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When is 'The Righteous Gemstones' series finale? See Season 4 schedule

When is 'The Righteous Gemstones' series finale? See Season 4 schedule

USA Today02-05-2025

When is 'The Righteous Gemstones' series finale? See Season 4 schedule
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The most anticipated TV shows of 2025
USA TODAY TV critic Kelly Lawler shares her top 5 TV shows she is most excited for this year
This is the end.
The fourth and final season of HBO's "The Righteous Gemstones" will come to an end on May 4, as the series finale is set to close the Gemstone saga.
The show starring Danny McBride (Jesse Gemstone), Walton Goggins (Baby Billy Freeman) and John Goodman (Eli Gemstone) "tells the story of a world-famous televangelist family with a long tradition of deviance, greed, and charitable work," according to Warner Bros.
Ahead of the final episode, Danny McBride told the Associated Press that he hoped "religious people" would watch the series.
"A lot of people who come up to me, honestly, their first thing will be like, 'I go to church and I think it's funny,'" he told the Associated Press. "My hope honestly, with creating the show was that people who were religious would watch it. That, ultimately, they would understand that this isn't making fun of them, but it's probably making fun of people that they identify and are annoyed by."
Here's what you need to know about Season 4 of "The Righteous Gemstones."
How to watch 'The Righteous Gemstones' Season 4
The last episode of "The Righteous Gemstones" will premiere on HBO at 10 p.m. ET / PT on Sunday, and be available for streaming on Max at the same time they air on HBO.
Season 4 of "The Righteous Gemstones" began airing on March 9.
How can I subscribe to Max?
Max subscription plans begin at $9.99 a month with ads, while ad-free subscriptions cost $16.99 a month.
The highest tier, which is $20.99 a month, includes the ability to stream on four devices and offers 4K Ultra HD video quality and 100 downloads. HBO also offers bundles with Hulu and Disney+.
Watch The Righteous Gemstones Season 4 with Sling + Max
'The Righteous Gemstones' Season 4 episode schedule
Here's the full list of release dates for the Season 4 episodes of "The Righteous Gemstones":
Episode 1, "Prelude": March 9
Episode 2, "You Hurled Me Into the Very Heart of the Seas": March 16
Episode 3, "To Grieve Like the Rest of Men Who Have No Hope": March 23
Episode 4, "He Goeth Before You Into Galilee": March 30
Episode 5, "You Shall Remember": April 6
Episode 6, "Interlude IV": April 13
Episode 7, "For Jealousy Is the Rage of a Man": April 20
Episode 8, "On Your Belly You Shall Go": April 27
Episode 9, "That Man of God May Be Complete": May 4
Watch the 'The Righteous Gemstones' Season 4 trailer
'The Righteous Gemstones' cast
John Goodman as Dr. Eli Gemstone
as Dr. Eli Gemstone Danny McBride as Jesse Gemstone
as Jesse Gemstone Adam Devine as Kelvin Gemstone
as Kelvin Gemstone Edi Patterson as Judy Gemstone
as Judy Gemstone Cassidy Freeman as Amber Gemstone
as Amber Gemstone Tim Baltz as BJ
as BJ Tony Cavalero as Keefe Chambers
as Keefe Chambers Gregory Alan Williams as Martin Imari
as Martin Imari Skyler Gisondo as Gideon Gemstone
as Gideon Gemstone Walton Goggins as Baby Billy Freeman/Baby Billy
as Baby Billy Freeman/Baby Billy Kelton DuMont as Pontius Gemstone
as Pontius Gemstone Gavin Munn as Abraham Gemstone
as Abraham Gemstone Jennifer Nettles as Aimee-Leigh Gemstone
Fernando Cervantes Jr. is a trending news reporter for USA TODAY. Reach him at fernando.cervantes@gannett.com and follow him on X @fern_cerv_.
We occasionally recommend interesting products and services. If you make a purchase by clicking one of the links, we may earn an affiliate fee. USA TODAY Network newsrooms operate independently, and this doesn't influence our coverage.
