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Outback Wrangler Matt Wright's high-profile conspiracy trial nearly ‘aborted' following ‘unfair' A Current Affair episode

Outback Wrangler Matt Wright's high-profile conspiracy trial nearly ‘aborted' following ‘unfair' A Current Affair episode

News.com.au2 days ago
A Territory judge has savaged a national television program for airing 'unfair' coverage on the eve of the trial of reality star Outback Wrangler Matt Wright.
The Aussie reality television star has pleaded not guilty to three allegations of attempting to pervert the course of justice, following the chopper crash death of his mate and co-star Chris 'Willow' Wilson three years ago.
It took two hours for a jury pool of 107 Territorians to be whittled down into the final team of 12 jurors and two reservists on Tuesday.
However overnight that careful selection process was put in jeopardy following the episode by A Current Affair.
On Wednesday Justice Alan Blow ripped into the Channel Nine segment which he said threatened to 'abort' the high-profile celebrity trial.
'It was a piece of journalism that was aimed to suggest that Mr Wright is guilty of something — and that's not what TV journalists should be doing,' Justice Blow said.
'It's very important that Mr Wright gets a fair trial and watching that program could interfere with his right to a fair trial.'
Justice Blow told the 12-person jury and two reservists that the program published a 'stale' witness list and a photo from the fatal helicopter crash site.
'This isn't a case about why the helicopter crashed,' he told the jury.
'It's not suggested that Mr Wright was responsible, in any way, for the crashing of the helicopter.
'If you watched the program, you might get the impression that he was responsible, and that he was guilty of something and that he's headed to jail for it.
'It was quite unfair and it created a danger of this trial having to be aborted.'
Only one juror out of the 14 members said he had watched the segment.
Under questioning from Justice Blow, the juror said he would be able to remain impartial, and had not discussed the ACA show with any of his fellow jurors.
Justice Blow then warned the remaining 13 Territorians to not try and access the program played on Tuesday night.
'It's an excellent example of what I told you not to do yesterday,' he said.
'Please don't try to find out about that program.'
Both prosecutor Jason Gullaci and Defence senior counsel David Edwardson said they were comfortable with the current jury continuing.
The trial continues.
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How Queensland Premier David Crisafulli has gone from dazzling property flipper to secret business trouble
How Queensland Premier David Crisafulli has gone from dazzling property flipper to secret business trouble

ABC News

time9 minutes ago

  • ABC News

How Queensland Premier David Crisafulli has gone from dazzling property flipper to secret business trouble

