
Fuji GFX100RF Review: Two Weeks with a $9,000 Camera
is an enthusiast-level camera that comes packed with some fantastic features It does offer great on-device filtering options, as well as a lot of time-saving features for photographers to test new shot compositions
The device isn't super comfortable to hold for long periods of time though
As someone who works primarily as a cinematographer rather than a photographer, I was curious to see what the AUD$8,688 Fuji GFX100RF, an apparently revolutionary camera, was all about. I had the camera for just two weeks and, up to that point, had never really used a Fujifilm system.
Despite the short testing period, the experience was eye-opening.
It'd be remiss of me not to point out that this camera is one of Fuji's most refined. The Medium format (44x33mm) 102MP sensor is one of the best fixed lenses I've ever used at 35mm (28mm equiv) F4 with leaf shutter, a speedy subject autofocus and built-in ND filter. Compared to competitors, it's smaller, cheap and potentially more enjoyable to use. It is lacking in a few areas, but we'll get there.
I trialled the camera for video – a decision that in hindsight wasn't optimal. The footage came out overly contrasty, and it didn't blend well with my main cam, the Sony A7IV. Still, the exercise was valuable and gave me an appreciation for what the GFX is and isn't built for. With 4k video up to 30fps, it isn't a bad camera for video, but it definitely feels like something that was added to the camera 'just cause'.
In short, this is a basic review of a very complex camera, approached from a filmmaker's perspective. I spent a good portion of my time not just testing the specs, but answering: 'what does that actually mean to me, a novice photographer?'
Tech Specs
Brand Fujifilm Model GFX100RF Type Medium Format Digital Camera Image Sensor 43.8mm x 32.9mm Effective Pixels 102 million pixels Image Processing Engine X-Processor 5 Battery Fujifilm Li-ion Battery NP-W235 (included) Battery Life Approx. 820 shots Weight 735g Price AUD$8,688
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The Aspect Dial of the Fuji GFX100RF | Image: Beatrix Boon/Man of Many
The Good: Innovative Ways to Make Photography More Exciting
Aspect Ratio Dial
I absolutely love that the Fuji GFX100RF has a physical aspect ratio dial above the screen – rare to have something that changes the aspect ratio at all, a hark back to old film cameras. And not just having it in the menu, but being able to physically change it on a dial is next level satisfying. It's not just a novelty though, and forces you to compose more intentionally and creatively.
It also offers nine crop options and gives live previews in a few ways: through black borders, bounding boxes, or translucent overlays. And if you change your mind? The camera saves the full RAW file underneath, so you can revert or reprocess later: a trick the Fuji keeps using through its feature-set, and which I grew to love for how easily it allowed me to experiment.
Crop Zoom
This feature was surprisingly useful. One push of the crop zoom lever effectively turns your lens into a 'full-frame' camera with a 35mm equivalent (at f/4). While you lose some image quality with the deeper crops, the ability to previsualise different focal lengths without swapping lenses was both practical and creatively inspiring.
Again, the RAW remains untouched, which means JPEG previews become ways to rethink shot composition and new ideas without going through the ritual of swapping bits and pieces out, one by one. It genuinely sped up the process, which was a welcome boon.
Testing the ND Filter of the Fuji GFX100RF | Image: Beatrix Boon/Man of Many
Testing the ND Filter of the Fuji GFX100RF | Image: Beatrix Boon/Man of Many
ND Filter and Film Simulation
Though video isn't the GFX100RF's strong suit, I appreciated the built-in 4-stop ND filter, a big plus for anyone coming from the video world. As someone who also hasn't played around a tonne with Fuji's film simulation modes… I can wholeheartedly say because of this, I am now a Fuji convert.
The GFX100RF comes stock with 20 'film simulation' modes, which effectively allow you to recreate certain types of Fujifilm film stocks. If you want something to look like it was shot on Classic film, or on the new REALA ACE style, which is based on Fuji's colour-negative film, there's a setting for that.
