
A secret meeting, a photo, next a reunion for King Charles and Harry?
Harry rails against a spin doctor who leaked 'the details of our private summits with Camilla' before her wedding to Charles. He is furious that a plan for him and Meghan to move to South Africa 'got leaked and scuppered' and he accuses Palace staff of attempting to 'sabotage' his relationship with Meghan by 'leaking private stuff to the press about Meg and me'.
Now a 'peace summit' between Harry's PR team and the King's spokesman has been leaked. Images of the meeting were splashed across a Sunday newspaper — a sign, for some, that the ice was thawing in the long-running feud between Harry and the royal family. Or his father, at least.
There were two particularly interesting things about the summit: the first being that it happened at all, given the animosity between the Sussexes and the rest of the family in the five years since they quit royal duties. The second most interesting thing is that the 'pap' pictures of the meeting appeared.
Let's deal with them in reverse order. Assuming it wasn't a good old-fashioned journalist's tip, whoever tipped off the press would have had a goal in mind. But it's not entirely clear who the information serves.
Harry is understood to be 'sanguine' about the pictures. After all, that's what he has come to expect. His aides, meanwhile, say they are 'frustrated' about the leak.
That would point towards the only other party present at the meeting. There's only one problem with that; the Palace is not known for benevolently dishing out such delicious nuggets of gossip to the Sunday papers.
• Behold the 'secret' royal summit. Is a Charles and Harry reunion next?
The meeting itself was otherwise nondescript — or at least it was meant to be. A chance for both sides to start up 'a new open channel of communication', according to Harry's side.
In May, Harry opened up his own channel of communication — via a primetime interview on the BBC. The Palace was not given advance warning.
The BBC had expected the duke to deliver a short statement after his defeat in the courts over his long-running bid to have his police security reinstated in the UK. Instead, they got a 30-minute stream of consciousness in which Harry simultaneously set out his stall as the injured party and launched what appeared to be another insult, saying that 'some members of my family will never forgive me for writing a book'.
He added: 'Of course, they will never forgive me for lots of things.' It sounded petulant and it felt like another attack, but it was the first time we'd heard Harry articulate a eureka moment; that it was his family's role to forgive him, not the other way round.
He went on: 'I would love reconciliation with my family. There's no point in continuing to fight any more. As I said, life is precious. I don't know how much longer my father has. He won't speak to me because of this security stuff. But it would be nice to reconcile.'
On Wednesday that process appeared to begin. Charles and Camilla returned to London after bidding farewell to President Macron and his wife, Brigitte. The Queen had just headed off to Wimbledon and the King had finished hosting a reception with his Tour Artists at Buckingham Palace.
Late afternoon, Tobyn Andreae, the King and Queen's communications secretary, left the Palace to keep a commitment at the Royal Over-Seas League (ROSL). The club, of which the King is patron, was a seemingly appropriate setting for a meeting with his PR counterparts from Harry's office, given that the club 'champions international friendship across the world'.
Andreae's guests were Meredith Maines, Harry's communications officer and head of his household in Montecito, and Liam Maguire, his PR representative in the UK. Maines was over from the US for a few days and had set up meetings with various London contacts, all with the duke's blessing.
The Times has learnt that there was no instruction from Harry for her to contact the Prince of Wales's office. Buckingham Palace, however, was contacted and agreed to a meeting. When the King's spokesman arrived at the club, Harry's aides were already waiting inside.
Andreae brought a bottle of wine as a gift for Maines. Should they sit outside or in? The decision was taken, ironically it now seems, to sit outside for fear of being overheard within. On a balcony overlooking Green Park, the conversation began but within ten minutes Maguire had spotted a photographer. He alerted Andreae and the three moved back inside to continue the meeting there.
On Saturday night the mystery of the photographer in the bushes was revealed when Andreae had a call from the Mail on Sunday alerting him to the story. He duly informed Harry's team. So, how did they know? And who does it suit?
While a social media commentator has remarked that Andreae 'is giving main character energy' he much prefers to be in the background, leaving the 'main character' role to 'the boss', aka the King, and 'the lady boss', aka the Queen.
Similarly Maguire, put in post a few weeks ago after the sudden departure of two of Harry's former press officers, appears to enjoy a low profile. A former military man, Maguire has known Harry for several years through his work as a trustee for Blesma, the charity for limbless veterans.
