Celebration of the Release of 'The Luminaries Guide' by Mustafa Rajeh
This event was organized to reflect Mr. Faisal's commitment to enriching cultural sessions and facilitating discussions that deepen cultural awareness.
The celebration was led by lawyer and writer Jalal Hindad, who opened the session with a welcoming address, emphasizing the book's significance in documenting cultural identity during a time of erosion.
Poet and writer Karim Al-Hanaqi reviewed the book, noting that 'The Luminaries Guide' comprises 43 articles published over the past few years in various outlets. He expressed admiration for the author's style, characterized by keen insight and profound knowledge, asserting that the book embodies the essence of Yemeni intellectualism.
During the event, polymath writer Alwan Al-Jilani emphasized that writing, as a human cultural endeavor, adeptly captures life's realities and reflects intellectual changes. He regarded Mustafa Rajeh's articles as an emotional guide that harmonizes with the trajectory of Yemeni music, literature, and culture.
Mr. Amen Derhim, a prominent figure in the Yemeni cultural and artistic community, thanked Mustafa Rajeh for his achievement, praising the accuracy of his information and the depth of his analyses. He noted that he regularly follows Rajeh's writings, asserting that the book is a significant addition to the cultural landscape.
Mohammed Shabeta, Secretary-General of the Yemeni Journalists' Syndicate, remarked that the publication of 'The Luminaries Guide' in these challenging times represents a vital contribution to the Yemeni cultural scene, where the voices of war are prominent. He commended the author's style, which combines journalistic sensitivity with literary precision.
Artist and intellectual Amen Al Mad'haji added an artistic touch to the discussion, praising the book cover and the author's distinctive style in portraying artists.
Additionally, Mr. Fouad Al-Sharjabi, director of the Yemeni House of Music, enriched the gathering with valuable insights about art in its various forms.
Well-known journalist Ahmed Abdulrahman highlighted the book's significance in light of the current challenges facing Yemeni artistic and literary heritage.
Writer and author Mohialdeen Saeed concluded his remarks by affirming that Mustafa Rajeh has delved into the depths of Yemeni culture and heritage, presenting new information and genuine Yemeni sentiments.
The event was attended by several prominent academic and cultural figures, including Dr. Abduljalil Salam, Dr. Tawfiq Al-Qadasi, and engineer Mujeeb Abdullah Damaj, among others.
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On Friday, July 25, 2025, a remarkable celebration took place at Mr. Faisal Saeed Farea's Forum in Sana'a to commemorate the release of the distinguished writer and journalist Mustafa Rajeh's first book, titled 'The Luminaries Guide in Yemeni Art and Literature.' This event was organized to reflect Mr. Faisal's commitment to enriching cultural sessions and facilitating discussions that deepen cultural awareness. The celebration was led by lawyer and writer Jalal Hindad, who opened the session with a welcoming address, emphasizing the book's significance in documenting cultural identity during a time of erosion. Poet and writer Karim Al-Hanaqi reviewed the book, noting that 'The Luminaries Guide' comprises 43 articles published over the past few years in various outlets. He expressed admiration for the author's style, characterized by keen insight and profound knowledge, asserting that the book embodies the essence of Yemeni intellectualism. During the event, polymath writer Alwan Al-Jilani emphasized that writing, as a human cultural endeavor, adeptly captures life's realities and reflects intellectual changes. He regarded Mustafa Rajeh's articles as an emotional guide that harmonizes with the trajectory of Yemeni music, literature, and culture. Mr. Amen Derhim, a prominent figure in the Yemeni cultural and artistic community, thanked Mustafa Rajeh for his achievement, praising the accuracy of his information and the depth of his analyses. He noted that he regularly follows Rajeh's writings, asserting that the book is a significant addition to the cultural landscape. Mohammed Shabeta, Secretary-General of the Yemeni Journalists' Syndicate, remarked that the publication of 'The Luminaries Guide' in these challenging times represents a vital contribution to the Yemeni cultural scene, where the voices of war are prominent. He commended the author's style, which combines journalistic sensitivity with literary precision. Artist and intellectual Amen Al Mad'haji added an artistic touch to the discussion, praising the book cover and the author's distinctive style in portraying artists. Additionally, Mr. Fouad Al-Sharjabi, director of the Yemeni House of Music, enriched the gathering with valuable insights about art in its various forms. Well-known journalist Ahmed Abdulrahman highlighted the book's significance in light of the current challenges facing Yemeni artistic and literary heritage. Writer and author Mohialdeen Saeed concluded his remarks by affirming that Mustafa Rajeh has delved into the depths of Yemeni culture and heritage, presenting new information and genuine Yemeni sentiments. The event was attended by several prominent academic and cultural figures, including Dr. Abduljalil Salam, Dr. Tawfiq Al-Qadasi, and engineer Mujeeb Abdullah Damaj, among others.
