'Do We Pivot and Do an Anthology?' ‘THR Presents' Q&A With ‘Good American Family' Star Ellen Pompeo
'If my first thing after Grey's was a total dump, it would have been pretty embarrassing. (Laughs.) But listen, it happens. It's really hard to make a show. It's really hard to make content,' says Pompeo in the video chat (above) for THR Presents' series. 'This show is not perfect. If we had a drink over dinner, I'd tell you a million things that went wrong with it and shots I didn't like. It's hard to make a streaming show … [with the] same pace and schedule as a network show, but yet it's meant to be much slower and more creative. You just don't ever know in this business what you're going to get, what the end result will be, how people will receive it. You can think it's great. The timing might be off. You don't know what's going on in the world. So anytime you have something remotely successful in what we do is just a huge blessing and a win, and I was just so relieved.'
More from The Hollywood Reporter
Jonathan Bailey Is Breaking Hollywood's Rules - and Winning
"It Was a Very Easy Yes for Me": 'THR Presents' Q&A With 'The Day of the Jackal' Star Eddie Redmayne
Glen Powell to Star in Firefighter Movie From Director Ron Howard at Amazon MGM
Pompeo says she thinks even Hulu was surprised with the viewership, which she credits to the fans of her and her co-stars, who include Duplass and Reed along with Christina Hendricks, Sarayu Blue and Dulé Hill. 'I think they expected it to do well, I don't think they expected it to do as well as it did,' she says with a laugh. 'Just because people love me as Meredith Grey and love me on Grey's, that doesn't guarantee anything moving forward. That doesn't guarantee that they'll follow me, doesn't guarantee that they'll like me or believe me in any other character as anything else. And the fact that I was shown so much support is pretty meaningful.'
The series flipped its perspective midway through the eight episodes in order to deliver justice to Grace's story. After exploring allegations taken from court proceedings and public reports to dramatize multiple conflicting points of view, the series ends by clarifying that Natalia was a 7-year-old child when the Barnetts adopted her, meaning she was 8 years old when they set her up to live on her own. Despite the series not letting Kristine or Michael off the hook, the pair never faced legal repercussions after they were charged with neglect of a dependent. Michael was found not guilty in 2022. The following year, the charges against Kristine were dismissed.
Pompeo feels that Good American Family has completely told Kristine's story, but with the success of the series, Pompeo says conversations between her and creator/co-showrunner Katie Robbins with Hulu around how they could continue began right after the finale.
'Those conversations started happening weeks ago,' she says. 'A couple days after episode eight dropped. I couldn't actually believe how fast it happened. There are two ideas right now. Yes, Kristine Barnett's story is over, or my version of Kristine Barnett's story is over, and I think what we are trying to decipher is: Is there a good enough reason to continue on with this story, or do we pivot and do an anthology and do another story next season? And I'm not going to tell you the story that we're thinking about, but it's awesome. That's what I really want to do. I want to do an anthology because I think the story we have lined up is so good for specifically the way we do this show and switch perspectives.'
Pompeo says they have a few more meetings to decide the show's future, 'and ultimately it's up to Hulu who pays the bills.' She says she wouldn't play the lead in the new idea — 'I don't think I'm right for that character' — and would remain a producer. Pompeo produced Good American Family via her ABC Signature-based production company, Calamity Jane. She says that she and Robbins have a second idea they sold and are developing to Hulu as well.
After successfully now playing a villain — which was a risk for the beloved Grey's star — Pompeo is excited to see what the future holds, whether that's producing or returning on camera, and the latter will include another seven episodes on next season's Grey's Anatomy where she's also an executive producer. Pompeo says the mega-hit ABC medical drama typically schedules her to appear in the beginning, middle and the end of the season so she's never off-screen for too long, as she continues to narrate each episode.
As she continues to pivot beyond the famed hospital walls of Grey's, Pompeo imagines what an Emmy nomination and recognition from her peers would mean at this stage in her career.