Meanwhile, Maines was on a short visit to London and Andreae was just one of several on her list of people to meet. In a previous role she reportedly ruled publicity for the Netflix series The Crown with 'an iron fist'.
So, was it leaked and why? Both sides claim innocence. Which brings us to the issue of why the meeting occurred at all. What many don't realise, however, is that the meeting was the result of years of trying on Harry's part to reconnect with the royal family. This latest attempt is the closest he has got so far, which is probably worth a picture.
So, why was a meeting granted now? From the King's perspective, it helps that Harry's court case against His Majesty's government has come to an end. Charles cannot be co-opted into saying anything about a case where his son is using his father's courts to sue his father's government about a security decision. With that out of the way, the King is more open to hearing what his younger son has to say.
There's another reason too. When Harry's book Spare was published, the duke told Tom Bradby in a television interview that he wanted an apology from the royal family for all the hurt they had caused him and his wife. This repeated demand meant that any possible meeting with the Palace was doomed to fail and promptly rejected.
A source described the negotiations as including 'untenable demands from the American side'. The King couldn't possibly be left open to a tirade of abuse from his younger son, particularly after his cancer diagnosis.
But now it appears that Harry has changed his objective. He is no longer publicly demanding an apology. A source who has known Harry well for several decades said: 'He appears to be softening on his demand for an apology now. There seems to be a realisation that this is not going to be granted. The meeting may have been a chance to put it all behind them and move on.'
This concession on Harry's part appears to have opened a channel whereby the Palace is prepared to meet him. 'Harry has made no secret of the fact that he wants to be reconciled,' says a well-placed source. 'And he knows that talking and communication is by far the best way to go ahead.'
In other words, the damaging accusations — and threats of more to come — are now in the past. Or so they say. Perhaps he is finally growing up, knowing that the door is likely to be permanently shut to him when his brother, Prince William, becomes king.
Others are less charitable. A well-placed observer described the meeting and its subsequent publicity as a 'desperate' attempt of the duke to get back into the royal fold. With no discernible job, other than that of a supporting role to his highly driven and successful wife, Harry may well be realising what he has given up. He has said that he was left 'devastated' by the decision to leave his charity Sentebale, along with his co-founder and all the trustees, after a row with the chair.
Yet he still clings to what he has always known. Maines's title, as head of Harry's 'household', suggests that the Duke and Duchess of Sussex have no interest in divorcing themselves from their previous royal lives. They continue to use their duke and duchess titles, as is their right. They are not, however, permitted to use their HRH titles. Meghan appeared to overstep when 'HRH' was used on a card sent to a friend as a personal gift.
Whether their children, Archie and Lilibet, will use their prince and princess titles will surely be a matter for them.
All this is to say that a very public link with the royal household is no bad thing for the Sussexes, at least from a PR perspective. Could the publicity help his case or at least show his brother that he is serious about reconciliation? It doesn't hurt the King either, whose reluctance to see his son baffled some commentators. Similarly, the King comes across well from the meeting. But whether such a febrile truce can withstand such a major breach of discretion is uncertain.
The meeting is said to have 'opened the channel of communication' between father and son for the first time in months. It is probably what Harry should have done in the first place rather than trying to have a dialogue through television networks, a million-dollar book deal and various podcasts and interviews.
But it prompts the question: what does Harry want? He clearly wants to see his father, who is still receiving regular cancer treatment. Yet he also wants to be welcomed back with open arms and to come and go in the UK as he pleases so that he can stay in touch with his charities.
When it comes to rebuilding a relationship with his family, his past behaviour makes that tricky. Whether he likes it or not, dropping his demand for an apology may not be enough. It may now require one from him.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

The National
33 minutes ago
- The National
Labour rushed to help Lindsey oil refinery. So why not Grangemouth?
