
LA Cocina de Gloria Molina sparks a cultural and culinary revolution
Sara P. Mijares grew up watching her mother make dishes like Cochinita Pibil, a slow-cooked pork dish with red achiote that originated in Yucatán. Unsure on how to make it, she stayed away from from the recipe until taking classes at LA Cocina de Gloria Molina.
It was at that teaching kitchen in downtown L.A. where she met gourmet street food chefs Alex and Elvia Garcia of Evil Cooks — instructors and specialists in making recado negro, a mixture of chiles, onion, garlic, spices, tortillas and cacao that the class charred until it was black, then ground into a paste.
'I was always a little hesitant to try the black one,' said Mijares, referring to recado negro. 'I didn't quite understand it and that's one of the reasons I came today, to understand what went into it and unlock a little bit of the mystery.'
So how was the recado negro mixed with pulled pork and served on a warm corn tortilla made fresh on LA Cocina's comal?
'It's quite special and delicious,' she said. 'I'm really glad I pushed out of my Yucatecan comfort zone to try it.'
That's what LA Cocina is about. The 2,500-square-foot space, cultural center and recipe room is part of La Plaza de Cultura y Artes and named after the late political powerhouse instrumental in creating La Plaza, Gloria Molina. The community hub hosts local chefs, authors and community members for cooking classes, tastings and talks that celebrate the history and culture of Mexican and Mexican American cuisine. Local celebrity chefs like Danielle Duran Zecca of Amiga Amore and 'The Chori-man' Humberto Raygoza have taught classes.
Events vary from a historical exploration of Afro-Latin cuisine presented by the Afro-Latino Education and Arts Collective and include cooking classes on making 'flower' tortillas with different varieties of corn and pressed flowers.
'One of the key components, alongside learning how to cook, and what makes a difference, is that we provide cultural notes in everything we do,' said Ximena Martin, La Plaza director of Programs and Culinary Arts. 'We make sure all our classes are presented by the community for the community.'
Educating the public about Mexican and Mexican American authors, chefs and culinary history is only part of LA Cocina's mission in addition to preparing the next generation of chefs. The Culinary Youth Training Program is free to high school students and young adults ages 16 to 24.
During a recent class, chef Wendy Centeno cut a red onion in half, then thinly sliced it for a cauliflower ceviche she was teaching a group to make.
'Have you been to a taquero and you get a really big piece of onion?' she asked. 'Who wants to eat that?'
Students, who apply to be part of the bilingual program, learn everything from basic knife skills to poaching an egg to deboning a chicken. They come from Los Angeles and most of them know they want to cook but they don't know where to start, Centeno said.
Jonathan Tirado, 19, likes to make sourdough bread and create dishes from whatever he has on hand at his Boyle Heights home. He thinks he might want to be a chef, which makes his mother happy that he's enrolled in the program that could lead to a career.
'My mom is probably going to disapprove of this, the cauliflower, but I'm going to have her try it anyway,' Tirado said.
Centeno introduces culturally relevant dishes that may or may not be how students and their families are used to seeing them made.
At the end of the course, students work with the Institute of Culinary Education. They write a resume and get invited to a networking event with local chefs, business owners and cooking schools to get career advice about the food industry and landing a job.
The first time she saw one of her former students working at Porto's Bakery, Centeno said, she wanted to cry.
'Seeing them out there in the wild, we know we're doing something right,' the chef said. 'It's awesome.'
LA Cocina, across the street from La Plaza in La Plaza Village, had its second anniversary in April by replacing the gift shop with Raíces Culinarias: A Recipe Reading Room. The space is filled with Mexican cookbooks donated by the family of the late journalist and author Barbara Hansen, the celebrated L.A. Times food writer who left her job at The Times in 2006 but continued writing articles for the paper through 2017.
The cookbook collection inspired an exhibit curated by local food historian, podcaster and ArtBites founder Maite Gomez-Rejón about Mexican cookbook author Josefina Velázquez de León (1899-1968). De León was the first woman in Mexico to open a cooking school and offer correspondence courses to help women become part of the Mexican economy.