'On Grey's, you really only get an opportunity to be nominated for things in your first few seasons, and so that time had clearly passed. I didn't crave that kind of recognition. I craved the sort of financial and job security situation more that I did critical accolades — that's why I stayed on the show,' she candidly explains. 'Had I been [chasing] critical acclaim, I wouldn't have stayed on Grey's for so long. So it wasn't always the most important thing to me but now that I'm doing something new, it would definitely, probably help me in this next chapter of my story — moving on from Grey's, doing other roles.'
She continues, 'I haven't given anybody a reason to believe that I could do anything else, so if people did recognize that I did do something else and it was worthy of even just a[n Emmy] nomination, maybe I can give myself a compliment, because I'm not so good at that! After 500 episodes of TV, I think it's OK to want a little trophy now.'
This edition of THR Presents is sponsored by Hulu.
Best of The Hollywood Reporter
'The Studio': 30 Famous Faces Who Play (a Version of) Themselves in the Hollywood-Based Series
22 of the Most Shocking Character Deaths in Television History
A 'Star Wars' Timeline: All the Movies and TV Shows in the Franchise
Solve the daily Crossword
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Gizmodo
23 minutes ago
- Gizmodo
‘Batman' and ‘Casper' Are Coming Back to Theaters
This fall, the Sam Raimi Spider-Man trilogy is coming back to theaters, and they won't be alone. In the weeks and months ahead, fellow re-releases will include Tim Burton's Batman duology and 1995's Casper. In the former's case, both 1989's Batman and 1992's Batman Returns will be a special, one-night event on August 25. Over 160 Dolby Cinema at AMC Theaters locations will play the two movies, and it looks like AMC's putting enough enough distance between them for you to watch them in one go. At the time of its release, Returns was the first feature film to ever be released in Dolby Digital, which began what we now know as surround sound. This'll be the first time either movie has been presented in Dolby Vision or Atmos. Tickets for the two movies can be purchased here and here. Meanwhile, Casper returns to the big screen for its 30th anniversary this past May. The horror-comedy will play in theaters from October 3 to Halloween, a perfect kid-focused horror movie for the season. When it came out, it was the first movie to ever feature a fully CGI character in the lead role. You can grab advance tickets here. So for the re-release heads, that's Batman and its sequel on August 25, the Spider-Man movies on September 26, and Casper on October 3. And if that weren't enough, Disney's already locked down the original Star Wars to come back to theaters for its 50th anniversary on April 30, 2027. [via Variety and SuperheroHype] Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what's next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.
Yahoo
2 hours ago
- Yahoo
‘Eyes of Wakanda' Is a Bizarrely Brief Return to the African Nation: TV Review
Creator Todd Harris and executive producer Ryan Coogler are welcoming audiences back to Wakanda in Disney+'s latest animated series, 'Eyes of Wakanda.' Venturing beyond the walls of the royal court, while remaining within the Marvel Cinematic Universe's 'Sacred Timeline' (which also houses Coogler's films), the show introduces Wakanda's CIA, the Hatut Zaraze. Tasked with recovering stolen Vibranium artifacts from across the globe, these warriors bravely expose themselves to outsiders, carrying out varied heart-pumping missions to keep their country safe and hidden. 'Eyes of Wakanda' is fun and engaging. However, it's not quite the fully realized narrative that many 'Black Panther' fans might hope to see. The series opener, 'Into the Lion's Den,' follows Noni (Winnie Harlow), a soldier recently ousted from the esteemed Dora Milaje, Wakanda's elite all-female security detail. Given the opportunity for redemption, Noni is sent on a mission to depose Nakati (Cress Williams), the former Captain of the King's Guard. Full of greed and ambition and now living under a new title, Nakati, aka the Lion, has fled Wakanda, stealing an array of Vibranum weapons to make a name for himself around the world. A rebel in her own right, Noni is assigned to bring the