
Before Keanu Reeves' Speed, There Was The Bullet Train
Speed
— the story of a bomb on a bus that will blow if the vehicle goes slower than 50 miles per hour — only exists because the screenwriter's father mixed up two movies.
Long ago, writer Graham Yost was recommended the 1985 Jon Voight movie
Runaway Train
by his dad, who mentioned that the titular train couldn't stop because of a bomb. However, there was no bomb in the film. Yost's father was most likely confusing it with the 1975 Japanese film
The Bullet Train
(not to be confused with the
2022 Brad Pitt movie
Bullet Train
), which is about a Shinkansen that will blow up if it slows down.
Yost didn't know that, though. He only saw
Runaway Train
and thought that the story would have been better with a bomb in it. And thus,
Speed
was born… as an accidental American remake of
The Bullet Train.
It took over 30 years, but Japan finally decided to do something about it by releasing its own remake of
Bullet Train,
which premiered on Netflix on April 23 under the title
Bullet Train Explosion
.
How does it hold up against the original? Let's take a look, without any spoilers.
List of Contents:
Same Story, Different Genres
The Titular Bullet Train
Why the Remake Is Still Totally Worth Watching
Related Posts
Same Story, Different Genres
Bullet Train Explosion
centers around a Shinkansen with a bomb on it that will explode if the train slows below 100 kilometers per hour. Seemingly just like the original (except in that one it was 80 kilometers per hour because times and trains are faster now), but both movies approach the topic differently. The original is full of social commentary and uses a trio of bombers to explore the struggles of Japan's underclass that developed in the wake of its economic boom that didn't benefit everyone.
The 'bad guys' are a man whose livelihood was swallowed up by big businesses, his poor ex-employee and a radical who wants to topple an unjust system. Yes, they are risking the lives of innocents to extort money from the government, but through flashbacks and multiple scenes, we get to know them and understand their point of view, even if we don't agree with it.
The remake plays it differently. The bombers aren't revealed until long past the halfway mark, and while one technically counts as a member of a demographic that is often treated unfairly and even violently, their motives are ultimately personal and selfish.
They're also never really explored as much as revealed via exposition by other characters who seem to appear out of nowhere because so much of
Bullet Train Explosion
is focused on the train and the people inside it. Conversely, a huge part of the 1975 film is actually a police procedural taking place outside the train where officers follow clues, make deductions and just work the case.
An argument could be made that
Bullet Train Explosion
keeps things more focused, but we have to ask ourselves what is a remake? Is it something that gives us less or more than the original? Your answer to that question may help you decide if
Bullet Train Explosion
is for you.
Bullet Train Explosion – Production Still Image
The Titular Bullet Train
The Bullet Train
was a nightmare to cast. According to
an interview with director Junya Sato
, popular actor Bunta Sugawara turned down a role because his wife read the script and concluded that the Shinkansen was the main character, not the actor. That is not true, though.
As mentioned before, a lot of the story takes place outside the bullet train, which was not a purely creative choice. It was due to Japanese National Railways — the predecessor of JR — offering the movie no support: no access to trains, no details about the inner-workings of the rail system, nothing.
The only reason the filmmakers knew what a Shinkansen control room looked like was because
they hired a foreign actor
to pose as a German engineer interested in a tour of the facility, which he filmed with a hidden camera.
Once again, things were very different with the remake. JR gave
Bullet Train Explosion
a lot of support, including actual Shinkansen trains. It did, however, stop short of letting them blow one up for real.
You would think that would work to the movie's advantage, but either because of explicit requests from the company or gratitude from the filmmakers, the remake spends a lot of time praising the hell out of the Shinkansen.
When it first arrives in the movie, the music swells and the train is shot in a way that borders on the pornographic with low-angle shots and sweeps of its slender body. Also, one crew member can't shut up about how much he loves the Shinkansen and cares about his passengers.
By the fifth time he mentions it, you feel like screaming 'OK, we get it, the Shinkansen is amazing, can we please get back to the movie?' And the thing is, the Shinkansen is an amazing piece of technology, but singing its praises at every turn feels like a promotion for JR that cheapens the movie.
Why the Remake Is Still Totally Worth Watching
For every mistake that
Bullet Train Explosion
makes, it gives us two fun action scenes as penance.
The Bullet Train
focused on human drama and action scenes that didn't require a lot of external shots of the trains because they didn't have access to them.
The remake, though, took full advantage of having JR on its side, taking some of the scenes from the original and making them much more action-packed, involving fast trains and finally topping everything off with a bunch of explosions. The 1975 movie admittedly had few of those, while the remake blows up more trains than Gomez Addams.