'Josefina was an amazing entrepreneur of her time,' Martin said. 'She started collecting recipes from local women and regional women and started her own publishing house.'
The programs at LA Cocina offer the community much more than simply learning how to cook. For Centeno, it's the self-assuredness of the students that makes her especially proud.
'The most important thing we teach here is for them to have confidence,' she said. 'I want them to be able to walk into a kitchen and feel like, 'Yes, I know how to do whatever the chef wants me to do.''
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Boston Globe
2 hours ago
- Boston Globe
Suzy Welch wants to help you live a more authentic life
Suzy Welch's "Becoming You" students get a keychain of values, named by Welch. On the right is "Non Sibi" (Latin for "not for self"), representing a "life-organizing principle of altruism." Courtesy Suzy Welch My favorite is eudemonia , for the principle of self-care, recreation, and pleasure. Welch, a these 15 values after years of studying academic research, observing how people make choices, and paying attention to what stops them from living the life they want. No value is good or bad, she says; they're only a problem when we don't acknowledge and live by the ones we care the most about. 'We come loaded with personal values in a certain ranking, and yet, 99.9 percent of us are not fully expressing the values we hold,' said Welch, 65, a Harvard Business School grad, known for her columns, 'Today' show appearances, books such as ' Get Love Letters: The Newsletter A weekly dispatch with all the best relationship content and commentary – plus exclusive content for fans of Love Letters, Dinner With Cupid, weddings, therapy talk, and more. Enter Email Sign Up She began working on 'Becoming You' — a method for figuring out what you're meant to do with yourself — in 2020, not long after the death of her husband Advertisement She was grieving while trying to figure out what was next and what was important to her. 'I was trying to become me. It's the most meta story in the world. … I think this is why, when I see somebody have a 'Becoming You' breakthrough … it's so personal for me. It's like, 'Fellow traveler — hi .' Advertisement Welch launched her 'Becoming You' methodology with MBA and In May, she released a book, 'Becoming You: The Proven Method for Crafting Your Authentic Life and Career.' (She'll talk about the book with CEO of Boston Globe Media Linda Henry at the Welch wants to reach as many people as possible with 'Becoming You,' which also has a Later this month, she'll host her first people like educators, life coaches, and financial planners, who can use the work with their own students and clients. 'People kept on saying to me … can I get certified in this?," Watch said. 'Finally we went to NYU and said, 'Can we set up a certification program? And NYU was wonderful and said 'sure.'' Suzy Welch's "Becoming You" at a local book event. Aram Boghosian 'There's a whole section in the book about aptitudes and what you're good at. I think there's been a Advertisement As Welch puts it, 'If you're going to live and support yourself, pay the mortgage, and all the other things, you've got to know what you're good at — and your economically viable interests." There are obstacles, of course. Welch devotes a section of the book to 'The Four Horsemen of Values Destruction,' what she calls the roadblocks that stop us from staying true to what we want. More on that later, too. Welch happened to be unfurling her 'Becoming You' classes as people came out of COVID lockdown, questioning why they made certain choices. They were introspective and ready to do some work. As an advice columnist and relationship writer, I'm interested in how and where people find help, whether it's through therapy, books, counseling, coaching, or other avenues. Suzy Welch lectures during her "Becoming You" seminar at New York University in June, 2024. Vincent Tullo After jumping into Welch's work, I did have, as Oprah might say, an A month ago, I bought a bike. I'd realized, after a few vacations, that I enjoy biking on a safe and scenic path. The other day, I rode my brand new bike in great weather; I felt like I was 6 years old, with no cares in the world. I was shocked at how free — and myself — I felt on this bike. Later, I felt guilty. Who was I to be running around — on a Wednesday! — on this bike? How dare I not be working or helping my loved ones? Advertisement Welch's book and method had an answer for that. After taking Welch's questionnaire, I learned a big, maybe simple thing: I value free time and fun activities more than I've ever admitted to myself. I would have guessed my one major value was 'workcentrism,' perhaps followed by what she calls 'familycentricism,' but the latter wasn't even in my top five. Welch said people are often surprised by their results. 