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The Impact of the Digital Space on Yemeni Poetry
Abdulaziz Al-Zaraei would often sneak into his uncle's room, an Arabic language teacher, to browse through books and read works by Al-Bardoni and other treasures of Arabic literature and heritage. This ignited his curiosity and passion for knowledge. In his small village, 'Bani Al-Zaraei,' perched atop the towering Kusher mountains in the Hajour region of Hajjah, where clouds graze the peaks overlooking the lush plains of Tihama, he would wake up early each morning with a book in hand, immersing himself in the words and experiences of literary characters. Each book opened a window to new worlds, fueling his dream of becoming a recognized poet. As his talent grew, he began writing poetry while still in high school, expressing himself in his unique style. He ventured to Sana'a, where he earned first place at the university and received the Yemeni President's Prize in Poetry in 2009. His journey did not stop there; he soared higher, being crowned the 'Prince of Poets' in the fourth edition of Abu Dhabi Authority for Culture and Heritage competition in 2011, becoming the first Yemeni poet to receive this prestigious honor. Dr. Al-Zaraei has published five poetry collections: An Introduction to the Ignition of Clay, Splittings of Yemeni Agate, Wounding Passersby, Bitter Roses, and Hunters Assuring Their Prey. He has also authored two critical studies: Time in the Poetic Image: A Linguistic Study of Al-Bardoni's Poetry and The Poetic Discourse on Facebook. He is not only a creative writer and poet but also a researcher who opens new horizons through his book The Poetic Discourse on Facebook, which presents a digital linguistic approach to selected examples of Yemeni poets. He dedicates this work to creators in Yemen's remote villages, who seek internet signals atop mountains to share their creations. In his opening remarks, Dr. Al-Zaraei expresses gratitude to Professor Dr. Emad Abdullatif, a professor of rhetoric and discourse analysis at Qatar University, and to Professor Dr. Abdulrahman Al-Muhsini, a professor of rhetoric and criticism at King Khalid University in Saudi Arabia, for their generosity in reviewing the draft of this study and providing valuable feedback. He also thanks his wife, Ms. Hana Al-Rubou'i, a member of the linguistic proofreading department at the Supreme Court, for her efforts in the final proofreading of the manuscript. The book includes a comprehensive index of its content, followed by a presentation from Dr. Emad Abdullatif, who emphasizes the significance of this work within the context of Arabic literary studies. He notes that the book combines various methods from linguistics, semiotics, and discourse analysis, reflecting the depth of the author's critical vision. It also addresses new poetic phenomena, such as the use of images and video clips, and explores how readers interact with the texts. The book serves as a bridge between traditional and contemporary approaches, making it an important reference for future studies. It reveals poetry's ability to express creativity even in times of crisis, highlighting the aesthetics of art in the face of challenges and emphasizing poetry's role as a means of communication and expression of cultural identity in an era where digital media intertwines with daily life. Following this, Professor Dr. Abdulrahman bin Hassan Al-Muhsini offers an in-depth reading of the book, pointing out the significance of the digital space as a new platform for artistic expression and the role of technology in reshaping the relationship between poets and their readers. He highlights how poets have utilized Facebook as a means of direct communication, allowing for immediate interaction with their audience and transcending traditional boundaries, thereby making their texts more widespread and accessible. Al-Muhsini also reviews the critical issues raised by Al-Zaraei, such as the impact of the digital space on the form and content of poetic texts. Facebook has become not just a publishing platform but a space that influences writing style and topic selection, reflecting contemporary social and cultural changes. He emphasizes the importance of studying digital literature to understand the fundamental transformations in how poetry is approached and engaged with. He concludes by affirming that The Poetic Discourse on Facebook represents a significant contribution to expanding the horizons of literary criticism, encouraging reflection on the preservation of poetic texts amid digital changes, and advocating for the use of new tools to enhance creativity in the current era. In the introduction to the book, Dr. Al-Zaraei notes that social media, particularly Facebook, is one of the most prominent features of the information technology revolution in our digital age. It has diminished the role of traditional books while