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The sequel that few asked for, but the one that Taylor and Serrano deserved the last time

The sequel that few asked for, but the one that Taylor and Serrano deserved the last time

The 4208-07-2025
WHEN I WAS FIVE, my father set a VHS cassette to record the 'Big Big Movie' for me as I got ready for bed on a Saturday night.
My obsession with dinosaurs had begun about a year earlier with a Christmas present of Mighty Morphin Power Rangers: The Movie on video.
But the day I first sat through Jurassic Park, RTÉ ad breaks and all, was the day the Rangers began to gather dust in the corner unit.
Spielberg — and soon afterwards, the original author, Michael Crichton — had me spellbound. I spent years telling aunts, uncles and teachers that I wanted to become a palaeontologist. My dad, bless him, always encouraged me, but I can't imagine how many times he must have hidden his dismay as he passed me a football only to witness his little nerd of a son compare its dimensions to that of a Diplodocus egg.
My interests would later mutate towards sport but Jurassic Park remains my favourite film. Its greatness perseveres less in the spectacle and more in the questions it poses and the ideas it proposes.
'Your scientists were so preoccupied with whether or not they could, they didn't stop to think if they should.'
Dr Ian Malcolm's warning to John Hammond, perhaps even more prescient these days than it was when Crichton first committed a longer version of it to paper 36 years ago, now sadly also applies to the franchise that Crichton never intended to create.
Released in cinemas last week, Jurassic World: Rebirth — the sixth sequel to Spielberg's original — struck this JP lifer as a pointless, brainless, soulless affair.
And yet it has enjoyed the biggest global movie opening of 2025 so far, raking in over $320 million worldwide. The Jurassic movies have averaged out at about a billion quid per instalment, so you can expect Universal Studios to continue to flog the bones off this extinct reptile in the years to come.
If you've flicked on Netflix, recently, then, you'll have seen they're flogging a sequel of their own.
At a casual glance, it would be easy to perceive Katie Taylor's latest meeting with Amanda Serrano as being, in its own right, another preposterous summer blockbuster for summer blockbusters' sake.
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Why would Katie go back to the island for a third time when she has already survived it twice?!
She and Serrano can probably think of five to seven million reasons each, for starters.
The Netflix trailer for their trilogy bout at Madison Square Garden, New York, this Friday, contained a curious twist: interspliced into Charlize Theron's narration was the comically Serrano-biased commentary from Taylor-Serrano 2 in Dallas last November, including the line from Serrano's fellow Puerto Rican Brooklynite Rosie Perez that Taylor's razor-thin victory in that rematch would see an 'asterisk' applied to her legacy.
That Perez retracted that comment and apologised the same night apparently mattered not to Netflix, who used it as a hook in their highly produced promo. But they won't be using Perez on Friday night, nor will Mauro Ranallo return on lead commentary in this latest instalment. Taylor's team likely saw to that during contract negotiations.
Hey, Hollywood's a tough business.
When I asked Taylor about this casting development a couple of weeks ago, what do you think she said? Spoiler alert: you're probably going to be correct.
'Yeah, I didn't even see the trailer, to be honest,' Taylor laughed. 'I don't really care what happens, really, beforehand, or what's been said or anything like that.
'And nobody's ever going to remember the trailer… but they will remember the result on fight night and that's all I focus on.'
It's true enough, which is clearly why Netflix embellished the trailer with Perez's infamous quote: most people know full well that Taylor is up 2-0 on her career-long rival and so without controversy, however contrived, this third entry in the series is a tougher sell than the first two.
It all comes to down to this.
KATIE TAYLOR vs. AMANDA SERRANO 3 is coming LIVE on Netflix, Friday July 11 at 8 pm ET | 5 pm PT pic.twitter.com/yqru87AD9F — Netflix (@netflix) June 11, 2025
Taylor, who will again defend her undisputed light-welterweight title on Friday night, turned 39 last week. Serrano will be 37 in October. In athletic years, they're fossils, but in the ring, they were still physical marvels as recently as November.
This trilogy bout may well prove the final act for both of them and nobody would argue the fact that Taylor and Serrano deserve the millions they'll pocket when the dust settles beneath them once more.
And while an unwarranted sequel will always be treated with cynicism, it's only fair to point out that Taylor-Serrano 3 is exactly the follow-up that critics wished Taylor-Serrano 2 could have been.
Unlike Dallas, there will be no predetermined male main event between a YouTuber and a 58-year-old former heavyweight champion entering the ring by way of eight blood transfusions.
Taylor and Serrano have returned from the circus for a stripped-down, back-to-basics boxing event at the scene of their original classic in 2022.
They will headline at Madison Square Garden an all-female card, brimming from top to bottom with world-level talent, live on a streaming platform with over 300 million global subscribers.
This will not be car-crash TV but an elevation of women's boxing and a celebration of the cherished characters who have taken it to unprecedented heights in under a decade. The viewing figures will be organic, no caveats. The paychecks will again be huge.
So, while one more will absolutely hurt, you can understand why it would feel worthwhile, all told. It would certainly make for a more fitting night to bow out than as the co-main event to Jake Paul and Mike Tyson.
With nothing left to prove against Serrano, with her sporting legacy sealed, and with her financial future long since secured, I asked Katie Taylor recently how she could possibly summon the determination to do it all again.
She said: 'I love the fact that I get to do something I love every single day.
'And even though sometimes I wake up and I'm not in the mood for training', Taylor added, 'I'm still so grateful to be in this position and I think that's definitely one of the reasons why I've been able to stay at the top for so long — because of this passion that I have for my sport.'
In which case, who am I to tell this master of the sweet science whether or not she should?
I'll be in New York this week to pick the bones of it for The 42 either way.
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Clodagh Finn: It's not the Hunger Games, it's not Miss America — it's our weird, beloved Rose of Tralee
Clodagh Finn: It's not the Hunger Games, it's not Miss America — it's our weird, beloved Rose of Tralee