'They're staring into the face of something they've been denying or repressing. … The phrase I hear the most is, ' This explains everything .'' During our interview, Welch told me I might have been lying to myself about prioritizing my family — perhaps in martyr-ish ways — without making me feel like a jerk. She is good at talking about uncomfortable things. Her style, to me, is a mix of CEO, journalist, influencer, friend, or 'fancy aunt who does not put up with your nonsense.' She shares personal stories and moments when she admits she was a bad mom or scared about her life choices. I attended two Welch events during her recent visit to Boston, including one at MIT, where she spoke to a mostly student audience, some of whom seemed very freaked out about their career prospects amid federal budget cuts. Welch was quick to talk about her own mistakes. She quoted 'Moonstruck' and referenced 'The Iliad.' 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I know this is all very self-helpy, but in Welch's words, she wants us in an area of transcendence. I get glimmers of it when I'm writing, and absolutely when I'm on that bike. 'Look, you can go through periods of your life where it completely ebbs away from you — because life happens. You get a divorce, you get fired. … But then, if you know this stuff about yourself, and you know what the picture of your authentic life is, you can fight another day,' she said. 'But those moments when you're living authentically — that is when you're very exquisitely alive, that's your purpose — and they're worth fighting for. It's worth doing." Advertisement Meredith Goldstein writes the and hosts the . She writes about relationships. She can be reached at


Eater
3 hours ago
- Eater
Bake on the Run Shows Off the Global Essence of Guyanese Food
Pause in front of the Bake on the Run food cart for more than a second, and mother-and-son team Bibi and Mike Singh will greet you with a trio of steaming hot samples. Mike will ask if you've ever had their food before, point to a map of Guyana, and launch into a mini crash course on the country's cuisine. For the Singhs, this is more about making a sale. 'This is not just a food cart for me,' says Mike Singh of introducing diners to Guyanese food and culture. 'I don't have products on my menu. I have my culture, I have my history, I have my childhood.' Located among several other food carts in a Southeast Portland pod called the Heist, Bake on the Run is the only Guyanese eatery on the West Coast, and Singh says many of the cart's potential customers have never even heard of Guyana. The South American country, one of the most biodiverse areas of the world, is north of Brazil, east of Venezuela, and is considered part of the Caribbean. And according to Mike, its distinct cuisine — which is reflected in Guyanese dishes like bacalhau (Portuguese salted cod), chow mein, and chicken potato curry — is due to its diverse population. Guyana's 800,000 residents descend primarily from nine different Indigenous tribes, as well as from India, China, Portugal, and West Africa. Its Afro-Guyanese population traces its roots back to people who came primarily from West Africa as slaves, while the Indo-Guyanese population — Guyana's largest ethnic group today — is descended mainly from Indian indentured laborers who arrived starting in 1838, filling Guyana's need for workers after slavery was abolished in the British Empire. Singh left his desk job in New York City and moved to Portland to open Bake on the Run in 2018, looking to do something related to his culture. He fell in love with the idea of opening a food cart after a road trip with a friend led him to a food cart tour in Portland, where he found a thriving street food scene. Bibi, who had been enjoying retirement in Arizona, moved to Portland to take charge of the kitchen and join Mike in his mission. While many visitors come to the Heist just to eat at Bake on the Run, the pod environment allows Singh to draw from a pool of potential customers who are open to trying something new. At a brick-and-mortar restaurant, not only are profit margins slimmer, but most visitors would have to plan a visit rather than arriving by chance — a tough thing for cuisines that are less well-known. The namesake bake — a crisp and airy, slightly sweet fried bread — was the only dish on the menu when Bake on the Run first opened. 