
How do some blockbuster disaster movies stack up against real science?
Let's explore some iconic apocalypse films and rate which ones get close to plausible science and which ones veer into pure fantasy.
The scientifically plausible, kind of…
Deep Impact (1998)
Deep Impact starring Robert Duvall, Téa Leoni, Elijah Wood, Vanessa Redgrave, Maximilian Schell, and Morgan Freeman
Plot: A comet is on a collision course with Earth, threatening mass extinction.
Science Check: This one gets a lot right. Comets (icy, rocky bodies from the outer solar system) could indeed strike Earth, as they have in the past (think of the Chicxulub impact that wiped out the dinosaurs 66 million years ago — although this is widely believed to have been caused by an asteroid not a comet).
The film's depiction of a global effort to deflect the comet with nuclear weapons aligns with real-world concepts like NASA's planetary defence strategies, including the Double Asteroid Redirection Test (DART) mission, which successfully altered an asteroid's orbit in 2022.
Where it stretches plausibility is in the timeline, detecting a comet just months before impact is unlikely with today's tech, which can spot near-Earth objects years in advance. Still, the tsunami-causing aftermath of a smaller fragment hitting the Atlantic? That's a chillingly realistic touch.
Accuracy Rating: 7/10. Nails comet impacts and deflection but stretches the detection timeline.
The Day After Tomorrow (2004)
The Day After Tomorrow starring Dennis Quaid, Jake Gyllenhaal, Sela Ward, Emmy Rossum, and Ian Holm
Plot: Climate change triggers a sudden ice age, with superstorms and flash-freezing chaos.
Science Check: This film takes a kernel of truth and runs wild with it. The idea of a disrupted Atlantic Meridional Overturning Circulation (AMOC), a key ocean current that regulates global climate, has basis in science. Studies suggest that melting polar ice from climate warming have weakened this system, and under high emissions scenarios it could collapse, which would cool Europe and the planet overall; however, scientists aren't sure about the timing this could happen — it's a hot (or cold) topic.
But the movie's hyper-accelerated timeline (days instead of decades) and dramatic effects, like tornadoes shredding Los Angeles or New York freezing solid in hours, are pure Hollywood. Real climate shifts are gradual, not instant, and liquid nitrogen-style freezing of humans? Thermodynamically absurd.
Accuracy Rating: 4/10. AMOC disruption is real, but the rest is cinematic craic.
Interstellar (2014)
Anne Hathaway as Amelia in Interstellar. Picture: Warner Bros/Paramount/Melinda Sue Gordon
Plot: Earth becomes uninhabitable due to crop failures and dust storms, prompting a search for a new home via a wormhole.
Science Check: Interstellar earns points for ambition. The film consulted physicist Kip Thorne, ensuring its wormhole and black hole visuals (like Gargantua's accretion disk) were grounded in relativity theory. Crop blight wiping out food supplies is a plausible threat, fungal pathogens and climate change do endanger global agriculture.
However, the idea of Earth becoming a dust-choked wasteland in mere decades is exaggerated; such a collapse would likely take centuries.
The wormhole? Theoretically possible, but we've no evidence they exist or could be navigated.
Accuracy Rating: 7/10. Blight and dust are credible, but the speed and wormhole travel are speculative.
The scientifically absurd
Armageddon (1998)
Armageddon with Bruce Willis
Plot: A Texas-sized asteroid threatens Earth, and oil drillers are sent to nuke it from the inside.
Science Check: Armageddon is a rollercoaster of nonsense. An asteroid that big (1,000 km wide) would obliterate Earth on impact, no drilling required. Splitting it with a nuke wouldn't work either; you'd need energy far exceeding all human-made explosives combined, and the fragments would still rain down catastrophically.
Plus, training drillers to be astronauts in days? NASA would sooner train astronauts to drill. It's a thrilling ride, but it's about as scientific as a cartoon.
Accuracy Rating: 1/10. Gets the asteroid threat vaguely right but flunks physics and logistics.
