Former MTV VJ Matt Pinfield Suffers Stroke, Daughter Files for Conservatorship
Matt Pinfield, the beloved former MTV VJ and radio personality, suffered a stroke on January 6 due to previous health issues, and has been hospitalized, his representative confirmed Wednesday.
Court documents also reveal that Pinfield, 63, is 'incompetent to make decisions,' the San Francisco Chronicle reported, and that his daughter Jessica Pinfield filed for temporary conservatorship. Jessica and her sister Maya expressed concern that Pinfield's girlfriend may attempt to gain access to his assets and residence, the Chronicle reported. Jessica Pinfield has yet to respond to requests for comment.
More from Rolling Stone
Eight Figures for 'The Big Bang Theory'? Inside the World of TV Theme Songs
EMAs LiveStream: How to Watch the 2024 MTV European Music Awards Online for Free
Britney Spears Reacts to Sabrina Carpenter's VMA Performance: 'Why Didn't She Kiss a Girl?'
In the Nineties, Pinfield rose to fame as the host of MTV's 120 minutes, a series dedicated to indie and alternative rock. From there, Pinfield became a Columbia Records executive and held multiple radio personality gigs. Among them is on KCSN, a Los Angeles public radio station, as an afternoon radio show host. The station announced on Jan. 8 that Pinfield took a leave of absence 'for personal reasons.'
'We fully support Matt and hope to have his energetic rock n' roll knowledge back on the air soon,' the Facebook post read.
Pinfield has suffered from health scares in the past. He was struck by a car in 2018, and was hospitalized for injuries to his head and leg. In 2020, a GoFundMe page was launched in support of his recovery and raised more than $40,000 in its first eight days, and has spoken openly about how the pandemic reopened his substance abuse issues. On the day of his stroke, Pinfield shared a sentiment that he was happy to be alive.
'Starting another week with gratitude for a life surrounded by great people, life changing music, and unforgettable experiences that I never take for granted,' Pinfield wrote. 'Here to another week-another day-open heart and open mind. Let's rock!'
Best of Rolling Stone
Denzel Washington's Movies Ranked, From Worst to Best
70 Greatest Comedies of the 21st Century
Risky Business: Every Tom Cruise Film, Ranked – Updated
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
4 hours ago
- Yahoo
Iconic BRIT awards coming to the Etihad Campus
Co-op Live has today announced that The BRIT Awards will be held at the arena in 2026 and 2027. The move to the Etihad Campus will mark the first time the event will be held in Manchester, following 47 years in London. Advertisement The BRITS celebrates the best in music and over the years the event has seen some of the most iconic performances and moments in award ceremony history. The announcement will see The BRITS join an impressive roster of events to be held at Co-op Live, with the arena having already hosted the MTV European Music Awards and the likes of Bruce Springsteen, The Eagles, Paul McCartney and Sabrina Carpenter in its first year. Roel de Vries, Group Chief Operating Officer at City Football Group, said: 'As Joint Venture Partners in Co-op Live, we're delighted to have The BRIT Awards at the arena for the next two years. The ceremony will be an opportunity to showcase Manchester and our growing campus to a global audience. 'In its first year alone, Co-op Live has hosted world-class music and sports events, and we're proud that through our partnership with Oak View Group and the work of Manchester City Council leaders, we'll be bringing The BRIT Awards to Manchester after nearly five decades in London.' Advertisement Co-op Live is a joint-venture partnership between City Football Group and Oak View Group and is located next to Manchester City's Etihad Stadium Development which will see the campus evolve into a world-class entertainment destination. Find out more about the project here.
Yahoo
5 hours ago
- Yahoo
A podcast. Reality show. Countless headlines about her love life. Underneath it all, Kristin Cavallari is a 'very normal' mom.