'Bake and saltfish is something we had every Sunday morning — I'd make sure I could come home on Sundays for that bake,' Singh says. 'One of my absolute favorite things on planet Earth.' Bake on the Run serves two savory versions: one stuffed with bacalhau and scrambled with egg, tomato, and scallions, making the fish extra fluffy; another that pairs the bake's sweetness with gingery, tomatoey chana aloo, a textural array of al dente chickpeas, tender potatoes, and peas. Bake also makes for an excellent dessert stuffed with jam or Nutella, while mini versions are wrapped around chocolate truffles and showered in powdered sugar. Over the years, the menu has expanded to include Guyanese chow mein, in which noodles are marinated in soy sauce and teriyaki sauce, then given a quick stir-fry with peas, carrots, and scallions. The Singhs use thick, chewy chow mein noodles imported from Guyana that can't quite be duplicated elsewhere — maybe some combination of Guyana's water, the wheat, or the people who make the noodles, Mike guesses. The chicken and potato curry over rice is Mike's favorite dish, a cozy, slow-simmered, overnight-marinated dish using Chennai-style curry powder that's, you guessed it, imported from Guyana. Everything comes with a side of pepper sauce, an essential Guyanese condiment — 'like the exclamation point on the end of the sentence,' Singh says poetically. Bibi's version, a long standing family recipe, tempers the heat of habanero with a little cucumber, making it zippy and flavorful but not punishing. As of January, the Singhs have started selling bottles of Chef Bibi's Famous Pepper Sauce at several grocery stores across Oregon, further expanding their reach in spreading Guyanese culture. And being the only Guyanese eatery for hundreds of miles, people go out of their way to eat at Bake on the Run. Singh says he gets a lot of truck drivers tweaking their routes for a quick stop in Portland, and every weekend, he gets a handful of visitors who have driven several hours. It's also a favorite for Portlanders to show off to out-of-town guests: 'It's almost, like, bragging rights for Portlanders taking people from big cities like LA or San Francisco,' Singh says. In the future, Singh wants to host more Guyanese cultural events. In 2023, the cart held its first celebration of Phagwah, the Guyanese name for Holi. Around a thousand attendees showed up, a DJ played Bollywood tunes and Guyanese chutney soca music, and the cart served pepper pot, an Indigenous meat stew with cassava syrup that can take days to make. From time to time, specials will pop up on the cart's Instagram, from cook-up rice with beans, chicken, and beef to Guyanese corned beef hash. In the background, Singh is always brainstorming what other dimensions of Guyanese culture he can introduce to his customers. 'It is not me just showing up, shutting down, and doing whatever I want when I leave,' he says. 'It is me continuously thinking about how I can best introduce my culture to the West Coast.' See More: Dining Out in Portland Local Legends
Yahoo
11 hours ago
- Yahoo
Netflix, Incentives and Location Perks Spur Growth in Mexico's Film and TV Industry
Depending on who you ask, the state of Mexico's film industry is either waxing or waning. The twin labor strikes of 2023 saw fewer U.S. film and TV productions that year and the following year. However, the first trimester of 2025 has reported a 16% spike in overall audiovisual activity, said Guillermo Saldaña, Mexico City's Film Commissioner. More from Variety Boxing, Uprisings, LGBTQ+ and Coming-of-Age Stories Power Guadalajara Co-Production Meetings Lineup Climate Change Hell, Military Coups, Big Industry Pollution, Fractured Families: Guadalajara Gives a Bracing Latin American Take on World Collapse Guadalajara Highlights Hits, Notable Debuts Among Recent Spanish, Portuguese-Language Movies, Plus a Film About a 'Hell of Naked Depravity' 'I'd like to think that we have a symbiotic relationship with the U.S. and Colombia because we share talent, industry and information. We always work closely with the MPA, the major studios, Netflix and the others,' he said, adding: 'Lately, there has been a sense of uncertainty — I'd call it a sort of tariff threat — but we're not 100% dependent on the U.S. industry, as you well know. We also have a strong local industry that produces content for both domestic audiences and the U.S. Latino community.' 