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Who is Bodhana Sivanandan? All you need to know about youngest female player to defeat a Grandmaster

Who is Bodhana Sivanandan? All you need to know about youngest female player to defeat a Grandmaster

First Post4 days ago
British chess player Bodhana Sivanandan became the youngest female player to defeat a Grandmaster when he beat Peter Wells in the final round of the British Chess Championship in Liverpool on Sunday. Here's more on the 10-year-old chess prodigy. read more
British Woman FIDE Master Bodhana Sivanandan became the youngest female player to defeat at Grandmaster at the age of 10 years, 5 months and 1 day, breaking the record previously held by USA's Carissa Yip. Image credit: FIDE
Indians sure are making headlines when it comes to chess whichever part of the world they live in, whether they're representing India or not. The young trio of D Gukesh, R Praggnanandhaa and Arjun Erigaisi have been hogging the limelight for the better part of the last couple of years, while Koneru Humpy and Divya Deshmukh have been keeping the Indian flag flying high in the women's game.
Bodhana Sivanandan, a Briton of Indian origin, forced the chess player to sit up and take notice of her after becoming the youngest female player ever to defeat a Grandmaster on Sunday. Bodhana achieved the feat at the tender age of 10 years, five months and one day when she defeated 60-year-old Grandmaster Peter Wells in the final round of the British Chess Championship in Liverpool.
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Bodhana Sivanandan became the youngest girl to defeat a GM at just 10 years old (5 months and 3 days) in the final round of the 2025 British Chess Championships! 👏 The previous record was held by IM Carissa Yip. pic.twitter.com/xB2w2KtX2x — Susan Polgar (@SusanPolgar) August 10, 2025
USA's Carissa Yip was the previous holder of the record, having achieved the feat at the age of 10 years, 11 months and 20 days in 2019.
That wasn't the only record that Bodhana broke as she also became the youngest Woman International Master with her victory over Wells while also securing her first Woman Grand Master norm during the course of the event.
Who is Bodhana Sivanandan?
Woman FIDE Master Bodhana's family hails from Tiruchirappalli in the southern Indian state of Tamil Nadu. Her father, Sivanandan Velayutham, had moved to London along with his family in 2007, eight years before Bodhana was born.
Bodhana, who began to play chess at the age of five, had discovered her love for the game by accident, having stumbled across a board at home.
'Bodhana started playing chess when she was just five years old. We had no plans to make her play chess. She just stumbled across a chess board at home, and started to play,' Bodhana's father Sivanandan told The Indian Express.
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'I knew just basic chess, so I downloaded Chess.com to help her learn by watching the videos there. Back then, I just got her a free version, thinking she might not continue the sport,' he added.
Little did young Bodhana, or her family members, know that she would become the face of British chess not long after her first introduction to the game. She had, after all, met then-British Prime Minister Rishi Sunak at 10 Downing Street at the tender age of 8.
And after her victory over Wells, Bodhana has the entire chess world buzzing at the discovery of another young prodigy who has the makings of a star.
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ITC & ITCSRA Pays a Musical Tribute to the Spirit of ‘Bharat' through ‘Desh Ek Raag 2'
ITC & ITCSRA Pays a Musical Tribute to the Spirit of ‘Bharat' through ‘Desh Ek Raag 2'

Hans India

time30 minutes ago

  • Hans India

ITC & ITCSRA Pays a Musical Tribute to the Spirit of ‘Bharat' through ‘Desh Ek Raag 2'