Irish Examiner

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  • Irish Examiner

Clodagh Finn: It's not the Hunger Games, it's not Miss America — it's our weird, beloved Rose of Tralee

I can already feel the dread rise up in me as the clock ticks down to another Rose of Tralee festival. How, in this millennium, can we still have a Lovely Girls contest, to use one of the kinder terms adopted by the sneery naysayers? Sometimes I wonder that myself, but then the Tralee native in me takes over. Rose of Tralee? Bring it on, she says, along with the buzz, the spotlight (so rare for Kerry's county town) and the crowds, sadly also rare even at the height of the tourist season. It is hard to envisage now but, in the festival's heyday, the town filled with so many people that you had to elbow your way through the streets. It was Mardi Gras, Kerry-style. Or that is how it felt to grow up in a place which, for one week in late August, pulsed with people, music, food and glorious spectacle. The street festival — varied and boisterous — and the Rose competition in the big tent — controlled and curated — seemed worlds apart, but one kept a curious eye on the other. On selection night, news of the crowned Rose filtered down on to the heaving streets before fireworks burst into the autumn sky. The festival was held later then and it delayed our return to school by a week — another reason to love it — but one year we were back in time to welcome the winning Rose. There was a surge as we rushed out of the science lab, without a hint of irony, to greet (or maybe scrutinise, we were teenage girls after all) this young woman who was only a few years older than ourselves. She was down-to-earth and smiling. She wore a sash with the words 'Rose of Tralee' emblazoned on it — there was no sashay — yet it felt like the kiss of celebrity. And success. And it had all played out on television in our local town. It was reality TV before we had a name for it. You could say the organisers of the Rose of Tralee festival were early adopters of a trend that would develop with such force later Miss America was first televised in 1954, attracting a staggering 27m viewers. A little more than a decade later, in 1967, a small festival in a small town in Ireland followed suit. What is staggering is that it is still doing so, and that it is such a hit with viewers. Here are the stats, courtesy of RTÉ: 'Across the two days of the festival, an average audience of 412,900 tuned in on RTÉ One. The show also had a 1-minute reach of over 1.3m across both nights.' By way of contrast, last year the Miss America Pageant was streamed 1.2m times on YouTube. RTÉ presenters Dáithí Ó Sé and Kathryn Thomas will host the Rose of Tralee competition. Picture: Andres Poveda I'm not equating one with the other, just making the point that the Rose of Tralee Festival has shown an uncanny knack of tapping into the endless appetite for televised competition. Far from being outdated — 60% of last year's viewers were between 15 and 34 — it appears to be scarily on trend. It's not Squid Game: the Challenge — there isn't enough prize-money for one thing — and it's certainly not the Hunger Games, but the enduring popularity of the Rose of Tralee Festival, the TV show, seems linked to the collective drive to turn everything into a contest. There was a time when a game show and a cookery show were entirely distinct, but the edges started to blur and then the 'win, win, win' theme of the game show seeped into everything else — gardening, baking, painting, pottery-throwing, design, dancing. Pick a human activity and you will find a TV show pitting practitioner against practitioner on a channel somewhere. Why does everything have to be a competition these days? In some ways, the hobby or activity contests are at the benign end of the scale. They judge what a person can do rather than the person themselves. Having