You can also make your own simulation settings, which I played around with to make my own 'recipes' and was really happy with the results overall. As someone who does not enjoy editing my photos, this unlocked the ability to create striking and unique images without spending ages behind my laptop.
Considering this was my first time using these modes, I chose a pretty good camera to start with it. The extremely high quality output gave me free reign to play, and make mistakes.
The Fuji GFX100RF | Image: Beatrix Boon/Man of Many
The Bad: Practical World Oversights
Build & Handling
The GFX100RF body is not the most comfortable to hold, it's a little too flat. And its size, while small for its category, is still not quite small enough to forget about. Plus, adding the lens hood with its adapter adds a good amount of depth to the thing. Considering this would be mainly a travel cam for people, that isn't great. It is definitely stylish, but sometimes practicality has to come before that.
In-Body Stabilisation
In my experience, while the Fuji has some great in-body stabilisation, I think the Leica Q3 wins out here. That camera features some impressive optical image stablisation that does a good job at minimising camera shake, which the Fuji doesn't quite manage to compete with… Maybe it's because I pushed it too hard in low light without a tripod for stability.
To be fair, it is quite a bit better than others in its price range, with the Leica coming in at about AUD$11,000.
The Fuji GFX100RF | Image: Beatrix Boon/Man of Many
Man of Many's Final Verdict
The Fuji GFX100RF is a deeply inspiring creative tool that has users in mind from the get-go. High image quality, aspect ratio dial, crop zooms and its renowned film simulations make this camera worth buying for anyone deep into the hobby.
Are there better medium format cameras? Yes, but at much higher price points, which isn't necessarily what budding or intermediate photographers like myself are looking for. It's the easiest camera I've ever used, and created some of the most impressive shots I've ever taken.

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Man of Many
9 hours ago
- Man of Many
Fujifilm X-Half Review: A Film Camera for People Who Hate Film Cameras?
By Nick Hall - Review Published: 13 Aug 2025 Share Copy Link 0 Readtime: 10 min Every product is carefully selected by our editors and experts. If you buy from a link, we may earn a commission. Learn more. For more information on how we test products, click here. Fujifilm's new X-Half is a half-frame compact camera built in the spirit of a traditional film camera. is a half-frame compact camera built in the spirit of a traditional film camera. The latest release shares many similarities with the brand's much-loved X-Series cameras , albeit with some major technical differences. , albeit with some major technical differences. The X-Half features a 1-inch back-illuminated sensor, 10.8mm f/2.8 fixed lens (32mm equivalent) and 13 film simulations. Most notably, it comes in a vertical orientation, with the option to use ' Film Camera Mode ' to replicate the tone, feel and experience of film photography. ' to replicate the tone, feel and experience of film photography. It is priced at AUD$1,349 and is now available through Fujifilm retailers and online. When Fujifilm releases a new camera, the photography world takes note. The Japanese producer has been on a tear in recent years, leveraging remarkably versatile picture quality with stellar body builds and surprisingly affordable price tags, so when it announced the new X-Half, the internet went suitably nuts. Forums were loaded with chatter, and when the first pristine, intricately edited images hit social media, interest hit fever pitch. Touted as a 'first-of-its-kind,' the compact release walked the line between traditional film cameras and modern mirrorless, giving Fujifilm what it believed to be the best of both worlds. If you ask me, a pint-sized powerhouse that takes cues from iconic film cameras and fuses them with a dose of digital convenience is a recipe for a certified winner. The X-Half's quirky, vertical, and incredibly compact format makes it a serious head-turner, but after two weeks using the new camera, I am not entirely convinced. Nick Hall is a film photographer from Sydney, Australia | Image: Patrick O'Neil Why Trust Us As an avid film photographer and editor-in-chief of Man of Many, I've spent more than half a decade testing, trialling, and evaluating new cameras. Where possible, and in the specific case of the Fujifilm X-Half, we