Sanjiv Puri, Chairman, ITC Ltd. presented the unique initiative in a LinkedIn post. He said: 'On the occasion of India's 79th Independence Day, it gives me immense pleasure to present Desh Ek Raag 2, a tribute to our beloved Nation. Anchored on the Desh Raag, this musical video captures the timeless grace, the unwavering spirit and the unity that binds all of us together as one Nation. Beautifully crafted by the Gurus and scholars of the ITC Sangeet Research Academy, this musical rendition celebrates the tradition of Guru Shishya parampara, where Gurus and scholars live, learn and nurture Hindustani classical music. Desh Ek Raag 2 has expanded the creative expression through collaborations with other art forms like classical dance and has seamlessly blended western instruments with Indian melodies. I hope all of you will watch, enjoy and share this video as we dedicate ourselves with pride to preserving the rich cultural heritage of our country. Wishing all of you a very Happy Independence Day!' ITCSRA Guru, Pandit Ajoy Chakrabarty said: 'Desh Raag is that unifying thread that weaves our beloved country's enormous beauty, unmatched diversity and timeless traditions. Music truly embodies the confluence of transcendental art forms - songs, music and dance. Over the decades, ITCSRA, with the patronage of ITC, has been a pioneer in training disciples in different Hindustani classical musical forms including instrumentals and vocal. For Desh Ek Raag 2, ITCSRA collaborated with revered dance gurus and their shishyas representing some of the most famous Indian dance forms from across the country. This year's initiative truly brings together all the key elements of musical art to pay a tribute to the Nation through the age-old Guru-Shishya Parampara. ' ITCSRA guru and the music director of Desh Ek Raag 2, Shri Abir Hossain said: "It has been a true honour to work once again on this very special project "Desh Ek Raag 2" for Independence Day. This is my second time creating music for such a meaningful occasion for ITC Sangeet Research Academy and I am deeply grateful to both ITC Ltd & ITCSRA for entrusting me with this enormous responsibility once more. This year, I chose to bring together a completely new team of fresh faces, talented young Scholars, faculty members and other musicians alongside Gurus, veteran artistes and tutors, each contributing their unique artistry and passion to the project. Their energy and commitment have made the experience of creating it even more inspiring. I would also like to express my heartfelt gratitude to ITC Ltd and ITC SRA for their unwavering support and encouragement. Projects like these remind me how powerful music can be in uniting people and expressing the spirit of our nation in the most time-tested as well as contemporary terms at once." Desh Ek Raag 2 – An Ode to The Spirit of the Nation Through Guru-Shishya Parampara Building on the success and acclaim of the first Desh Ek Raag initiative 2024, Desh Ek Raag 2 seeks to pay its tribute to the nation through the revered Guru-Shishya Parampara of not only ITCSRA but also other classical art forms. This year's initiative marks ITCSRA's collaboration with several Indian classical dance traditions from across the country, underscoring the essence of diversity, collaboration, and the true spirit of 'Bharat'. The intention is to reinforce the association of 'Desh' and 'Raag' with ITC and ITCSRA in connection with India's day of national reverence and celebration. Rooted in the Vedic period, the Guru-Shishya Parampara is a foundational Indian tradition, pivotal across classical art forms, which continues to thrive today. The 2025 initiative aims to celebrate and communicate the values and significance of this tradition to a wider digital audience, emphasizing its enduring relevance. To do so, the presentation will creatively incorporate collaborative expressions with other Indian classical art forms, recognizing that many classical dance forms share the same dedication to lifelong learning, devotion, and the sacred transmission of knowledge from teacher to disciple, much like Indian classical music. Accordingly, Desh Ek Raag 2 broadens the creative scope by including classical dance forms and Western musical instruments, while keeping ITC SRA and Hindustani classical music at the heart of the project. This year's composition embraces diversity in both music and performance, weaving western tonalities into the textures of traditional Indian instruments — a creative interpretation of ITC's vision for cross-cultural collaboration. Under the music direction of Shri Abir Hossain, the performance brings to life a Tarana composed by Vidushi Ashwini Bhide Deshpande. Desh Ek Raag 2 features a distinguished line-up of artistes, including Pandit Ajoy Chakrabarty, Pandit Ulhas Kashalkar, Pandit Partha Chatterjee, Vidushi Subhra Guha, Pandit Uday Bhawalkar, Shri Omkar Dadarkar, Shri Brajeswar Mukherjee, tabla legend Pandit Suresh Talwalkar. The rendition was accompanied with Sarangi by Sarwar Hussain and modernised with the contemporary flair of western instrumentation by band Prithibi. Desh Ek Raag 2 has been recorded at ITCSRA's state-of-the-art studio by Avee Bhattacharya. 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This performance brought together ITCSRA Gurus, Scholars, Students, and external artists, celebrating the harmonious blend of India's traditions and its spirit of progress. The ensemble featured renowned musicians, including Pandit Ajoy Chakraborty and Vidushi Shubhra Guha, along with other eminent scholars. Centred around Raag Desh and incorporating 'Vande Mataram', the musical piece was a rich confluence of Indian heritage and modernity, blending Indian and Western instruments to reach a broader digital audience and showcase young talent. The resulting musical video received over a million organic views and was lauded widely by both the target audience and key stakeholders. ITCSRA: Nurturing the Nation's Guru-Shishya Parampara Creation of the next generation of masters of classical music for the propagation of a precious legacy continues to be ITCSRA's primary objective. At the core of ITCSRA's existence lies the age-old practice of Guru-Shishya Parampara where eminent Gurus of the Academy impart intensive training and quality education in Hindustani classical music to the scholars. The very idea of scholars residing in the campus with the Gurus to follow and learn is something unique that underscores the impeccable quality of education and that is what enables the passing on of the rich culture of Hindustani Classical Music over generations. At the academy, the Shishya learns the art from the Guru with reverence and trust. To the Shishya, the Guru is an epitome of the art itself. For the Guru, the Shishya signifies the continuity of the art. Established in 1977, some of the illustrious Gurus of ITCSRA over the decades include Nissar Hussain Khan (Sahaswan Gharana), Hirabai Barodekar (Kirana Gharana), Ishtiaq Hussain Khan (Rampur Gharana), Nivrittibua Sarnaik (Atrauli-Jaipur Gharana), Girija Devi (Benaras Gharana), Latafat Hussain Khan (Agra Gharana). 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How Priyanka Shah's furniture is getting noticed at India's restaurants
How Priyanka Shah's furniture is getting noticed at India's restaurants