Our team of savvy editors independently handpicks all recommendations. If you make a purchase through our links, we may earn a commission. Prices were accurate at the time of publication but may change.

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‘The Last of Us' Creator Neil Druckmann on Directing Pedro Pascal's Last Episode, That Pearl Jam Song and Catherine O'Hara's ‘Beautiful' Improvisation
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‘The Last of Us' Creator Neil Druckmann on Directing Pedro Pascal's Last Episode, That Pearl Jam Song and Catherine O'Hara's ‘Beautiful' Improvisation

SPOILER ALERT: This story discusses major plot developments from Season 2, Episode 6 of 'The Last of Us,' airing on HBO and streaming on Max (soon to be HBO Max again), as well as the video game 'The Last of Us Part II,' available on Playstation 4, Playstation 5 and PC. 'The Last of Us' co-creator and executive producer Neil Druckmann wasn't sure which episode of the show's second season that he wanted to direct. For Season 1, he helmed the action-packed Episode 2, which was written by co-creator Craig Mazin, so he at least knew that this time, it should be an episode he had a part in writing. That limited Druckmann either to the season finale or the penultimate episode, both of which he co-wrote with Mazin and Halley Gross, his co-writer on Naughty Dog's 2020 video game 'The Last of Us Part II.' Each episode had strong selling points. The finale is, well, the finale, while Episode 6 is a flashback that covers how Joel (Pedro Pascal) and Ellie (Bella Ramsey) became so estranged from each other between the events of Season 1 and Season 2. More from Variety 'The Last of Us' Guest Star Joe Pantoliano on Filming That Heartbreaking Final Scene and Forgetting Pedro Pascal Pedro Pascal Says 'F-- the People That Try to Make You Scared' When Asked About U.S. Political Chaos: 'Fight Back. Don't Let Them Win' 'Eddington' Review: Joaquin Phoenix and Pedro Pascal Square Off in Ari Aster's Brazenly Provocative Western Thriller, Set During the Pandemic the Film Says Made America Lose Its Mind Ultimately, it was Pascal who kind of made the decision for Druckmann. Since Episode 6 constitutes his final full episode of the series, the actor requested that Druckmann direct it. 'It just made sense,' Druckmann says. 'I'm excited about doing an episode that had no action, which is almost the inverse of what I did last time. So I just felt like, this will be a good challenge.' More crucially for Druckmann, he realized that Episode 6 'is what the story is all about.' Taking place on Ellie's birthday over successive years, the episode depicts how she and Joel, now fully a part of the tight-knit community of Jackson, Wyoming, have fallen into a new, uneasy rhythm as adoptive father and daughter. For her 15th birthday, Joel makes Ellie a cake and builds her a new guitar, only to have his plans turned upside down after Ellie deliberately burns her arm where she'd been bitten by an infected, so she could finally wear short sleeve shirts again. For her 16th birthday, Joel takes her to a long forgotten natural history museum that still has many of its exhibits more-or-less intact, including the space capsule from the Apollo 15 moon landing — almost exactly like the fan-favorite scene from the video game. Things between them begin to sour, however, on Ellie's 17th birthday, when Joel walks in on her smoking weed while getting a tattoo from another girl, Kat (Noah Lamanna), over the burn scarring on her arm. Joel is furious. 'So all the teenage shit all at once,' he says. 'Drugs and tattoos and sex and experimenting — with girls?' 'It wasn't sex,' Ellie retorts, equally incensed. 'And it wasn't a fucking experiment.' Joel is incredulous, which only fuels Ellie's anger further. She demands to move into the garage, and eventually he relents and tries to make amends. Two years later, on her 19th birthday, Ellie tries to psych herself up to confront Joel about what really happened five years earlier at the end of Season 1, when Joel murdered almost all of the Fireflies in a Salt Lake City hospital to keep them from killing Ellie to find the cure for the cordyceps infection — and then lied to Ellie about all of it. Before Ellie can say anything, however, Joel arrives and takes Ellie on her first patrol, where they encounter Eugene (Joe Pantoliano), the weed-growing husband of Jackson's resident therapist, Gail (Catherine O'Hara). Eugene has been bitten by an infected, and the rules dictate that Joel must kill him on the spot, but Eugene pleads that he has enough time to make it back to town so he and Gail can say a proper goodbye to each other. Ellie forces Joel to agree to Eugene's request, and when she leaves to get their horses, he promises her that he won't kill Eugene before they get back. Once again, Joel's lied. He knew there was little chance Eugene was going to make it back in time, so to protect Ellie, Gail, and the rest of Jackson, he leads Eugene to a beautiful lake and kills him. When they bring Eugene's body back to Gail, Joel lies to her as well. 