logo
Before Keanu Reeves' Speed, There Was The Bullet Train

Before Keanu Reeves' Speed, There Was The Bullet Train

Tokyo Weekender24-04-2025

The 1994 Keanu Reeves action thriller
Speed
— the story of a bomb on a bus that will blow if the vehicle goes slower than 50 miles per hour — only exists because the screenwriter's father mixed up two movies.
Long ago, writer Graham Yost was recommended the 1985 Jon Voight movie
Runaway Train
by his dad, who mentioned that the titular train couldn't stop because of a bomb. However, there was no bomb in the film. Yost's father was most likely confusing it with the 1975 Japanese film
The Bullet Train
(not to be confused with the
2022 Brad Pitt movie
Bullet Train
), which is about a Shinkansen that will blow up if it slows down.
Yost didn't know that, though. He only saw
Runaway Train
and thought that the story would have been better with a bomb in it. And thus,
Speed
was born… as an accidental American remake of
The Bullet Train.
It took over 30 years, but Japan finally decided to do something about it by releasing its own remake of
Bullet Train,
which premiered on Netflix on April 23 under the title
Bullet Train Explosion
.
How does it hold up against the original? Let's take a look, without any spoilers.
List of Contents:
Same Story, Different Genres
The Titular Bullet Train
Why the Remake Is Still Totally Worth Watching
Related Posts
Same Story, Different Genres
Bullet Train Explosion
centers around a Shinkansen with a bomb on it that will explode if the train slows below 100 kilometers per hour. Seemingly just like the original (except in that one it was 80 kilometers per hour because times and trains are faster now), but both movies approach the topic differently. The original is full of social commentary and uses a trio of bombers to explore the struggles of Japan's underclass that developed in the wake of its economic boom that didn't benefit everyone.
The 'bad guys' are a man whose livelihood was swallowed up by big businesses, his poor ex-employee and a radical who wants to topple an unjust system. Yes, they are risking the lives of innocents to extort money from the government, but through flashbacks and multiple scenes, we get to know them and understand their point of view, even if we don't agree with it.
The remake plays it differently. The bombers aren't revealed until long past the halfway mark, and while one technically counts as a member of a demographic that is often treated unfairly and even violently, their motives are ultimately personal and selfish.
They're also never really explored as much as revealed via exposition by other characters who seem to appear out of nowhere because so much of
Bullet Train Explosion
is focused on the train and the people inside it. Conversely, a huge part of the 1975 film is actually a police procedural taking place outside the train where officers follow clues, make deductions and just work the case.
An argument could be made that
Bullet Train Explosion
keeps things more focused, but we have to ask ourselves what is a remake? Is it something that gives us less or more than the original? Your answer to that question may help you decide if
Bullet Train Explosion
is for you.
Bullet Train Explosion – Production Still Image
The Titular Bullet Train
The Bullet Train
was a nightmare to cast. According to
an interview with director Junya Sato
, popular actor Bunta Sugawara turned down a role because his wife read the script and concluded that the Shinkansen was the main character, not the actor. That is not true, though.
As mentioned before, a lot of the story takes place outside the bullet train, which was not a purely creative choice. It was due to Japanese National Railways — the predecessor of JR — offering the movie no support: no access to trains, no details about the inner-workings of the rail system, nothing.
The only reason the filmmakers knew what a Shinkansen control room looked like was because
they hired a foreign actor
to pose as a German engineer interested in a tour of the facility, which he filmed with a hidden camera.
Once again, things were very different with the remake. JR gave
Bullet Train Explosion
a lot of support, including actual Shinkansen trains. It did, however, stop short of letting them blow one up for real.
You would think that would work to the movie's advantage, but either because of explicit requests from the company or gratitude from the filmmakers, the remake spends a lot of time praising the hell out of the Shinkansen.
When it first arrives in the movie, the music swells and the train is shot in a way that borders on the pornographic with low-angle shots and sweeps of its slender body. Also, one crew member can't shut up about how much he loves the Shinkansen and cares about his passengers.
By the fifth time he mentions it, you feel like screaming 'OK, we get it, the Shinkansen is amazing, can we please get back to the movie?' And the thing is, the Shinkansen is an amazing piece of technology, but singing its praises at every turn feels like a promotion for JR that cheapens the movie.
Why the Remake Is Still Totally Worth Watching
For every mistake that
Bullet Train Explosion
makes, it gives us two fun action scenes as penance.
The Bullet Train
focused on human drama and action scenes that didn't require a lot of external shots of the trains because they didn't have access to them.
The remake, though, took full advantage of having JR on its side, taking some of the scenes from the original and making them much more action-packed, involving fast trains and finally topping everything off with a bunch of explosions. The 1975 movie admittedly had few of those, while the remake blows up more trains than Gomez Addams.
Even if you frequently travel on the Shinkansen, watching one clip other trains, get rear-ended, or blown apart is surprisingly a lot of fun because of the tone of the movie. There's a part where the remake gets weirdly dark and serious, but it's not representative of the rest of the film that, on the whole, is kind of wacky in a 'we are all aware that this is a ridiculous story and we are trying to get through this with a straight face.'
In most cases, that would be a mark against an action movie, but if it helps get us creative action scenes, then we can overlook it. A bigger focus on practical effects instead of CGI would have been nice but you can't get everything, and what you do get, is a fun movie.
Related Posts
Batman Ninja vs. Yakuza League Movie Review: A Loony Love Letter to Japanese Culture
The Marketing Blitz That Helped Make the Original Godzilla a Success
Japan Travel Made Easy: A Comprehensive Guide to Shinkansen and Subway Trains

