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BREAKING NEWS Paul Simon, 83, cancels concerts due to 'unmanageable' chronic condition

BREAKING NEWS Paul Simon, 83, cancels concerts due to 'unmanageable' chronic condition

Daily Mail​a day ago

Paul Simon has been a touring musician since the 1960s—and at 83, he's still hitting the road.
But this weekend, the Bridge Over Troubled Water singer was forced to cancel two scheduled shows in Philadelphia due to 'chronic and intense back pain.'
Simon shared a statement on Instagram just hours before he was set to perform at the city's historic Academy of Music, informing fans and ticket holders of the cancellation.
'Paul has been struggling with chronic and intense back pain,' the statement read.
'Today it became unmanageable and demands immediate attention. Unfortunately, we have to cancel these shows at this time, as we don't have the ability to reschedule them,' the statement continued.
'However, we are hopeful after this minor surgical procedure which has been scheduled in the next few days, Paul will be able to complete the tour as well as look into returning to make up these dates,' the statement explained.
The Bridge Over Troubled Water singer has canceled two shows in Philadelphia this weekend as a result of 'chronic and intense back pain.' Seen here November 7, 2016
'In the meantime, please go to your point of purchase or local ticket provider for a full refund.'
Simon performed at the venue on Thursday night—the first of what was meant to be a three-show run in Philadelphia as part of his A Quiet Celebration Tour.
His next scheduled performance is set for July 7 at the Terrace Theater in the Long Beach Performing Arts Center in Long Beach, California.
Simon announced the tour in February, marking his return to the stage after retiring from touring in 2018 due to hearing loss.
The tour has been hitting smaller, intimate venues including Austin's Bass Concert Hall, Denver's Paramount Theatre and New York City's Beacon Theater in mini-residencies.
After his stop in Long Beach, Simon is scheduled to continue the tour with stops in Los Angeles, San Francisco, Vancouver and Seattle, before wrapping in early August.
Born in 1941 in Newark, New Jersey and raised in Queens, New York, Simon never measured up to his father's hopes and dreams that his son become a lawyer rather than a singer-songwriter, a path he, himself, unsuccessfully tried to follow.
Adding to his parental disappointment was his stature. Although he was smart, athletic and personable, Simon was 'small like a mouse, small like a pip squeak, small like the punch line to every short-guy joke the other kids could image,' Peter Ames Carlin wrote book Homeward Bound: The Life of Paul Simon.
Teased by classmates, they'd swipe his Yankees cap until he finally went after them with fisticuffs, always getting his hat back.
Silencing the self-abuse was harder when he barely grew an inch while his classmates stretched upwards.
On a spring afternoon in 1952 when school buses were late and a teacher ushered all the students into the auditorium to hear fourth-grader Art sing, something was awakened inside Simon.
When Garfunkel sang Nat King Cole's hit, They Try to Tell Us We're Too Young, Simon knew he, too, wanted to perform – outside of his bedroom behind closed doors, in search of the same applause and cheers.
So Simon sought out the company of Garfunkel, and they became pals talking about songs they heard on the radio.
Garfunkel tracked the weekly Hit Parade with his mathematical graphs while Simon listened to Latin dance band music.
Eventually Simon and Garfunkel broke out of Queens with their music and became American sensations.
Paul and Art were inspired by the music of the Everly Brothers and in the early days, called themselves the Urban Everly Brothers.
As they became more and more successful they seemed to argue more over artistic discrepancies that began to splinter their bond.
In the end, Simon and Garfunkel's increasing troubled relationship, as friends and working colleagues, led to their breakup in 1970.
Paul, who composed nearly all of their original songs, enjoyed a successful career following their split.
While they never got back together to record a new album, the duo did reunite for the first time to play a free concert in New York's Central Park in September 1981, attracting some 500,000 people, that at the time was the largest concert ever.
Warner Bros. Records released a live album of the show, The Concert In Central Park, which went on to go double platinum in the US.

