Luca Guadagnino's ‘After the Hunt' to open New York Film Festival
'After the Hunt' will first premiere at the Venice Film Festival, but on Sept. 26, it will kick off the New York Film Festival. An Amazon MGM Studios release due out this fall, it stars Julia Roberts as a Yale philosophy professor whose comfortable life is tested after her protege (Ayo Edebiri) accuses the professor's longtime colleague (Andrew Garfield) of sexual assault.
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Winnipeg Free Press
9 hours ago
- Winnipeg Free Press
Judge dismisses lawsuit filed by Alec Baldwin for malicious prosecution in fatal ‘Rust' set shooting
SANTA FE, N.M. (AP) — A New Mexico judge has dismissed a lawsuit filed by actor Alec Baldwin for malicious prosecution and civil rights violations in the 2021 fatal shooting of a cinematographer on the set of the Western movie 'Rust.' The judge in a ruling made public Wednesday dismissed the case without prejudice for lack of any significant action with the claim, which was filed in state district court earlier this year. Baldwin's attorneys will have 30 days to file a motion seeking reinstatement. Luke Nikas, Baldwin's lead attorney, told The Associated Press in an email that the dismissal amounted to a nonevent since his team has been waiting to prosecute the case. 'We have been in good-faith settlement discussions with the parties to the lawsuit and will be refiling promptly if those discussions are not promptly and favorably resolved,' he said. Defendants include special prosecutor Kari Morrissey and Santa Fe District Attorney Mary Carmack-Altwies, along with three investigators from the Santa Fe County sheriff's office and the county board of commissioners. A charge of involuntary manslaughter against Baldwin was dismissed at trial last year on allegations that police and prosecutors withheld evidence from the defense. The trial was upended by revelations that ammunition was brought into the Santa Fe County sheriff's office months earlier by a man who said it could be related to the killing of cinematographer Halyna Hutchins. Weekly A weekly look at what's happening in Winnipeg's arts and entertainment scene. The allegations in Baldwin's tort claim include defamation, with his attorneys saying that prosecutors and investigators targeted the actor and coproducer for professional or political gain. Hutchins died shortly after being wounded during a rehearsal for the movie 'Rust' in October 2021 at a film-set ranch on the outskirts of Santa Fe, New Mexico. Baldwin was pointing a pistol at Hutchins when it discharged, killing Hutchins and wounding director Joel Souza. Baldwin has said he pulled back the hammer — but not the trigger — and the revolver fired. The actor recently spoke to The Associated Press at San Diego's Comic-Con International, saying he couldn't believe what happened that day in court as the trial came to an abrupt end and that his life over the last year has been far better than the few years that preceded it. Still, Baldwin and other producers of 'Rust' are being sued in New Mexico state court by the parents and younger sister of Hutchins. Court records show a deposition for Baldwin in that case was put off in May and has yet to be rescheduled.
Winnipeg Free Press
10 hours ago
- Winnipeg Free Press
On ‘Bite Me,' Reneé Rapp punches back
NEW YORK (AP) — Reneé Rapp was clear on her intentions for her sophomore album, 'Bite Me,' from the start. 'I wanted to love this,' Rapp says. 'I wanted to be able to walk away from this and be so proud of myself and impressed, no matter what anybody else thought.' Her first album, 2023's 'Snow Angel, ' had been an experiment in figuring out her sound (a mix of pop, R&B and heart-wrenching ballads), and assembling a collection of songs that worked together. This album, out Friday, offered the chance to do it again, with an eye toward the way her life had changed in the intervening years. 'That intention, and also wanting to prove it to myself, was really grueling,' Rapp told The Associated Press. 