logo
5 Indian LGBTQ+ books to add to your Pride Month reading

5 Indian LGBTQ+ books to add to your Pride Month reading

Indian Express2 days ago

This Pride Month, dive into the vibrant landscape of Indian LGBTQ+ literature. These five books – spanning memoir, fiction and activism – offer powerful perspectives on queer identity, resilience and joy. Whether you're exploring queer narratives for the first time or seeking fresh voices, these works by Indian writers illuminate the personal and political dimensions of being LGBTQ+ in contemporary India and beyond.
1. Walk Like a Girl – Prabal Gurung (2025)
This memoir from the Nepali-American fashion designer traces his extraordinary journey from Kathmandu to the pinnacle of New York's fashion world. Gurung's narrative shines brightest when detailing his complex relationship with his mother Durga Rana – a former Miss Nepal whose progressive parenting clashed with traditional Nepali society. The book offers unprecedented access to the glittering yet cutthroat fashion industry, revealing how Gurung navigated racism, homophobia, and class barriers while dressing icons such as Michelle Obama and Oprah. Particularly powerful are his accounts of being told his designs were 'too ethnic' early in his career, and how he transformed this prejudice into his signature aesthetic blending Eastern and Western influences. The memoir doubles as a love letter to femininity, with Gurung arguing that his queer perspective allowed him to celebrate womanhood in ways straight designers often can't. Publishers describe it as 'The Devil Wears Prada' meets 'Call Me By Your Name', offering both juicy industry gossip and profound meditations on identity.
2. Over The Rainbow: India's Queer Heroes – Aditya Tiwari (2023)
This meticulously researched anthology fills a crucial gap in Indian LGBTQ+ history by profiling 19 pioneers who fought for equality when homosexuality was still criminalised. Tiwari organises the book thematically, with sections on activists (Anjali Gopalan), artists (Sonal Giani), and unlikely allies (journalist Manvendra Singh Gohil). Each profile combines biographical details with historical context – like how Ashok Row Kavi founded India's first gay magazine in 1990 using underground distribution networks. The chapter on Grace Banu provides particularly vital insights into the intersection of caste and queer identity, detailing how she established South India's first transgender engineering college. Tiwari includes fascinating archival material, including reproductions of early protest banners and personal letters between activists during the darkest days of the AIDS crisis. While celebratory, the book doesn't shy away from controversies within the movement, like debates about prioritising marriage equality over more urgent concerns like housing discrimination. The final chapter looks to the future, profiling young activists using TikTok and Instagram to advance the cause.
Pattanaik's genre-defying novel reimagines lesser-known characters from the Mahabharata through a queer feminist lens. The central story follows King Yuvanashva, who accidentally becomes pregnant after drinking a magic potion meant for his wives. Pattanaik expands this brief mythological reference into a profound exploration of gestational masculinity, with the king experiencing both the social privilege of fatherhood and the physical trials of motherhood. Interwoven subplots feature other gender-nonconforming characters: Shikhandi (born female but living as a male warrior), Arjuna (forced to live as a eunuch), and Ila (a deity who changes genders with the lunar cycle). The author's background as a mythologist shines through in the extensive appendices, which compare these stories to global gender-fluid traditions from Native American two-spirit people to Hijra communities. Some critics argue the novel's pacing suffers under its academic ambitions, but most praise its revolutionary portrayal of ancient India's sophisticated understanding of gender as spectrum rather than binary. The book has become particularly influential in contemporary queer Hindu movements.
Shahani's work combines corporate case studies, memoir, and policy manifesto into a compelling argument for LGBTQ+ workplace inclusion. As head of Godrej's diversity council, Shahani documents their decade-long transformation into India's most queer-friendly company – from gender-neutral bathrooms to sponsoring Pride floats. The book analyses successful initiatives such as Tata Steel's transgender hiring program and The Lalit Hotels' sensitivity training, while also examining failures lsuch as Infosys' early resistance to domestic partner benefits. Shahani's personal anecdotes such as coming out to his conservative Gujarati family or navigating corporate parties as a gay man make the data relatable. Particularly innovative is his 'Rainbow Capitalism' chapter, which questions whether corporate allyship is truly progressive or just profit-driven, citing examples of brands that remove rainbow merch after Pride month. The appendix includes practical tools: sample non-discrimination policies, workshop templates, and a glossary explaining terms like 'pansexual' to HR departments. Updated editions now cover post-377 developments and remote work inclusivity challenges.
This candid memoir by the National Award-winning filmmaker traces his journey from a Bhutanese childhood to becoming Bollywood's most openly gay director. Onir (born Anirban Dhar) reveals shocking details about industry homophobia – being told 'we don't fund gay films' after My Brother Nikhil's success, and A-list actors refusing roles once they learned his sexuality. The book alternates between professional struggles (crowdfunding his films) and personal triumphs (adopting twins with his partner). Particularly moving are passages about his late sister Irene, who helped him navigate both creative and coming-out challenges. Film buffs will appreciate behind-the-scenes stories, like how he shot the iconic rain sequence in Bas Ek Pal with just 25% of the planned budget. The final chapters address contemporary issues – his advocacy for marriage equality and criticism of tokenistic queer representation in recent Bollywood hits. What sets this apart from typical celebrity memoirs is its raw vulnerability, including unflinchingly honest accounts of depression and financial ruin. The writing style mirrors Onir's filmmaking – intimate, political, and relentlessly hopeful.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Sudha Reddy Named Miss World's First Global Ambassador
Sudha Reddy Named Miss World's First Global Ambassador