'He wished he could say goodbye to you in person,' he says. 'He wasn't scared — he was brave, and he ended it himself.' Ellie, seething, can't take it anymore. 'That's not what happened,' she announces, and tells the truth to a devastated Gail, who slaps Joel and begs him to leave. Joel looks at Ellie, shocked by what she's done. She stares daggers at him: 'You swore.' Nine months later, the show returns to Joel's porch on the night before he died, after Ellie kisses Dina (Isabela Merced) at Jackson's New Year's Eve party and, to Ellie's dismay, Joel defends them from the town's resident homophobe, as seen in the season premiere. In this episode, after Ellie arrives home from the party, the two finally have it out about what really happened at that hospital in Salt Lake City. 'I'm going to give you once last chance,' Ellie says. 'If you lie to me again, we're done.' Joel can barely speak at first, but he confesses his crimes. 'Making a cure would have killed you,' he says in tears. 'Then I was supposed to die!' Ellie says, crying too. 'That was my purpose! My life would have fucking mattered, but you took that from me!' Joel, sobbing now, is resigned to the consequences of his choices, but he doesn't regret them. 'If somehow I had a second chance at that moment, I would do it all over again,' he says. 'Because I love you. In a way you can't understand.' There's a long silence. 'I don't think I can forgive you for this,' Ellie says. 'But I would like to try.' For anyone who has played 'The Last of Us Part II,' the timing of this breathtaking scene between Joel and Ellie is shocking, since it comes at the very end of the game, after far more has transpired for all of the characters. Druckmann explained to Variety why he, Mazin and Gross chose to move that scene so far up for the show. He also discussed what guided their thinking about the new scenes between Joel and Ellie on her birthdays, his emotional reaction to seeing locations from the game created in real life — and what happened when O'Hara disagreed with his direction for the scene in which Gail slaps Joel. We wanted this episode for Ellie to find out definitively that Joel lied. In the game, we did in a very different way, where she traveled all the way back to the hospital and found documentation. It felt like we would be stretching the reality of the world and how dangerous it is on the show compared to the game. But also, looking at documents and exploring that space, I don't know if that makes as compelling of a drama for a TV show. The engine for the show is a little different than the engine for an interactive experience. So that ultimately led to the whole Eugene sequence. Because we were spending more time in Jackson than we were in the game, we came up with way more ideas than what ended up in the show. But each one of those was vetted through this lens of the arc we wanted, where they start out in this much better place. They know there's a lie, but they're trying to move past it, and then this thing just weighs on them and their relationship. Each step you feel like it's pushing them apart. That was the most important thing that we needed out every sequence, to drill that home. It started with conversation in the game, which was, Joel is oblivious, and mistakes Ellie's friendship with Jesse for something more. I believe that's something Halley wrote — it's so long ago now, I forget. We really wanted to keep that here, and then take it a step further. He finds out [Ellie is gay] in the game when she kisses Dina on the dance floor. 