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‘Gandolfini' Review: The Man Behind the Mob Boss

‘Gandolfini' Review: The Man Behind the Mob Boss

Starting out, James Gandolfini was willing to consider all sorts of theatrical roles, but he did not want to play a mafioso. Having grown up in an Italian-American family in blue-collar New Jersey, he was loath to disappoint his parents. 'He felt like his mom and dad had both worked too hard making sure their kids got a good education to end up playing, you know, somebody that was not representing Italians very well,' Jason Bailey quotes an old friend saying of the actor in 'Gandolfini,' a snappy and tactful biography subtitled 'Jim, Tony, and the Life of a Legend.'
Fate, of course, had other plans. Imposing and magnetic, Gandolfini (1961-2013) was offered tough-guy roles as soon as he started looking for work. He was an actor on the rise when he came to the attention of David Chase, the creator of 'The Sopranos,' who was casting for a lead for his new television series. Mr. Chase, who had visualized Robert De Niro playing the violent, conflicted, charismatic Tony Soprano, wasn't immediately sold on Gandolfini. He liked a couple of other candidates, and he worried that that the actor, who already had a reputation, would be 'a pain in the ass on set.' But no other contender quite matched the darkness and sense of realness that Gandolfini brought to the role.
Gandolfini's combination of twinkling charm and dead-eyed menace helped make 'The Sopranos' a hit. The show ran on HBO for six seasons, over the course of 86 episodes spread out over 8½ years starting in 1999. It is widely regarded as having inaugurated a new golden age of cinematic television, making possible a torrent of TV series with gritty performances, top-drawer writing and high production values, including 'The Wire,' 'Breaking Bad' and 'Mad Men.'
'The Sopranos' had an ensemble cast, but like the fictional family and crime syndicate the show depicted, it needed Gandolfini as both anchor and prime mover. In the role of Tony Soprano, a mobster having a midlife crisis, Gandolfini could toggle between geniality and aggression with terrifying speed. Prone to gaining weight that was good for throwing around on screen, he was, according to an early colleague, 'a sweetheart of a guy—but you could tell that there's a sharp edge on the other end of that thing, too.'
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