partnership with Netflix and expand our work together to include the As Ever brand.' Netflix chief content officer Bela Bajaria said: 'We're excited to continue our partnership.'