Even if you frequently travel on the Shinkansen, watching one clip other trains, get rear-ended, or blown apart is surprisingly a lot of fun because of the tone of the movie. There's a part where the remake gets weirdly dark and serious, but it's not representative of the rest of the film that, on the whole, is kind of wacky in a 'we are all aware that this is a ridiculous story and we are trying to get through this with a straight face.'
In most cases, that would be a mark against an action movie, but if it helps get us creative action scenes, then we can overlook it. A bigger focus on practical effects instead of CGI would have been nice but you can't get everything, and what you do get, is a fun movie.
Related Posts
Batman Ninja vs. Yakuza League Movie Review: A Loony Love Letter to Japanese Culture
The Marketing Blitz That Helped Make the Original Godzilla a Success
Japan Travel Made Easy: A Comprehensive Guide to Shinkansen and Subway Trains
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Japan Today
a day ago
- Japan Today
Voice actors push back as AI threatens dubbing industry
FILE PHOTO: FILE PHOTO: Figurines with computers and smartphones are seen in front of the words "Artificial Intelligence AI" in this illustration taken, February 19, 2024. REUTERS/Dado Ruvic/Illustration/File Photo By Elizabeth Pineau, Miranda Murray and Dawn Chmielewski Boris Rehlinger may not turn heads on the streets of Paris, but his voice is instantly recognizable to millions of French filmgoers. As the French voice of Ben Affleck, Joaquin Phoenix, and even Puss in Boots, Rehlinger is a star behind the scenes — and now he is fighting to keep his craft alive in the age of AI. "I feel threatened even though my voice hasn't been replaced by AI yet," the actor, who is part of a French initiative, TouchePasMaVF, to protect human-created dubbing from artificial intelligence, told Reuters. He said there was a team of professionals, including actors, translators, production directors, dialogue adapters and sound engineers, to ensure audiences barely notice that the actor on screen is speaking a different language than they hear. The rise of global streaming platforms such as Netflix, which relies heavily on dubbing to make global hits such as "Squid Game" and "Lupin", has amplified demand. Consumer research firm GWI says 43% of viewers in Germany, France, Italy and Britain prefer dubbed content over subtitles. The market is expected to grow to $4.3 billion in 2025, reaching $7.6 billion by 2033, according to Business Research Insights. That growth could also amplify demand for the so-far nascent technology-based solutions, with platforms competing for subscribers and revenue, and seeking to win over advertisers from their rivals by emphasising their increasing reach. But as AI-generated voices become more sophisticated and cost-effective, voice actor industry associations across Europe are calling on the EU to tighten regulations to protect quality, jobs and artists' back catalogues from being used to create future dubbed work. "We need legislation: Just as after the car, which replaced the horse-drawn carriage, we need a highway code," Rehlinger said. Worries over technology in the movie industry and whether it will replace the work of humans are not new. AI has been a flashpoint in Hollywood since the labour unrest of 2023, which resulted in new guidelines for the use of the technology. Netflix co-CEO Ted Sarandos said this month that the company used generative AI to produce visual effects for the first time on screen in the original series "El Eternauta (The Eternaut)". It has also tested GenAI to synchronise actors' lip movements with dubbed dialogue to improve the viewing experience, according to three sources familiar with the work. These experiments rely on local voice actors to deliver the lines, rather than use AI to synthetically translate the on-screen performer's voice into another language. Such a use of AI for dubbing is permitted under the new SAG-AFTRA actors' union contract, which covers voice-over dubbing from foreign languages into English. It also requires that the actor rendering the dubbing service be paid. Netflix declined to comment on its use of AI in dubbing when asked by Reuters. INTELLECTUAL PROPERTY Such test-runs by an industry giant will do little to allay the fears of dubbing actors. In Germany, 12 well-known dubbing actors went viral on TikTok in March, garnering 8.7 million views, for their campaign saying "Let's protect artistic, not artificial, intelligence". A petition from the VDS voice actors' association calling on German and EU lawmakers to push AI companies to obtain explicit consent when training the technology on artists' voices and fairly compensate them, as well as transparently label AI-generated content, gained more than 75,500 signatures. When intellectual property is no longer protected, no one will produce anything anymore "because they think 'tomorrow it will be stolen from me anyway'," said Cedric Cavatore, a VDS member who has dubbed films and video games including the PlayStation game "Final Fantasy VII Remake". VDS collaborates with United Voice Artists, a global network of over 20,000 voice actors advocating