2012 (2009)
2012 starring John Cusack, Thandiwe Newton, Danny Glover, and Woody Harrelson
Plot: Neutrinos from a solar flare heat Earth's core, causing continents to shift and mega-tsunamis to ensue.
Science Check: This one's a doomsday fever dream. Neutrinos, near-massless particles that pass through matter, are incapable of heating Earth's core. Science says no, but the film says 'yes, and here's tsunamis'.
The idea of 'solar flares' triggering pole shifts or crust displacement is geological gibberish, plate tectonics don't work that way, and shifts take millions of years, not hours.
The arks saving humanity are a nice touch, but the science here is a Mayan prophecy-level stretch.
Accuracy Rating: 0/10 —Pure fantasy with zero scientific grounding.
The Core (2003)
The Core: In a last-ditch effort to restart the planet's failing magnetic field, scientists and astronauts must set off a nuclear device at the center of the Earth. 2003 film starring Aaron Eckhart, Hilary Swank, and Stanley Tucci
Plot: Earth's core mysteriously stops spinning, so a team drills down to detonate nukes and restart it.
Science Check: Where to begin? The core stopping would take an incomprehensible force (far beyond anything natural) and would disrupt Earth's magnetic field gradually, not instantly. Drilling to the core is impossible with current tech; the deepest hole ever (Kola Superdeep Borehole) reached just 12 kilometres, versus the 2,900 kilometres to the outer core.
And nukes restarting it? Angular momentum doesn't work like a car engine. This film's a wild sci-fi romp, not a science lesson. Although there is a factually correct documentary by the same name... and I know a lecturer who accidentally played the wrong core movie to their university class. They shall remain anonymous.
Accuracy Rating: 0/10. A wild sci-fi ride with no scientific legs.
Why we love the apocalypse anyway
Whether they nail the science or fling it out the window, end-of-the-world films tap into our primal fears and hopes. Films such as Deep Impact and Interstellar remind us of real threats, asteroids, climate change, resource depletion, while offering heroic solutions. Meanwhile, Armageddon and 2012 lean into absurdity, prioritising explosions over equations.
Scientifically accurate or not, they all ask: How would we face the end?
And that's a question worth pondering, even if the neutrinos stay harmless and the core keeps spinning. So, next time you're watching an apocalyptic blockbuster, enjoy the ride and just don't bet on it being a documentary.
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Irish Times
2 days ago
- Irish Times
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This references Trump's recent suit against Paramount over an episode of the news show 60 Minutes, broadcast on the conglomerate's CBS network, and allows wider connection to be made with capitulations to the president's legal Panzerkorps elsewhere in the media. [ Maureen Dowd: CBS caving to Trump is sickening. At least South Park will still hold people accountable Opens in new window ] All of that was typically bold – The Simpsons' erstwhile digs at its own Fox network were generally more playful – but it was the depiction of Trump himself that really got media-watchers gasping. Like their version of Saddam Hussein, he is seen cosying up to a giant, oddly sensitive Satan, who expresses himself unimpressed by the imperial crown jewels. 'I can't even see anything, it's so small,' the Lord of the Flies says of Trump's penis. At the close, now bespectacled and talkative, the first member dangles from a hyperrealistic, AI-generated version of the naked Trump. 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A glance (just a glance, I promise) at the increasingly feeble Saturday Night Live gives a few clues. The sheer flaccidity of the sketch show's satire is one factor. Another is that sense of us knowing which wet-liberal safe house the SNL team emerge from each miserably predictable weekend. These skits are not intended to irritate the Maga base. They are there to comfort those already certain of their own cosy opposition. Remember the execrable 'cold open' that had a white-clad Hillary Clinton – in the supportive form of Kate McKinnon – warble Leonard Cohen's Hallelujah to a blubbing audience straight after the real Hillary lost to Trump? Such obsequiousness towards a politician (any politician) would be inconceivable on South Park. Over the past 28 years Stone and Parker have made a virtue of wrong-footing those who think they have the team's politics nailed down. 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