'And also really fun.' The writing process gave Rapp, 25, an outlet to work through the burnout-inducing whirlwind that was her career in those two years. Uncharacteristically restrained in its vocal styling, the album's lead single, 'Leave Me Alone,' is strikingly open — clever zingers allude to her departure from HBO's 'Sex Lives of College Girls,' the media frenzy that surrounded her turn as Regina in the 2024 remake of 'Mean Girls,' and the external pressure she felt to put out more music after the positive reception of 'Snow Angel.' Basically, anything that's been said about her in the last few years? She reframes it, poking fun at her reputation and the industry. 'Leave Me Alone' felt like a proper introduction to the album, Rapp says, and 'Bite Me' — both a warning and a tease — the appropriate title. Paris Hilton and Monica Lewinsky were among the famous faces that teased the album upon its announcement, donning merch emblazoned with the title in bold print. Rapp herself posed in front of a newsstand filled with mock tabloids depicting her as a diva, concealed behind big sunglasses and a fur coat, to promote the second single, 'Mad.' ('That's a Rapp!' the headline read.) 'It really feels just like a time capsule of those two years of my life, a lot having to do with the business and the industry and people's expectations of me,' Rapp says of the album. 'And then also me wanting things for myself and being confused where those two roads diverge.' Rapp's confidence and humor is evident across the album, just as it is on stage — 'I write lyrics in the way that I talk,' she says. Many of the tracks tackle the destabilizing emotions that accompany the beginning and end of relationships, whether platonic or romantic, and how her now-very public career has amplified the challenges of creating, and maintaining, those connections. 'I'm so surrounded all the time, but I feel so lonely, and it feels really heavy and isolating. And I think a lot of that is just being an artist. And I also think a lot of that is just like the nature of like the business, for better or for worse,' she says. The can't-be-bothered attitude heard on 'Leave Me Alone' is countered by the ache of 'That's So Funny,' which recounts the end of a deeply affecting, but ultimately toxic friendship in Rapp's signature soaring vocals. That doesn't mean Rapp isn't also having fun. The cheeky 'At Least I'm Hot' features Rapp's girlfriend, the singer and guitarist Towa Bird. 'I love when artists give you a clue into their lives, and the people who make their lives full,' Rapp said. The track, she says, is also just funny: 'Who better to put on that than like the funniest person alive?' Weekly A weekly look at what's happening in Winnipeg's arts and entertainment scene. The album's mix of emotions — heartache followed by the rush of a new crush, the impostor syndrome that accompanies the thrill of success — is something the AP Breakthrough Entertainer alum has been exploring since her 2022 EP, 'Everything to Everyone.' She wants listeners to feel the conflict, too — and know that they aren't alone in experiencing it. In June, Rapp served as a grand marshal of the World Pride parade in Washington, D.C., alongside Laverne Cox and Deacon Maccubbin. 'It can be difficult to feel resilient and empowered as a queer person,' Rapp said. 'Because World Pride was in D.C., I was like, well, I can't not be there.' She recalled a conversation with Cox, who dispelled some of Rapp's fears of coming off as self-important in the role by emphasizing the power of showing up, and showing face. 'Right now, when everything is so under attack, which it pretty much always is, it feels like that's the time to be really loud.' Rapp will launch the North American leg of her 'Bite Me' tour at the iconic Red Rocks Amphitheater in September before making stops at New York's Madison Square Garden and as a headliner at the Toronto stop of the All Things Go Festival. She'll tour Europe in March. As she readies for fans to hear the album, she hopes it offers them some reprieve. 'I hope that the weight of the world doesn't feel as massive,' she said. 'It's really easy to obsess over everything and be constantly lost in your head.' Giving them a glimpse into hers, she hopes, is empowering — and fun: 'It's just, it feels like a big party that like everybody wants in on.'
