The Boys in the Back Thursday 20250612
Florence Pugh praises 'sensitive' and 'considerate' director of her new film
Florence Pugh has said the 'passion' director Sebastian Lelio brought to the set of The Wonder was 'exactly' what she needed at the time. Florence Pugh has said the 'passion' director Sebastian Lelio brought to the set of The Wonder was 'exactly' what she needed at the time. The British actress, 26, stars as Lib Wright in the adaptation of Emma Donoghue's novel directed by Chilean filmmaker Lelio – who won an Oscar for his 2017 feature A Fantastic Woman.
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Yahoo
28 minutes ago
- Yahoo
'The Last of Us' co-creator reacts to fans angry over Pedro Pascal's shocking exit: 'He's in literally everything else'
Pedro Pascal may have been brutally dispatched from The Last of Us, but at least he's, in the words of series co-creator Craig Mazin, "in literally everything else." "He did a thing. Everyone lost their s---, and then I had to do that same thing, because he did the thing, I loved doing the thing, I thought it was great," Mazin told Variety during Thursday's "A Night in the Writers' Room" event in Los Angeles. Though Mazin and co-creator Neil Druckmann were simply following the story set forth in the video game The Last of Us is based on, fans were still shocked by the death of Pascal's series lead Joel in the second episode of the second season. That shock has transformed for some into anger, which has given voice to ample criticism. "The big complaint that I've gotten is, 'Why did you kill Pedro Pascal?' And I keep explaining, we didn't kill him! He's a man, he's alive. He's fine. And he's in literally everything else. So I don't know what the problem is!" Mazin joked. Fans aren't the only ones still reeling from having to watch Joel die at the hands of Kaitlyn Dever's Abby. Pascal himself told Entertainment Weekly in April that he's in "active denial" about his own character's fate. "I realize this more and more as I get older, I find myself slipping into denial that anything is over. I know that I'm forever bonded to so many members of the experience and just have to see them under different circumstances, but never will under the circumstances of playing Joel on The Last of Us," Pascal said. "And, no, I don't spend a lot of time thinking about it because it makes me sad." The Chile-born actor's sister, Lux, also said in May that she "wanted to throw the iPad" when she got to the scene depicting Joel's death. Lux joked that it's "not the first time he's done it to me, it's not the second time he's done it to me. I think it's the fourth time he's done it to me. Because how many deaths has he had? Game of Thrones, Equalizer 2, The Last of Us — each is more violent than the other.... Seeing my brother die that way, I didn't like it at all." Some of the "everything else" Mazin referred to include Ari Aster's film Eddington (releasing July 18), which Pascal was recently seen in Cannes promoting at the seaside town's illustrious annual film festival. He can be seen Friday in theaters in Celine Song's Dakota Johnson and Chris Evans rom-com Materialists, and he also stars as Reed Richards in July 23 Marvel release The Fantastic Four: First Steps, a character he'll reprise for Avengers: Doomsday. Read the original article on Entertainment Weekly
Yahoo
an hour ago
- Yahoo
On Tonys night, Broadway divided over Patti LuPone's remarks about Audra McDonald
More than a few years ago now, my mom asked me why the UK's royal family seemed to be all over the news all the time. That's all I see when I turn on my computer, she said. I think that might be because you've been clicking on some stories about Meghan and Harry, I told her, leading to lots more stories about Meghan and Harry. Similarly, I've lately been treated to many variations on basically the same recycled story about the great offstage Broadway drama featuring Patti LuPone and Audra McDonald. Stop, I cry, though if they weren't my Meghan and Harry, I wouldn't keep seeing this stuff. In case they're not your Meghan and Harry, here's the deal: A recent New Yorker profile of LuPone made news, none of it good for her. In the piece, she's quoted saying disparaging things about two Black actresses, her fellow Tony winners Kecia Lewis and McDonald, Broadway's most decorated star. Some 700 Broadway performers signed a petition saying LuPone should be disinvited from Sunday night's Tony Awards for her bullying and racially insensitive remarks. She then profusely apologized, falling on her own knife like Liù in Puccini's 'Turandot,' and various stage actors have been weighing in on whether or not she should be forgiven. Now, Patti LuPone has always been unfiltered, in that one way like the Donald Trump she's said she hates; you do not want to be caught with your cell phone ringing when she's on stage. Only she comes off in this profile as generous and gigantic and human and hurt and self-sabotaging but also finally going too far in letting loose on others, and in general. Is she for real or putting on a show when shouting at New York Rangers, 'Take your clothes off, boys! Naked hockey! No cups — I want full frontal! HA!' She is in let-'em-have-it mode throughout, referring to Glenn Close, the actress who replaced her in 'Sunset Boulevard' 100 years ago as a 'bitch,' and telling the New Yorker writer Michael Schulman more than once that the now Trump-run Kennedy Center 'should get blown up.' Which, hello, is not in any way OK. Serious or not, and people who say these things always insist that they were not, it's wrong to complain about Trump's violent rhetoric and then go around talking like this. So LuPone should also walk those remarks way the heck back. And I do not love to see women tearing down women; are things really not hard enough? Kevin Kline got off easy in the profile; all LuPone said about him is that he was a terrible boyfriend back in the day. Despite all of the many posts I have read about the explosions that followed the publication of the profile, I would never have understood the genesis of the contretemps without the guidance of New York Times theater reporter Michael Paulson. He reported on what happened after LuPone complained last year that noise from the Black-led Alicia Keys musical 'Hell's Kitchen' could be heard in the theater next door, where LuPone and Mia Farrow were performing in 'The Roommate.' LuPone took her gripe to the Shubert Organization, which runs both theaters. So far, perfectly normal, and something that happens all the time. Shubert fixed the problem. But then, Paulson wrote, after LuPone sent flowers to the 'Hell's Kitchen' sound crew, she was videotaped describing the musical as 'loud,' and refusing to sign a 'Hell's Kitchen' playbill. That's when Kecia Lewis, who is in 'Hell's Kitchen,' responded with a video calling LuPone's behavior 'racially microaggressive' by reinforcing stereotypes. McDonald weighed in by posting some supportive emojis on the video. In the New Yorker interview, LuPone said of Lewis, 'Don't call yourself a vet, bitch.' Which was way over the line. She said McDonald was 'not a friend,' and then declared that she needed a nap. Of course she did; setting yourself on fire can be very draining. McDonald wisely said she didn't know about any rift between herself and LuPone. Lewis has wisely not made any public statement. 