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Wednesday Announce New Album 'Bleeds'

Wednesday Announce New Album 'Bleeds'

Scoop18-06-2025
Wednesday announce their anticipated new album, Bleeds, due 19th September via Dead Oceans. With Bleeds Wednesday present an intoxicating collection of narrative-heavy Southern rock that—like many of the most arresting passages from the North Carolina band's discography—thoughtfully explores the vivid link between curiosity and confession.
Bleeds i s a patchwork-style triumph of literary allusions and outlaw grit, of place-based poetry and hair-raising noise. Karly Hartzman —founder, frontwoman, and primary lyricist—credits Wednesday's tightened grasp on their own identity to time spent collaborating on previous albums, plus a tour schedule that's been both rewarding and relentless. 'Bleeds is the spiritual successor to Rat Saw God, and I think the quintessential 'Wednesday Creek Rock' album,' Hartzman said, articulating satisfaction with the ways her band has sharpened its trademark sound, how they've refined the formula that makes them one of the most interesting rock bands of their generation. 'This is what Wednesday songs are supposed to sound like,' she said. 'We've devoted a lot of our lives to figuring this out—and I feel like we did.' 'Wound Up Here (By Holdin On),' released today alongside a video by Joriel Cura, is a perfect example of this alchemy.
"This song is inspired by a story my friend told me, from when he had to pull a body out of a creek in West Virginia. Someone had drowned but they took a few days to resurface because of the current,' Hartzman explains. ''I wound up here by holdin on' is a line from my friend Evan Gray's poetry book: Thickets Swamped in a Fence-Coated Briars. He gave me and Jake a copy of it to read on tour once and that line stuck out to me as pure genius so I stole it and wrote the rest of the song in my own words around it."
Last month the band shared 'Elderberry Wine,' a twangy and timeless new single, to wide critical praise that included being named 'Best New Track' by Pitchfork, one of 'The Best Songs of 2025 So Far' by TIME Magazine and praised by The Guardian in their playlist as a 'pedal-steel-sweetened heartwarmer'. The band performed the track and made their television debut on The Late Show with Stephen Colbert upon its release.
Just like Rat Saw God, one of the defining rock & roll records of the 2020s so far, Bleeds came together at Drop of Sun in Asheville and was produced by Alex Farrar, who's been recording the band since Twin Plagues. Hartzman again brought demos to the studio, where she and her bandmates— Xandy Chelmis (lap steel, pedal steel), Alan Miller (drums), Ethan Baechtold (bass, piano), and Jake 'MJ' Lenderman (guitar)—worked as a team to bulk-up the compositions with the exact right amounts of country truth-telling, indie-pop hooks, and noisy sludge. More than ever, the precise proportions were steered by the lyricism—not only its tone or subject matter, but also the actual sound of the words, as well as Hartzman's masterfully subjective approach to detail selection.
BLEEDS TRACKLISTING:
1. Reality TV Argument Bleeds
2. Townies
3. Wound Up Here (By Holdin On)
4. Elderberry Wine
5. Phish Pepsi
6. Candy Breath
7. The Way Love Goes
8. Pick Up That Knife
9. Wasp
10. Bitter Everyday
11. Carolina Murder Suicide
12. Gary's II
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Wednesday Share New Single + Video 'Pick Up That Knife'
Wednesday Share New Single + Video 'Pick Up That Knife'

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time24-07-2025

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Wednesday Share New Single + Video 'Pick Up That Knife'