for ethical AI use and fair contracts. In the United States, Hollywood video game voice and motion capture actors this month signed a new contract with video game studios focused on AI that SAG-AFTRA said represented important progress on protections against the tech. STUDIOS EXPERIMENT Some studios are already cautiously exploring AI. Eberhard Weckerle, managing director of the Neue Tonfilm Muenchen studio, hopes AI and human dubbing can one day coexist. "The fear is that AI will be used to make something as cheap as possible and then people will say, 'Okay, I'll accept that I'll have poorer quality'. And that would actually be the worst thing that could happen to us," said the sound engineer whose studio worked on the German version of "Conclave" and is currently dubbing Guy Ritchie's new film. Earlier this year, the German-dubbed version of streaming service Viaplay's Polish crime series "Murderesses" was removed after criticism from viewers about the monotony of its AI-generated dialogue. The streamer had decided to look into alternative dubbing options due to how prohibitively expensive going through the traditional channels can be in Germany. The hybrid dubbing, created with Israeli startup DeepDub, used a mix of human and AI voices. DeepDub did not respond to an emailed request for comment. "We'll continue offering subtitles and reserve dubbing for select content," said Vanda Rapti, the executive vice president of ViaPlay Group, ViaPlay Select & Content distribution. Despite the disquiet over that series, other potential viewers seem more sanguine. According to GWI, nearly half of viewers said their opinion would not change if they learned that the content they liked was generated by AI. Some 25% said they would like it slightly less, and only 3% said they would like it much more. 'INTEREST IS HUGE' Stefan Sporn, CEO of Audio Innovation Lab, which used AI to dub the Cannes Film Festival entry "Black Dog" from Chinese to German, believes AI will reshape, but not replace, voice work. Humans will always be needed for emotion, scripting, and language nuance, he said, "just not to the same extent". Audio Innovation Lab's technology alters the original actor's voice to match the target language, aiming for authenticity and efficiency. "Interest is huge," said Sporn, adding that producers, studios and advertisers all want to know how well it works. Another startup, Flawless AI, bills itself as an ethical AI company that works with local voice actors and uses its technology to match the on-screen actor's lip movements to the different languages. "When AI technologies are used in the right way, they are a silver bullet to change how we can film-make in a new way," co-CEO Scott Mann said. © Thomson Reuters 2025.


Asahi Shimbun
2 days ago
- Asahi Shimbun
How ‘KPop Demon Hunters' became the surprise hit of the summer
This image released by Netflix shows characters, from left, Rumi, Zoey, and Mira in a scene from 'KPop Demon Hunters.' (Netflix via AP) NEW YORK--In the colorful, animated, musical world of 'KPop Demon Hunters,' everyone is a fan. The general public rocks T-shirts supporting their favorite idols. They hold light sticks and stare starry-eyed at stadium stages; they scream, they cry, they cheer, they buy the merch. It shouldn't come as much of a surprise, then, that the Sony Pictures/ Netflix film itself has inspired similar fanfare, having topped the streamer's global rankings. Fans have flooded the internet with art, covers, cosplay and choreography in response to the movie, which follows the fictional K-pop girl group HUNTR/X as they fight demons. And it's not just the film that's a summer hit. The 'KPop Demon Hunters' soundtrack has topped the charts — debuting at No. 1 on Billboard's Soundtracks chart and No. 8 on the all-genre Billboard 200. Here's how 'KPop Demon Hunters' became the year's surprising success story. The 'KPop Demon Hunters' soundtrack utilizes some of the best and brightest in the genre. That included a partnership with K-pop company The Black Label, co-founded by super producer Teddy Park, known for his work with YG, Blackpink and 2NE1 — empowered girl groups used as references for the film's protagonists, the trio HUNTR/X. It's one of the many reasons the musical film's soundtrack stands on its own. Filmmakers 'really did their homework,' says Jeff Benjamin, a music journalist who specializes in K-pop. Indeed, they did a lot of research. One of the film's directors, Maggie Kang, said that her team prioritized 'representing the fandom and the idols in a very specific way,' as to not disappoint K-pop fans. They pulled from a treasure trove of influences heard at every corner: The fictional, rival boy band Saja Boys' hit song 'Soda Pop,' for example, references the '90s K-pop group H.O.T. And it has worked. 