
Red Sea Film Foundation-backed films to screen at Berlinale 2025
The Red Sea Film Foundation will also participate in the Saudi Pavilion at the European Film Market during the film festival.
The Red Sea Film Foundation is set to present nine supported films across six categories at the 75th Berlin International Film Festival, taking place from February 13 to 23, 2025. This participation underscores the foundation's dedication to promoting Arab, African and Asian cinema on a global scale.
Among the featured films, Yunan , backed by both the Red Sea Fund and the Red Sea Souk, will compete in the festival's Competition section for the Golden and Silver Bear awards, alongside 20 other films. Additionally, The Settlement and The Sun Sees Everything , both supported by the Red Sea Fund and Red Sea Lodge, will be showcased in the Perspectives section for emerging filmmakers and the Berlinale Co-Production Market, respectively.
Six other films funded by the Red Sea Fund have also secured places at the festival. The Heart is a Muscle and Yalla Parkour will be screened in the Panorama section, while The Tale of Daye's Family and Têtes Brûlées will be featured in the Generation 14plus strand. Ancestral Visions of the Future will be part of the Berlinale Speciale section, and Holiday will be presented in the Berlinale Co-Production Market.
Beyond film screenings, the Red Sea Film Foundation will also take part in the Saudi Pavilion at the European Film Market (EFM), engaging in industry discussions and networking opportunities to further support the region's growing film industry.
Speaking about the participation, Shivani Pandya Malhotra, Managing Director of the Red Sea International Film Festival, said: 'The exciting new wave of Arab and African cinema is bringing wider attention to stories that resonate with a hard-earned humanity that is anchored in this region yet globally relatable. Our Red Sea-supported films at this year's festival showcase a breadth of talent that is as diverse, independent, and daring as the Berlinale itself. From across our Souk and Lodge programs and with our Fund, it's an honour to provide support to projects that spotlight established and emerging talent in Saudi Arabia, the Arab world, Asia and Africa.'
Emad Eskander, Director of the Red Sea Fund, commented: 'As we continue to champion Arab and African storytelling, we are also deepening our commitment to Asian cinema. The Red Sea Fund is empowering diverse voices and introducing fresh perspectives to the global film industry. Our presence at Berlinale reflects our ambition to support bold and original storytelling, ensuring that filmmakers from the Arab world, Africa, and Asia have the resources and visibility they deserve.'
The Red Sea Fund has provided funding for 280+ projects from the Arab, Asian and African film worlds since 2021. The fund operates across four cycles, encompassing projects in development, production and post-production. The Red Sea Souk is the international film market running alongside the Red Sea International Film Festival, providing comprehensive industry programmes and embodying a platform for connection and networking. The Lodge is the Foundation's training programme that takes projects from emerging Saudi, Arab, Asian and African filmmakers from idea to reality with creative and professional mentorship, development, and next-level industry opportunities.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Gulf Today
a day ago
- Gulf Today
Evaristo wins accolades for breaking literary boundaries
Bernardine Evaristo doesn't like boundaries. For the Booker Prize-winning novelist, rules about genre, grammar or what a working-class biracial woman can achieve are all to be challenged and swept away. Evaristo was announced on Wednesday as recipient of the 100,000-pound ($135,000) Women's Prize Outstanding Contribution Award for her 'transformative impact on literature and her unwavering dedication to uplifting under-represented voices.' Evaristo, 66, received the prize both for her work to help promote women and writers of colour, and for writing that takes in poetry, a memoir and seven novels including the Booker-winning 'Girl, Woman, Other.' 'I just go wherever my imagination takes me,' she said. 'I didn't want to write the kind of novels that would take you on a predictable emotional or moral journey.' Evaristo had already explored autobiographical fiction, historical settings and alternate realities when she won the Booker in 2019 for 'Girl Woman, Other,' a polyphonic novel told from the point of view of a dozen characters, largely Black women, with widely varying ages, experiences and sexualities. She was the first woman of African heritage to be awarded the prize, which was founded in 1969 and has a reputation for transforming writers' careers. When she won, Evaristo was 60 and had been a writer for decades. She says the recognition 'came at the right time for me.' 'Maybe I wouldn't have handled it so well if I was younger,' she told The Associated Press at her London home. 