traitor to his knees and return the stolen items to their rightful home. Noni is desperate to get back into the Dora Milaje's good graces. Yet, the Lion's forces are a bit more challenging to overcome than she expected. More from Variety Jeremy Renner Is 'Sure' He'll Return for 'Hawkeye' Season 2 and Other Marvel Projects: 'My Body's Getting Ready' What's Coming to Disney+ in August 2025 'Eyes of Wakanda' Trailer: Black Panther's Ancient History Told in Animated Series From Ryan Coogler The duration of 'Eyes of Wakanda' Season 1 finds Hatut Zaraze's warriors at various points in history. In Episode 2, 'Legends and Lies,' B'Kai (Larry Herron), a devout agent who has been undercover for nearly a decade, finds himself an unwitting participant in Greece's war against the Trojans. In the season finale, Kuda (Steve Toussaint), a veteran operative, is responsible for mentoring Prince Tafari (Zeke Alton), who, desperate for validation as the third-born son, is all too eager to go off mission to attain personal glory. All of the episodes are well-rounded and easy to absorb. However, the standout among them is Episode 3, 'Lost and Found.' By the skin of his teeth, Agent Basha (Jacques Colimon) escapes snow-covered 15th-century China with a Vibranium-infused dragon statue. However, upon returning to headquarters in Wakanda's Golden City, he quickly realizes his covert operation has been infiltrated. To rectify his mistake and prevent his superiors from discovering his errors, he uses his charm and wit. While the majority of the episodes are serious in tone, this one infuses some of the humor and levity that was found woven throughout Coogler's live-action movies, 'Black Panther' and 'Black Panther: Wakanda Forever.' Though 'Eyes of Wakanda' is intriguing, the four-episode season, which consists of 30-minute stories, is extremely short. Each episode exists as a standalone, but it could also have worked as a feature-length film. 'Black Panther' film fans and those who are more familiar with the lore of the iconic kingdom are offered additional context about the Hatut Zaraze. Yet, the series feels like an epilogue or prologue rather than a complete standalone show. Still, the show is stunning to watch. Axis Animation uses a hand-painted afro-futuristic style, inspired by contemporary Black artists. Because of the varied locations throughout the first season — from Wakanda's Golden City to 12th-century Greece and 19th-century Ethiopia — each setting is vast, robust and highly detailed. Moreover, because 'Eyes of Wakanda' doesn't center on one specific character, audiences are introduced to a vast array of Wakandans across time, who have a huge stake in what will happen to their country if its exquisite resources aren't recovered. Despite its compact length, 'Eyes of Wakanda' is a solid beginning for Marvel's Phase Six. The show introduces viewers to different aspects of Wakandan culture, further reiterating the power and importance of the sacred Vibranium. Though it's not explicit, the show also nods at the horrors of racism, colonization and pillaging as well as the cost of repatriation. Beautifully rendered, the series isn't as expansive as 'Black Panther' lovers might expect, but it's a decent holdover until 'Black Panther 3' debuts. 'Eyes of Wakanda' is now streaming on Disney+. Best of Variety The Best Albums of the Decade
Yahoo
2 hours ago
- Yahoo
Marvel is eyeing a specific type of actor for its new X-Men franchise - and I think it could solve a big mystery about Spider-Man 4's cast
When you buy through links on our articles, Future and its syndication partners may earn a commission. Marvel is reportedly searching for young actors for its X-Men movie reboot A new report suggests it'll help the studio to make a cheaper film If true, it might solve a big mystery about one of Spider-Man: Brand New Day's cast members A new report claims Marvel is looking for up-and-coming actors to play the X-Men in its rebooted film series – and, if true, it might solve one of Spider-Man: Brand New Day's biggest mysteries. Per Variety, the comic giant is eyeing younger talent to portray its iconic mutants in the Marvel Cinematic Universe (MCU). According to an agent Variety spoke to, Marvel's decision to hire rising stars and unknown quantities is part of a new cost-cutting mandate that aims to reduce how much it spends