Australians love a tale of property renovation, but one story that's little known is that Queensland Premier David Crisafulli was once a successful house flipper. Between 2005 and 2009, his private family company, Crisafulli Financial Services, bought and sold seven north Queensland houses in rapid, profitable deals. Those successful deals make a disastrous loss on another property in 2022, when he was opposition leader, unusual. The family company lost more than $50,000 on a long-held property sold in a rush. That was just less than a year after he secretly finished paying out liquidators $200,000 to settle claims of botched business oversight. Politicians have private business, but that business is sometimes thrust into the public arena. And the premier's failure to declare private business affairs on a register of interests was found in June to breach parliament's rules. A bipartisan parliamentary ethics committee decided he had failed to declare a liability for the $200,000 liquidator settlement. He had been "careless", and there was evidence he "ought to have known that such payments were to be declared (as a liability) or at least sought the registrar's advice", the committee found. Another question he has since refused to answer is how he paid for the $200,000. Journalist: Did you pay yourself? Premier: I've met my obligations. Did anyone assist him in paying for it? "Well, have a look at the report," he replied, arguing how he paid was "part of the analysis". But the report does not mention how he paid. It goes to what private business of politicians should be public. Transparency International Australia chief executive Clancy Moore said public figures withholding information about financial dealings erodes public trust. He said that was particularly the case when it related to "insolvency and potential conflicts of interest". "Being forthcoming about how a significant financial settlement was funded, especially while serving in public office, would demonstrate a commitment to integrity, reduce speculation and enhance public confidence," Mr Moore said. But back to the profitable days flipping homes in the mid 2000s. Mr Crisafulli's family company was acquiring homes — often in Townsville's battler suburbs — capitalising on demand for housing with quick, hard real estate work. In general, these properties were nothing fancy but could be spruced up. One might have new tiles installed, for instance. It was successful. Property records show Crisafulli Financial Services bought one property for $256,000 in June 2007 and offloaded it by September for $312,000. Another, acquired in December 2006 for $218,000, was sold in March 2008 for $291,000. All told, before costs, the Crisafullis cleared almost $330,000 on those seven homes. By then, Mr Crisafulli had been in local government, later becoming a state minister in the short-lived LNP administration of Campbell Newman. In 2015, Mr Crisafulli lost office and ventured into the private sector. As revealed by the ABC, he landed a job via LNP donor and soccer-fanatic businessman Rabieh Krayem. The pair had known each other from Townsville and Mr Krayem had put forward the now-premier's name as sole director of a long-struggling training organisation SET Solutions. That was the same company in which Mr Krayem had just acquired a 50 per cent stake. Mr Crisafulli lasted mere months in the role — from his appointment in December 2015 until his resignation in April 2016. He was ultimately never paid a wage for his time, and one creditor told the ABC that Mr Crisafulli had been a straight shooter at the business and paid bills when promised. The business, which auditors found had received government funding for more hours of teaching than it had delivered, even when Mr Crisafulli headed the company, collapsed into liquidation in June 2016. Mr Crisafulli returned to parliament in 2017, but the ABC later revealed he had quietly paid liquidators $200,000 to settle claims the training business might have been trading while insolvent while he was at its helm. Such a payment can make business sense even when people do not believe they have done anything wrong. That's because settling liquidator claims privately may be cheaper and less scarring than risking a long battle which could potentially involve public court hearings. Mr Crisafulli secretly paid the settlement in three tranches: $80,000 in March 2020, $60,000 in July 2020 and $60,000 in July 2021. Insolvency industry sources said the multiple transfers can indicate financial strain or an inability to gather sufficient funds for a one-off payment. At the time, Mr Crisafulli's register of interests listed a multi-property portfolio and six Bank of Queensland mortgages. Land records also show an early-mid 2021 sale of one mortgaged property for $2.3 million and a mortgage-backed purchase of another for $745,000 by his wife, Tegan Crisafulli. In February 2022, about half a year after finishing paying the liquidators, his family company tried to offload a Townsville property bought for $287,500 12 years earlier. It was on a big but odd-shaped battleaxe piece of land. Even the sale advertisement was blatant about the property's bad condition: "No point in doing a building and pest." But buyers weren't keen. The asking price dropped. The advertisement suggested selling pressure: "The owner's instructions are clear, and this will be gone before the end of the financial year." By May 2022 it was sold for $230,000, marking a gross loss of $57,500. Mr Crisafulli won't answer why a sale needed to go through that financial year or if he was under strain then. Perhaps he might have wanted cash to make another purchase later, or to bring down borrowing levels. It could be unrelated to the liquidator settlement. But the premier, who had campaigned on his love for small business and transparency, will not clarify that, nor how he financed the $200,000 liquidator settlement. Perhaps he drew down on existing loans. Or family might have provided a payment as a gift — a carve out in the register of interests allows some family contributions to not be declared. In June of this year, when asked how he financed the $200,000 payment, Mr Crisafulli repeated phrasing he'd used before about having met his "obligations". He was asked: Did the $200,000 payment impose obligations on him to other people? "I want to be clear, this was subject to this analysis (the committee report) and I have met my obligations," he responded. Yet the report does not mention how he paid. He had also previously, when asked why he had not listed the liquidators' debt as a liability, maintained he had "met [his] obligations" — a statement the ethics committee later found was incorrect. Transparency International's Mr Moore said even if a payments disclosure "is not technically required under the letter of the law, the spirit of democratic accountability calls for more openness". "Transparency is not a technicality, it is a test of leadership." Deputy Opposition Leader Cameron Dick argued in June that questions remained.

Gangster Bilal Hamze's last-minute change of plans and texts with sex worker before he was gunned down
Gangster Bilal Hamze's last-minute change of plans and texts with sex worker before he was gunned down

News.com.au

time17 minutes ago

  • News.com.au

Gangster Bilal Hamze's last-minute change of plans and texts with sex worker before he was gunned down

