logo
Before AI skeptics, Luddites raged against the machine...literally

Before AI skeptics, Luddites raged against the machine...literally

Ned Ludd, the fictitious leader of the Luddites, depicted in an 1812 hand-colored etching. The Luddites named their movement after Ned Ludd due to his rebellious spirit. Photograph by Niday Picture Library/Alamy Stock Photo
When a band of raiders broke into knitting manufacturer's shop in Arnold, England, in March 1811 their goal wasn't to steal goods or money—it was to smash knitting frames, an early form of textile machinery.
These saboteurs were known as Luddites, and those broken frames were just the beginning.
Often misunderstood as anti-technology cranks, the Luddites were skilled workers who saw the potential harm that new technology could bring.
Now, more than 200 years later, their rebellion feels newly relevant. As artificial intelligence continues to transform the world, age-old questions about labor and technology have reemerged. What did the Luddites fight for—and how does their struggle shed light on movements to rein in AI? Who were the Luddites?
In the midst of tremendous change in early 19th-century Great Britain, discontent was brewing among weavers, stocking-makers, and saddlemakers determined to protect their livelihoods. For generations, their craftsmanship had helped make English textiles one of the nation's signature goods.
'The Luddites, as skilled craftspeople, took pride in their work, and criticized the low quality of the goods produced with new technologies,' says Gavin Mueller, assistant professor of new media and digital culture at the University of Amsterdam and author of Breaking Things at Work: The Luddites Are Right About Why You Hate Your Job. Limited Time: Bonus Issue Offer Subscribe now and gift up to 4 bonus issues—starting at $34/year.
They took their name from the apprentice stocking-maker and folk hero Ned Ludd, whom scholar Steven E. Jones called 'a collective popular invention.' According to the apocryphal story, when his master scolded Ludd for his poor work, the apprentice protested by smashing a stocking-frame frame to bits.
Ludd's act of protest became a rallying cry. Workers dubbed themselves 'Luddites' in honor of the man they called 'General Ludd' and 'King Ludd.' To them, he was nothing less than a Robin Hood figure who represented defiance.
And as Robin Hood had Sherwood Forest, the Luddites had central and northern England, the hotbed of their industries—and a region undergoing a significant transformation powered by the Industrial Revolution. This illustration by Frank Peel depicts Rawfords Mill near Huddersfield, Yorkshire in approximately 1810. The textile mill was the first of its kind to introduce mechanization and was attacked by members of the Luddite movement in protest in 1811. Photograph byWhat were the Luddites protesting?
The Industrial Revolution was fueled by a simple, marketable promise: Machines could produce goods faster and cheaper than skilled artisans.
Gig mills, knitting machines, the powered loom, the spinning mule—which used 1,000 spindles at once to efficiently spin cotton into yarn—and other new textile machinery didn't need skilled workers to man them.
To cut costs, factories often hired children for below minimum wage rather than working-class adults. At one factory in Cromford, children accounted for two-thirds of the 2,000-person-strong workforce. They labored under wretched working conditions, including long hours, poor food, and corporeal punishment. At the time, there were few regulations or laws to protect them.
(How a tragedy transformed protections for American workers.)
The rise of factory systems were rapidly reshaping the textile industry, and they knew many factory owners weren't on their side. If machines could churn out goods more cheaply and efficiently, how could traditional craftsmen compete?
'The Luddites were protesting the way that factory owners and early entrepreneurs were using technology to degrade their working conditions, erode their wages, and usher in a new kind of working—factory work—that would tear up their autonomy and leave them subservient to bosses,' says Brian Merchant, journalist and author of Blood in the Machine: The Origins of the Rebellion against Big Tech.
The Napoleonic Wars only made the situation worse. The series of wars against Napoleon Bonaparte that lasted from 1793 to 1815 caused food shortages and higher taxes that darkened the nation's mood. Unemployment spiked in central and northern England—the very same places where skilled textile workers were already fearing for their jobs. An engraving from 1813 depicts Luddite textile workers protesting against the introduction of mechanized looms and other technological advancements of the industrial revolution. This new machinery threatened the Luddite's livelihoods, replacing textile craftsmen with automation. Illustration by Hablot Knight Browne, Bridgeman Images What did the Luddites do?
Beginning in March 1811, bands of Luddites took matters into their own hands. In a wave of coordinated nighttime raids across Nottinghamshire, Yorkshire, and Lancashire, they broke into factories and targeted frames that directly threatened the work of skilled artisans. In this way, Luddites weren't strictly anti-technology—they protested a system that was displacing them.
Manufacturers condemned the Luddites' activities, since their property was on the line. In the first year alone, Luddites destroyed up to £10,000 worth of frames.
Damaging property wasn't their only MO. Workers attempted to negotiate with manufacturers, wrote threatening letters to factory owners, and explained their goals in public declarations.
Factory employers found an ally in the British government, which deployed an estimated 12,000 troops to the Luddites' operating regions to brutally crush the movement. Thousands of informers in an extensive spy network were activated to gather whatever intel they could to further weaken the Luddites.
Machine breaking became a capital offense, with anyone convicted possibly being sentenced to death. In January 1813, for example, a commission in York sentenced 17 Luddites to death by hanging and transported others to Australia.
Despite their efforts, the Luddites were ultimately unable to stop the tide of industrialization. The number of British handloom weavers collapsed from 250,000 around 1800 to just 7,000 only 60 years later.
The crackdown on the movement also helped the word 'Luddite' take on a new meaning. 'The state actively sought to cast them in a negative light to make them look foolish—and, because they lost, and because the state had influence over many of the nation's newspapers, the derogatory meaning stuck,' Merchant explains.
'Even today, 200 years later, we think of a 'luddite' as someone who dislikes technology—not someone who wages a tactical rebellion against the way elites are using it to ruin people's lives,' he says. Who are the new tech skeptics?
AI is creating a new industrial revolution. And once again, creative workers find themselves on the defensive—this time against algorithms that promise efficiency at the expense of human jobs.
Mueller points out, 'I think about [the Luddites] often when I see text and images generated by AI—they often strike me as inferior to work produced by even moderately skilled human beings.'
(Your biggest AI questions, answered.)
Concerns over AI have given rise to new organizations and movements that rage against the machine.
PauseAI has picked up the Luddite mantle, protesting what it believes to be significant harms unleashed by AI. The group says that artificial intelligence will cause an erosion of democratic values, economic impacts, and an elevated risk of human extinction.
The Algorithmic Justice League is another organization calling for greater accountability with AI and devotes its energy to highlighting the inequalities that the technology perpetuates.
(Explore humanity's complicated relationship with robots.)
Concerns over the use of AI in Hollywood was also a feature of the 2023 Writer's Guild Strike, which Mueller calls 'a classic Luddite struggle.'
Though tech-skeptic groups have their own mission, Mueller sees similarities between them: 'Behind AI skepticism is a larger question. What kind of future do we want to have?'
He notes that these organizations have something in common with the Luddite movement, 'a recognition that the only way to counter the power of technology is through collective action.'
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