Winnipeg Free Press
10 hours ago
- Winnipeg Free Press
‘Downton Abbey' star Elizabeth McGovern brings Ava Gardner's tumultuous life to the stage
NEW YORK (AP) — For all of Elizabeth McGovern's acting career, someone else wrote her lines. Now it's her turn. The 'Downton Abbey' star pivots from British aristocracy to classic Hollywood royalty this summer to portray screen legend Ava Gardner in a play she wrote. 'It's an incredible feeling to see other people embrace these things that were in your head,' she says. 'My feet haven't touched the ground since we started working on this in New York. I am just loving it so much.' 'Ava: The Secret Conversations' examines the sometimes-prickly, sometimes seductive relationship between Gardner and Peter Evans, a journalist assigned to ghostwrite her memoir in the years before her death in 1990. Though Gardner pulled the plug on the project before its completion, Evans eventually published their conversations in 2013. That book is the basis of McGovern's play. She says she was intrigued by the idea of 'a star on the wane of her career, sitting with a guy trying to glean from her the story of her life, and the two of them battling it out to control the narrative.' About 'Ava: The Secret Conversations' Directed by Tony Award-nominee Moritz von Stuelpnagel, the production co-stars Aaron Costa Ganis as Evans, who also channels Gardner's three famous husbands: actor Mickey Rooney, bandleader Artie Shaw and performer Frank Sinatra. It begins performances off-Broadway at New York City Center starting this week. McGovern says she wasn't initially a huge fan of Gardner — famed for her green eyes, photogenic features and understated acting style — before she embarked on the project. It was more the idea of how a memoir can become a battleground for legacy and a way to explore Hollywood fame. McGovern made her screen debut at 20 in Robert Redford's 'Ordinary People' in 1980 and went on to co-star with Hollywood's leading men, including Robert De Niro, Brad Pitt and Sean Penn. She landed an Oscar nomination for Milos Forman's 'Ragtime.' It's a career with many similarities to Gardner. 'I feel like I do have a natural affinity for who she is. I feel like we would really like each other. I don't know, I'm flattering myself, but it's possibly because I had a kind of similar trajectory in my early life,' says McGovern. 'I mean, it was not on any level close to hers, but I understood the whole kind of mechanics of it.' Gardner's reputation as a sex goddess was fully launched in 1946 film 'The Killers,' in which she co-starred with Burt Lancaster. She also starred opposite Humphrey Bogart in 'The Barefoot Contessa' and Richard Burton in Tennessee Williams' 'Night of the Iguana.' McGovern says Gardner was caught in the impossibility of women's expectations at the time — be sexy but not sleep around. She had many lovers but also felt the shame society imposed. 'I think she was a kind of a feminist, in spite of herself, really,' says McGovern 'I hope people are inspired by that — by the fact that she just did whatever she wanted to do and lived with the consequences.' A screen siren at the end of her life By the end of her life and when the play is set, Gardner has been partially paralyzed after a stroke, had emphysema and lived in seclusion. She decided on a quickie memoir to keep the bills paid. 'All my life I was the Woman Men Dream About. That was the only job I ever had,' she wails in the play. 'Where does that leave me now?' The 90-minute play, which has had previous runs in Los Angeles and London, goes to Chicago and Toronto this fall after New York. McGovern initially took the idea to two different writers who failed to produce anything. So she turned to herself, watching movies and footage of Gardner to nail her speech patterns and reading whatever she could about the actor's inner life. 'I literally would act it out in my room to myself and then write it down. So it was natural to think of myself playing it, obviously, but then writing a part for somebody else to play, I couldn't think of a way to do it except by doing the acting of that part and then write it down.' Costa Ganis, her co-star, says 'she's doing something very bold and very daring and very scary' and he rarely meets a playwright so adaptable. 'I think the thing that's so fun about working with her is just that she's such a collaborator,' he says. Music helped McGovern the playwright McGovern developed the confidence to write her first play through songwriting. She is the lead singer and an acoustic guitarist for Sadie & The Hotheads, which released their debut album in 2007 and their latest in July, 'Let's Stop Fighting.' 'It kind of embraces a lot of different styles and then ends up with something of its own,' she says of the ethereal jazz-folk the band makes, which is waiting for an audience to catch up. 'We're still waiting. It's been quite a while, but I'm fine,' she says with a laugh. Weekly A weekly look at what's happening in Winnipeg's arts and entertainment scene. Costa Ganis hears McGovern's musicality throughout the play, an internal rhythm she understands: 'So if something doesn't play right, she has a great sense of what sounds good and what moves things along.' McGovern will be nearing the end of her New York turn as Gardner when the latest 'Downton Abbey' hits movie theaters Sept. 12 — subtitled 'The Grand Finale.' She admits that she and the cast initially dreaded returning after the death of Maggie Smith, an audience favorite. 'I think everyone was afraid that without Maggie, it's daunting to keep the thing going. But surprise, surprise, I think it's our best movie,' she says. 'It just kind of clicked.' McGovern, who like Gardner lives in London, does music, TV, and film but always finds room for theater, where the smartphones disappear and performers meet the audience. 'It's so healthy to have two hours where you only have one job and that job is basically just to be present and I really feel like it's good for the brain.'