said that, The Apprentice, which purports to evaluate the business skills of its participants, is a study in ritual humiliation. I have heard it well-described as a 'theatre of cruelty'. And it has given the world Donald Trump, a man who has turned world politics into a kind of dystopian reality TV show. Next to all of that, the Rose of Tralee is a breath of fresh air. It's certainly a competition, but you can't really describe it as a beauty contest. The organisers have wisely put the emphasis on connecting the global Irish diaspora. This week co-host Dáithí Ó Sé framed it like this: 'It's such a celebration of Irishness and Irish women, and really pinpoints what women are doing at this particular time. In the 1970s, you would have had teachers and nurses, and today you're talking about engineers, doctors and mechanics. That is what I love about it.' He has a point. This year's Laois Rose, Katelyn Cummins, is a dairy farmer and an apprentice electrician. She has already used her selection to encourage other young women to consider a trade as a career option Also, to the critics and the detractors, here's what she said when she was chosen to represent Laois: 'The whole experience has been amazing. I've met so many lovely girls. I've made friends for life for definite. And now I can't wait to make even more memories and friends in Tralee.' Post-festival, many of the Roses tell interviewers that they have had the time of their lives. And, as far as we know, they were willing and happy participants. Since 2021, the festival has been open to married women, trans women and it upped the age limit to the ripe old age of 29 to be more 'inclusive'. It also recruited a female co-host Kathryn Thomas. Why then, does it still rankle? And it does. 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Spooky Jenna Ortega ruffles feathers in frilly dress at Paris premiere of Wednesday season 2
Spooky Jenna Ortega ruffles feathers in frilly dress at Paris premiere of Wednesday season 2

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Spooky Jenna Ortega ruffles feathers in frilly dress at Paris premiere of Wednesday season 2

OO-La-la! Spooky Jenna Ortega ruffles more than some feathers in a frilly dress in Paris. The US star wore the brown frock for the French premiere of the second series of Netflix hit Wednesday, directed by Advertisement 3 Jenna Ortega at the Paris premiere of the second series of Netflix hit Wednesday Credit: Getty 3 With Tim Burton, who directs the Netflix smash Credit: Shutterstock Editorial The show, based on the daughter from The Addams Family, will return next week after the original run became a ratings hit following its release in 2022. On the reception to the first series, "We didn't know that anyone was going to watch the show. 'You do these things and you don't know what's to come, so it was very overwhelming.' Advertisement READ MORE SHOWBIZ NEWS A former child star, Jenna was catapulted into the A list when Wednesday – viewed 252 million times and counting – launched in 2022. And by her own refreshingly candid admission, that rapid rise to the top was overwhelming. 'To be quite frank, after the show and trying to figure everything out, I was an unhappy person,' she told Harper's Bazaar in May. 'After the pressure, the attention – as somebody who's quite introverted, that was so intense and so scary.' Advertisement Most read in Showbiz Exclusive The eight-month shoot in Romania had been challenging, with Jenna revealing: 'I was alone. Never had any hot water. The boilers in two of my apartments were broken, so I always took cold showers.' At least she'll be getting a warm welcome from Wednesday fans as the show returns to their screens. Game of Thrones star looks worlds away from Westeros after glam transformation for Netflix's Addams Family spin-off 3 Jenna as Wednesday in the Netflix hit Credit: VLAD CIOPLEA/NETFLIX