The docuseries ‘Built in Birmingham: Brady & the Blues' isn't bad, except the Tom Brady parts
The docuseries ‘Built in Birmingham: Brady & the Blues' isn't bad, except the Tom Brady parts

Boston Globe

time19 minutes ago

  • Boston Globe

The docuseries ‘Built in Birmingham: Brady & the Blues' isn't bad, except the Tom Brady parts

Well, here's the basic timeline. Appreciated every extraordinary thing he did on the field during his 20 years with the Patriots … recognized he was getting weird on us with stuff like the Alex Guerrero connection, offensively overpriced TB12 gear, and the no-mushroom policy, but hey, his unprecedented late-career excellence made for a heck of a case on his behalf … cringed when the formerly down-to-earth young QB who used to chug beers faster than his linemen started pushing crypto and running with the oligarch class… watched almost every broadcast of his rookie season as Fox's lead NFL analyst last fall, eventually concluding that the reason he didn't show much personality is that it might not be there to show … But the tipping point that brought on the aforementioned realization was Brady's behavior in his version of a current trend among the rich, famous, and presumably bored — buying an English soccer team, and making a documentary about it in which the star is the rescuing hero. Advertisement 'Built in Birmingham: Brady & the Blues' is a five-episode docuseries that debuted at the end of July on Amazon Prime. It's about a Champions League soccer team (the second tier in English soccer, below the Premier League) that Brady and his private equity pal Tom Wagner recognize as an undervalued asset (always heart-warming when vultures find their food) and purchase, with Brady taking on minority ownership but with full boss duties. Advertisement 'Built in Birmingham' is not bad at all. The city (gritty, industrial, and full of amusingly blunt fans that will remind you of specific Ted Lasso side characters), players (the third episode, featuring star player Jay Stansfield's back story, is the best in the series), and the team (whose history roughly resembles the Red Sox' from 1919-2003) are compelling. The problem is it's far less interesting when Brady is around. He speaks to the players in bromides and banalities — 'We practice like it's the Super Bowl' — about his time with the Patriots (and Bucs), which he seems to presume these futbol players know from A to Z and XXXVI to LV. He punctuates his Cliff Notes Tony Robbins proclamations with a specific expletive so often that it's a wonder it hasn't slipped through on a Fox broadcast. Related : When he is involved, Brady — who describes his role as 'being there in a visionary role' — only seems authentic when he's belittling something or angry. He joins his friends in talking condescendingly about the city and the team as they're on he way to see the Blues' aged facilities for the first time. Before a game against Wrexham — famously owned by actors Ryan Reynolds and Rob McElhenney — Brady tells the camera, 'Let's go get a [expletive] win against Wrexham ... Ryan Reynolds, Mackilrey, whatever your [expletive] name is.' Advertisement When Wagner informs Brady that putting together a swag bag for visiting legend David Beckham would be considered a faux pas — Beckham never played for the team — Brady gets a look on his face that suggests Joey Galloway just ran the wrong route again. He tells Wagner through a scowl that Beckham should be gifted something anyway. He likes to talk about how he was an underdog, but he comes across as someone who can no longer remember what that was like, or what he was like. The most off-putting scene occurred in the opening episode when Brady, Wagner, and his team strategized in the back of an SUV before popping into a local pub to meet some fans for a quick public-relations opportunity and a few more Lasso vibes. 'We have to feel this one out, boys,'' Brady says. 