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Kourtney Kardashian praised for skipping Jeff Bezos and Lauren Sanchez wedding: 'Living your best life'
Kourtney Kardashian praised for skipping Jeff Bezos and Lauren Sanchez wedding: 'Living your best life'

Daily Mail​

time44 minutes ago

  • Daily Mail​

Kourtney Kardashian praised for skipping Jeff Bezos and Lauren Sanchez wedding: 'Living your best life'

Kourtney Kardashian drew strong reactions from her fans after revealing how she really spent her weekend while the rest of her family attended the Bezos' wedding. The reality TV personality, 46, received widespread praise from fans for being the only Kardashian-Jenner sister to skip Jeff Bezos and Lauren Sanchez 's wedding. On Sunday, she revealed how she spent her weekend with her husband Travis Barker and their children. She took to Instagram to share photos of herself 'living her best life,' as her followers have put it in her comments section. The eldest Kardashian sister shared photos of time she spent with her kids and also revealed how she celebrated her third anniversary with the Blink-182 drummer. The Lemme founder — who broke down in tears over her daughter Penelope, 12, amid a co-parenting war with ex Scott Disick — posted photos of her sexy date night outfits as well as the stunning display of roses she presumably received from her adoring husband. She shared photos of her chic looks. In addition to her date night outfit, she also posted snaps of herself modeling an oversize suit with stiletto heels, a structured clutch bag and retro, tinted sunglasses. She also shared a photo of personalized, at-home catering from Italian restaurant Caruso's for their third anniversary on May 22. Alongside a shot of a strawberry sorbet dessert, a part of the multi-course menu card was peeking out of the corner and wished the happy couple a happy third anniversary. In a snapshot of a corner of her living space, dozens of red roses were placed on a coffee table while handmade drawings were framed on the wall, including one that was presumably of her famous backside. She also posted another lavish display of red roses at the center of their dinner table, in front of open doors that framed the stunning oceanfront scenery. She also included a photo of her youngest three kids walking together on a stroll through their gated neighborhood in Calabasas. In a photo of her children facing away from her, her daughter Penelope could be seen walking alongside her sons Reign and Rocky, who were sweetly holding hands. Kardashian shares three children with her ex-partner and one with her husband. She is mother to son Mason Disick, 15, Penelope Disick, 12, and Reign Disick, 10. Kardashian also shared sultry snapshots of her sultry, all-black outfit she appeared to have worn for a date night with her husband. She wore a black satin slip, which had sheer, lace details along the side to show off her sexy silhouette and her toned legs Complementing her husband's punk rock style, she wore a black leather jacket with the revealing dress and a pair of customized Vans sneakers. She also shared a snapshot showing that the toes of her shoes read 'Dues Paid' while there were barbed wire details along the sides of the platform The Lemme founder included photos of her sexy date night outfits as well as the stunning display of roses she presumably received from her adoring husband. In a snapshot of a corner of her living space, dozens of red roses were placed on a coffee table while handmade drawings were framed on the wall, including one that was presumably of her famous backside Alongside a shot of a strawberry sorbet dessert, a part of the multi-course menu card was peeking out of the corner and wished the happy couple a happy third anniversary. The Poosh founder also shares her youngest child Rocky Thirteen Barker, 18 months, with her husband. Additionally, she is stepmother to Barker's son Landon Barker, 21, and daughter Alabama Barker, 19, and his stepdaughter Atiana De La Hoya, 26, whom he shares with his ex-wife Shanna Moakler. Kardashian also shared sultry snapshots of her sultry, all-black outfit she appeared to have worn for a date night with her husband. She wore a black satin slip, which had sheer, lace details along the side to show off her sexy silhouette and her toned legs. Complementing her husband's punk rock style, she wore a black leather jacket with the revealing dress and a pair of customized Vans sneakers. She also shared a snapshot showing that the toes of her shoes read 'Dues Paid' while there were barbed wire details along the sides of the platform. Kardashian also included a photo of a vintage Cadillac convertible as well as She also posted a snapshot of her legs as she stood on the beach. She sported satin pants with square-toed boots as she stood in the sand. She also posted a short clip of the scenery as they drove parallel to the beach and posted a snap of the idyllic beachfront view. 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Flashlight by Susan Choi review – big, bold and surprising
Flashlight by Susan Choi review – big, bold and surprising