'It changed my career — in terms of book sales, foreign rights, translation, the way in which I was viewed as a writer. Various other opportunities came my way. And I felt that I had the foundations to handle that.' Evaristo's house on a quiet suburban street is bright and comfortable, with wooden floors, vibrant textiles and a large wooden writing desk by the front window. Large photos of her Nigerian paternal grandparents hang on one wall. Her work often draws on her roots as the London-born child of a Nigerian father and white British mother. Like much of Evaristo's work, 'Girl, Woman, Other' eludes classification. She calls it 'fusion fiction' for its melding of poetry and prose into a novel that relishes the texture and rhythm of language. 'I kind of dispense with the rules of grammar,' she said. 'I think I have 12 full stops in the novel.' If that sounds dauntingly experimental, readers didn't think so. 'Girl, Woman, Other' has sold more than 1 million copies and was chosen as one of Barack Obama's books of the year. Evaristo traces her love of poetry to the church services of her Catholic childhood, where she soaked up the rhythms of the Bible and sermons, 'without realizing I was absorbing poetry.' When she started writing novels, the love of poetry remained, along with a desire to tell stories of the African diaspora. One of her first major successes, 'The Emperor's Babe,' is a verse novel set in Roman Britain. 'Most people think the Black history of Britain only began in the 20th century,' Evaristo said. 'I wanted to write about a Black presence in Roman Britain — because there was a Black presence in Roman Britain 1,800 years ago.' Another novel, 'Blonde Roots,' is set in an alternative historical timeline in which Africans have enslaved Europeans, and was nominated for a major science-fiction award. 'Mr Loverman,' was an attempt to move beyond cliched images of Britain's postwar Caribbean immigrants. It was recently made into a BBC television series starring Lennie James and Sharon D. Clarke. Her latest award is a one-off accolade marking the 30th anniversary of the annual Women's Prizes for English-language fiction and nonfiction. Women's Prize founder Kate Mosse said Evaristo's 'dazzling skill and imagination, and her courage to take risks and offer readers a pathway into diverse and multifarious worlds over a 40-year career made her the ideal recipient.' Evaristo, who teaches creative writing at Brunel University of London, plans to use the prize money to help other women writers through an as-yet undisclosed project. She has long been involved with projects to level the playing field for under-represented writers, and is especially proud of Complete Works, a mentoring program for poets of color that she ran for a decade. Associated Press


Zawya
2 days ago
- Zawya
Onshur marks major milestone with graduation of Scale Track cohort
Sharjah, Under the patronage and in the presence of Sheikha Bodour bint Sultan Al Qasimi, Chairperson of the Sharjah Book Authority (SBA), the Sharjah Publishing Sustainability Fund (Onshur) celebrated the graduation of the first cohort of its 2025 Scale Track at SBA's headquarters. The programme is designed to support established publishers in the UAE in scaling their operations through sustainable and strategic growth. The ceremony honoured twelve publishers who completed the intensive training course. The event was attended by His Excellency H.E. Ahmed bin Rakkad Al Ameri, CEO of SBA, and H.E. Rashid Al Kous, Executive Director of the Emirates Publishers Association, as well as programme partners, experts, trainers, and representatives from local and Arab media. The twelve graduating publishers were selected from a pool of 62 applicants who met rigorous eligibility criteria. These included a demonstrated track record of producing high-quality cultural content and a well-defined strategic vision for expansion aligned with global publishing developments. The graduating cohort comprised Ajyal Publishing, Ghaf Publications, Sidra Publishing and Distribution, Loaloa Publishing and Distribution, Kalman Publishing and Distribution, Nabatti Publishing, Shaheen Printing Publishing and Distribution, Dar Al-Farqad, Dar Shams Publishing, Dar Al Fikr Al Jadeed, Dar Al Bayan Al Arabi, and Noor Publishing. Driving tangible progress for Emirati and Arab publishers Commenting on the occasion, Sheikha Bodour Al Qasimi, Chairperson of SBA, emphasised the importance of empowering UAE publishers to grow and innovate within a sustainable framework. She stated: 'The Scale Track reflects our vision of enabling publishers to move beyond survival, towards a future defined by excellence, creativity, and leadership in enriching the Arab publishing landscape both locally and globally.' She continued: 'I am proud of this cohort, who have shown a remarkable capacity for learning, growth, and openness to new experiences. I believe they are now equipped with the tools and insights needed to build more resilient and adaptable business models. While they represent the current state of Arab publishing, they are equally poised to shape its global future, fuelled by ambition, determination, and a genuine passion for the written word.' Revitalising the future of Arab literature H.E. Ahmed bin Rakkad Al Ameri, CEO of SBA, said: 'What distinguishes these publishers is their clear ambition to grow and their willingness to embrace new tools and ideas that can propel their businesses forward. Their participation in the Scale Track represents a strategic blueprint for the regional publishing sector's expansion, firmly rooted in innovation and sustainability. This vision is inspired by Sheikha Bodour Al Qasimi's commitment to cultivating a network of publishers