
Phantom Of The Opera's lead actress, who grew up in Singapore, excited about homecoming show
While stage actress Grace Roberts is British, she considers herself an honorary Singaporean.
So, returning to the Lion City feels like a homecoming for the London-based performer, who plays the female lead role of Christine in the upcoming Singapore run of the popular musical The Phantom Of The Opera.
Her family migrated to Singapore from Britain when she was a six-week-old baby, and she lived here until she was 18, attending local schools and eating local food. Even after leaving what she calls her home city, she returns quite often.
Ahead of the show's opening night at Marina Bay Sands' Sands Theatre on May 9, Roberts tells The Straits Times: "It always feels great to be back.
"I have so many fond memories here, from watching Imax movies at Science Centre Singapore to playing around the water fountains at Bugis Junction. I have visited the Singapore Zoo at least 50 times and loved its water play area when I was younger."
She also enjoys her satay, chicken rice, char kway teow and Old Chang Kee curry puffs.
Roberts, who is in her late 20s, has been playing the titular antagonist's love interest on The Phantom Of The Opera's international tour since 2024. She has performed in Chinese cities such as Shanghai, Beijing and Guangzhou, and in Mumbai in India.
This will be The Phantom Of The Opera's fifth run in Singapore. It was first performed here at the Kallang Theatre in 1995 and then at the Esplanade Theatre in 2007. Live entertainment company Base Entertainment Asia presented the musical at Sands Theatre in 2013 and 2019.
In a full-circle moment, she first saw the 2013 production as a teenager, and fell in love with its story, music and costumes.
With music by legendary British composer Andrew Lloyd Webber, the show premiered in London in 1986. It features some of the most iconic numbers in musical theatre, such as its haunting title track, the spellbinding The Music Of The Night and the operatic ballad All I Ask Of You.
"The show was so grand," recalls Roberts. "Everyone has heard of it, and everyone knows the organ, the chandelier. As a young performer, you just aspire to be part of something so epic. Being able to sing Think Of Me and Wishing You Were Somehow Here Again every night, it feels so amazing."
She adds: "I think I have been practising for this role for more than five years in my bedroom."
British actress Grace Roberts as Christine in The Phantom Of The Opera musical. PHOTO: THE PHANTOM OF THE OPERA SINGAPORE 2025
One of her character's defining moments is belting out the ending high note with no accompaniment at the title track's climax. She says: "I get a big chord from the orchestra, sing three Cs, and then I am on my own. I have to hit it well, because it is so exposed. Thankfully, the stage lighting is on me, so I can't see the audience that much. It removes some nerves because it is like there is nobody there.
"I sometimes do get nervous, but I have done so many shows now that it feels like second nature."
Her family members still live here and have links to Tanglin Trust School, a British international school located in Portsdown Road.
Roberts moved here from Britain when she was only six weeks old, and she lived here until she was 18. PHOTO: JENNIE SCOTT PHOTOGRAPHY
Her father, Mr David Roberts, still teaches English at the school. Her mother, Mrs Sian Roberts, who is retired, used to teach German there. Both are in their 50s. Her older sister Megan, now a director in a professional services firm in Singapore, also attended the school.
Grace Roberts, who attended Parry Primary School (now known as Xinghua Primary School), was from Tanglin Trust School's 2014 cohort during her teen years.
She played the female lead Audrey in its production of the musical Little Shop Of Horrors, and was awarded the Tanglin Alumni of the Year Award for Excellence in the Arts in February.
Roberts (left) in a production of the musical Little Shop Of Horrors at Tanglin Trust School, located at Portsdown Road, in 2014. In the show, she played the female lead Audrey, opposite her schoolmate Kyle Portnoy (right), who acted in the role of Seymour. PHOTO: TANGLIN TRUST SCHOOL
When she turned 18, she moved to London to train at the Royal Academy of Music and graduated in 2018. Roberts, who is engaged to fellow Britain-based theatre actor Simon Whitaker, played The Young Wife in the off-West End production of Hello Again in 2019, and appeared in a concert version of the musical Les Miserables in Guernsey, an island in the English Channel, in 2018.
Roberts (front row, in front of cake) celebrating her seventh birthday at a McDonald's restaurant in Hougang with her schoolmates from Parry Primary School, and some family friends. Parry Primary School merged with Xinghua Primary School in 2007. PHOTO: COURTESY OF GRACE ROBERTS
The soprano credits her classical training to her former singing teacher Hawk Liu, a Singaporean who gave her vocal lessons when she was 15 to 18.
"He shaped my technique and artistry, introducing me to cantatas composed by Bach and works by Mozart. He really pushed me, and I would not have known I could do what I can do, had he not been my teacher. I genuinely believe he is responsible for my voice's trajectory, and we are still in touch."