The Guardian

timean hour ago

  • The Guardian

Flashlight by Susan Choi review – big, bold and surprising

The millennium is back – not just in fast fashion or TikTok remixes, but in the mood of American fiction. Think peak Chabon and Eugenides; the intellectual gymnastics of Helen DeWitt; the last profane and puckish gasp of Tom Robbins. That brief window – before 9/11, smartphones and the chokehold of autofiction – when the novel felt as playful as it did expansive: bold and baggy as wide-legged jeans. Joyce Carol Oates channelling Marilyn Monroe. Jonathan Franzen snubbing Oprah. You can feel that early-00s energy jostling through a new crop of American novels: Lucas Schaefer's The Slip, Kaveh Akbar's Martyr! and Maggie Shipstead's Great Circle are top-shelf examples. They're big in all kinds of wonderful, infuriating ways: antic, overstuffed and richly peopled. While it's less hyperactive than some of its book-fellows, Susan Choi's Flashlight still has the wide-legged feel of turn-of-the-century fiction: domestically sprawling, geopolitically bold. Stretching from a strawberry farm in Indiana to the North Korean border, Choi's sixth novel reckons with the lies that undo families and underpin empires. Flashlight first appeared in the New Yorker as a short story – a standoff in a psychiatrist's office. The novel opens here too. It is the late 1970s: 10-year-old Louisa has been dragged in for a consultation, and she's not playing nice. She waits out the clock, evading, deflecting; a tight little knot of fury. 'This room is full of tricks to get children to talk, but you're too smart for them,' the doctor flatters her. 'I'm too smart for compliments,' Louisa snaps back. Louisa's father has drowned, and her mother has turned into a strange new invalid. What the girl feels defies grief or sympathy. This isn't mourning, it's mutiny; and it will take more than some avuncular desk jockey to tame her. While the doctor is distracted, she steals an emergency flashlight from his office and smuggles it home – a low-stakes theft with high-voltage meaning. The night Louisa's father disappeared into the water, he was holding a flashlight. Portentous torches will appear throughout these pages (it's not the subtlest of metaphors for a novel about absence and secrecy). There's one at a seance, its battery case loosened to summon some otherworldly flickering. Another at an archaeological dig in Paris. This is a story told in brief illuminations, like a child spinning a torch in a dark bedroom. Slices of light; slices of life. We begin with a flashback to Louisa's parents, meeting them before they meet each other. Her father, Serk, an ethnic Korean raised in Japan, is a child of postwar limbo. Caught between two nations, and claimed by neither, he trades his borderland life for a blank American slate – or so he thinks (America has other ideas). Louisa's father will be known by many names over the course of his life – Hiroshi, Seok, the Crab – but none of them will quite belong to him. Louisa will know him as Serk, an anglicised version of his Korean name. Louisa's mother, Anne, is an obstinate, spiky creature, allergic to expectation. Pregnant at 19, she gives birth to a child she's not permitted to keep, and her adult life shapes itself around her son's absence, like a house built around a locked room. Louisa will inherit her mother's bone-deep stubbornness – twin contrarians. They make an implacable, inscrutable pair, Serk and Anne; secret-keepers to the core, lonely apart and lonelier together ('Anne the odd white woman who had married the foreigner; Serk the odd foreigner who had married a white woman'). When Serk drowns, he leaves behind a silence so complete it swallows the past whole. And so Louisa is left with two absent parents: one right in front of her; the other near mythic. 'The sum of things she knew about her father could fit inside the sum of things she'll never know about him an infinite number of times,' Choi writes. 'The things she knows are as meagre as a pair of backgammon dice rattling in their cup.' Flashlight is a study of absence – absence of narrative, of inheritance, of place, of affection. Who are you, it asks, when there's no story to inherit, no history to claim? How might that void be filled, or inhabited or weaponised? It's a year for canon building, and as the best-of-the-century (so far) lists are tallied, Choi's previous novel, 2019's Trust Exercise, remains firmly on mine. It begins as a high-school drama, libidinous and gossipy, but midway through, Choi triggers a controlled implosion. From the wreckage, another story emerges: one about power, authorship and blame. Truth isn't fixed, Choi shows us here – it's framed. I love this novel's confident chaos, its metafictional brio. Flashlight delivers a comparable jolt – a truth-rattling rupture. We feel it building with a cruel inevitability, and when it arrives, it shifts the novel's moral (and political) terrain. To spoil the reveal would be churlish. The question is whether the novel can withstand the shock. It can – just. Choi is one of contemporary literature's great demolition artists, and her emotional foundations hold. She can build as well as she detonates. Choi gives her cast the room they need to live; to be more than vessels for political wrangling. The opening of Flashlight isn't the only set piece that could stand alone – and tall – as a short story. Sign up to Inside Saturday The only way to get a look behind the scenes of the Saturday magazine. Sign up to get the inside story from our top writers as well as all the must-read articles and columns, delivered to your inbox every weekend. after newsletter promotion Like the best of those early-00s novels, Flashlight is all kinds of big: capacious of intent and scope and language and swagger. Choi confronts a chapter of North Korean history that American fiction has barely touched. But there is something missing. That Y2K brand of irony – glib, evasive, laddish – is gone. Good riddance to it. It's hard to be flippant when you know which way the arc of the universe really bends. Flashlight by Susan Choi is published by Jonathan Cape (£20). To support the Guardian order your copy at Delivery charges may apply.

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