
Cannes Maitre D'hotel Retires With Memories Of Stars
French maitre d'hotel Jean-Francois Pomares says he never has time to see a film at the Cannes Festival, but he has met many of its stars over the years including a young Sharon Stone.
"It was at table 24, I still remember," said the 61-year-old who oversees the dining room at the Carlton hotel in the French Riviera city.
At the time, "nobody knew her, but then she came back two or three years later. By then, she was a superstar... and she recognised me."
Since he started work at the age of 15, Pomares has seen them all during the festival at the start of each Cannes summer: from Sylvester Stallone and Arnold Schwarzenegger to Michael Jackson and, more recently, Robert De Niro.
Pomares, who will retire this year, said he usually finishes work at around three or four o'clock in the morning.
It was a good time to bump into film stars.
One winter, French screen legend Alain Delon, who died aged 88 last year, asked him to open the hotel's dining room where the festival's official dinners had been held in previous years.
"I think that night he needed to remember his past," Pomares said.
"For 15 minutes, he started telling me that at this table, so-and-so was sitting, and so on."
The smiling maitre d' said his job was all about "preparing for the unpredictable" and never saying "no".
"I love it, the adrenaline gives me a rush," Pomares said.
He once had to help organise a last-minute marriage proposal, dashing to find a bunch of flowers and decorate the right spot before night fell. He was invited to the wedding.
"We also get a lot of eccentrics who come because it's the festival, hoping to be spotted," Pomares said.
But he says the essence of his job is adapting to people.
Pomares once hosted a couple in their seventies who he said looked "outside their comfort zone".
The wife told him they used to work at a hospital in the southern city of Marseille -- he as a cleaner and her in the canteen -- and that the dinner was a present from their children.
"I did my upmost to make sure they left with the best memory" of the evening, he said. "A week later, their daughter rang up to say thank you."

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DW
17 hours ago
- DW
Berlin pays tribute to Christo's iconic 'Wrapped Reichstag' – DW – 06/06/2025
Thirty years ago, Germany's parliament building "disappeared" under silver fabric for two weeks. The work of art by Christo and Jeanne-Claude is now celebrated with a light installation. Anyone who was in Berlin in the summer of 1995 will probably remember it for the rest of their lives: how the Reichstag — the seat of the German parliament — disappeared. Not blown up, not demolished, but completely wrapped in silver fabric and tied up with thick ropes, almost like a gift. A crazy idea? Perhaps. But also one that made history. Behind this spectacular action was a pair of artists who have repeatedly surprised the world with their ephemeral mega works of art: Christo and Jeanne-Claude. Their vision of a wrapped Reichstag was big, bold — and took 23 years to plan. 2025: A special anniversary year 2025 is a real anniversary year for fans of Christo and Jeanne-Claude. 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The seat of government of the then Federal Republic of Germany was still in Bonn, and the Bundestag (the German parliament) only moved into the Reichstag building with its characteristic glass dome, remodeled by architect Norman Foster, in 1999. In 1978, Christo presented the model of the wrapped Reichstag at an exhibition in Zurich Image: Niklaus Stauss/akg/picture-alliance Christo and Jeanne-Claude were nevertheless fascinated by the building's symbolism and historical role. Time and again, this place has been the scene of significant moments in Germany's history, during the German Empire, the Weimar Republic, the Nazis' "Third Reich" and the Second World War, the division of Germany after the war and its eventual reunification. Christo and Jeanne-Claude wanted to make this building visible again by concealing it for a brief period. But a work of art like this required permission — and that took a long time coming. It was not until 1994, after more than 20 years of discussion, that the Bundestag finally gave its approval, following vigorous debate. And this paved the way to one of the most impressive art projects of the century. The then President of the Bundestag, Rita Süssmuth, supported the project Image: Jockel Finck/AP Photo/picture alliance Summer 1995: A silver dream in the middle of Berlin Finally, in June 1995, the Reichstag was completely wrapped in over 100,000 square meters of silver fabric and 16 kilometers of rope. The wrapping lasted several days and was followed around the world. The wrapped Reichstag appeared soft, shimmering, mysterious, like a work of art amid clouds. From June 24 to July 7, 1995, over 5 million people came to Berlin to witness this spectacle with their own eyes. It was like a huge public festival: People were lying on the grass, having picnics, taking photos and discussing it. Many people who experienced the work later said that they had never viewed the Reichstag as intensely as during these two weeks. A tourist magnet in the summer of 1995 Image: 1995 Christo and Jeanne-Claude Foundation, Photo: Wolfgang Volz Why wrap it at all? Christo and Jeanne-Claude didn't set out to hide a building — quite the opposite. They wanted to give it a new experience. The wrapping removed everything superficial. You could no longer see the details, only the shape, the silhouette, the volume. And most importantly, this work of art was also ephemeral. After two weeks, the magic was over, the fabric was dismantled, and no trace remained. Only memories. For the artist couple, this ephemerality was a central part of their work. "The beauty lies in transience," they often said. You should enjoy the moment because you know it will soon be over. Although the Reichstag is a political symbol, the artwork itself was not intended to be political. Christo and Jeanne-Claude did not want to dictate an opinion. They wanted their art to be an open space for thoughts, feelings and interpretations. Nevertheless, many people saw the wrapping as a strong political symbol: for change, for reconciliation, for a new beginning. This had a special effect, especially in reunified Germany. From June 9 to 20, 2025 the artwork will be projected onto the west façade of the Reichstag in the evening Image: Jens Kalaene/dpa/picture alliance Jeanne-Claude died in 2009,Christo in 2020, but their art lives on — in photos, memories, exhibitions and now also in a special anniversary year. The wrapping of the Reichstag was not only a masterpiece of logistics and aesthetics, it was also a moment of collective fascination. It showed what art can achieve in public spaces. It can surprise, connect, challenge. And it can simply amaze people. Or, as Christo once said: "Our works belong to no one — and at the same time to everyone." This article was originally written in German.


Int'l Business Times
29-05-2025
- Int'l Business Times
Italian Designer Maria Grazia Chiuri Out At Dior
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Int'l Business Times
27-05-2025
- Int'l Business Times
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