Kristin Cavallari wants you to know that her new show is '100% real. This is the realest show I've ever done,' she tells me over Zoom. That show — Honestly Cavallari: The Headline Tour on E! — marks Cavallari's return to reality TV for the first time in five years. Those five years have been busy. Cavallari, 38, got divorced from football star Jay Cutler, 42. in 2022 after announcing their separation in 2020. She's parented the three children — Camden, Jaxon and Saylor — they share. She also launched her podcast, Let's Be Honest with Kristin Cavallari, which has continually rocketed to the top of the podcast charts. Earlier this spring, Cavallari embarked on a four-city podcast tour and invited TV cameras along for the ride. Honestly Cavallari: The Headline Tour is the result. Listening to Let's Be Honest, it seems like nothing is off-limits for Cavallari, who first rose to fame appearing on the MTV reality shows Laguna Beach and The Hills. There is one topic she shies away from, however. 'The only thing that I've really set a boundary around is my ex-husband,' she says of Cutler. 'That's the only thing. I feel like everything else, I've been an open book — probably too much of one.' Speaking of boundaries, the mom of three used to have a strict one around her kids. Until recently, she never showed their faces on social media and they weren't featured on her previous reality show, Very Cavallari. But that's all changed. Now her kids grace her Instagram posts, have joined her podcast and even appear in Honestly Cavallari. Why the change? 'The whole [point] was to let them make that decision when they were old enough," she explains. "And so they are that age.' (Camden is 12; Jaxon is 11; daughter Saylor is 9.) 'It's been nice for me to be able to share that part of my life with people just because my kids are the biggest part of my life,' she adds. Her kids have been asking her to post them 'for years," Cavallari says; her eldest son even asks her to tag him in content. 'I'm like, I'm not tagging you,' she laughs. 'But they love it.' Though her sons have social media accounts, she says she keeps an eye on who they're following and what they're doing online. Cavallari is no stranger to being headline news, but if it were up to her, those headlines would have less to do with the men she's supposedly dating. 'I can't control what the media writes,' she says. 'But I'm talking about a lot of stuff other than men [on my podcast] and that seems to be the only area that they want to focus on.' Though her relationships have been tabloid fodder for over 20 years, she still gets frustrated by it. 'It does piss me off,' she says. 'I have a lot more going on in my life.' In fact, Cavallari tells me she hasn't even gone on one date this year (though in the first episode of Honestly Cavallari, she and her best friend laugh about her night out with actor Glen Powell). And her most recent relationship, with 25-year-old Mark Estes, generated lots of interest. 'I got a lot of hate and I got a lot of praise,' she says of the age-gap relationship. 'Guys do it all the time. But when I do it, everyone's like, Oh my god. Mark was really sweet and we had a very sweet, innocent relationship, and it honestly just worked really well for me at the time. I don't regret that at all.' Dating just isn't a priority right now; between work and mom life, Cavallari doesn't have the bandwidth. "I'm just maxed out in every capacity,' she says. But she does mention that her kids are with her ex-husband every other weekend. How does she use that time? 'Just being at my house without a to-do list really excites me," she says. "I might take my dogs for a walk. I'll probably go to the grocery store.' She looks at her life as being organized in buckets. 'There's my family bucket and my work bucket and a tiny social bucket." She's got a "great work-life balance right now," she adds. "Uncommon James [her jewelry and beauty brand] and the podcast fit very well into my life while they're at school. I hope to just maintain that. I just want to keep things as they are.' But when she does get back into the dating world, she knows what her main ick is. 'When someone has zero accountability,' she says. 'I'm like, I can't go down this road with you.' In the first episode of Honestly Cavallari: The Headline Tour, the cameras follow the star as she takes care of her kids, makes them dinner and gets ready for her podcast tour. Of her divorce, she tells the cameras, 'I think deep down I knew' that it was coming. But she's staying positive. 'Divorce can be a really good thing,' she continues, and as a single mom, motherhood is her priority. 'I never really felt like I was No. 1 with my parents, so that was always a big deal for me — to make sure my kids know they're a priority.' People would be surprised to see just how ordinary her everyday life is, she tells me. 'I am very normal. I'm at all of the basketball games. I'm on the field trips,' she says. 'I'm basically an Uber driver for my kids.' Her identity as a mom leans more toward the fun side. 'Maybe I could have a few more rules,' she laughs. 'I mean, there are rules, there are boundaries. But for me, it's like, if you're a good person and you're not hurting anyone and you're treating people kindly, I think that's more important than 'you have to go to bed at 9 p.m. every night.'' Of her three kids, she says, Jaxon, is the one who keeps her 'on her toes.' Cavallari has never been shy about ... well, most things, including talking about how her previous stints on reality TV have been less than authentic. "This was the only show I've done where they didn't jump in every five minutes to tell me what to say," she says of Honestly Cavallari: 'So it was a really enjoyable experience. And I'm happy I did it because I can finally say this show is 100% real.' Though it's the headline tour, she wants to take fans beyond the headlines — the ones about her love life, her sassy teen queen image, etc. If that was all you saw of her, she would understand if you didn't like her. 'I would hate me too, I think,' she says.