'Some local production companies saw limited activity in 2024, but are now gaining momentum in 2025 with two to three projects underway,' said Saldaña. Others are still discouraged from the paring back of incentives for domestic productions and have been inactive. 'Mexico's presence on the international stage has been down recently,' noted Pimienta Films' Nicolas Celis ('Roma,' 'Emilia Perez'), who's just been named president of the Mexican producers association AMPI and the newly launched Mexican Federation of Film Producers (FMPC), unveiled at the Guadalajara Film Festival on Sunday. Eficine, the incentive for co-productions, rejected local producers' bids to participate in both films that won in Cannes' Un Certain Regard this year, Chile's 'The Mysterious Gaze of the Flamingo' and Colombia's 'A Poet.' When Netflix's co-CEO Ted Sarandos showed up in February with Mexican president Claudia Sheinbaum to announce a landmark $1 billion investment in production over the next four years in Mexico, the local audiovisual industry let out a collective cheer. 'It was very well received by the film community, I got calls from everywhere in the world,' said Redrum's Stacy Perskie, who has worked on some of the biggest international productions in Mexico, led by the 2015 James Bond thriller 'Spectre,' which featured a spectacular Day of the Dead parade in the streets of Mexico City, Neil Blomkamp's dystopian 'Elysium' and Netflix's upcoming 'The Gringo Hunters' and 'Man on Fire.' Among other large-scale local projects, he's also worked on 'Narcos: Mexico,' 'Pedro Paramo' and Alejandro González Iñárritu's 'Bardo,' which involved closing down the center of Mexico City. Reflecting on the growing competition from elsewhere in Latin America and other territories, he pointed out: 'There are all these incentives all over Latin America and in Europe as well but sometimes when you compare Mexico to all these places with incentives, you see that at the end of the day, you won't have to bring equipment, crew, department heads, etc. And we're closer to Los Angeles than Atlanta or New York!' At present, Mexico offers a 16% VAT rebate to international productions on a federal level. Only the state of Jalisco extends a cash rebate incentive, but it has an annual $5 million cap. 'If we did have incentives, Mexico would be so much more appealing,' noted Celis who has a slew of productions in the pipeline, including the latest fiction features from Lila Avilés ('The Chambermaid'), Tatiana Huezo ('The Echo'), Eliza Miller ('Hurricane Season') and the directorial feature debut of lauded stop-motion animation artist, Sofia Carrillo. The issue of a nationwide location filming incentive is being discussed and coordinated closely with the Presidency and the Ministry of Economy, according to Saldaña. 'In Mexico City, the film industry makes up nearly 12% of the city's GDP, reflecting significant investment. The President is well aware of its importance — hence her joint announcement with Netflix. Discussions are ongoing in the Ministry of Economy's Creative Industries roundtables, alongside cultural institutions like the film institute Imcine, the Ministry of Culture led by Claudia Curiel, and various industry chambers,' he asserted. Asked if Netflix foresees any challenges to fulfilling its $1 billion commitment to Mexico, Carolina Leconte, Netflix VP of Content for Mexico, responded: 'We've been producing original content in Mexico for a decade now, so we've built strong local partnerships with cast and crew, in front of and behind the camera, and we continue to grow alongside each other.' 'We always strive to tell better stories and to apply learning as the industry evolves in the newest production standards and technologies, and luckily Mexico has so much talent and so many stories to tell,' she added, listing a slew of projects underway. These include: 'Las muertas,' the first series from film director Luis Estrada ('Herod's Law') and Mexican Revolution period series 'Mal de amores,' based on the novel by Ángeles Mastretta. It has recently kicked off production on four new series: 'Santita,' 'Love 9 to 5,' 'I'm Not Afraid' (No tengo miedo) and 'Corruptors' ('Los corruptores'). The state of Jalisco, whose capital of Guadalajara hosts a number of cultural activities, including the Guadalajara International Film Festival (FICG), a book festival and a gay pride parade among others, launched a 40% cash rebate on production and post-production expenditures in 2023. The incentive is luring more companies to set up shop there in order to avail of the rebate, open to those who have had offices in the region for at least three years. Non-resident producers would need to forge a co-production deal with a Jalisco-based producer to avail of the rebate. News broke at FICG that post-production house Chemistry joined forces with its Guadalajara-based counterpart Semillero Estudios in order to better tap the perks. Netflix has shot Season 3 of 'The Manny' as well as 'Snakes and Ladders' in Guadalajara while AppleTV+ was shooting its Eugenio Derbez series 'Acapulco' in Puerto Vallarta. While Jalisco has yet to reach Mexico City-levels in terms of crew and department heads, the state boasts a wealth of locations. 