on new movies and Disney+ shows. Variety's article, which was published yesterday (July 30), arrives just over a week after Marvel president Kevin Feige dropped the biggest hint yet over the type of star he wants to see in Marvel's untitled X-Men movie. Speaking to Nerdist, Feige, who also confirmed Thunderbolts* director Jake Schreier would direct the flick after online reports claimed he would, said: "Jake has his pulse on, shall we say, a younger demographic. Not – he's younger than me, for sure – but he's tapped into that in a way that I think is important. It was important for Thunderbolts* [and] much more important for X-Men, because X-Men, as it was in the comics, will be a very youth-oriented, focused, and cast movie." What has Marvel's X-Men movie cast scouting got to do with Spider-Man 4? In some ways, Marvel's plan to scour the globe for young talent to star in its forthcoming X-Men film is similar to 20th Century Fox's approach to its own X-Men movie series reboot. The latter saw the likes of James McAvoy, Michael Fassbender, and Jennifer Lawrence appear in four films – starting with 2011's X-Men: First Class – that featured a younger version of Professor X, Magneto, and company. If it's true that Marvel is seeking out less established actors to portray the MCU's X-Men to save cash, it almost certainly puts a pin in one cast rumor concerning Spider-Man: Brand New Day. Indeed, Spider-Man 4, which has just started filming in Glasgow, Scotland, is reportedly set to feature Sadie Sink in a substantial role alongside Tom Holland's webslinger. There's been no official word on which character the Stranger Things actor might play – in fact, nobody close to the movie's production has actually confirmed that she's part of proceedings. Nevertheless, one of the prevailing theories about who she could portray is Jean Grey, aka one of the most famous mutants in Marvel's storied history. In light of Marvel's apparent desire to keep costs down across the board on its X-Men project, though, the possibility that Sink could play Jean Grey is basically a non-starter. According to a Puck newsletter circulated to subscribers in January 2023, Sink is reportedly set to earn over $7 million for Stranger Things season 5. At the time, Puck indicated the wildly popular Netflix show's final season led to all of its main cast members receiving bumper new pay deals. It's difficult to corroborate Puck's claim. However, if it's true, Sink's seven-figure sum for one of the best Netflix shows' final hurrah would basically rule her out of playing Jean Grey in the MCU. Marvel isn't going to pay Sink that kind of sum if it planned on hiring her to play the telekinetic superhuman across multiple projects. Feige has already confirmed the X-Men will be front and center of the MCU after Avengers: Secret Wars wraps up the Multiverse Saga. Whoever signs on to play one of mutant-kind, then, will be in it for the long haul and Marvel will ensure they're locked into deals that won't increase their pay 10-fold every time they appear. Need more proof that hiring non-A-listers for comic book movies is the way to go from a financial perspective? Just look at Superman, the first DC Universe (DCU) movie released as part of James Gunn and Peter Safran's rebooted cinematic franchise. According to a July 2025 edition of the Puck newsletter, leading man David Corenswet was paid just $750,000 to appear in the DCU Chapter One film. That's around a tenth of what Sink is apparently going to earn from Stranger Things 5. If Marvel wants to save money, it should follow DC Studios' lead and not fork out seven-figure sums to anyone it hires to play one of the X-Men. It's for that reason alone that I'm more than convinced than ever that Sink can't possibly be playing Jean Grey in Spider-Man's next big-screen adventure. For more on Holland's next MCU project, including why Spider-Man 4's release date was delayed, check out my dedicated guide on Spider-Man: Brand New Day. Once you're done, peruse the below section for more X-Men, Spider-Man, and Marvel-based content. You might also like Find out how to watch the X-Men movies in order Spider-Man: Brand New Day behind the scenes look appears to confirm two of the Marvel movie's villains – and a possible Venom cameo Here's everything you need to know about Marvel Phase 6 Solve the daily Crossword