San Francisco Chronicle
2 days ago
- San Francisco Chronicle
Review: ‘The Nightingale' shows you can use circus to talk about AI
As the husband gets home from work, he doesn't just tell his wife about his day. He flips her around his arm or his shoulder, as if she's a wheel or toy. There's nothing unnatural or gimmicky here; it's expressive. Theirs, you can tell without words, is a playful, loving, close relationship. Elsewhere in 'The Nightingale,' diving hoops become the brush through which that same man and some minions search for a rare bird with beautiful song. In another scene, a large outline of a cube — balanced, twirled and juggled like Atlas hoisting a globe — helps establish a tech leader's lonely, megalomaniacal ambition. Such is the promising vision of People's Circus Theatre, which Felicity Hesed founded in 2023. 'The Nightingale,' which opened Friday, June 6, at the Children's Creativity Museum Theater, uses homespun circus to adapt Hans Christan Andersen's 1843 fairy tale about a precious bird, the emperor who covets it and its eventual replacement by a bejeweled facsimile. In our era of artificial intelligence, we need art that helps us understand what differentiates humans from increasingly realistic robots, why that distinction matters and what replacing living beings with soulless machines might cost. If 'The Nightingale' seems ideal source material for that purpose, Hesed's straight-theater scenes bludgeon, telling us phones, excessive work and unchecked greed are bad. The show's geared for ages 7 and up, but reaching elementary schoolers doesn't require the baldness of a church pageant. Hesed succeeds most the more closely she hews to circus. When a tech exec called the Emperor (Joy the Tiger) hoists the Nightingale (Rosemary Le) for an aerial pas de deux on his open-sided cube, you feel the show's lesson more acutely precisely because it's made without words. Watch how he starts forcing, even shoving her appendages to hang from particular sides, like she's his prisoner, then how he gets to drop to the floor while she stays aloft. The cube — the shape of his company's logo and its lead product — has become her cage. 'The Nightingale' uses a youth ensemble (which is why the Chronicle isn't assigning the show a little man rating) alongside its adult performers, and Hesed shows great promise in making gorgeous art with novice actors. In one scene, when our protagonist, Sadit (Scott Dare), first enters the woods to search for the bird, a half-dozen acts of different animals tumbling, flipping and more sprinkle the stage to conjure the chittering activity of the forest floor. In one especially apt touch, the rodents juggle, which looks a lot like the way they scatter crumbs as they eat in real life. Other scenes, however, seem more designed to give the kids the chance to show off one more juggling routine than to serve the narrative. Do we really need to see four separate attempts to feed the Nightingale with juggling pins and balls as she wilts in her gilded cage? Then there are the circus routines, which derive part of their pleasure from proximity to the audience. You're close enough to hear performers pant like percussion instruments, to get vicariously dizzy when the Nightingale or her mechanical counterpart (Cami Boni) spin in the air, to lose track of how, exactly, an aerialist isn't plummeting to the floor and to feel in your cranium just how unforgiving that floor must be. Circus itself, in 'The Nightingale,' serves as a powerful counter to AI. No machine could replicate the wonder of two pulsing humans lacing their legs together in midair. Were a machine to express a feeling by stiffening its spine, we'd just shrug and say machines are supposed to be stiff anyway. If AI is supposed to make things easier and more efficient, 'The Nightingale' implies, some things are meaningful only because they're hard.