It was the drive-by shooting that shocked Sydney's underworld. Bilal Hamze was gunned down outside an Asian fusion restaurant four years ago. The gangster lay groaning on the pavement outside the high end restaurant after 10 bullets were fired at him. Blood spilling from his mouth, the sex worker he'd just been dining with screamed over him. This week, his text messages with the woman have revealed the last-minute change of plans that landed him outside the Sydney restaurant where he was shot and killed. Hamze was all set to meet with the woman – who'd known him for months as 'Bill' – at Potts Point restaurant Ms.G's on June 16, 2021. There were a 'number of threats' on the gangster's life at this stage, with a court told there was a clear conflict between crime families the Hamzes and Alameddines. Hamze's texts with the sex worker, who cannot be identified, revealed she'd asked to reschedule their dinner on June 16 to the following evening before she requested another change of plans. 'I was gonna say if you haven't booked Ms G's we should try that Kid Kyoto we were talking about last time,' she texted him about 6pm on June 17 over the encrypted app Signal. 'Now I really know you love your Japanese,' Hamze replied, agreeing. Footage shows Hamze making his way to the restaurant where he spent an hour and a half with the woman. But it was only one minute after they left the venue, at 10.23pm, when the first of 10 shots were fired at Hamze from a stolen Audi. 'I've never heard anything like it, I didn't know what it was,' the sex worker's police statement read. Hamze ran after a second shot was fired, the sex worker seeking shelter in Kid Kyoto's doorway. Another eight shots were unleashed toward Hamze, with CCTV showing him appear to jump back before falling to the ground and rolling towards the kerb. The woman ran out and found Hamze 'face down' on the pavement. 'There's blood': Gangster's final moments The sex worker cried as her statement was read out in court, detailing how she called an ambulance but had to hang up because she was 'screaming and couldn't talk'. 'I could hear Bill making noises like grunting … I kept saying make noise, make noise. I didn't know what to do,' her statement said. The gangster lay on the street with blood coming out of his mouth as a bystander who had rushed over to help told an ambulance operator how a car 'came past and shot a man'. 'He's groaning … Yes, there's blood … from his mouth,' the bystander said during a recording of the call played in court. 'We don't know where the wound is.' Someone could be heard yelling 'he's not breathing' in the background. Footage of murder nearly puts juror to sleep Samuel John Rokomaqisa, who allegedly had links to the Alameddine family, is standing trial accused of Hamze's murder and allegedly plotting to kill the gangster's younger brother, Ibrahem. As some of Bilal's final moments were played in court, including the loud sound of eight shots going off, suspicions a juror was 'nodding off' prompted Acting Justice Robert Allan Hulme to dismiss the man who he said was not paying attention 'at all' during the footage. Person of interest's 'frantic' calls and texts Defence lawyer Thomas Woods said there would be evidence of the sex worker in contact with an alleged person of interest around the time of the shooting. 'You will hear evidence about her in communication with someone else who was in the near vicinity at the time of these events, someone who on the police assessment was a person of interest,' Mr Woods said in his opening address. 'They described his behaviour as frantic, sending messages, making phone calls, around the time of the killing.' Text messages later read in court revealed the sex worker had messaged a friend 'What's doing?' about 10.22pm on June 17. The man replied saying 'not much wbu (what about you)?' around the time the first shots were fired at 10.23pm. He then sent a barrage of texts and calls, messaging her 'You OK???' at 10.26pm, 'I'm gonna go room soon, I feel sick' at 10.31pm, and 'Are you okay?' at 10.36pm. 'From that overview (of messages), there was nothing in your contact with (your friend) that night where you indicated that you were in danger – do you agree or disagree?' Mr Rokomaqisa's lawyer Robert Deppeler asked the woman, who agreed. 'Ibby needs to go': Ibrahem's escape Evidence suggested Ibrahem narrowly escaped a murder plot just months after his brother was gunned down. The words 'Ibby needs to go' were allegedly heard during a conversation between senior members of the Alameddine organised crime network on June 8, 2021, captured by a covert police recording. Mr Woods said there was no indication his client was involved in this call and it fell outside the timeframe of the conspiracy his client was alleged to be involved in. Prosecutors allege Mr Rokomaqisa was inside a stolen car spotted surveilling Ibrahem's unit a couple of months later on August 14, 2021. They said the car circled the unit before attempting to enter its underground carpark, having 'just missed' Ibrahem, who had left. The stolen car caught the eye of a nearby police officer when it tried to reverse park into a no-stopping zone across the street from Ibrahem's unit, and a police chase ensued when the car ran a red light. It was ultimately called off when it became 'too dangerous', and prosecutors allege Mr Rokomaqisa then used a gun to threaten a man into giving he and another his car after they suffered a flat tyre in the chase. 'That was me': Alleged crim's bragging Mr Rokomaqisa allegedly told a trial witness 'that was me, that is what we do with the cars' while showing them news footage of Bilal's murder. Mr Rokomaqisa was allegedly heard bragging about how well he'd driven the getaway car, that he was 'paid to be the driver of hits', and that he was linked 'to the shooting and s*it'. Mr Rokomaqisa allegedly told another trial witness he was owed some $270,000 for the crimes, with prosecutors arguing 'unexplained wealth' pointed to his alleged involvement in criminal activities on behalf of the Alameddines. Mr Rokomaqisa has entered not guilty pleas to murder, conspiring to murder and aggravated assault. He has denied any involvement in the crimes and to having any links with the Alameddine family.

