
Love Island's Meg reignites biggest ever villa feud with sly comments after bullying row
The most recent series of Love Island saw the villa play host the worst ever divide among Islanders, with the girls split into two camps.
3
3
Meg 's team included Helena Ford and Megan Forte Clarke, while finalists Shakira Khan, Yasmin Pettet and Toni Laites kept their distance from the girls.
But Meg, 25, also faced fierce competition from the revolving door of latecomers, as boyfriend Dejon Noel-Williams went on a number of dates.
Speaking in a new interview with Dejon, 26, Meg was asked about Movie Night and the moment his connection with bombshell Andrada Pop was revealed.
She said: ' Movie Night was the worst night in the villa for me. I had a few of the girls on me, and obviously the Andrada situation.
'At the end of the day, we're in Love Island for the experience. People are tested. The past is the past.'
And Meg couldn't resist a dig at the ex-Islanders who returned to dump her and Dejon from the villa.
She said: 'The girls that had been flirting and been on dates with D, we always knew they were sending us home - and there were quite a few of them up there!'
But fans were quick to respond when a clip of the chat was shared on social media.
One wrote: "The girls didn't just flirt with Dejon, he flirted back."
And another said: "Always blaming then girls and never her man. This is why I don't like Mug."
Love Island fans spot Shakira's 'smug' reaction as Meg and Dejon come under fire - did you?
The show was previously hit by more than 9,000 Ofcom complaints after furious viewers hit out over the treatment of Shakira Khan in the villa.
Meg and Shakira, 22, clashed several times, but it was during a challenge which saw the Islanders share brutal opinions about each other when things came to a head between the girls.
After Meg accused Shakira of talking about her and Dejon behind their backs, she fired back: 'I don't know why you keep acting like we're the best of mates in here.
"From day one, you were very standoffish with any girl that was posed as a threat.'
Meg responded: 'You won't be my friend on the outside.'
But Shakira fired back: 'I will never speak to you on the outside. I honestly can't stand you sometimes.'
LOVE ISLAND VOTING PERCENTAGES
TONI and Cach won the Love Island 2025 final - yet what were the exact voting percentages?
Las Vegas waitress Toni Laites and professional dancer Cach Mercer went head-to-head with OG islanders Shakira Khan and Harry Cooksley in a nail-biting finale.
However, Toni and Cach were triumphant and won the summer series after surviving a love triangle just two weeks before the final.
A results table shared on Love Island's Instagram account this afternoon showed Toni and Cach were the runaway winners on the night, taking over a third of the votes, with 33.5% of viewers backing them for the crown.
However, Shakira and Harry drew a sizeable 26.2% of the votes, and Yas and Jamie were not far behind taking 22% on the nose.
Aesthetics practitioner Angel, 26, only made her debut on July 17, but managed to secure an impressive 18.3% of the overall voting audience with Casa Amor boy Ty.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


The Guardian
8 minutes ago
- The Guardian
Prince Charles cinema looks to expand to second venue in east London
The Prince Charles cinema is planning to expand to a second site in the capital despite being locked in a battle over the future of its original location in central London. The independent cinema, which is known for showing a wide-ranging selection of cult films from across the history of cinema, has put in a bid to take over and reopen what was the Stratford Picturehouse in east London. The Prince Charles is in negotiations with Zedwell LSQ Ltd (which is owned by the developers Criterion Capital) over the future of the Leicester Square site, but wants to expand in what could be the first of several new outposts. 'Given what's happened this year, I understand how it could look like we're trying to shift operations but that's not what's happening,' said Paul Vickery, the cinema's head of programming. 'We were looking for a pre-existing venue that needed a bit of love which we could turn into a new site. Ideally, we'd want to go on to add a third or fourth space.' The Prince Charles had looked previously into taking over the Filmhouse in Edinburgh, which was forced to close in 2022 before it reopened in June this year after a refurbishment. Vickery thinks Stratford – an area that has undergone huge regeneration over the past decade, boosted by the Olympic legacy of London 2012 – could be an ideal place to open a new outpost. 'Stratford has always been a hub,' he said. 'There are plenty of students and loads of new-build properties that have sprung up recently. But it also feels like it's still trying to find its feet and figure out what it is.' The Prince Charles Cinema East would join other cultural institutions such as Soho Theatre Walthamstow, Sadler's Wells East and the V&A East Storehouse in that part of London, while the Theatre Royal Stratford East would be a nearby neighbour. The cinema has high-profile international fans, including the directors Paul Thomas Anderson, Quentin Tarantino and John Waters. It was opened as a live theatre in 1962 and taken over as a repertory cinema in 1991 with cut-price seats. When news broke that the cinema could be forced out of its original location in Leicester Square, a petition against the move generated 100,000 signatures in a single day. Vickery said: 'The response was so humbling, I knew we'd have a load of interest in helping us out but the volume of support and speed with which it spread was a surprise. 'You feel the responsibility but in the best possible way. You're not just some pokey cinema in central London, what we do means something to people.'