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Studio Ghibli marks 40 years, but future looks uncertain
Studio Ghibli marks 40 years, but future looks uncertain

Japan Today

time4 hours ago

  • Japan Today

Studio Ghibli marks 40 years, but future looks uncertain

Studio Ghibli, the name behind the Oscar-winning 'Spirited Away', has become a cultural phenomenon By Natsuko FUKUE Japan's Studio Ghibli turns 40 this month with two Oscars and legions of fans young and old won over by its complex plots and fantastical hand-drawn animation. But the future is uncertain, with latest hit "The Boy and the Heron" likely -- but not certainly -- the final feature from celebrated co-founder Hayao Miyazaki, now 84. The studio behind the Oscar-winning "Spirited Away" has become a cultural phenomenon since Miyazaki and the late Isao Takahata established it in 1985. Its popularity has been fuelled of late by a second Academy Award in 2024 for "The Boy and the Heron", starring Robert Pattinson, and by Netflix streaming Ghibli movies around the world. In March, the internet was flooded with pictures in its distinctively nostalgic style after the release of OpenAI's newest image generator -- raising questions over copyright. The newly opened Ghibli Park has also become a major tourist draw for Aichi Prefecture. Julia Santilli, a 26-year-old from Britain living in northern Japan, "fell in love with Ghibli" after watching the 2001 classic "Spirited Away" as a child. "I started collecting all the DVDs," she told AFP. Ghibli stories are "very engaging and the artwork is stunning", said another fan, Margot Divall, 26. "I probably watch 'Spirited Away' about 10 times a year still." Before Ghibli, most cartoons in Japan -- known as anime -- were made for children. But Miyazaki and Takahata, both from "the generation that knew war", included darker elements that appeal to adults, Miyazaki's son Goro told AFP. "It's not all sweet -- there's also a bitterness and things like that which are beautifully intertwined in the work," he said, describing a "whiff of death" in the films. For younger people who grew up in peacetime, "it is impossible to create something with the same sense, approach and attitude", Goro said. Even "My Neighbor Totoro", with its cuddly forest creatures, is in some ways a "scary" movie that explores the fear of losing a sick mother, he explained. Susan Napier, a professor at Tufts University in the United States and author of "Miyazakiworld: A Life in Art", agrees. "In Ghibli, you have ambiguity, complexity and also a willingness to see that the darkness and light often go together" unlike good-versus-evil U.S. cartoons, she said. The post-apocalyptic "Nausicaa of the Valley of the Wind" -- considered the first Ghibli film despite its release in 1984 -- has no obvious villain, for example. The movie featuring an independent princess curious about giant insects and a poisonous forest felt "so fresh" and a change from "a passive woman... having to be rescued", Napier said. Natural world Studio Ghibli films also depict a universe where humans connect deeply with nature and the spirit world. A case in point was 1997's "Princess Mononoke", distributed internationally by Disney. The tale of a girl raised by a wolf goddess in a forest threatened by humans is "a masterpiece -- but a hard movie", Napier said. It's a "serious, dark and violent" film appreciated more by adults, which "was not what U.S. audiences had anticipated with a movie about a princess". Ghibli films "have an environmentalist and animistic side, which I think is very appropriate for the contemporary world with climate change", she added. Miyuki Yonemura, a professor at Japan's Senshu University who studies cultural theories on animation, said watching Ghibli movies is like reading literature. "That's why some children watch Totoro 40 times," she said, adding that audiences "discover something new every time". Miyazaki and Takahata -- who died in 2018 -- could create imaginative worlds because of their openness to other cultures, Yonemura said. Foreign influences included writer Antoine de Saint-Exupery and animator Paul Grimault, both French, and Canadian artist Frederic Back, who won an Oscar for his animation "The Man Who Planted Trees". Takahata studying French literature at university "was a big factor", Yonemura said. "Both Miyazaki and Takahata read a lot," she said. "That's a big reason why they excel at writing scripts and creating stories." Miyazaki has said he was inspired by several books for "Nausicaa", including the 12th-century Japanese tale "The Lady who Loved Insects", and Greek mythology. Studio Ghibli will not be the same after Miyazaki stops creating animation, "unless similar talent emerges", Yonemura said. Miyazaki is "a fantastic artist with such a visual imagination" while both he and Takahata were "politically progressive", Napier said. "The more I study, the more I realize this was a unique cultural moment." "It's so widely loved that I think it will carry on," said Ghibli fan Divall. "As long as it doesn't lose its beauty, as long as it carries on the amount of effort, care and love." © 2025 AFP