actively source the product directly from the manufacturer or distributor and complete a rigorous hands-on assessment, taking into account factors such as; Functionality Design Performance Availability Price Our brand mission is to arm you with the information you need to make a positive investment in yourself and your community, most notably through authentic and up-to-date buying advice. Additionally, we are a completely independent publication, meaning that we focus on editorial impartiality by employing a stringent review-testing process. Test shots from the Fujifilm X-Half Camera | Image: Nick Hall/Man of Many Fujifilm's Market Domination Now, if you, like me, have been paying attention to the global camera market, you may have noticed Fujifilm is everywhere. Over the past five years, the Japanese producer has dished up some of the most versatile, forward-thinking cameras in recent memory, and rightfully dominates the mirrorless space. As a film photographer, I rarely dabble in Fujifilm, but even I was taken by the brand's recent efforts. The X100VI is honestly one of the most impressive modern cameras I've used; my only real qualms are the interface and the fixed-lens design. Truly, Fujifilm is dominating the camera world right now, and a lot of that has to do with its Film Simulation Modes. Fujifilm Film Simulation Modes Fujifilm's secret sauce, the Film Simulation Modes, are essentially baked-in digital profiles designed to mirror and replicate the feel, tone, and colour of classic film stocks. We're talking tonal curves, grain structures, and shadow roll-off; these modes are definitely a step above your 2012 Instagram filter. The Classic Chrome, for instance, is like a take on the old Kodachrome magazine prints of the '80s, while Velvia is a faithful reproduction of the brand's real-life film stock of the same name. These modes have become the standard for travel photographers and those looking for that vintage vibe without the stress of actual film. Do they look like real film stocks? To me, not really, but they are pretty solid and definitely a lot of fun to use. Which is where the new X-half comes in. Fujifilm X-Half Review | Image: Nick Hall/Man of Many Meet the Fujifilm X-Half This is the X-Half: a vertical-oriented digital camera built in the spirit of half-frame film cameras. Lightweight at just 240g, the camera is designed to be carried everywhere, tucked into pockets, or slung on a wrist strap during a night out. It features: A 1-inch back-illuminated sensor A 10.8mm f/2.8 fixed lens (32mm equivalent) 13 film simulations, plus three new film-inspired filters (Light Leak, Halation, Expired Film) Touchscreen controls with a 3:4 rear LCD Up to 880 shots per charge Optical viewfinder optimised for vertical shooting WiFi app connectivity and Instax printing support The X-Half also brings some new tricks, like '2-in-1' shooting, which allows you to combine vertical stills into a film-strip-like diptych, and a Frame Advance Lever that mimics winding film (more on that in a sec). Fujifilm X-Half Review | Image: Nick Hall/Man of Many Build Quality: Charming But Plasticky At first glance, the X-Half is a looker. It shares DNA with the X-Series range, courtesy of the knurled dials, clicky buttons, and a solid tactile feel, but on closer inspection, the build does leave a little to be desired. It's fine, but not quite in the same league as the metal-bodied X100 series. Still, it's light, feels good in hand, and the throwback design will turn heads. Personally, one thing I really don't like is the Optical Window viewfinder. It's essentially just a pane of glass, so it doesn't show you aperture or exposure or, most importantly, if the lens cap is on. Being a primarily SLR film photographer, I'm so used to raising the viewfinder to my eye and being met with a wall of black to indicate the lens cap is still on. When I looked through the X-Half and saw the world in front of me, however, I didn't think twice. I must have shot an entire roll with the lens cap on, running around and snapping away with a big rubber stopper over the lens. To be fair, that's definitely my own downfall, but it bears reminding that the X-Half viewfinder is essentially just a window to the outside world, rather than a fully-fledged optical viewfinder. Outside of that, the control layout is intuitive, with an aperture ring that doesn't seem to do a whole lot and a very fun (but ultimately gimmicky) frame advance lever that is a nice throwback to film photography's golden age. Fujifilm X-Half Review | Image: Nick Hall/Man of Many What is