Fashion Value Chain

time24 minutes ago

  • Fashion Value Chain

Sudha Reddy Named Miss World's First Global Ambassador

Philanthropist and business magnate Sudha Reddy has made history as the first-ever Global Ambassador of the Miss World Organisation, spotlighting Hyderabad on the global stage. The milestone announcement was made during the 72nd Miss World Festival finale, marking a transformative moment in the pageant's legacy and reaffirming Reddy's commitment to humanitarian impact. As Director of MEIL and founder of the Sudha Reddy Foundation, she has championed education, health, and community upliftment. Her appointment follows in the footsteps of Nita Ambani, honoured last year for humanitarian excellence, further underlining India's growing influence in global philanthropy. Wearing a stunning custom Tarun Tahiliani saree, Sudha Reddy embodied Indian heritage with contemporary flair. The blush Kanjeevaram saree with William Morris-inspired motifs, lace wings, and intricate embellishments radiated elegance and symbolism. Her look was completed with a 250-carat gemstone neckpiece, blending rubies, emeralds, sapphires, and diamonds in white gold. Reddy hosted the Beauty With A Purpose Gala at her private Hyderabad residence, Mon Amour Palais, welcoming 108 contestants and showcasing Telangana's cultural hospitality. The event was also broadcast at Times Square, underscoring Hyderabad's global presence. In her speech, Reddy emphasized the emotional weight of receiving the honor in her home state and expressed gratitude to the Telangana Government and Tourism Board. She reaffirmed her mission to amplify humanitarian efforts and promote Indian artistry on global platforms. Chairperson Julia Morley awarded Reddy the ambassadorial title, praising her dedication. Reddy also served as a jury member for Miss World 2025, further contributing her vision to the iconic event. The Miss World pageant's return to India after nearly three decades celebrates not just beauty, but purposeful global change. Under Reddy's ambassadorship, the Beauty With A Purpose initiative—focusing on education, women's rights, child health, and disaster relief—enters a bold new chapter.

French Open 2025: World No 1 Aryna Sabalenka up for Iga Swiatek tussle
French Open 2025: World No 1 Aryna Sabalenka up for Iga Swiatek tussle