Singapore's melting pot of cultures and diverse arts scene were also instrumental in shaping her artistic journey, she adds.
Roberts - who is also the writer and editor of Pixie Dust And Passports, a travel blog which focuses on theme park- and Disney-related content - says: "Growing up here, I saw ballet and opera shows, zitar performances, gospel choirs and Disney On Ice extravaganzas. There were small local shows as well as Wicked and Les Miserables.
"There was so much available to me that would not necessarily have been the case had I been living in another country, and I am thankful for all of it."
Book It/The Phantom Of The Opera
Where: Sands Theatre, Marina Bay Sands, 10 Bayfront Avenue When: May 9 to June 22; 8pm (Tuesdays to Saturdays), 2pm (Saturdays), 1 and 6.30pm (Sundays) Admission: $93 to $298 via Marina Bay Sands (str.sg/eZfK) and Sistic (call 6348-5555 or go to sistic.com.sg)
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New Paper
3 hours ago
- New Paper
Thosai-eating Machine: 36 thosais and more in 68 minutes
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That's more than 7kg of food, drenched in 1.6kg of ghee, consumed in just over an hour. "I chose MTR because so many of my Indian followers kept recommending it," Zermatt told me post-feast, still glowing - not from sweat, but what can only be described as thosai bliss. "They said this was the place to try real South Indian food. I went for it on my own free will, and they were right." Indeed, MTR, which recently celebrated its 100th anniversary globally and 12th in Singapore, is no average restaurant. Known for its no-shortcut approach - no preservatives, no chemicals just good-old freshly ground masalas and batters - it draws loyalists from across cultures. "About 30 per cent of our podi thosais are eaten by Chinese customers," said MTR manager Srinivasa Satish Rao. "But this is the first time I've seen anyone eat 36 thosais in one go. Zermatt was smiling throughout. Incredible." It wasn't just thosais. Zermatt had never tried some of these varieties before. "I've had thosai before," he said, "but not like this. The spices, the ghee, the textures - buttery, crispy, hot. It's an experience. You can tell there's love in every fold of the thosai." And yet, watching him eat was hypnotic. Calm, composed, surgical. I couldn't help but ask: How does one even do this? Zermatt laughed and told me: "It's years of training. I started off with a 2kg capacity. I've worked up to 9kg now. Before and after each challenge, I fast for 24 hours to reset my body." What about health? "I go for full health checks every six months. My biomarkers are top 2 to 5 per cent. My doctor says I'm healthier than 90 per cent of Singaporeans." If it all sounds impossible, you should know this: Zermatt is not your average mukbanger (someone who consumes copious amounts of food on camera). With a ripped physique, a Tesla parked outside, and more than 2.2 million YouTube subscribers and a total of 4.5 million TikTok, Instagram and Facebook followers, he's a brand. He juggles nutrition knowledge, gym routines and travel schedules to pursue what he calls "performative gastronomy". At MTR, the audience of about 15 - including three camera operators, restaurant staff and curious patrons like me, drawn to the spectacle by the manager's invitation - watched with rapt attention as he gulped down thosai after thosai, mixing technique with pure willpower. What happens when you hit your limit? "You feel the flavours start to repeat, so I use tricks - mango lassi to cleanse the palate, honey lemon to lighten things. That helps reset the taste buds," he said. MTR's famed masala podi thosai was his favourite. "Perfect balance. The crispy exterior, the fluffy interior, the spicy potatoes - chef's kiss," he said. Zermatt's eating prowess is no fluke. He holds world records for devouring 92 chicken wings in eight minutes, 7kg of beef noodles in 15 minutes and 9.5kg of laksa. His recent stint with butter chicken - 4kg chicken, 3kg rice, 1kg naan - went viral. Indian food, he says, is the heaviest among cuisines. "The ghee, the spices - it hits different. But it's also the most delicious." So, is this the most thosais anyone has ever eaten in a single sitting? "I don't know," he said with a chuckle. "But if it is, I'd be happy to break my own record next time." Spectator and MTR regular Raj Nainani, who claims to have eaten there daily for years, was in awe: "Zermatt did something extraordinary. I Googled it - I think it is a world record." Behind the gluttony lies a mind of discipline. Zermatt adheres to intermittent fasting, stacks his post-challenge meals with fibre and probiotics and works out six times a week, focusing on cardio and compound lifts. "I don't binge every day. It's planned. It's science," he said. There's also deep respect for culture. "My Indian viewers love when I eat with my hands," he said. "It makes them feel connected. That connection means everything to me." Zermatt might be a global Internet phenomenon, but on May 23 at MTR Singapore, he was simply a man who loved eating thosais. The watchers clapped. The chefs peeked from the kitchen, stunned. He stood, wiped his hands, and flashed a grin. "I'm full," he said. Full of food, yes. But also full of joy. And for those of us lucky enough to watch, full of wonder.