'Barring snow, we have cities, we have deserts—in other words, Jalisco offers a wide variety of locations, which isn't the case, for example, in Mexico City where if you wanted a beach location, it would take at least five hours to get there. We have a clear geographic advantage in that sense, plus, we have great food – and of course, tequila and mezcal,' said Filma Jalisco film commissioner Alejandro Tavares, who added that it hosts an average of five to six international audiovisual projects a year. 'We organized a fam trip here for producers from Los Angeles, directly in coordination with the Los Angeles Consulate. It was great that they came to see firsthand how easy it is to do things here — co-productions, etc. As you know, Hollywood is facing major issues right now, so they're looking for new filming destinations,' he said, adding: 'Jalisco has a big advantage over other states in Mexico, mainly due to its connectivity. Two of the country's top five airports are in Jalisco, and we have direct flights to Canada, Europe and the U.S.' Guadalajara has also become an animation hub with the Guillermo del Toro-backed film school El Taller del Chucho spearheading the genre. Over the weekend during the Guadalajara Festival El Taller unveiled 'Sira,' an ambitious hybrid animated feature co-produced with Spain, written by actor-writer-director Ángeles Cruz. Also, 'They're doing a lot of work with students, thanks to strong ties with the University of Guadalajara; It's become a key training ground for up-and-coming filmmakers and a talent pipeline for the animation industry,' Tavares noted. Around 20 animation studios have been working on several international projects, including some from Marvel. FICG's opening night film, Mexico's first stop motion animated feature 'I Am Frankelda' was post-produced in Guadalajara and tapped the cash rebate. Some of the pics in FICG's Made in Jalisco section used the cash rebate, most notably 'Abracadaver' and 'Over the Waves' ('Sobre las olas'). 'The political push by other states to develop their regions has benefited everyone, as a greater number of developed regions means more audiovisual industry growth and production services coming to Mexico,' said Saldaña. 'We are open to exploring locations where the story calls for it, and we continue to explore new regions,' said Netflix's Leconte, adding: 'So far, we have filmed in over 50 locations in 25 states – for example in Oaxaca ('El secreto del río'), Baja California ('Gringo Hunters'), Puebla ('Mal de amores'), San Luis Potosí ('Pedro Páramo' and 'Las muertas'), Tijuana ('Santita') and Veracruz ('No tengo miedo'), among others.' Said Saldaña: 'We're planning to fully leverage Mexico City's infrastructure and are working to diversify the permitting process. The goal is to shift filming away from the usual central areas – like Roma, Condesa, and Coyoacán, which are typically featured – and instead spotlight and give visibility to other parts of the city, such as Iztapalapa, with its deep cultural roots, and Azcapotzalco. We're also focusing on boroughs with significant protected natural areas, like Milpa Alta, Magdalena Contreras and Tlalpan. In short, we're aiming to bring more exposure to these underrepresented, ecologically and culturally rich areas of Mexico City.' And to partly address the beach issue, the city is working on an agreement with the famous coastal resort town of Acapulco. 'Our goal is to revive the audiovisual corridor between Acapulco and Mexico City, with the initiative led by the Tourism Ministry. We're deeply invested in restoring Acapulco's rich cinematic legacy and its long-standing history in film,' Saldaña said. Best of Variety 25 Hollywood Legends Who Deserve an Honorary Oscar New Movies Out Now in Theaters: What to See This Week Emmy Predictions: Animated Program — Can Netflix Score Big With 'Arcane,' 'Devil May Cry' and the Final Season of 'Big Mouth?'