Time of India

time33 minutes ago

  • Time of India

French Open 2025: World No 1 Aryna Sabalenka up for Iga Swiatek tussle

Aryna Sabalenka will face Iga Swiatek in the semifinals (Image via ANI) The Times of India at Roland Garros : The only thing louder than Aryna Sabalenka's grunt – 'aaahhhhrrrrrhhhhaaaa' – that rises in decibels with the velocity of her shot, is her explosive game. The 5 ft 11' Belarusian, arguably the most powerful player the women's game has ever known, produced an exhibition of all things bold and beautiful against Qinwen Zheng in the French Open quarterfinals on Tuesday. The 27-year-old World No.1's 7-6 (3), 6-3 win against the eighth-seeded Chinese took her to her second semifinal at Roland Garros. Go Beyond The Boundary with our YouTube channel. SUBSCRIBE NOW! Qinwen, the stylish 22-year-old, ran Sabalenka close in the opening set, breaking early and taking a breezy lead, but the top-seed came back swinging, the acoustics dizzying, as she levelled at 4-4. In the tie-break, Sabalenka won five of the last six points, dictating play with the might of her shot making. The Chinese pro, who left the court after the first set, tried to change the pace of play in the second. Her shots still flat and without shape, however, played into the world No.1's hands. 'A particularly special feeling': Andy Flower hails Virat Kohli, RCB after historic title win Qinwen went up 0-30 on Sabalenka's serve in the second game and perhaps sighted an opening, but when the Belarusian claimed the next four points and levelled at 1-1 in the second set, Qinwen looked up at her box and let the frustration show. Sabalenka struck on the second opportunity in the fifth game of the second set, clocking a two-hander down the line to seal the break. Qinwin hit right back, with winners off both flanks in the next game. Sabalenka pushed the repeat button in the seventh game and then held serve to take a 5-3 lead before pulling off another break in the ninth game to close the match. Sabalenka, who has played 473 matches in her career, said she has never faced an opponent with a game more powerful than hers on a tennis court. Poll Who do you think will win the semifinals match between Aryna Sabalenka and Iga Swiatek? Aryna Sabalenka Iga Swiatek It's too close to call 'I don't care if the player is going to go out there and try to overhit me or if they try to change the rhythm and make me move and run,' she said, adding, 'Over the years my game has evolved, I'm ready to play against whoever is going to make me run and work for the point. But when it comes to power, I like it, because then it is, okay, you want to see the power? Let me show you something.' Sabalenka was reminded of her only meeting with the legendary Serena Williams four years ago in Melbourne Park, the American coming through in three sets. After the match, Williams said, 'If she wants to play power, let's go.' Sabalenka found Williams' observation interesting. 'I think that she wasn't more powerful than (me), physically she was better than me (in that match), and she put more balls back on my side than I did (on her side),' she said of the round-of-16 clash. 'I didn't feel that she overpowered me in that game.' Sabalenka has over the years used the dimensions of the court well, using underspin to get back into the point and also throwing in drop shots against opponents who retreat to play her power. 'The drop shot is something we've been working on over the last couple of years,' she said. 'But I'm going to play with my power, because that is something I feel the most comfortable with.' 'Daring, Dynamic, Different': Ponting hails PBKS young guns despite final loss In Thursday's semifinals, the Belarusian will play four-time champion, Iga Swiatek, the world No. 5, who put out Elina Svitolina 6-1, 7-5.

When Virat Kohli defended his wife, Anushka Sharma, online, the tweet went viral and became 2016's ‘most influential tweet'
When Virat Kohli defended his wife, Anushka Sharma, online, the tweet went viral and became 2016's ‘most influential tweet'

Time of India

time41 minutes ago

  • Time of India

When Virat Kohli defended his wife, Anushka Sharma, online, the tweet went viral and became 2016's ‘most influential tweet'

RCB finally took home the IPL title after a wait of 18 years, after rightfully defeating PK in the finals held on June 3. Virat Kohli , one of the most pivotal members of RCB, was seen celebrating the historical moment with his wife in the sweetest moment possible. The cricketer, after the win, praised Anushka and expressed his appreciation for her support and sacrifices for him. As RCB won, everyone was celebrating Kohli's victory as well as his interactions with Anushka; however, there was a time when his wife was getting blamed for his performance in IPL matches back in 2016. Anushka Sharma is accused of being the reason behind Virat Kohli's performance in the IPL Ever since their relationship went public, Kohli and Sharma have been at the center of public scrutiny constantly. Back in 2016, when the cricketer was part of the Indian team that managed to reach the semi-final matches of the World T20 championship, Sharma was heavily criticized by the public for being the reason behind Kohli's low performance in the stadium. The actress was regularly blamed for attending the matches and causing 'distraction' for the player. This had been ongoing since 2014, where fans of the player would often label the 'Zero' actress as 'panauti.' The couple had parted ways briefly in 2015-2016, yet had still managed to stick together later on through thick and thin. In 2016, when the trolling was at an all-time high, Kohli came to his now wife's defense online. The player took to his social media platform to share a tweet, calling people out for their poor behavior and for constantly targeting Anushka, all with a photo with the words 'SHAME' written on it. He wrote in his tweet, 'Shame on people for trolling @AnushkaSharma non-stop. Have some compassion. She has always only given me positivity. ' Kohli's tweet became 2016's most influential tweet' Later, in the year, when statistics were released by the social media platform, it was revealed that Kohli's tweet defending Anushka was labelled as one of the 'most influential tweets' of the year. Currently, even though it has been almost 9 years since he made that post, the tweet still often surfaces every time Anushka and Virat are vocal about their love and support for one another. Check out our list of the latest Hindi , English , Tamil , Telugu , Malayalam , and Kannada movies . Don't miss our picks for the best Hindi movies , best Tamil movies, and best Telugu films .

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store