'This is not my thing.' He's told it will only be 15 minutes. He asks if he'll be signing autographs. The pop-in is designed to make him look like a man of the people. He's friendly enough once he's in the pub, but we know how he really feels. His people these days aren't the ones chugging beers. I was hoping while watching the series that Brady might have a revelation by the fifth episode, ditch the processed corporate speak, abandon the arrogant expectation that whatever he says carries weight because of what he accomplished in the NFL, and show some authentic emotion, like he did after winning those first few Super Bowls. I was hoping any success he found in Birmingham would remind him of his best times with the Patriots, and thereby bring out genuine emotions. Related : Advertisement Instead, that happened with, of all people, Wagner, the calculating investor, who by the end is fully invested in the people on this team. I won't spoil the circumstances, because this show is worth watching, despite the Brady frustrations. In the fifth episode, Wagner makes a truly stirring and heartfelt speech, and as I was watching it, I couldn't help but think, 'Man, when the private-equity guy can summon more passion than Tom Brady, that's awfully damning.' Hmmm. Maybe Fox should give Wagner a shot as its lead NFL analyst. Tom Brady comes back to Gillette Stadium for the unveiling of this statue before the New England Patriots preseason game versus the Washington Commanders. Chad Finn can be reached at

Combine Pedro Almodóvar with stop-motion and you get Adult Swim's most unexpected yet perfect show
Combine Pedro Almodóvar with stop-motion and you get Adult Swim's most unexpected yet perfect show

Los Angeles Times

time19 minutes ago

  • Los Angeles Times

Combine Pedro Almodóvar with stop-motion and you get Adult Swim's most unexpected yet perfect show

In the annals of things I could not have seen coming, none has been more unexpected than 'Women Wearing Shoulder Pads,' a queer Spanish-language stop-motion comedy melodrama, set in the aesthetic world of a 1980s Pedro Almodóvar film. (It arrives Sunday at midnight on Adult Swim, the home of things one doesn't see coming, and premieres the next day on HBO Max.) Though it takes place in Ecuador, its central character, Marioneta Negocios (Pepa Pallarés), is Spanish, and it's easy enough to imagine Almodóvar muse Carmen Maura in the role — though it is also impossible to imagine the story told as well, or at all, in any other way. When I call this series perfect, notwithstanding the happy imperfections of its puppets and sets, it's not because everything works as its meant to, but because there's nothing you can measure it against — it occupies its own self-created space. Every element is necessary. Even presenting it in English would be to lose romantic, dramatic, telenovelistic force. At the center of the story is the cuy, a guinea pig eaten in Andean South America, though in this telling they're also used in a version of bullfighting. (Some cuys are large enough to ride on.) The primary action is a power struggle between Marioneta, a socialite running a campaign promoting cuy as pets, not food, and Doña Quispe (Laura Torres), who has risen from life as a humble butcher to the anything-but-humble CEO of the country's most famous restaurant, El Cuchillo (the knife). Mixed up in their lives are Coquita Buenasuerte (Gabriela Cartol), Marioneta's seemingly happy-go-lucky assistant; Espada Muleta (Kerygma Flores), a matadora in love with Marioneta; Nina (Nicole Vazquez), Doña Quispe's vegetarian daughter, serving a pro-cuy group as its Minister of Refreshments and Head of Recruitment for Rebellious Teens — 'I have looked upon the caged cuy through the prison of capitalist enterprise, through the hubristic iron bars of a homocentric world view' — who will become a pawn in the older women's game. Not everything will be as it seems. Created by Gonzalo Cordova (a veteran of 'Tuca & Bertie' and 'Adam Ruins Everything') and produced by the Mexican animation studio Cinema Fantasma, the series comes packaged as eight 11-minute episodes — that is cartoon length — which neatly constitute a short feature film. On the bill are mystery, suspense, terror, revenge, hot romance (including some puppet sex), masked stalkers, performance art, love notes posted with knives, parodies of television shows and commercials, old secrets coming to light and nuns singing karaoke. From 'Gumby' to 'Rudolph' to 'Wallace and Gromit' to 'The Fantastic Mr. Fox,' stop motion is of all forms of animation most magical and in its real-space, three dimensional, handcrafted way the most like life, if not necessarily the most lifelike. (It can look ungainly, which is also part of its charm.) It's a magnification of childhood playtime, a puppet show in which the puppets have broken loose from the puppeteers. The cleverness of the execution is as or more important than how seamless it is. 'Women Wearing Shoulder Pads' does all sorts of neat tricks, some you notice and more you simply accept — and when deemed necessary, or just amusing, it will insert a live-action hand or mouth. It's an exaggerated world — appropriately to the heavy-breathing material — but emotionally expressive, even moving, and lots of fun.