Vogue Singapore
4 hours ago
- Vogue Singapore
Jemimah Wei on building a writing life
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So even though the skeleton of the book did not change—the big things that happen in it were always going to happen—I knew that I had to try and become the writer that the book needed me to be.' Chanel jacket; top and pants, stylist's own. Lenne Chai Wei's obsession with the art form of writing has long been on simmer. Millennials in Singapore might recognise her from her past life as a host on digital platforms like Clicknetwork and E!. As one of the country's earliest online breakout stars, it might have been news to her audience that, alongside her glamorous media job, she spent every spare hour writing. 'There's no other way to say it, those days I used to feel demented,' she laughs. 'I would wake up at 5.30am to go into the co-working space where I was renting a desk, and write for three hours before starting my freelance media work.' A turning point came during a 10-week creative writing masterclass taught by Malaysian writer Tash Aw, which Wei describes as a light bulb moment. 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Writing serves a testing realm for certain questions, which then becomes a controlled environment where these questions can be explored.' She breaks herself out of reverie with a wave of her arm and a chuckle. 'But hopefully, the next book will not take nine years. I think the first one has taught me a thing or two.' Welcome to Vogue Dialogues, a new series by Vogue Singapore in which we spotlight key writers, poets and literary voices driving change for good through groundbreaking work. Vogue Dialogues is presented with the support of Chanel. A long-standing patron of arts and culture around the globe, Chanel has deep roots in the literary world, led by key initiatives like The Literary Rendezvous at Rue Cambon which brings together writers to discuss important themes like female empowerment. With their support of Vogue Dialogues, Chanel joins Vogue Singapore in celebrating our local and regional literary scene, as well as amplifying the voices of Asian and female writers all around the world. Associate lifestyle editor Chandreyee Ray Director of photography Lenne Chai Gaffer Timothy Lim Sound Jenn Hui Chia Camera assistant Kinleung Lau Post-production AMOK Production Producer David Bay Styling Nicholas See Hair Winnie Wong Make-up Victoria Hwang The June issue of Vogue Singapore is available online and on newsstands now.

Straits Times
5 hours ago
- Straits Times
Ana de Armas interview: Ballerina, John Wick spinoff and screaming for action scenes
Actress Ana de Armas had to scream before she could kill in John Wick movie spin-off Ballerina SINGAPORE – Actress Ana de Armas was making all the right moves when it came to the fight scenes in the movie From The World Of John Wick: Ballerina, but something was missing. 'I would do the stunts, but it felt too choreographed. The stunt team said, 'Come on, you have to start getting into character, to feel her rage and passion,'' she tells The Straits Times in a Zoom interview. The team offered a suggestion: screaming. 'They taught me how to scream myself ready. We screamed at one another . It became my way to get in the right mindset. The energy would wake me up in the morning, or at 3am, when we were shooting at night. I would just start jumping up and down and screaming, to get the blood flowing,' says de Armas, 37. Once the crew members heard her screams, they readied the cameras. The vocal exercise worked. Viewers will see the Cuban-Spanish star punching, shooting and throwing grenades in From The World Of John Wick: Ballerina, which opens in Singapore cinemas on June 5. She is no stranger to action movies, having appeared in the Netflix thriller The Gray Man (2022) and the James Bond film No Time To Die (2021). As its full title suggests, Ballerina is set in the assassin-filled fantasy universe made popular through the John Wick films (2014 to 2023). This is the first movie spin- off after four films in the franchise, with a story set in the period between John Wick: Chapter 3 – Parabellum (2019) and John Wick: Chapter 4 (2023). De Armas plays Eve Macarro, daughter of Javier (David Castaneda), a hitman murdered by a highly secretive cult led by the Chancellor (Gabriel Byrne). Winston (Ian McShane), manager of the Continental Hotel – a haven for hired killers – takes the child (Victoria Comte, who plays the younger version of the character) under his wing. He sends her to the Ruska Roma, a ballet academy run by the Director (Anjelica Huston). The Director's aim: to mould students into adults who are as good at killing as they are in dance. Years later, Eve sets out on a mission of vengeance. Ana de Armas as Eve in Ballerina. PHOTO: MURRAY CLOSE As the lead character in Ballerina, de Armas says there were two duties on her shoulders: to be strong enough to perform the big fight scenes and achieve that strength safely. 'Everything I've done before has been a step towards getting to this place. With each movie, the complexity of the action increased. 