Here, Michelle Thomson, the SNP MSP for Falkirk East – which includes Grangemouth, writes on the Labour Government's differing approaches. LIKE many, I was alarmed to hear of the potential closure of Lindsey Oil Refinery in North Lincolnshire at the end of last month. On June 30, Prax Group, the owners of the refinery, announced they were going into administration, and therefore the future of the site was at risk. The very same day, the UK Government sprang into action. Energy Minister Michael Shanks gave a statement to the House of Commons confirming the [[UK Government]] is funding the continued operation of the refinery, adding: 'The Government will ensure supplies are maintained, protect our energy security, and do everything we can to support workers.' Energy Minister Michael ShanksNow, I welcome this, and any action to save jobs is commendable. All options should be considered to keep Lindsey operating. But as the constituency MSP for Grangemouth, I cannot help but think – while the [[UK Government]] sprang into action for the Lindsey refinery the day the news broke, where was that sense of urgency and action for [[Grangemouth]]? Yes, the circumstances are different – but over a period of months, there was nothing even close to what took place for Lindsey in a day – no urgent statement, and little to no meaningful Government intervention. READ MORE: Labour admit 'not a penny' of £200m Grangemouth rescue fund spent This isn't the first time either. Many Scots were quite rightly astounded that the UK Government very quickly spent billions to save British Steel in Scunthorpe but came nowhere close for Grangemouth. It's worth repeating that Scotland generates well over 90% of the UK's crude oil in any given year – but now has no capacity to refine it. It's also worth repeating that Labour promised to save [[Grangemouth]] before the election and failed. Indeed, the leader of the Labour Party in Scotland said: "We would step in to save the jobs at the refinery." This is the second refinery to face closure on Labour's watch, with thousands of related jobs being lost elsewhere in the supply chain. It would appear that, when it comes to industry elsewhere in the UK, Westminster can immediately pull out all the stops – but when it's in Scotland, the [[UK Government]] simply isn't interested. READ MORE: 'Unacceptable': SNP hit out as Labour 'keep Tory-era veto on Scottish laws' Some may argue that these issues are for the Scottish Government to respond to. This is correct – but any response must include the power to take financial action in the form of significant borrowing powers. These are powers that the [[Scottish Government]] lacks. The truth is, Grangemouth is just as important to Scotland's industrial output as Lindsey is to England's. It's no wonder that a growing number in Scotland quite rightly feel that Scotland is an afterthought to this – or any – UK government. It begs the question: if the UK Government can immediately step in to save major industrial sites in England – on more than one occasion – then why not in Scotland? My view is, as it always has been, that the only way to ensure Scotland's massive natural wealth is utilised for the benefit of Scotland's people is with independence for Scotland.


BBC News
34 minutes ago
- BBC News
BBC Studios marks a year of record revenues and creative success
• BBC Commercial delivers record revenues of £2.2bn in 2024/25 • Strategic investments paying off; growth from previous year investments includes 20% increase in BritBox International revenues in first full year of ownership • Retains position as the UK's most awarded studio, with seven Emmy awards, an Oscar for Conclave, and more than 150 awards won in the year • Global hit Bluey boosts consumer products revenues BBC Commercial, a global media company which is part of the BBC Group, today released its annual results as part of the BBC's Annual Report and Accounts, marking a year where the company delivered record revenue and industry-awarded creative success. The company, which makes and distributes some of the world's most sought-after content as well as creating and nurturing iconic brands, achieved record revenues of £2.2bn (2023/24: £1.9bn) and EBITDA of £228m (2023/24: £199m) in a challenging market, driven by a diversified portfolio; strong performance for BritBox International; and its consumer products division, especially global hit Bluey. BBC Studios, the main commercial arm of the BBC Commercial group, recorded its fourth consecutive year of profit in excess of £200m, expressed as EBITDA, of £225m (2023/24: £202m), an increase of 11% year on year, despite organic investment in media & streaming, including and UKTV, which both saw audience growth. The profits generated by BBC Studios go back to the BBC to support its mission in the UK. Tom Fussell, CEO of BBC Commercial said: 'BBC Commercial has delivered a strong set of results, which show that our strategy is working and the investments made in previous years, together with a diversified portfolio, are delivering a trajectory of sustainable growth, despite ongoing global macroeconomic and geopolitical uncertainty. Together with the continuing recognition for the craft and creativity of our content studio and the demand for our content around the world, BBC Commercial is well placed to support a robust creative and entertainment industry and cement its role as a global ambassador for the best of UK content.' Over the last few years, the company has made a series of strategic investments in its routes to market, including taking full ownership of global