Bride-To-Be Left in Tears As Grandad, 95, Keeps His One Promise for Wedding
Bride-To-Be Left in Tears As Grandad, 95, Keeps His One Promise for Wedding

Newsweek

time5 hours ago

  • Newsweek

Bride-To-Be Left in Tears As Grandad, 95, Keeps His One Promise for Wedding

Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources. A TikTok video capturing a bride's emotional moment with her 95-year-old grandfather has captured the hearts of 1.3 million. The clip shows the grandfather, affectionately known as "Nonno," who flew all the way from Toronto to British Columbia to be at his granddaughter Mara's wedding. The bride was left in tears as her Nonno embraced her, keeping a promise he had made to her. Mara, 30, spoke to Newsweek about the moment she saw her grandfather for her big day, and what it meant that he made the journey. "When your 95-year-old Nonno flies across the country for your wedding because he promised you he would," Mara's sister, Kaela, captioned the video. "He said, 'I promised you! And I came!'" Kaela also noted the presence of their grandmother, or "Nonna," in spirit, writing that she "was all around us, too." Photos from Kaela Leone's TikTok video of her sister and grandfather meeting for her wedding. Photos from Kaela Leone's TikTok video of her sister and grandfather meeting for her wedding. @kaelaleone/TikTok A Promise Made, A Promise Kept The decision to hold the wedding in British Columbia created a logistical challenge for Mara's elderly grandparents. "We had a hard time deciding where to have the wedding because we wanted the grandparents to be there," Mara explained. When they told her grandparents the location, her grandmother, Nonna, was unwavering in her support. "Without skipping a beat, my Nonna said, 'You know how we took the plane to Cuba? We're going to do the same to go to British Columbia.'" Sadly, however, Nonna passed away a year and a half before the wedding, making Nonno's journey even more meaningful. While Nonna couldn't be there physically, Mara said she believes her spirit was present and that she was "a big reason he was there." The bride's close relationship with her grandparents made her grandfather's presence invaluable. Mara shared that she and her sister call them almost every day, making sure to visit frequently—usually over a bowl of pasta or an espresso. She added that even after Nonno began losing his English as he got older, they "always communicate through hugs, smiles, laughs and Google Translate at times." A Day of Triumph and Joy For Mara, the wedding was a day of profound emotion, particularly for her grandfather. "It's been a really hard year and a half without my Nonna," she said. "I haven't seen him smile that much since her passing." His presence and happiness brought immense joy to everyone. Nonno was also deeply touched by a special tribute to his late wife. "He told my mom he was really touched by having Nonna's picture by him during the ceremony—said it felt like she was there." Nonno was a star at the wedding, proving his dedication and incredible spirit throughout the day, even at his advanced age. "He was incredible that day," Mara said. "Borderline off-roading with his walker and navigating down rocks at the venue, sustaining all the hugs and love from my girlfriends and [he] even wore his dancing shoes to make sure he could dance at the end of the night. He was so present. It made the day feel so special." "Grandparents are a gift to this world," she concluded. "I feel so rich to have known mine and be loved by them."

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store