Wednesday release 'Pick Up That Knife,' the rattling and grungy new single from the band's recently announced forthcoming album, Bleeds. "'Pick Up That Knife' is a song that revolves around feelings of helplessness, when every minor inconvenience hurts double cause you're close to giving up. It's also about when our pedal steel player Xandy threw up in the moshpit during the Death Grips set at Primavera Sound in 2023," band leader and generational songwriter Karly Hatzman explains. Wednesday's recently released singles 'Elderberry Wine' and 'Wound Up Here (By Holdin On)' have established Bleeds as one of the most anticipated albums of the year. They have garnered wide critical praise, including Best of 2025 mid-year lists, the coveted 'Best New Track' distinction by Pitchfork, adulation from TIME Magazine, GQ, NPR, Rolling Stone and a performance on The Late Show with Stephen Colbert. Bleeds is out September 19th via Dead Oceans. With Bleeds Wednesday present an intoxicating collection of narrative-heavy Southern rock that—like many of the most arresting passages from the North Carolina band's discography—thoughtfully explores the vivid link between curiosity and confession. Bleeds is a patchwork-style triumph of literary allusions and outlaw grit, of place-based poetry and hair-raising noise. Karly Hartzman—founder, frontwoman, and primary lyricist—credits Wednesday's tightened grasp on their own identity to time spent collaborating on previous albums, plus a tour schedule that's been both rewarding and relentless. 'Bleeds is the spiritual successor to Rat Saw God, and I think the quintessential 'Wednesday Creek Rock' album,' Hartzman said, articulating satisfaction with the ways her band has sharpened its trademark sound, how they've refined the formula that makes them one of the most interesting rock bands of their generation. Just like Rat Saw God, one of the defining rock & roll records of the 2020s so far, Bleeds came together at Drop of Sun in Asheville and was produced by Alex Farrar, who's been recording the band since Twin Plagues. Hartzman again brought demos to the studio, where she and her bandmates— Xandy Chelmis (lap steel, pedal steel), Alan Miller (drums), Ethan Baechtold (bass, piano), and Jake 'MJ' Lenderman (guitar)—worked as a team to bulk-up the compositions with the exact right amounts of country truth-telling, indie-pop hooks, and noisy sludge. More than ever, the precise proportions were steered by the lyricism—not only its tone or subject matter, but also the actual sound of the words, as well as Hartzman's masterfully subjective approach to detail selection. BLEEDS TRACKLISTING: 1. Reality TV Argument Bleeds 2. Townies 3. Wound Up Here (By Holdin On) 4. Elderberry Wine 5. Phish Pepsi 6. Candy Breath 7. The Way Love Goes 8. Pick Up That Knife 9. Wasp 10. Bitter Everyday 11. Carolina Murder Suicide 12. Gary's II

Jackson, Mississippi: The pulse of blues, gospel and soul music
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Those walls were baked with stories and wired with sound. There were frames of the artists who had recorded there scattered all over, including Paul Simon, Jean Knight, King Floyd and ZZ Hill. It wasn't until I was inside the recording studio that the realisation landed - gently, but permanently: Donna Moore was in this room. It was silly - and I'm almost embarrassed to admit it - but I was giddy. I was the schoolgirl with a crush, but instead of with a boy, it was with the mic, the drum kit, the fancy digital audio workstation, and the glass that separated the artist from the producer. 'It was pretty much an international record,' Couch said of Misty Blues. "A really big soul ballad." That ballad became Malaco's first major hit after they took a gamble and spent their last bit of cash to sell it under their label. It sold millions of copies, was nominated for a Grammy and reached the top 10 in the charts in Aotearoa, Australia, the United Kingdom and Canada. The company celebrates the 'biggest gospel catalogue in the world'. Couch explained to me that a lot of the music was created, and about 40% of it was acquired through purchasing other companies along the way, then continuing to work with those artists in that catalogue. Like many other industries, Malaco had to change drastically to keep up with digitisation. For them, it paid off. 'It got good,' Couch said. 'It's easy to reach people.' It wasn't as simple as that, of course. They changed their whole operating model. 'We knew what the bottom was ... so we based our business around that,' Couch said. 'We'd say, if we bring Little Milton in and make a record, we're gonna sell 33,000 records. Now, we may be wrong and sell 100,000. But we'd never sell 30 [thousand].' While the scene isn't what it used to be, its influence on contemporary music and the cultural landscape is visceral. In 2017, Google made a commercial using a sample of the 1980 gospel hit Jesus Can Work It Out. 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Acopia Sign To Scenic Route
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time21-07-2025

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