Kayleigh Trappe says doing Dancing with the Stars helped her 'battle her demons'
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Social media star Kayleigh Trappe has said taking part in RTÉ's Dancing With The Stars helped her "battle her demons" and helped her mental health. The Monaghan native previously opened up about battling with her confidence when she was younger. But Kayleigh said taking part in the show earlier this year helped her mental health, crediting her dance partner Irvinas Merfeldas. She told the Irish Mirror: "I think growing up, I would have struggled with that (confidence) a lot. I thought I had dealt with all my demons but when you're on a show like that, even one of the things Irvinas was quick to point out was the mirrors. "So in the studio, you're surrounded by mirrors the whole time. And he said, 'this makes you uncomfortable at the beginning', I was like, 'it does'. And he was like, 'why?' Kayleigh Trappe, Friday's Most Stylish Celebrity Judge, Comedian and Presenter with Katie Young, enjoying the thirteenth year of Athlone Towncentre's Fridays Most Stylish at the Galway Races (Image: ©INPHO/Morgan Treacy) "And I just didn't understand why. But by the end, he was like, stop looking in the mirror," she said, laughing. "It's just funny, the little things that come out of you and obviously you're on television. On my first day, I was wearing a pink tutu and pink in my hair. "But again, I wear wigs for a living, so I just wanted to embrace every bit of it. I told them to throw me in anything. And I was just glad that I was comfortable with it all. "In the end, it came out of it a lot happier, like up above mentally as well." She admitted when the show ended, she felt like somebody had "died". "Obviously, when the show ended, it was like someone had died. If you need me, I'm in bed crying because it was just such a big part of my life. 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She completed her race-going outfit with a purple head piece that she got from Depop that only arrived on Friday morning. Clodagh Cosgrove from Athlone, Co Westmeath was the winner of Athlone Towncentre Friday's Most Stylish Lady at the Galway Races (Image: Hany Marzouk) Clodagh, who works in finance in Dublin, said: "I am so shocked. I haven't been to the races in years. I went all out for today. I've never won at the races before. I am really shocked. It's amazing style here. I really am speechless." Clodagh is also mam to four-year-old Emily and two-year-old George. One of the key reasons Clodagh was chosen as winner of Friday's Most Stylish was due to the way she created a wholly individual look, incorporating pieces from high street stores. Kayleigh said: "I definitely love colour. I love creativity. I love a story behind it, especially with the sustainability outfit in mind. "This is my second time here at the Galway Races. There's something for everybody. I wouldn't have a breeze about betting but I love the style element of it." Wearing a top from Aoife McNamara, she matched her outfit with a skirt that's three years old from a boutique in Westport called The Dressing Room. She matched her outfit with a hat from Sinead B Millinery. Kayleigh said: "I was very conscious of trying to keep it sustainable and re-wear a few things." Marietta Doran, Shirley Delahunt, Athlone Towncentre and Kayleigh Trappe (Image: ©INPHO/Tom OHanlon) Thousands of fashionable punters arrived at the Ballybrit racecourse for Friday's Most Stylish. Talking about Friday's Festival meet, Michael Moloney, CEO of Galway Racecourse, said "the Friday of our seven-day Festival has grown from strength to strength". "Style competitions at Galway Racecourse such as Friday's Most Stylish sponsored by Athlone Towncentre add to the excitement and enjoyment of the day. Advance ticket sales were very strong again this year, proving its huge appeal and popularity.' Athlone Towncentre Manager Shirley Delahunt says "we are thrilled to see another deserving winner of this year's 'Friday's Most Stylish' competition". "The decision of choosing a winner proved to be highly challenging with so many beautiful looks worn by women enjoying this evening's cacing in Galway. "Clodagh has demonstrated that racing style is more about reflecting one's individual personality and love of style as opposed to spending an exorbitant amount of money on clothing one cannot wear more than a handful of times. "Friday evening of race week is a highlight in the calendars of stylish race goers from far and wide. "We have seen a real evolution of style at the races over the last number of years which perfectly complements the high street stores and boutiques we house in Athlone Towncentre.' For more of the latest breaking news from the Irish Mirror check out our homepage by clicking here. The Irish Mirror's Crime Writers Michael O'Toole and Paul Healy are writing a new weekly newsletter called Crime Ireland. Click here to sign up and get it delivered to your inbox every week

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