Cloudy skies can't dim joy as thousands fill Washington for World Pride parade
Cloudy skies can't dim joy as thousands fill Washington for World Pride parade

Japan Today

timea day ago

  • Japan Today

Cloudy skies can't dim joy as thousands fill Washington for World Pride parade

By CHRISTINE FERNANDO, JACQUELYN MARTIN and GARY FIELDS Gray skies and drizzle gave way to sunshine, multicolored flags and celebrations as the nation's capital held the World Pride parade Saturday. Tens of thousands of people participated in parades and other festivities, in defiance of what activists say is an unprecedented assault on the LGBTQ+ community that challenges the rights many have fought for over the years. A rainbow flag the length of three football fields flowed through the streets, carried by 500 members of the Gay Men's Chorus of Washington, D.C., to kick off the parade. Behind them, people waved Pride flags and flags representing the transgender, asexual and bisexual communities from atop a bus. Singer-songwriter and actor Reneé Rapp laughed and blew kisses from the back of a pickup truck draped with a transgender flag while Laverne Cox, a transgender actress and activist known for her role in Netflix's 'Orange is the New Black,' waved from an open convertible. 'Pride means us looking out for each other no matter what,' she declared to the crowd as the convertible rolled to a stop. 'We know how to be there for each other.' Many LGBTQ+ travelers have expressed concerns or decided to skip World Pride due to anxieties about safety, border policies and a hostile political climate that they say hearkens back to another time. But that did not keep international travelers and other participants away, with groups visible from Iran, Namibia, Kenya and Russia. Along the parade route, hundreds gathered outside the National City Christian Church as rainbow flags and balloons lined its steps and columns. A child with rainbow face paint blew bubbles at the base of the steps while Whitney Houston's 'I Wanna Dance with Somebody' blared from loudspeakers. 'D.C. is already one of the biggest cities in the country for celebrating Pride,' said Cheo White, 33, from Annapolis, Maryland. 'But we are all collectively more united and turning out more because of what's happening in the White House.' Many have said the gathering has taken on a new meaning amid the Trump administration's aggressive policies against protections for transgender Americans and diversity, equity and inclusion programs. White's partner, Nick Kerver, 26, who was visiting from Toledo, Ohio, said Pride has 'always been a political tool' but has taken on more importance this year amid mounting threats to the LGBTQ+ community, especially transgender and nonbinary Americans.' 'It feels more important than ever,' Kerver said while wearing a rainbow hat, sunglasses and a T-shirt. 'But we also have to get involved in our local communities, too.' David Begler, a 58-year-old gay man from Philadelphia, expressed disappointment that many international travelers felt unsafe visiting the District of Columbia for World Pride but said he appreciates its presence in the city during this political climate. 'It's the perfect time to have World Pride in D.C.,' Begler said. 'We need it right now. I want us to send a message to the White House to focus on uplifting each other instead of dividing.' Stay DeRoux, 36, usually plans a day trip to D.C. Pride from her home in Fredericksburg, Virginia. But this year, she and her wife, Deenie DeRoux, planned a full weekend. 'This is a really big year,' Stay DeRoux said. 'There's been a lot of turmoil. So it's an amazing thing to be among allies, among people who love because we've experienced so much hate on a daily basis.' For the day, the idea of threats and opposition took a backseat to the celebration. Streets were closed, but filled with floats, and impromptu parties broke out with music and food in streets adjoining the parade route. Johnny Cervantes Jr., dressed in a black suit and top hat, headed to a grandstand at a church themed float to marry his partner of 28 years, Freddie Lutz, owner of Freddie's Beach Bar and Restaurant in Arlington, Virginia. Events culminate Sunday with a rally and protest march and a giant street party and concert covering a multi-block stretch of Pennsylvania Avenue. 'This is World Pride in the best city in the world,' D.C. Mayor Muriel Bowser declared as she walked the parade hand-in-hand with her daughter, Miranda. Late Saturday, the Washington, D.C., Metropolitan Police Department reported on its X site, formerly Twitter, that two men were stabbed and another was shot near Dupont Circle, one of the areas of celebration during Pride. A police spokeswoman said it was two incidents. The conditions of the victims were unknown, and there were no other details available. It was not known if the incidents were related to the celebration or to one another. Michael Williams, security at the Madhatter Restaurant, said he heard a loud pop that sounded like a gun shot then saw dozens of people running away from Dupont Circle along Connecticut Avenue, one of the city's main north-to-south thoroughfares. He said police were following behind. 'I just stepped out of people's way. And it looked like police had it under control.' Despite the police presence in the area afterwards, revelers continued flooding nightspots. © Copyright 2025 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed without permission.