Times
34 minutes ago
- Times
Pendulum review — blasting their music into outer space
There were moments during Pendulum's biggest show, headlining the 65,000-capacity Tribes Unite festival, when — with sonorous whomp and sine-wave lasers — they seemed intent on turning the Milton Keynes Bowl into a giant satellite dish to beam their new music to distant stars. Because these Australian rave-metallers are about to release Inertia, their first album in 15 years. And one thing they're clearly not going to do is keep it quiet. In a blitz of flames, lights and ear-bursting beats, they arrived with the appropriately titled Napalm, the sound of the Prodigy backing Rage Against the Machine and a fine summation of their wider impact so far. In the wake of the electronic and industrial metal innovations of Nine Inch Nails, Ministry, Enter Shikari and others, in the mid-Noughties Pendulum brought an authentic clubland sensibility to the party: electro-rock gigs that blended and flowed like DJ sets, monster riffs played on squelchy synths, soulful and melodic pop hooks lodged between pounding drum'n'bass onslaughts that felt like going ten rounds with Robocop. • Read more music reviews, interviews and guides on what to listen to next Even after a five-year hiatus after the 2010 album Immersion and a further decade making Inertia, it's a method they still revel in. Witness the frontman Rob Swire mashing the 2007 single Blood Sugar into their remix of the Prodigy's Voodoo People, or crooning and screaming through Save the Cat like a boy band singer with a succubus trying to climb out through his gullet. Weighting their 90 minutes towards the new material, Pendulum swung through the gabba metal gamut, from the hellfire mayhem of Halo to the slick superclub techno of The Island. Even cinematic soul-barers such as Encoder were eventually hit by a truck full of filthy synths, but plenty of variety poked through: Morricone brass on Propane Nightmares, dream pop textures on Colourfast, 8-bit bleeps and Tetris visuals introducing Self vs Self. Watercolour came with a kisscam worthy sway-along section which Swire called 'the closest we come to Coldplay' while, at the far end of the wholesome scale, Silent Spinner was accompanied by grainy antique film of demonic baptisms, torture implements and witches wielding pickled hands, and sounded like Depeche Mode descending a circle or two deeper. They closed with the reggae rave Tarantula, career inertia conquered. The Andromedans won't know what hit them.★★★★☆Pendulum play HERE at the Outernet, London, on Sep 5


BBC News
41 minutes ago
- BBC News
Hamilton set to bring 'rich reward' to Plymouth
The hit musical Hamilton is set to inject about £8m to a city's economy during its five-week multi award-winning show has arrived at Theatre Royal Plymouth and boasts a 120-strong staff will be staying locally, contributing around 4,200 bed nights in nearby accommodation. One hotelier reported a rise in booking by guests travelling from further afield to stay at his B&B while attending the Jones, chair of the South West Observatory, said the show was a "rich reward" for the city, pulling in about £8m to the area. He said: "It is a huge opportunity for the South West and Plymouth, and congratulations to Theatre Royal for grabbing one of the biggest universal shows around."Hamilton has already down around $1bn (£745,575,000) turnover on its tour so far, so what it is going to bring to Plymouth is a rich reward."Mr Jones added: "Theatre Royal already does a phenomenal amount to support Plymouth's economy - roughly £40m every year." Speaking about the show, actor Billy Nevers said: "It has everything that you would expect from a musical, just with additional elements you wouldn't have seen before."We tell the story through rap, hip-hop and R&B music which is something that isn't really within the realm of musical theatre."He added: "However, we still use all the fundamental things that people recognise in a musical that makes it so incredible to watch." Ben Shearn, the owner of local cafe bar and restaurant, The Treasuary, said: "For the first few days I think we get the very keen theatre goers that are in and out of the theatre - who are here to see the show."The longer runs you then get the acts, musicians and performers who then start to explore the community by coming out to the bars or restaurants."That's why the longer runs are actually really healthy for the economy." Olive Acaster runs the Mariners guest house, a local bed and breakfast close to the city said: "I'm seeing a change in bookings - people are coming from further afield to watch."The longer that the show is running, the more opportunity they have to make time and come out to see the show."Theatre Royal Plymouth confirmed that audience members are already booked from as far as Australia, USA, Malaysia, China and Singapore to see the show.