The Hindu

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How Priyanka Shah's furniture is getting noticed at India's restaurants

Just like the kind of magic that brought Geppetto's fairytale puppet Pinocchio to life, Priyanka Shah, 33, founder of the Surat-based multi-disciplinary studio Shed, has been blessed with a vision that animates even the most evocative fever dream. Magical carousels that spin to reveal a minuscule Arthur Hailey book next to a tiny bathtub, circular winding staircases that wrap around floor-to-ceiling bookcases, leaping tigers, hawks soaring over tall glass trees or tiny chocolate chip cookies on a giant cupcake, it all comes alive at the touch of a gear. Shah did not start off designing furniture and products. 'I have always been that kid who drew well and made things well. I think I knew early on that I wanted to study architecture. A couple of really cool homes got built in my family, and that piqued my interest.' Exposure to the arts, whether in the form of good design or training to play the sitar, was a given in Shah's household. That is what sent her to Parsons School of Design in New York. But in college, architecture felt too long drawn out, and she ended up 'switching gears in college and got more into furniture'. Shah leads a team of 45 members, including carpenters and masons. London Design Fair Being from a business family, she knew to make 'practical choices'. This led her to choose a 'professional practice that would not stop' when she stopped. So, soon after college and some travel, she moved into the basement of the family's factory in 2015, with a motley crew of carpenters, masons, designers and craftsmen. 'We just started inhabiting that space, got some machines, and just went with the flow.' Shah's debut product line drew inspiration from an unbuilt school playground project, resulting in a series of wooden tables modelled on traditional Indian board games such as Navkankari (Nine Men's Morris), Hasu Chirate Aata (Cows & Leopards), and Chaupar (a Ludo variant). One of the first products they designed was 'a series of game tables. These were tables, coffee tables of different sizes that had these patterns of Indian board games, which I had researched for a while at that point'. But what got Shed, her venture, a lot of eyeballs was 'The Bead', or spheres of wood, 'which had a concealed screw, and each could attach to another sphere endlessly in one direction'. She created all of these pieces on 'a whim and it became table legs or candle stands and so on. We always think it is important to photograph and document every process of the work. Friends of mine from Mumbai came and shot this, and we put it on social media. And that's when we got noticed by this curator for the London Design Fair'. Although it was more of a trade show, being chosen as one of the 12 new and well-known designers to be showcased in the India Pavilion in 2016 garnered her a lot of notice back home. Growth after that was fairly organic. 'We exhibited and sold some things and did collection after collection of plateware, serveware, toys and games,' she says. There is not even a trace of self-consciousness when Shah says 'toys and games' because playfulness is part of the design DNA here. Be it the spinning coaster in the bar counter at Papa's, the hip restaurant in Mumbai, or a kaleidoscope concealed in a home bar, 'as long as play is part of it', it appeals to Shah. Papa's is an intimate yet loud 12-seater chefs' counter restaurant where Chef Hussain Shahzad provides a dining experience that is playfully Indian. Play store 'I think all our products tend to have that playful element. As an idea, it is extremely important to me. Be it board games like Monopoly, Scrabble, Snakes and Ladders or foosball, that we have done, or the spinning tops and the carrom boards,' she says. The carrom boards, especially, have become quite the calling card for Shah. 'Everybody's reaction to the carrom is a sense of disbelief. Like they just cannot believe that there is a carrom board like this,' she laughs. But it is not every day that one comes across marble carrom boards, featuring otherworldly mythical creatures — vermillion dragons, lapis birds, leaping sandstone tigers and tortoises whose shells form the pockets for the carrom board. First commissioned as a relatively simple carrom board for Subko Coffee Roasters — a specialty bakehouse and cacao brand in Mumbai and Bengaluru — the studio has now gone on to design more ambitious sets. While one is an ode to the pixelated double ikat pattern of Patola weave, another depicts the kaleidoscopic whorl of the city of Mumbai or the geometric beauty of a South Indian courtyard depicting Athangudi tiles, wooden doors and a central urli brimming with lotuses. It is easy to get lost in the details of Shed's creations. So much so that you forget to ask what it is for. Take the carousels, for example. Spinning tiered carousels 'that are toys in their own right' are often replete with tiny whimsical details — a cupcake carousel with teeny tiny pastries that is 'part dessert, part daydream, made from wood, clay, brass and mischief'; a library carousel featuring a 40-year-old aesthete's passions, 'books, libraries, vintage cars, fine wine'; or the massive Fantasy Forestland carousel that features marble hares on ground, eagles mid-flight high above and jungle cats pacing in their stony lairs. But do they serve any function other than just giving joy? 'No, it is absolutely an object of joy and play only; there is no other function to it. But now I think people have really started to embrace the idea of a carousel encompassing the autobiographical idea of people's lives,' she says. 'It's a souvenir of someone's life,' she explains simply. As if recreating life and yet capturing it in its stillness do not necessarily have to be in opposition. The writer is an independent journalist and consultant.