a Half-Frame Camera, Anyway? Now, if you are wondering what a half-frame camera actually is, you aren't alone. Popular in the analogue age, half-frame cameras used only half a standard 35mm frame for each photo. That meant you could get twice as many shots per roll—72 exposures instead of 36—but with a taller, narrower image. Think two portrait shots in one frame, rather than one landscape. The X-Half pays homage to that by shooting in a vertical orientation by default, and while that does feel like another great throwback to the heyday of film cameras, I think there is probably something more financially motivated here. With film photography rapidly gaining popularity among Gen Z consumers and with little marketplace to share the images, Fujifilm has cleverly created a 'film-style' camera that shoots predominantly vertical images, which is for Instagram Reels, TikTok, and Stories. It's an old concept flipped to serve the vertical-first media world we live in, and it is an undeniably smart move. The Fujifilm X-Half App works to 'develop' your pictures | Image: Nick Hall/Man of Many Film Camera Mode: Faux-Manual Nostalgia Now, as a film photographer, the one setting that really caught my eye with the X-Half is, somewhat unsurprisingly, the Film Camera Mode. With this option, you pick a virtual roll size (36, 54, or 72 shots), choose a Film Simulation, and shoot without reviewing your images. You even have to 'wind' the frame lever between shots, which is a fun little addition. Most importantly, it captures the real essence of the film photography shooting experience—being in the fucking moment. There's no delete, no preview—just click, wind, move on. You can't even exit Film Camera Mode until your entire roll is done. It's a performative analog experience, and while it's fun, film purists might roll their eyes. Still, for people raised on phone cameras, it introduces the restraint and anticipation of film shooting—without the lab costs or blurry surprises. The key to this is the new X-Half App. The X-Half App: Film Processing 2.0 Fujifilm's new X-Half smartphone app is a core part of the ecosystem. It lets you: Review and edit your shots Create 2-in-1 image composites Apply digital borders and tweaks Upload directly to social platforms Send images to your Instax printer The editing features feel more like part of a mobile film lab than a Lightroom replacement. Once you shoot a film roll, you connect the X-Half to your phone and undergo a 'processing'. Here, the app will perform a sort of five-minute darkroom session on your photos and serve them up directly to your camera roll. It's a bit kitschy, but I actually kind of liked this, and it reminded me of why I got into film photography in the first place. Fujifilm X-Half Review | Image: Nick Hall/Man of Many Verdict: A Digital Camera for the TikTok Age If you ask me, the Fujifilm X-Half is a clever prospect. The brand is clearly leveraging the popularity of film photography with youth audiences while also providing a touch more convenience and speed. What's more, the half-frame design is perfect for social media, so it's a bit of a no-brainer for Fujifilm. I can definitely see the X-Half being a huge hit with younger creatives who want something different—something that feels analogue, looks vintage, but fits neatly into a digital life. But for me, it's just too expensive. At AUD$1,349, this is a steep ask for what is essentially a fun, fixed-lens, social-first shooter. For that money, you could pick up a second-hand X100V or a Sony ZV-E10 with a lens. In many ways, the X-Half feels too digital for nostalgia hunters and not manual enough for film photography nerds. Don't get me wrong; the X-Half has a lot going for it, from great design to probably the most seamless integration of film simulation yet, but for me, it felt ultimately more novelty than necessity. But then again, I don't really think film photographers in their mid-30s are the intended target market. So, with that in mind, I'll leave you these final thoughts: If you're a creator looking for a stylish camera to elevate your social game—this is it. If you're a film photographer looking for a true hybrid, the X-Half might feel like a missed opportunity. If you just want a fun, casual camera with vintage vibes and film-style looks, the X-Half is definitely going to make you crack a smile. DISCLAIMER: The author of this post, Nick Hall, was temporarily provided an X-Half unit courtesy of Fujifilm for the purposes of this review. All reviews remain independent and objective. For more information on how we test products, view our editorial guidelines here. Test shots from the Fujifilm X-Half Camera | Image: Nick Hall/Man of Many Test shots from the Fujifilm X-Half Camera | Image: Nick Hall/Man of Many Test shots from the Fujifilm X-Half Camera | Image: Nick Hall/Man of Many