opening new avenues for artistic creativity. Facebook has become an interactive space that allows for the formation of new poetic discourses, transcending traditional forms to reflect contemporary cultural and social transformations. The research explores the grammatical and semantic changes in Arabic poetry, questioning whether a poet's page can be considered a cohesive poetic discourse and examining the role of comments in reshaping texts. It focuses on the accounts of young Yemeni poets, taking into account the social and political contexts in Yemen. The significance of this research lies in its examination of digital literature as a growing phenomenon, necessitating a critique that aligns with this transformation. In the current circumstances, Facebook has become the primary platform for literary publication, requiring creative and digital skills from poets. Therefore, enhancing collaboration between critics and programmers is essential to develop the necessary skills for navigating these platforms. This study is among the first to highlight the phenomenon of Facebook poetry in Yemen, emphasizing the importance of examining digital tools and their impact on literary content and how messages reach their audiences within this complex context. The book consists of 254 pages and was published by the Arab Foundation for Studies and Publishing in Lebanon in 2022. It encompasses six main chapters that reflect the depth of research into Facebook's poetic discourse. In the first chapter, the researcher presents a comprehensive theoretical approach, supported by a historical background that sheds light on the contexts contributing to the formation of this discourse, providing a conceptual framework for understanding the phenomenon. In the second chapter, the researcher dedicates efforts to studying the syntactic level, addressing the linguistic and grammatical structure of poetic texts on Facebook. He examines how sentences are organized and the use of linguistic constructions that express the identities and experiences of the poets. The third chapter delves into the semantic level of the discourse, exploring the meanings and concepts embedded in poetic texts and how they interact with the surrounding cultural and social contexts. The researcher discusses how these texts reflect community interests and interactions. In the fourth chapter, the researcher moves to the pragmatic level, analyzing audience interaction with poetic discourse on Facebook. He discusses how comments and shares influence the creation of meaning, highlighting the importance of this interaction in shaping the understanding of texts. The fifth chapter addresses the rhetorical and artistic level, pointing out the rhetorical devices and artistic techniques used in the texts and how they enhance the beauty of the discourse. The researcher explores the relationship between form and content, showing how rhetoric draws the audience's attention. Finally, in the sixth chapter, the researcher discusses the digital level, clarifying the impact of the digital space on the production and distribution of poetry. He explores how digital technologies contribute to changing writing styles and communication methods between poets and their audiences, opening new avenues for poetic creativity in the age of globalization. The book presents a radical shift in digital literature, offering added value that contributes to a new understanding of poetic discourse in the digital age. It focuses on various issues such as the digital compound and digital metaphor, reflecting the deep interconnection between linguistic performance and the digital space. These issues are not merely research topics but embody the essence of digital work and its anticipated outcomes, qualifying them to be new research avenues in the field of digital literary studies. Al-Zaraei employs a comprehensive methodology to examine the impact of Facebook as a medium for sharing poetry in Yemen, highlighting the significance of this medium in the context of declining traditional means of poetry dissemination. This book reflects the author's ability to integrate diverse analytical procedures derived from linguistics, semiotics, and poetics, enabling him to explore what could be termed 'Facebooking poetry'—the process of adapting poetry to fit Facebook's characteristics, thus opening new avenues for understanding poetic phenomena in this space. The poetic phenomena examined within the context of Facebook include themes, language, rhythm, and the distribution of verses, as well as linguistic structures and their references to reality. The book also provides in-depth analyses of the poem's impact on its readers and their responses, reflecting a deep familiarity with the subject. Al-Zaraei's ability to integrate traditional and contemporary approaches in studying Arabic poetry reflects his accumulated expertise and profound understanding of the circumstances