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However, it did come out to the public in 2013, and it is anachronistic in that it should not exist in our timeline. Initially, when we were making this episode, there would have been a different song. As we were exploring it, just felt like we were prioritizing the wrong thing, this timeline of events and when things would be available. Clearly, we're not in the same timeline as our universe, so we have some leeway. And that song felt so important. Because it was in the game, because it has so much association, not only for fans, but even for myself, we changed course. The thing that we thought we cared about, we ultimately didn't care about, and the emotional truth of the song was more important than the timeline truth of the world that we live in. No. When we were making the game, I knew that scene should exist. I didn't know where it goes. That was true for all the flashbacks. Even pretty late in production of the game, we were moving those flashbacks around. In talking about it with Craig, it's the first time I really thought about the time between seasons. So much of writing is set ups and payoffs, and we would have set certain things up that get paid off years later. That felt too long, especially because this season focuses so much on Ellie's journey and this emotional truth of what did she know? What didn't she know? To wait additional years until Season 3 will come out — or maybe even Season 4, it depends where all the events land and how many seasons we have — I was easily convinced by Craig that that would be too long. It was a day's worth of conversation of us wrestling with it. The way I work is, when a suggestion like that is made, I say, 'Let's play it through.' I just assume that it's correct, and then we play it through and not only talk about this season, but talk about the future seasons, and then say, does it make sense? If the answer is yes, we go with it. If the answer is no, we either keep wrestling with it until we find another solution, or we just go back to how it was in the game. [Long pause] That's right. We knew we had this Eugene mystery, and we had so many iterations on it of just what that sequence should be about. There were versions that had all this action and fighting and shooting infected, and much smaller versions. It went from me to Hallie to Craig, from me to Hallie to Craig. It just didn't feel right for a long time, until we landed on him lying to her about killing Eugene. and then everything just fell into place, as far as, like, Oh, this is how she'll know. It felt like such a dramatic way for her to figure things out. As far as shooting that scene, if no one knew the lie, what I like about that scene is he's being very considerate. Would you want to tell Gail that he wanted to see her, almost in this pitiful way, and I still had to put him down, because those are the rules, and that's the way to keep you safe? Sometimes you could buy the argument that the lie is better than the truth, right? But for Ellie, it wasn't, because of everything else that has come before, because she saw that he betrayed her trust. That meant more than just this moment, it meant that everything that Ellie was worried about, the survival guilt that she's felt all the way back to Season 1 of needing to justify Riley's death and Tessa's death and Henry and Sam and all these people who died along the way so that something good can come of it at the end. It's almost in that moment she realizes nothing good came out of it. That's not entirely true, but that's how she feels about it. So it was just important that all the actors knew the truth they're going into it, and for it to be genuinely shocking. If I may, I just want to sing Catherine O'Hara's praises. It was one of my favorite directing moments. In the scene, she slaps Joel, and then in his shame, he's supposed to take a few steps back. We were struggling with it. It just felt artificial. It felt rehearsed. Initially, there were no lines of dialogue for that little moment. I went to Catherine, and said, 'I think we need to do something else here. I don't know what. What if, like, his proximity to this body is somehow desecrating it now that you know the truth, and if you want, you could yell at him to get away?' And she's like, 'Oh, I'm not so sure. I like the beauty of there being no dialogue.' And I'm like, 'Please, just try it. If it doesn't work, we'll go back to the other version. But I always like experimenting, just shaking it up in some way.' So I asked her to yell to get away. I thought that would motivate Pedro [to step back]. Instead, she almost did the opposite. It was so beautiful. She goes inside [herself] and starts sobbing, and begs him to please get away in this very soft spoken voice. I'm like, Oh, my God, that's so much better than what I asked for. It's one of those beautiful moments of collaboration, where I asked for something, she internalized it, made it something else, and it's better because of it. That's the take you see in the episode. We didn't. Pretty early on, we talked about the tragedy of that. We had a conversation about Episode 1 where, like, 'Should there be a picture of the two of them in their home?' 