'KPop Demon Hunters' is the highest charting soundtrack of 2025, with eight of its songs landing on the Billboard Hot 100. It peaked at No. 2 on the all-genre Billboard 200. To put that in perspective: Lorde's 'Virgin' and Justin Bieber's 'Swag' did the same. In some ways, it recalls Disney's 'Encanto,' which topped the Billboard 200 and produced a No. 1 hit, 'We Don't Talk About Bruno' in 2022. Similarly, 'KPop Demon Hunters' embraces 'the original soundtrack, which is a lost art form,' adds Benjamin. Tamar Herman, a music journalist and author of the 'Notes on K-pop' newsletter, says the movie succeeds because it embraces animated musical tradition and authentic K-pop music production styles in equal measure. She considers 'Kpop Demon Hunters' to be 'a musical with songs inspired by K-pop,' not unlike a Jukebox musical, where the songs of ABBA are reimagined for 'Mamma Mia.' The novelty of the film, too, seems to be resonating. Where many animated films rely on adapting existing intellectual property, 'KPop Demon Hunters' is original. And it comes from an original perspective. 'It's not completely Korean, it's not completely Western and it's kind of right in that middle,' says Kang. 'It's like not pulled from one side; it's kind of flavors of both. So, I think that's what makes the movie feels a little different.' And 'the core story is what's drawing everybody in,' says Kang. San Francisco-based cosplayer and content creator Nanci Alcántar, who goes by Naanny Lee online agrees. 'It's not only a K-pop group, but it also tells a story of their journey, of how they transform into powerful warriors,' said Alcántar in Spanish. For her, it goes beyond K-pop — it's about the narrative. Kang's approach to cultural authenticity, too, may have contributed to the film's crossover appeal. Rather than explaining Korean elements like HUNTR/X's visit to a traditional medicine clinic or translating K-pop light stick culture for Western audiences, she opted for full immersion. 'We just wanted everybody to just accept that they were in Korea,' Kang said. The director said this method of 'throwing people into the deep end of a culture' breaks down barriers better than heavy-handed explanation. 'We just wanted to keep everything feeling normal,' she explained. 'If you don't shine a light on it, it just becomes more easily accepted.' Zabrinah Santiago, a San Diego-based longtime K-pop fan and freelance illustrator who goes by ItmeZ online, was so inspired by the animation style of the movie that she raced to make fan art. She sold illustrated fan cards of HUNTR/X and Saja Boys at her booth at the Los Angeles Anime Expo, held in July, two weeks after the movie was released on Netflix. And she wasn't the only one. A search of #kpopdemonhunters on Instagram yields thousands of fan illustrations of HUNTR/X and Saja Boys. Japan-based Youtuber Emily Sim, also known as Emirichu online, says the character designs and original plot drew her to the movie. Sim, with more than 3.5 million subscribers on YouTube, posted a 35-minute video about the movie. In a week-and-a-half, it garnered nearly 450,000 views. 'I love seeing all the fan art and just the ways that this movie has creatively inspired people,' Sim said. Kang says for 'KPop Demon Hunters,' her team wanted to bring together demons and Jeoseung Saja — the grim reaper in Korean mythology — for a film that could look both very traditional and modernized — what she says is common in K-dramas but not in animation. Herman compares the movie to another Sony animation: 'Spider-Man: Into the Spider-Verse,' which also attracted a broad audience with its creative animation. 'And it's a fun, animated musical, which we haven't had in a while,' she says. 'It's campy, it's engaging, it's universal.' Santiago was initially skeptical of the title 'KPop Demon Hunters.' 'I feel like with big companies they kind of like to use K-pop as a bait. They kind of like to take advantage of K-pop fans' sincerity,' said Santiago. 'But I felt like with this one, it was such like kind of a love letter to K-pop fans.' Indeed — if the film wasn't authentic to K-pop fans' experience, or mocked them, it is unlikely to have become so popular, says Benjamin. Instead, there are Easter eggs for the dedicated K-pop listener. Herman agrees and says that the film has in-jokes for K-pop fans, not unlike a children's movie that features some humor meant to appeal specifically to parents. 'Figuring out what makes K-pop tick in a way that resonates with musical fans was really important to this movie,' said Herman. For Kang, that was always at the heart of the project. 'Fandom plays a huge part in the world being saved at the end of the movie,' she said. 'So, we were really confident that we were doing that justice.'
.jpg%3Fwidth%3D780%26fit%3Dcover%26gravity%3Dfaces%26dpr%3D2%26quality%3Dmedium%26source%3Dnar-cms%26format%3Dauto&w=3840&q=100)

Nikkei Asia
24-07-2025
- Nikkei Asia
Anime, Japan's cultural crown jewel, faces foreign invasion
Movie-goers wait in line to see "Demon Slayer: Infinity Castle" in Tokyo on July 18. The film rode a global anime boom to set a Japanese box office record. © Kyodo Douglas Montgomery is CEO of Global Connects Media and an adjunct professor at Temple University Japan. Unbelievable as it may seem, anime may be generating more headlines this summer than Trump's tariffs. Undisputed streaming champion Netflix reports that 50% of its global users now watch anime, the Los Angeles Dodgers on July 3 hosted a sold-out One Piece Night and "Demon Slayer: Infinity Castle" just shattered Japan's opening weekend record with a $38 million box office.