'But the challenge in Ballerina had no comparison with anything I've done before. The training was three to four months, every day, many hours a day – combat training, handling weapons. There was a level of commitment and discipline I didn't know before. All of a sudden, I was training like an athlete,' she says. But she had to listen to her body and learn to not push it too far. She would not only be harming herself, but she would also be putting everyone else's job at risk. 'I had to take care of my body – nutrition, diet, self-care, therapy, chiropractors, all kinds of people taking care of my body. Because if I get injured or something happens, the movie stops for a week or two and we can't afford that. I had to be so committed to the project and to what I had to do to be able to provide for the whole crew,' she says. Ana de Armas as Eve and Keanu Reeves as John Wick in Ballerina. PHOTO: LIONSGATE Keanu Reeves, as the gifted titular assassin John Wick, appears in Ballerina in a pivotal role. It is not de Armas' first collaboration with the 60-year-old Canadian actor. Her career began in Spain and Cuba, before she moved to Hollywood in her mid-20s. One of her first English-speaking roles was in the psychosexual thriller Knock Knock (2015), playing one of two stranded women who terrorise Reeves' character in his own home. She was then not yet fluent in English and had memorised the dialogue phonetically. She would, however, be fluent by the time she was cast in films like science-fiction epic Blade Runner 2049 (2017) and mystery thriller Knives Out (2019), and took the title role in the Marilyn Monroe biopic Blonde (2022), for which she received an Oscar nomination for Best Actress. It felt good to be reunited with Reeves on Ballerina 10 years later, de Armas says. This time, however, she was not only more mature, but her grasp of English also helped her to understand him better, allowing him to be more relaxed and natural as an actor, she says. Keanu Reeves and Ana de Armas at the From The World Of John Wick: Ballerina global premiere in London on May 22. PHOTO: REUTERS 'I loved working with Keanu on Ballerina. I have so much respect and admiration for him as a person and actor. I was already a big fan of the John Wick movies. Being back on set with him, I could tell he was more comfortable in Ballerina than he was in Knock Knock. It was a beautiful full circle for both of us to reconnect, because so much has changed in our lives since then,' she says. American actor Norman Reedus, speaking to ST in a separate online interview, talked about his role as Daniel Pine, the estranged son of the Chancellor. Norman Reedus as Daniel Pine in Ballerina. PHOTO: LARRY D. HORRICKS FOR LIONSGATE 'Daniel's child became a target because of who his family is. Now, he's willing to fight everyone – not just his father, but also endless levels of assassins – to protect his child's innocence. 'When Eve arrives, he's suspicious at first. But since she's not shooting, he realises she might be able to help. Eve becomes an angel, an unexpected salvation when he's cornered and desperate to protect his child,' says Reedus, 56. Reedus got his breakthrough playing survivor-protagonist Daryl Dixon on 11 seasons of zombie horror series The Walking Dead (2010 to 2022). He is in two spin-off projects: Ballerina and the series The Walking Dead: Daryl Dixon (2023 to present). Reedus and Reeves are motorcycle enthusiasts who were out riding in Los Angeles when they first met by accident at a traffic light, as Reedus recounted on talk show Jimmy Kimmel Live in 2024, without specifying the year. They quickly bonded over their shared love of two-wheelers, with Reeves eventually appearing as a guest on the sixth season of the Reedus-hosted motorcycle docuseries Ride With Norman Reedus (2016 to present). He calls Reeves an 'honest person and a good hero'. In real life, the Hollywood superstar is just like the type of hero he tends to portray on screen – the one who never calls attention to himself and wins through quiet determination, says Reedus. Reeves is 'just a guy getting through life... he's doing the work and you root for him. I think people naturally root for Keanu in real life because he's that guy', adds Reedus. American director Len Wiseman, who makes his John Wick debut with Ballerina, received some advice about the franchise from Reeves. Ana de Armas as Eve and director Len Wiseman behind the scenes in Ballerina. PHOTO: LARRY D. HORRICKS FOR LIONSGATE The 52-year-old is best known for his work on the Kate Beckinsale-headlined vampire-werewolf action horror film franchise Underworld (2003 to 2016) and the remake of science-fiction thriller Total Recall (2012). Speaking to ST while seated next to de Armas, he remembers asking Reeves a question. 'I was putting together a shot and asked Keanu, 'Would it be weird if you looked down into this lens for a portion of the dialogue?'' says Wiseman. The actor then offered the director the mantra that has kept the John Wick enterprise going since 2014. 'He said, 'If it's cool, it's not weird.'' From The World Of John Wick: Ballerina opens in Singapore cinemas on June 5. Join ST's Telegram channel and get the latest breaking news delivered to you.