Live-action Netflix One Piece Chopper shows face for first time – What do fans in Japan think?
Live-action Netflix One Piece Chopper shows face for first time – What do fans in Japan think?

SoraNews24

time7 days ago

  • SoraNews24

Live-action Netflix One Piece Chopper shows face for first time – What do fans in Japan think?

Tony Tony Chopper moves and speaks in introduction video. Against all odds, or at least a whole lot of them, the first season of Netflix's live-action One Piece was a success. Considering how many Western-produced adaptations of anime/manga are announced but never actually get made, it wouldn't have been a shock if Netflix's One Piece had died on the pre-production vine, nor would it have been a big surprise if the unabashedly bizarre charm of the One Piece world and characters simply didn't translate into live-action, but so far the Netflix series has been meet with a largely positive response from both preexisting fans and newcomers to the franchise. Of course, the live-action One Piece's job is only going to get tougher from here on out, as the scale of the story and creativity of its visual weirdness get continually ratcheted up as the story goes on. For Season 2, the biggest test for the Netflix One Piece is going to be how it handles the introduction of Tony Tony Chopper, who's not only the doctor for the Straw Hat Pirate protagonists, but also an anthropomorphic reindeer. Netflix gave us a tiny sneak peek at their version of Chopper back in September, and now they've released a full character introduction video, in which the little guy finally reveals his face and voice. Emerging from his half-hiding spot behind a stone pillar, Chopper shyly introduces himself. With his voice provided by voice actress Mikaela Hoover, he's at turns shy, blustery, and overcome with boyish glee, even doing a little dance after he gets over his self-conscious embarrassment. The CG is impressive, with the light playing convincingly off of Chopper's individuals strands of fur, and the tufts swaying enough to be believable when he moves but not so much as to be distracting. If there's a complaint to be made, it could be that Chopper's teeth are a little disturbing. This is something that happens pretty commonly when trying to bring cartoonishly designed characters into a photo-realistic aesthetic. Something similar happened with the first images for the live-action Sonic the Hedgehog movie, so maybe Netflix will be retooling Chopper's teeth before Season 2 starts streaming. All in all, though, Chopper's live-action look is being received rather well by fans in Japan, judging from YouTube comments for the reveal video, which have included: 'When I saw the thumbnail, I thought 'That's freaky,' but it's amazing how much cuter he seems after seeing him move and hearing him talk.' 'I figured it was going to be hard to pull Chopper off in live-action, and looking at still images I still feel that way, but the way he moves and talks brings him closer to the anime version's cuteness level.' 'They're going for a more realistic look than I expected, but they've recreated his adorable atmosphere.' 'Gonna have to mentally prepare myself to see them dive into the sad backstory for Chopper when he looks this cute.' 'The artists are incredible. Even with the realistic design, they've instilled so much cuteness into the character with his movements and facial gestures.' 'It'd be an exaggeration to say he's as cute as the anime and manga versions, but I love how they're keeping his mannerisms true to the original work. Looking forward to this.' It's worth noting that we still haven't seen Netflix's Chopper on-screen with human actors, and trying to combine CG and live-action elements in the same shot is often where visual effects stumble. So far, though, Chopper seems to be on a good course for Netflix's One Piece Season 2 premiere, which is slated for some time in 2026. Source, images: YouTube/Netflix Japan ● Want to hear about SoraNews24's latest articles as soon as they're published? Follow us on Facebook and Twitter!

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store