equipped to compete on both regional and global stages, driving a renewed momentum for Arab literature and culture.' Turning vision into actionable success For his part, H.E. Rashid Al Kous, Executive Director of the Emirates Publishers Association, congratulated the graduates and commended their commitment to transforming ambition into tangible results. He said: 'We extend our congratulations to this exceptional cohort, who have exemplified what it means to turn vision into reality. The Scale Track has provided participants with critical skills enabling them to thrive in both local and international markets amid a rapidly evolving publishing landscape.' Laying the foundations for strategic publishing growth The ceremony opened with a keynote speech by Iman Ben Chaibah, Director of Strategic Initiatives and Global Markets at SBA. She highlighted that Onshur is reshaping how support is delivered to publishers by offering a comprehensive strategic framework that fosters long-term, sustainable growth. 'The Scale Track has surpassed the boundaries of traditional training,' she said. 'It has established a professional platform dedicated to enhancing publishers' operational capabilities and deepening their industry expertise.' Unlocking sustained expansion through targeted support Following the directives of Sheikha Bodour, graduates of the Scale Track benefit from a robust package of post-programme support. This includes one year of professional accounting services to ensure compliance, guidance in applying for the Sharjah International Translation Grant, onboarding to Ingram's global distribution network, access to business loans secured against publishing contracts, specialised advisory sessions, and priority access to upcoming Onshur initiatives. These measures are designed to help publishers shift from operational stability to strategic and sustainable expansion.


Al Etihad
3 days ago
- Al Etihad
Creative Media Authority (CMA) partners with UAE production house FilmGate to grow creative industries and promote production sector in Abu Dhabi
4 June 2025 12:11 ABU DHABI (ALETIHAD)Abu Dhabi's Creative Media Authority (CMA) has announced a new partnership with one of the UAE's leading independent, Emirati-owned and operated production houses, FilmGate, to secure a suite of benefits for the wider production industry in Abu will produce a minimum of 15 productions in Abu Dhabi over the next five years. The productions will employ 50 percent of production talent from within the CMA's partnership will also provide extensive learning and development benefits for the ecosystem, including annual workshops hosted by FilmGate for the industry on a specialist production topic and four six-month paid internships per annum for young Emirati talent with a view to providing permanent employment opportunities to grow and nurture talent from within the Director General of Creative Media Authority, Mohamed Dobay, said, 'Establishing partnerships with local and regional production leaders is a key element of our industry development strategy to make Abu Dhabi a global content hub. Alongside attracting the major Hollywood and Bollywood productions, it is critical that we support and increase the Arab content produced in Abu Dhabi to ensure we are building an ecosystem where Emirati and wider Arab narratives can thrive.''The partnerships we are curating are designed to deliver unrivalled opportunities throughout the ecosystem, from employment for our 1000-plus registered freelancers to intern opportunities for our young creatives; these partnerships support on all levels.'Founded by leading Emirati filmmaker, Mansoor Al yahbouni al Dhaheri, FilmGate will also benefit from the recent update on the rebate offered by Abu Dhabi Film Commission where qualifying productions now can apply for cashback on production and postproduction spend starting at 35 percent up to 50 per cent based on meeting a clear set of Executive Officer and Founder of FilmGate, Mansoor Al yahbouni al Dhaheri, added, 'It is a significant year for Abu Dhabi with the new rebate for production starting January 1 and a partnership of this nature with Creative Media Authority will allow us to maximise all that Abu Dhabi offers in terms of filming locations, creative infrastructure, talent and financial support to produce more content than ever before.'As a visionary producer, director, writer, and, most notably, philanthropist, Mr. Mansoor Al Dhaheri, has created content, which has been screened at festivals across the world, including at Abu Dhabi Film Festival, the Dubai International Film Festival and the Gulf Film Festival. Some of his award-winning and nominated projects include Al Biet Metwahid (Unified Home) (2013), ( (2012), Little Sparta (2016), Swim 62 (2023).Other more recent work includes the documentary ABU DHABI success story (2024), TV series Dreams Drawn by Dust (2022), House of Life (2022), Scattered Barriers (2021), three seasons of The Platform and feature film The Misfits (2021).As CEO of FilmGate, he leads a team of directors, scriptwriters, cameramen, video editors, animators, audio auditors, and producers to create engaging and inspiring content from Abu Dhabi. The FilmGate partnership is one of several partnerships CMA is establishing in order to provide further stimulus across the creative industries of Abu Dhabi, of which the production industry is key.