'No, just the shoes.' That's the only sense you see, his shoes next to her shoes. Sometimes those are my favorite moments in storytelling, those gaps where we trust you as a viewer to fill in that relationship. You can picture them smoking weed together and doing all this stuff, but we felt like for this story, we didn't need to show. I haven't found the words to describe this feeling. It's so surreal. I can't even tell you why I get so emotional when I'm on these sets. The first time I walked on set, I was in Joel's house with Hallie, my co-writer on the game and was the other co-writer on the show on this episode as well. We're like, look at this dining room! This is where in the game, Maria talks to Ellie and Dina, and it looks exactly the same. Every set felt like that. This [museum] set in particular, the day we're shooting this, I had two visitors from Naughty Dog, Arne Meyer, who is our heads of communication, and Alison Mori, who is my partner in running the studio. They got to see a part that we end up cutting from the episode, more in the dinosaur museum. I'm like, come with me, and we walk through this dark hallway with stars, and we got to the space capsule, and I'm like, 'Look at this.' I'm emotional, but I've been seeing it as it's been built. I look at them, and they both have tears in their eyes. This thing that we worked so hard to perfect in digital forms with pixels on a flat screen, now you could stand in it, you could go into it, you could touch it. All the buttons are working. The seats are real. They creak when you sit in them. It felt like we went into the game. It's this really wonderful feeling to know that this incredible crew that I worked with treated the source material with such reverence. It literally moved us to tears. This interview has been edited and condensed. Best of Variety New Movies Out Now in Theaters: What to See This Week Emmy Predictions: Talk/Scripted Variety Series - The Variety Categories Are Still a Mess; Netflix, Dropout, and 'Hot Ones' Stir Up Buzz Oscars Predictions 2026: 'Sinners' Becomes Early Contender Ahead of Cannes Film Festival

‘The Day of the Jackal' Star Eddie Redmayne on Tackling Iconic Characters, Loving ‘The White Lotus' and the How Acting Is the Perfect Front for a Spy
‘The Day of the Jackal' Star Eddie Redmayne on Tackling Iconic Characters, Loving ‘The White Lotus' and the How Acting Is the Perfect Front for a Spy

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‘The Day of the Jackal' Star Eddie Redmayne on Tackling Iconic Characters, Loving ‘The White Lotus' and the How Acting Is the Perfect Front for a Spy

Though Eddie Redmayne currently stars in 'The Day of the Jackal,' one of the most acclaimed new shows of the year, he still has time to check out other television programs – including the buzzy HBO hit 'The White Lotus.' But the Oscar winner isn't throwing his hat into the casting ring for an upcoming season. 'I'm too paranoid about butchering the things I love,' he tells Variety's Awards Circuit Podcast. 'There are some things you don't want to see yourself in because you don't want to ruin it.' Even the fact that the show shoots in beautiful locations isn't enough to convince the actor. 'You say that, but also you have to be topless for the entire thing. And if you're pasty and moley like me…I just don't think the world needs to see my pallid body.' 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Redmayne had grown up watching the film and, as previously noted, was hesitant to take on something he loved. But when he was sent the first three scripts by showrunner Ronan Bennett, he was quickly actor notes that having come up in the theater, he was somewhat accustomed to taking on roles previously played by others – such as in the film adaptation of 'Les Misérables' or his recent, Olivier Award-winning, Tony-nominated turn as the Emcee in 'Cabaret,' which he cites as the role that 'got me into acting.' In fact, recreating a role is part of a long tradition in the theater. 'But that's the same whenever you play Shakespeare part, you know?' he notes. 