Noni Hazlehurst's new show The Lark gives life to a complicated person with a powerful backstory
Noni Hazlehurst's new show The Lark gives life to a complicated person with a powerful backstory

ABC News

timean hour ago

  • ABC News

Noni Hazlehurst's new show The Lark gives life to a complicated person with a powerful backstory

Noni Hazlehurst instantly conveys two striking qualities: a warmth sufficient to put a fangirling reporter immediately at ease; and a sense of strength — fierceness, perhaps. As we chat in a rehearsal space in Melbourne's inner north, the Logie and ACCTA award-winner, former Play School and Better Homes and Gardens presenter, and star of A Place to Call Home, refers to herself several times as an "old woman". But she is toying with a stereotype; Hazlehurst, 71, surely knows the power she wields. In a recent performance of Mother, the one-woman play she has toured for over a decade, Hazlehurst's audience entered the theatre giggling and chatting, only to quickly become one of the quietest crowds I have ever sat among. "Noni can be very tough and she can have great depth of feeling, but she's a very empathetic person and she brings that to her roles," says Daniel Keene, the playwright behind Mother and Hazlehurst's latest show, The Lark, which opens in Melbourne next month. In both, Hazlehurst plays an older woman grappling with a rich, complicated backstory. In Mother, the woman is Christie, and she tells the story of how she came to be living with alcohol addiction and sleeping rough. Hazlehurst's performance leaves no space for lazy judgements. "It would have been easy to characterise [her] as someone entirely different who was just a raving lunatic," she says. Instead, Keene's writing "sheds light on a life that you might not give consideration to … [on] people who, for all intents and purposes, fall through the cracks of our perception". In Hazlehurst's hands, that life is impossible to dismiss. After seeing Mother, and Christie, come to life, Keene was inspired to write another play for the same crew, which includes director Matt Scholten. But a second play written for Hazlehurst carried a challenge. "It became terrifying: If I'm going to write something else, it can't be the same because that would be ridiculous," Keene says. "So I [had] to find another person, another character." The Lark is the story of working-class publican Rose, who has lived all her life in the inner-city pub her father once ran. Despite patrons coming and going, Rose is, and always has been, a loner, Hazlehurst explains. "She's an observer … She's had all the time in the world to watch these people and to get closer to some of the characters, but she hasn't." Just as Christie was let down by people who actively harmed or chose not to support her — "This poor woman, she just had no help", Hazlehurst says — Rose, too, lives in the gravitational pull of a negative force. "[Rose's] job is to serve; her life is to serve, whether it's her father or the pub or the customers — but not herself." As such, she represents the many — perhaps older women in particular — whose potential power is diminished by those around them. "We are reduced by society's expectations to play certain roles in life," Hazlehurst says. But Keene's writing and Scholten's direction "help you to see under the covers of those masks, and see what's underneath". Hazlehurst considers it a privilege to have had two plays written specifically for her to perform, and she feels a responsibility to "do justice" to them. "I don't want to get a word wrong," she says. In over 10 years of performing Mother, she believes she never has. That is extra impressive when you see Keene's script. Both The Lark and Mother look, on the page, like one long poem. "There's no punctuation. There's no stage direction … and so you have to find the rhythm. You have to find the music," Hazlehurst says. In a monologue, Keene says, "all you've got is the language". "So that language has to be compelling, it has to move, it has to have rhythm, scansion, pace; it has to have energy." If Keene's job is to keep the language energised, Hazlehurst's is to make her audience find something in the performance of that language that resonates. "[Keene] leaves it to me to find my discovery of how to do it … It suggests a great deal of trust that he's not more prescriptive." But there's another job for Hazlehurst: preventing her audience from imagining her on a colourful TV set with a rocket clock and an arched window. "What's essential to me is that people don't see Noni," she says. "All I've got is me and my experience and my feelings — I am my only tool. So there's always going to be me in [a character] because I haven't got anything else to filter it through. "But I have to create a person as believable and as multi-layered as I can, because everyone is." Stage Noise reviewer Dianna Simmonds described Hazlehurst in Mother as "grubby as a newly dug potato", which pleased the actor immensely. Hazlehurst isn't self-conscious in front of her audiences — though she once was. "It's not about me. As acting guru Larry Moss said, 'The audience doesn't come to see you. They come to see themselves' — which changed my life. And at a time when so many of us are alienated from one another, she believes the power of stories to help us relate is more important than ever. "To me, that's the power of the arts — to unite us." Hazlehurst wraps up our interview by saying she's excited to see exactly how The Lark will look and feel at the end of a month of rehearsals, explaining that Rose will evolve continuously before the show opens in September. "And I'm a very old woman," she says with a sly grin. "So get in quick, is all I can say." The Lark runs from September 3–20 at The Arts Centre, Melbourne.

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