'For as long as I have worked in the theater,' LuPone said in her own statement, 'I have spoken my mind and never apologized. That is changing today. … From middle school drama clubs to professional stages, theater has always been about lifting each other up and welcoming those who feel they don't belong anywhere else. I made a mistake, I take full responsibility for it, and I am committed to making this right.' Both McDonald and LuPone have given me so much joy, not just over the years but this year, that this is drama I could have done without. McDonald ripped my heart out and then handed it back to me with her 'this-isn't-your-Momma's-Momma-Rose' performance in 'Gypsy.' I spent a lot more than I could afford to be on the front row with our Aunt Mimi Turque, who was cast by composer Jule Styne to play June in an early national touring company of the show. LuPone also showed me a wonderful time recently with her show at the Kauffman Center, where she received five standing ovations, one before she sang a note. It's the only time in my experience — Can you say 'gay icon'? — that there hasn't been a line outside a ladies' room at the Kauffman at intermission, and I went home so energized from her performance, which these days in particular is worth a lot. So what I want to say is that with everything going on in the world that the arts stand squarely against, energy spent on fury at someone who has groveled from here to Argentina is energy wasted. I still love both of you 'Ladies Who Lunch,' the Sondheim anthem to female rage that I've seen both of you crush. I'd like to think that LuPone learned something from this whole episode — though again, those comments about the Kennedy Center still do need clearing up asap. We could all of us, of course, be less eager to pounce and readier to forgive. The many ageist comments about Patti, who is 76, by those Audra fans who aren't ready to let this go, and say they never will be, aren't OK, either. Unfortunately, art doesn't always bring even the relatively like-minded together. As always, that's up to us. UPDATE: I thought McDonald would win her 7th Tony tonight for the same role that LuPone won for in 2008, but no, the award for leading actress in a musical went to Nicole Scherzinger for her Broadway debut in a revival of 'Sunset Boulevard.' Pretty sure LuPone would not have wanted to be at the awards show, since it was Glenn Close who introduced Scherzinger singing, 'It's As If We Never Said Goodbye.' And Oprah Winfrey, who presented the award to Scherzinger, made some interesting faces as she made the show's only veiled reference to the controversy, but she did not mention LuPone by name.
Yahoo
an hour ago
- Yahoo
King Charles' Cancer Is Incurable, Bombshell Report Suggests
King Charles' will die 'with' but not 'of' cancer, a bombshell report claimed Saturday. The report essentially confirms long-standing rumors that the king's cancer is considered manageable but ultimately incurable, which is the case for many older individuals afflicted by the disease. Charles is 76. The report will be unwelcome in the palace, as it will reignite speculation that the king's health is in a delicate state, rumors that were rekindled when Prince Harry said in a recent BBC interview that he didn't know how long his father had left to live. Charles' aides have consistently briefed reporters that he is, broadly speaking, winning his battle against cancer, and the king himself recently said he was on 'the other side' of the health crisis. The king is back to essentially running a full diary after being diagnosed with cancer last year, albeit with some modifications. The report, by the respected royal writer and associate editor of the U.K. Daily Telegraph, Camilla Tominey, also claimed that Charles will never move into Buckingham Palace due to his health struggles. 'The talk now is that he may die 'with' cancer, but not 'of' cancer following a rigorous treatment program,' she wrote. A spokesperson for the king declined to comment. Tominey, who was the first to break the news about Prince Harry and Meghan dating and also about the latter's row with Kate Middleton, added that planning for Charles' 80th birthday in 2028, while 'very tentative,' is going ahead. Tominey also claimed that Charles and Harry could be publicly reunited at the Invictus Games, in Birmingham in 2027, with palace aides quietly investigating whether the event could provide a suitable backdrop for a long-awaited reconciliation. It is understood officials hope any reconciliation would include Prince Archie and Princess Lilibet. The king last saw the children in 2022. Harry has said he can't bring his family safely to the U.K. and hinted some powerful palace figures want him dead. Intriguingly, Tominey suggests that a reconciliation might be considered because of the negative impact the narrative of estrangement is having on the king's reputation. She writes: 'There is an awareness that the impasse cannot continue forever, not least if it starts to reflect badly on the king.' Prince Harry said, in a bitter interview with the BBC following a comprehensive legal defeat on his security arrangements, that he does not know how long his cancer-hit father has left to live because the king won't speak to him. Harry also said he won't bring his family to the U.K., blamed his father for his security being reduced after leaving the royal family, and said he had 'forgiven' those family members who had hurt him. He added, 'Some members of my family will never forgive me for writing a book but I would love reconciliation with my family.' The prince continued, 'There is a lot of control and ability in my father's hands. Ultimately, this whole thing could be resolved through him.' Appearing emotional, Harry said, 'There's no point in continuing to fight anymore. As I said, life is precious. I don't know how much longer my father has. He won't speak to me because of this security stuff, but it would be nice to reconcile.'