'I did 'Richard II' at the Donmar Warehouse and there was literally the Richard II seat where all the other actors who had played Richard – Ian McKellan, Derek Jacobi, Ben Whishaw – would come and sit in the seat. It was always, 'Oh Christ, there's another icon!''Redmayne finds himself in that position now as a producer on 'Cabaret,' which is continuing runs both on Broadway and the West End. He often returns to see the other actors, from Billy Porter to Mason Alexander Park. 'I've taken such joy going back and watching them all,' he said. 'Seeing how every different Emcee and Sally brings their own individuality and own kind of charisma to the part.' Redmayne himself garnered quite the response when he performed the opening number on last year's Tony Awards, as viewers got the see the sinister, marionette-like Emcee in close-up. One comment referred to him as 'my sleep paralysis demon,' which is a testament to how unsettling the character is supposed to be. 'I don't know if that was meant to be taken as a positive, but I took it as a positive,' Redmayne reveals. 'I saw him as a grotesque, and he's meant to make you feel uncanny and uncomfortable. 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'Harry Potter 'series cast: Meet the new faces heading to Hogwarts, from Harry and Hermione to Draco and Dumbledore
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'Harry Potter 'series cast: Meet the new faces heading to Hogwarts, from Harry and Hermione to Draco and Dumbledore

HBO's upcoming series adaptation of J.K. Rowling's beloved book series is currently rounding out its cast of wizards, Muggles, and baddies. Newcomers Dominic McLaughlin, Arabella Stanton, and Alastair Stout will lead the series as Harry Potter, Hermione Granger, and Ron Weasley, respectively. John Lithgow, Janet McTeer, Johnny Flynn, and Nick Frost are just a few of the big names to join the supporting over a year of speculation, HBO has shared multiple casting announcements for the upcoming Harry Potter series, including its new Harry, Hermione, and Ron. Donning the robes made famous by Daniel Radcliffe, Emma Watson, and Rupert Grint are a trio of newcomers that, per a statement from showrunner Francesca Gardiner, were chosen from "tens of thousands of children" who auditioned after HBO issued an open casting call. They include Dominic McLaughlin as Harry Potter, Arabella Stanton as Hermione Granger, and Alastair Stout as Ron Weasley. A press release emphasizes how the new series will serve as a spacious vessel for J.K. Rowling's beloved book series, claiming it will be filled with "fantastic detail" as it "[explores] every corner of the wizarding world." Mark Mylod, a key figure on HBO's Succession, will serve as an executive producer and direct several episodes. The series will be overseen by showrunner, writer, and executive producer Francesca Gardiner, a veteran of programs like Killing Eve and His Dark Materials. Rowling will also step into an executive producer role. Below is our comprehensive guide to HBO's Harry Potter cast. Read on to find out who's been cast, who they're playing, and where you've seen them before. Dominic McLaughlin will play series protagonist (and cultural icon) Harry Potter in the upcoming series. McLaughlin's only other screen credit is the upcoming film Grow, in which he'll appear alongside Nick Frost, the Harry Potter series' new Hagrid. When we first meet Harry, he's an orphan living miserably with his aunt, uncle, and cousin. On his 11th birthday, he's visited by Hagrid, who whisks him away to the Hogwarts School of Witchcraft and Wizardry, where he learns about his family history, gets his first wand, meets his new best friends, and confronts He Who Shall Not Be Named for the first time. Arabella Stanton's role as Hermione, a clever but socially insecure Hogwarts student, marks the young actress' onscreen debut. Hermione is initially written off by Harry as arrogant, but the pair become close pals after they defeat a troll in the girls' bathroom along with Ron. Alastair Stout will make his screen debut as Ron Weasley, Harry's red-haired best friend with a massive family of fellow wizards. When we meet Ron, he's a shy boy with a sweet tooth and a knack for chess. That latter skill is especially useful when he joins Harry and Hermione on a search for the Sorcerer's Stone. John Lithgow elicits respect, fear, and laughter in equal measure, having scored Emmys for three very different roles — as Winston Churchill on The Crown (2016–2019), the Trinity Killer on Dexter (2009), and Dick Solomon on sitcom 3rd Rock From the Sun (1996–2001). He's also a two-time Oscar nominee for turns in The World According to Garp (1982) and Terms of Endearment (1983). Lithgow remains a compelling figure on film and TV, having recently appeared in Oscar-nominated movies like Killers of the Flower Moon (2023) and Conclave (2024), as well as FX's The Old Man (2022–2024). Lithgow plays Albus Dumbledore, the wise Hogwarts headmaster and founder of the Order of the Phoenix. Richard Harris originally portrayed Dumbledore in the first two Harry Potter films. After his death in 2002, Michael Gambon stepped into the role. Jude Law later played a younger version of the character in the Fantastic Beasts franchise. Lithgow opened up about the role on a recent episode of the Smartless podcast. "You know, Dumbledore, he's kind of this nuclear weapon," Lithgow said. "He only goes off very, very occasionally. And I don't think it's gonna be that hard a job." The 79-year-old Lithgow went on to say that playing Dumbledore across seven or eight years is "a wonderful way to grow old as an actor," adding, "I mean, the alternative is to just be hauled out once a year to play an Alzheimer's patient [with] an awful lot of weeping middle-aged children, you know." British actor Paapa Essiedu cut his teeth with the Royal Shakespeare Company and found success on the small screen opposite Michaela Coel on the BBC's I May Destroy You (2020). He received Emmy and British Academy Television Award nominations for his performance, and went on to appear in series like Gangs of London (2020–2022), Black Mirror (2023), and Black Doves (2024) as well as the films Men (2022) and The Outrun (2024). Essiedu will play Severus Snape, the Slytherin anti-hero famously played by the late Alan Rickman. In a note to Rickman, Rowling called Snape "my most complex character." It will be interesting to see how Essiedu's Snape manifests in this telling, as the actor will come into the role knowing his full arc. Rickman, who was given a key piece of information about the character by Rowling before the rest of the cast, often spoke about how that helped shape his performance, telling the Los Angeles Times in 2011, "I was always aware of my place in the story even as others around me were not.' Janet McTeer is the recipient of a Golden Globe, a Tony, and an Olivier Award, as well as two Oscar nominations for her work in Tumbleweeds (1999) and Albert Nobbs (2011). Her other notable credits include the films Velvet Goldmine (1998), Maleficent (2014), and The Menu (2022), as well as series like Jessica Jones (2018) and Ozark (2018–2020). This year, you can see her on the Paramount+ series MobLand and sprinting alongside Tom Cruise in the upcoming Mission: Impossible — The Final Reckoning. McTeer plays Minerva McGonagall, Hogwarts professor and head of Gryffindor House. The character is as loyal as she is strict, serving as a mentor while instilling a healthy fear in her students. Maggie Smith portrayed the character in the film franchise, while Fiona Glascott played a young Minerva in the Fantastic Beasts films. Nick Frost came up alongside his pal Simon Pegg on the comedy series Spaced (1999–2001) before appearing in films like Shaun of the Dead (2004), Hot Fuzz (2007), and The World's End (2013). He recently voiced droid SM-33 on the Star Wars series Skeleton Crew (2024–present), and will next appear in Disney's live-action remake of How to Train Your Dragon. The half-giant Hagrid is among the first characters we meet in the Harry Potter universe. A Hogwarts groundskeeper with a flowing brown beard, Hagrid was previously played by Robbie Coltrane, who died in 2022. Luke Thallon is a relative newcomer to the screen, with only a couple of small credits to his name. That said, he received rave reviews for his turn as Hamlet in the Royal Shakespeare Company's 2025 production. He'll play Defence Against the Dark Arts professor Quirinus Quirrell, a key role in Harry Potter and the Sorcerer's Stone. The role was portrayed by Ian Hart in the film franchise. BAFTA-winning performer Paul Whitehouse was a star and co-creator of the BBC comedy series The Fast Show (1994–1997), as well as a collaborator with popular comedian Harry Enfield. He's also appeared in several popular films, including Corpse Bride (2005), Alice in Wonderland (2010), and The Death of Stalin (2017). Interestingly, Whitehouse previously played a role in the Harry Potter film franchise, having shot material for Harry Potter and the Prisoner of Azkaban that didn't make the final cut. He played Sir Cadogan, a knight who appears in a painting in Hogwarts' Divination corridor. In the Harry Potter TV series, Whitehouse will play Argus