streamer BritBox International and enhancements to digital services for UKTV. Investment in digital platforms was key in delivering a 43% growth in revenues for the media and streaming division. BritBox International's revenues were up 20% year-on-year, with popular UK titles such as Ludwig and Blue Lights drawing in North American audiences. BBC Studios' multi-channel network, UKTV, also recorded a strong performance. Its direct-to-consumer service U grew views by a third in 2024, whilst UKTV saw total viewer hours to its VOD content across its free and pay platforms grow by 56 million hours year-on-year. Drama content performed particularly well with The Marlow Murder Club becoming the network's highest rating show of 2024, watched by 2.6 million viewers. The new and BBC app have established themselves as the key digital platforms for international audiences who want trusted, impartial BBC news. saw a 15% uplift in global visitors over the year whilst registrations have grown by 78% year-on-year, demonstrating the international reputation of the BBC brand. BBC Studios' world-class creativity continued to power its success with the business winning over 150 awards. Content highlights from the most-awarded UK production company included feature film Conclave, made by wholly owned House Productions, which won four BAFTAs and an Academy Award, wholly owned Clerkenwell Films' Baby Reindeer which won six Emmys, a 20th anniversary for Strictly Come Dancing in the UK as the popularity of the international brand, Dancing with the Stars, continues. Factual title The Americas, narrated by Tom Hanks and made for NBC, became the most-watched nature documentary on US linear television for more than fifteen years, whilst in the UK, BBC Studios helped mark the 80th anniversary of D-Day with a raft of memorable programming, including the RTS Programme Award-winning D-Day 80: Tribute to the Fallen. The business has expanded and consolidated its international production portfolio, now making programmes in ten territories worldwide. The performance of BBC Studios' brands and licensing business was led by global hit Bluey, as the children's title was named the most-streamed programme in the US in 2024, the Bluey's World immersive experience opened in Brisbane, Australia, and a much-anticipated feature film was announced in partnership with Disney+, set to arrive in cinemas in 2027. These results mean that BBC Commercial remains on track to meet its five-year returns commitment of £1.5bn by 2026/27 (a 30% increase on the previous five-year period), having already delivered £1,028m during the first three years. Pay Gap Report BBC Studios also today publishes its Pay Gap Report, showing improvements in eight of the 10 pay gaps (both median and mean) on its 2024 performance. The report also shows that over 96% of the business' female employees are in a career band with a median pay gap of less than 5%, and that 21% are in a career band with a median pay gap in favour of women. The company's median gender pay gap for 2024/25 was 10.7% (2023/24: 11.5%) and a mean gender pay gap of 11.3% (2023/24: 13.4%). BBC Studios continues to be amongst the most transparent media companies when it comes to voluntary reporting on protected characteristics, and the business intends to continue to expand its approach to transparency in future years. BBC Studios CEO Tom Fussell said: 'The data in today's Pay Gap Report is encouraging, although we continue to strive to improve representation across all levels across - and all characteristics in – the business. We are taking proactive steps to address our representation through initiatives such as BBC Extend and are also working to improve our disclosure rates in order to achieve a more inclusive and representative workforce.' -Ends- For more information, please contact: About BBC Studios BBC Studios is the main commercial arm of BBC Commercial Ltd and generated revenues of £2.1 billion in the last year and profits of over £200 million for a fourth consecutive year. Able to take an idea seamlessly from thought to screen and beyond, the business is built on two operating areas: the content studio, which produces, invests and distributes TV and audio globally and media & streaming, with BBC branded channels, services including UKTV, and BritBox International and joint ventures in the UK and internationally. The business made almost 3,300 hours of award-winning British programmes last year for a wide range of UK and global broadcasters and platforms. Its content is internationally recognised across a broad range of genres and specialisms, and includes world-famous brands like Strictly Come Dancing/Dancing with the Stars, the Planet series, Bluey and Doctor Who. BBC Studios | Website | Press Office | X | LinkedIn | Instagram |


BBC News
35 minutes ago
- BBC News
John Torode sacked as MasterChef presenter
John Torode has been sacked as MasterChef presenter after it emerged that an allegation against him of using racist language was Monday, the TV chef said he had "no recollection" of the incident, adding: "I do not believe that it happened."But on Tuesday, it emerged he had been plunges the BBC cooking show into a deeper crisis, after more than 40 separate allegations against Torode's co-host Gregg Wallace were also upheld as part of an inquiry into his conduct. The controversy over MasterChef started last year, when BBC News first revealed claims of inappropriate sexual language against was sacked last week as dozens more people came forward to BBC News with allegations against him. He has always denied the claims.