Sky News AU
4 days ago
- Sky News AU
How a 'snowballing' $76 blockchain token trend could become the first rung on the property ladder for Australian renters
Trying to save a 20 per cent deposit now feels like running on a treadmill that keeps speeding up. A recent analysis shows the average renter would need more than eight years to scrape one together, and that's if rents stop jumping tomorrow. Many young Australians have quietly decided the old dream is broken. But a different path is opening on their phones: buy a sliver of a house for the price of a night out, collect rent the next morning, repeat. What a $50 token buys On the US platform Lofty you can tap 'buy' on a $50 USD ($76 AUD) blockchain token tied to a Detroit duplex or an Atlanta townhouse. The token records your slice on the blockchain, sends your cut of the rent every day, and lets you sell whenever another investor clicks 'buy'. The idea is snowballing. Six in ten people using fractional platforms this year are under 40, the very group priced out of full ownership. The tech that makes it possible The heavy lifting sits in code. Blockchain keeps an unchangeable ledger of who owns what. Smart contracts split the rent and push it to digital wallets while we sleep. Artificial-intelligence programs crunch vacancy data and tweak rents in real time. Paperwork, conveyancing fees and month-long settlements vanish. Proof it isn't hype There have been successful models worldwide. The 'Lofty' platform in the US has already tokenised more than 140 US properties. Investors pocket rent daily and vote online if a tenant trashes a kitchen or an offer comes in. In Britain, London House Exchange (once Property Partner) runs a regulated exchange where anyone can trade slices of single flats just like shares. Singapore's RealVantage is pulling in investors from across Asia to co-own apartments in many countries, including Australian cities. None of these ventures relies on wishful thinking; they charge modest management fees and still turn a profit. Big money is noticing. Global transaction volumes from institutional investors jumped 43 per cent in the first quarter of 2025, a vote of confidence from pension funds and private equity giants. Market researchers tip real-estate tokenisation to swell from about US $3.5 billion today to nearly US $19.4 billion by 2033. Why Australia should care right now Our wage growth lags price growth. Land is scarce. Construction firms keep collapsing. Fractional ownership can't solve everything, but it can start turning renters into owners sooner. A uni graduate could drip-feed a few hundred dollars a month into tokens spread across several cities instead of hoarding every spare dollar for a single monster deposit. Over a decade, those micro stakes have grown, paid rent along the way, and built a credit-file story banks understand. It could also unlock a new supply. When thousands of small investors pool cash through a platform, developers get cheaper equity to build mid-rise rentals or retrofit empty offices. The model is already nudging US build-to-rent projects off the drawing board. There's no reason it can't bankroll medium-density infill around Parramatta or Geelong. A simple road map for Canberra Start small. Let the Australian Securities and Investments Commission (ASIC) extend its existing crowd-funding sandbox to cover blockchain property tokens. Cap how much anyone can tip in while the rules bed down. Invite super funds chasing steady, green income to co-seed the first portfolios; they provide ballast and credibility. Next, pick a patch of surplus state-owned land, think car parks near train stations, package the air-rights into tokens and sell half to retail investors on a local platform. Use the cash to build energy-efficient flats and promise a slice of the rent back to token holders. The public sees a tangible project, not another scheme stuck in consultation. Finally, borrow a lesson from London. There, fractional platforms must hold each property in a stand-alone trust. If the company dies tomorrow, the trust still owns the building, and investors still own their slices. We can replicate that safeguard, and most fears about 'crypto scams' fade fast. Honest warnings Tokens are easier to sell than whole houses, but they're less liquid than