Filch, the feline-loving caretaker of Hogwarts. David Bradley played the role originally. Newcomer Lox Pratt is involved in two upcoming adaptations of iconic books. The first, obviously, is HBO's Harry Potter series. The second is a new take on William Golding's Lord of the Flies from Jack Thorne, the in-demand writer behind the buzzy 2025 Netflix series Adolescence. (In a fun coincidence, Thorne also wrote the play Harry Potter and the Cursed Child.) Pratt will play Draco Malfoy, the Slytherin bully who goes on to play a major role in the story. Draco was previously played by Tom Felton, who recently reprised the role for a Broadway run of Harry Potter and the Cursed Child. Johnny Flynn is best known as the star of Netflix's Lovesick (2014–2018) and for his portrayal of David Bowie in 2020's Stardust. His other credits include the films Song One (2014) and Emma (2020), as well as the acclaimed Netflix series Ripley (2024). He'll next appear in Kate Winslet's upcoming directorial debut, Goodbye June. Flynn is also an accomplished musician, with six studio albums, multiple stage musicals, and several soundtracks under his belt. He serves as the lead singer and songwriter of Johnny Flynn & the Sussex Wit, which is among the most British band names we've ever heard. Related: Johnny Flynn on writing an original song for Emma and the Emma in his life The actor will play Draco's father, Lucius Malfoy, one of the series' most malevolent characters. Jason Isaacs (The White Lotus) played Lucius in the original films. Katherine Parkinson is a two-time BAFTA winner for her turn as Jen Barber on The IT Crowd (2006–2013), as well as an Olivier Award nominee for the 2018 play Home, I'm Darling. Over the last decade, Parkinson led AMC's Humans (2015–2018) as Laura Hawkins, and starred on BBC series such as Defending the Guilty (2018–2019) and Here We Go (2022–present). Parkinson takes over the role of Weasley matriarch (and Hogwarts alum) Molly from Julie Walters. Bel Powley's screen career began on the CBBC series M.I. High (2007–2008). Her profile rose considerably when she starred opposite Kristen Wiig and Alexander Skarsgård in Marielle Heller's The Diary of a Teenage Girl (2015). The role earned her an Independent Spirit Award nomination and the Trophée Chopard at the 2016 Cannes Film Festival. Since then, she's appeared in films such as White Boy Rick (2018) and The King of Staten Island (2020), as well as series like The Morning Show (2019–2021) and Masters of the Air (2024). Powley plays Harry's cruel Muggle aunt, Petunia Dursley, a role originally played by Fiona Shaw. BAFTA winner Daniel Rigby broke out as a star of 2011's Eric and Ernie, a BBC TV movie about the early career of English comic duo Morecambe and Wise. He's been a familiar face on U.S. and U.K. television in the years since, appearing on series such as Jericho (2016), Sick Note (2017–2018), and Landscapers (2021). Parents may also recognize Rigby's voice from his gig as a narrator on Teletubbies (2015–2018). Rigby will next appear alongside Michelle Yeoh and Hunter Schafer in Blade Runner 2099, Amazon Prime's miniseries sequel to Denis Villeneuve's Blade Runner 2049 (2017). On the Harry Potter series, Rigby will play Harry's uncle, the magic-hating Vernon Dursley, previously played by Richard Griffiths. Bertie Carvel is a prolific stage performer with two Olivier Awards under his belt. He also played the key role of Banquo in Joel Coen's Oscar-nominated The Tragedy of Macbeth (2021). Carvel played Jonathan Strange on the BBC's acclaimed Jonathan Strange & Mr Norrell adaptation in 2015 and had leading roles on Doctor Foster (2015–2017) and Dalgliesh (2021–present). You may also recognize Carvel for playing former U.K. prime minister Tony Blair on The Crown (2022–2023). The actor will next appear as Baelor Targaryen on HBO's upcoming A Knight of the Seven Kingdoms, a Game of Thrones spinoff. On the Harry Potter series, Carvel will play Cornelius Fudge, the Minister of Magic. Leo Earley's portrayal of "half-and-half" Seamus Finnigan marks the young actor's first onscreen role. A Gryffindor student at Hogwarts, Seamus is an ally to Harry, Ron, and Hermione. Devon Murray portrayed the character in the original films. In her screen debut, Alessia Leoni will play Parvati Patil, a Gryffindor with an interest in Divination. Sienna Moosah, another newcomer, will play Lavender Brown, a close friend of Parvati with an eye for the original article on Entertainment Weekly

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