Aaditya Thackeray lashes out at BCCI over India vs Pakistan matches: ‘It's a joke to say we are bound by the Asia Cup Rules'
Aaditya Thackeray lashes out at BCCI over India vs Pakistan matches: ‘It's a joke to say we are bound by the Asia Cup Rules'

Indian Express

time30 minutes ago

  • Indian Express

Aaditya Thackeray lashes out at BCCI over India vs Pakistan matches: ‘It's a joke to say we are bound by the Asia Cup Rules'

Shiv Sena (UBT) leader Aaditya Thackeray on Friday lashed out at the BCCI over India Pakistan cricket matches in the Asia Cup, saying that after so many efforts of the Union government to tell the world that Islamabad is behind the Pahalgham attack, the 'greed for money of the cricketing body stands above the sacrifice of the armed forces'. 'After so many efforts of the Union Government and our country to tell the world that Pakistan is behind the Pahalgham attack, the greed for money of the BCCI stands above the sacrifice of the Armed Forces, the Nation and even the PM saying blood and water cannot flow together. With all the might that BCCI has in the ICC (International Cricket Council), it's a joke to say we are bound by the Asia Cup Rules,' Thackeray posted on X. The Indian cricket team is scheduled to play a game against Pakistan in the upcoming Asia Cup 2025 in September. The tournament is set to be hosted in the UAE, and The Men in Blue will clash against The Men in Green on 14th September. लाल किल्ल्यावरून आज पंतप्रधानांनी जे सांगितलं, त्यापेक्षाही आपण वरचढ आहोत असं जर @BCCI ला वाटत असेल तर खरच ही एक लाजिरवाणी गोष्ट आहे. पहलगाम हल्ल्यामागे पाकिस्तानचा हात असल्याचं जगाला पटवून देण्यासाठी केंद्र सरकारने आणि आपल्या देशाने इतके प्रयत्न केले, तरीही सशस्त्र दलांचं… — Aaditya Thackeray (@AUThackeray) August 15, 2025 The possibility of at least one match up between India and Pakistan at the tournament has been a matter of some controversy. The ACC has stated in its statement that there is potential for more games between the two teams after the group stage with their set to be a Super Four stage and then a final. Even former cricketers Harbhajan Singh and Manoj Tiwary had questioned the decision off the two countries playing with each other after the Pahalgam attack. 'The situation was so bad, how can we think of an India-Pakistan match? I feel that it should be considered again and the India-Pakistan match should not happen in such an environment,' Tiwary had said, speaking on ANI. 'They (the Indian team) need to understand what is important and what is not. This is as simple as that. For me, the soldier who stands on the border, whose family often doesn't get to see him, who sometimes sacrifices his life and never returns home – their sacrifice is so immense for all of us. Compared to that, this is a very small thing, that we can't skip playing one cricket match. It's a very small matter,' Harbhajan was quoted as saying by The Times of India. 'Our government has the same stance, 'Khoon aur paani ek saath nahi beh sakte.' (blood and sweat cannot co-exist). It cannot be the case that there's fighting on the border, tensions between the two nations, and we go to play cricket. Until these big issues are resolved, cricket is a very small matter. The nation always comes first,' he had added. (With agency inputs)

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