shares. Some days, nobody will want your slice. Rules will keep shifting as regulators catch up. And governance matters: if a roof leaks, someone has to vote to fix it. Smart platforms make those votes painless, but buyers still need to read the fine print. The upside for a generation locked out For Gen Z, the appeal is obvious. It's low-cost. It's quick. It lives on the same screen as banking apps and streaming queues. You can track rent in real time and brag about owning a bit of a house in Texas or Toowoomba. More importantly, it flips the story from 'wait ten years, then maybe buy' to 'start building equity today'. Australia missed the first big wave of ride-sharing and watched foreign platforms set the rules. We don't need to repeat that mistake with property tokens. The technology is mature, the consumer appetite is raging and the regulatory pieces already exist. With a light touch from Canberra and a push from super funds, a $50 blockchain token could become the first rung on the property ladder for millions of young Australians. It won't cure the housing crisis overnight, but it might give the next generation something better than hopeless spreadsheets and landlord letters: a real stake in the roof over their heads, even if they only own a few shingles to start. Dr Ehsan Noroozinejad is a senior researcher at Western Sydney University who writes about innovative housing policy, modular construction, and urban resilience. He advises governments and industry on affordable-housing strategy and has appeared on ABC News, Sky News, The Guardian, The Policymaker, The Sydney Morning Herald and The Conversation.

9 News
6 days ago
- 9 News
Trump calls on Intel CEO to resign for alleged ties to China
Your web browser is no longer supported. To improve your experience update it here United States President Donald Trump has demanded the resignation of Intel CEO Lip-Bu Tan following reports and allegations that he has ties to China . "The CEO of INTEL is highly CONFLICTED and must resign, immediately. There is no other solution to this problem. Thank you for your attention to this problem!" Trump posted on Truth Social. The call comes just days after Arkansas Republican Senator Tom Cotton raised concerns and pressed the chair of Intel's board over the CEO's alleged connections to China, questioning the integrity of the company and its impact on US national security. Donald Trump has set his sights on Intel CEO Lip Bu-Tan. (CNN) In a letter earlier this week to Intel board Chair Frank Yeary, Cotton pointed to recent reporting on Tan's Chinese investments. Reuters in April reported that Tan has personally and through various venture funds invested in hundreds of Chinese companies, some of which have ties to the country's military. "The new CEO of @intel reportedly has deep ties to the Chinese Communists US companies who receive government grants should be responsible stewards of taxpayer dollars and adhere to strict security regulations. The board of @Intel owes Congress an explanation," Cotton wrote in a post on X, attaching the letter. In a statement posted online, Intel said it looked forward to working with the Trump administration. "Intel, the Board of Directors, and Lip-Bu Tan are deeply committed to advancing U.S. national and economic security interests and are making significant investments aligned with the President's America First agenda," the statement read. Shares of Intel (INTC) closed down 3 per cent yesterday. The Trump administration is taking a hardline stance in matters relating to China. (AP) Trump's remarks come as Tan, who took over as Intel CEO in March, is attempting to revive the beleaguered chipmaker after it missed out on the mobile and AI boom. Rival Nvidia, whose chips have been crucial for AI infrastructure, became the first $4 trillion (AUD 6.1 trillion) company last month. Intel said in July that it had slashed 15 per cent of its workforce in the hopes of creating "a faster-moving, flatter and more agile organisation." Before taking over the top job at Intel, Tan was the CEO of tech design company Cadence Design Systems and was a founding member of Walden Catalyst Ventures. Yesterday's Truth Social post comes after Trump has criticised Intel in the past. On Wednesday, as Trump and Apple CEO Tim Cook announced the iPhone maker would invest another $100 billion ($153 billion) in its US operations, the president took a shot at Intel. "Intel was just taken over the over the coals," he said. "They were taken to the cleaners, frankly." World China news China USA Politics Donald Trump CONTACT US