surrounding poetry composition and its motivations. He does not limit himself to an overview of the texts and their authors but goes beyond that to study the non-discursive factors influencing the text. Thanks to its cohesive methodology, the book can serve as an important starting point for researchers in this field, offering a valuable lesson on how to incorporate audience rhetoric into the traditional analysis of Arabic poetry. In the face of a challenging Arab reality, this book becomes a platform for exploring beauty and creativity from the depths of suffering, marking it as a significant contribution to contemporary literary studies. Al-Zaraei's key ideas manifest in these texts through a series of axes that reflect the depth of his vision. He emphasizes the importance of interaction between poets and their audiences on social media platforms, noting how this interaction shapes meanings and rewrites texts. He also points to the transformations in poetic structure, where changes in syntax and grammar reflect the digital age's impact on writing styles. He views Facebook poetic texts as a mirror reflecting cultural and social contexts, making poetry an effective tool for expressing current issues and collective feelings. He also discusses the role of rhetorical and artistic techniques in enriching the texts, illustrating how these elements enhance the aesthetic quality of poetic discourse. Additionally, he examines the impact of digital technologies on poetry production and distribution, clarifying how communication methods between poets and their audiences have changed in the age of digital globalization. He presents a new vision of poetry as an interactive and evolving art form that adapts to modern contexts and utilizes the digital space as a new platform for expression and creativity. These ideas converge to form a comprehensive perspective on the role of poetry in the digital age and the influence of social media on its forms and content. Al-Zaraei's emotional and sensitive approach to the issues that concern poets and the audience on social media is evident. He expresses a deep sense of the transformations poetry undergoes in the digital age, where individual emotions intertwine with collective experiences, reflecting a tension between tradition and modernity. He also conveys a sense of nostalgia for the traditional aspects of poetry, where it was viewed as a means of pure artistic expression. However, he realistically embraces the changes brought about by social media, demonstrating an ability to adapt to the new realities of the time. This duality between nostalgia and acceptance reflects complex psychological emotions, ranging from passion and creativity on one hand to anxiety about losing authenticity on the other. The influence of environment and time is evident in Dr. Abdulaziz Al-Zaraei's writings on 'The Poetic Discourse on Facebook,' through his deep engagement with the social and cultural contexts surrounding poets. Al-Zaraei draws from his personal experience and critical perspective to present a comprehensive study that reflects the reality of Facebook poetry, highlighting how young poets interact with contemporary changes. The environment in which Al-Zaraei lives, including the political and social conditions in Yemen, forms an important backdrop for his studies, reflecting the influence of these contexts on poetic texts. Through the digital space, poetry transforms into an expressive tool reflecting people's concerns and experiences. Additionally, time, as a significant factor, is evident in his analysis of the nature of Facebook poetry, where it interacts with current events and responds to them. The external environment, including technological developments, contributes to reshaping poetic styles and methods of interaction between poets and their audiences. Through his study, Al-Zaraei underscores the importance of communication and interaction, creating new texts characterized by renewal and modernity. Moreover, Al-Zaraei employs technical terms related to the digital space, such as 'social platforms' and 'digital communication,' illustrating how technology contributes to shaping literary texts. Through this diverse lexicon, he manages to provide a rich study that clearly and deeply expresses the reality of Facebook poetry, contributing to understanding poetic transformations in the modern era. He also clearly connects reality and metaphor in his writing, reflecting the depth of his analysis of poetic discourse on Facebook. Al-Zaraei discusses how Facebook poetry combines direct expressions of reality (truth) with the use of poetic imagery and figurative language, enhancing the beauty of the texts. Furthermore, the book features a smooth and precise language that facilitates readers' understanding of the presented ideas. Al-Zaraei avoids excessive complexity, making his study accessible to researchers and poetry enthusiasts alike.
