Latest news with #Television
Gizmodo
2 days ago
- Entertainment
- Gizmodo
12 Ways ‘Alien: Earth' Is Respectfully Reimagining the Franchise
Alien: Earth creator Noah Hawley knows the tables are stacked against him. He knows the Alien franchise is a tough one to crack and that the idea of bringing it to televsion might elicit groans from certain fans. But Hawley is also really good at his job. He somehow turned Fargo into a TV show worthy of the incredible film. He made Legion one of the best comic book shows in recent memory. And he knows he'll never be able to remake or recapture the terror you felt watching the Ridley Scott original, or the exhilaration created by James Cameron's sequel. Instead, he's figured out a way to draw inspiration from those things, but also make it his own. The hope is that it'll create something that's 100% recognizable as Alien, but will also stand on its own as a way to totally flip the franchise on its head. Starting August 12, Alien: Earth tells a story set three years before the events of the first movie. However, while that was in space, this takes place—you guessed it—on Earth. There, a spaceship that was tasked with acquiring deadly aliens from across the galaxy is finally on its way home, when something goes wrong and it crashes. To explore the crash, a team of hybrids—synthetic beings with the consciousness of children—are sent in to explore. What they'll find is not just the iconic xenomorph, but several other species as well. A few weeks back, io9 was among a group of journalists who were able to watch the pilot episode of Alien: Earth (which was awesome) and speak with Hawley, as well as producer David Zucker, about all things Alien: Earth. Here are the highlights. Alien: Earth couldn't exist without the xenomorph, but Hawley knew he had to add new creatures to hopefully capture what makes Alien so special. 'One of the things you can never reproduce in an audience that has seen an Alien movie is the feeling you had the first time you saw the life cycle of this creature in that first film,' Hawley said. 'It's just unreproducible. You know that it's an egg, it's a face hugger, it's a chestburster, and all that. And so that's where the idea for other creatures came from. I want you to have that feeling because that feeling is integral to the Alien experience. But I can't do it with those creatures. So let's introduce new creatures where you don't know how they reproduce or what they eat. So that you can have that, 'I'm out' feeling multiple times a week.' Another intergral part of the Alien franchise is that, yes, the aliens are brutal killers. But the humans who are trying to capture them are often worse. That's why Alien: Earth will feature an equally important story centered on a technological race, personified by those hybrid characters. 'One of the interesting features of the movies, especially Jim Cameron's movie where he has that line from Sigourney [Weaver] to Paul Reiser where she says, 'I don't know which species is worse. At least they don't fuck each other over for a percentage.' Right? And so this idea about humanity and the terrible things that we do to each other, it really opened my mind as to the types of horror that would populate the show, not just body horror or creature horror, but also the moral horror of what people do. And the question is, if you take a girl and you put her into this synthetic body, is she going to choose human or other? And so it becomes about the push-pull between 'Well, why be human if this is what humans do to each other?' But there's such a beauty to the human experience, etc. So that's the tension, I feel like, that elevates it above just who lives and who dies.' Hawley's story is set in the world of Alien, with names and companies you'll recognize, but that wasn't the most important thing to him. 'I've said before but, if I have a skill at reinventing classic movies, it's understanding what the original made me feel and why, and then recreating those feelings in you by telling you a new story,' he said. That new story had to fit visually in the world of Alien. 'I was very adamant that technology-wise we embrace the retrofuturism of the franchise,' Hawley said. 'That is the visual definition for me. There are three classic sci-fi brands. There's Star Wars, Star Trek, and Alien. And none of them look like the other one. You would never confuse one for the other. And so if we want to make Alien, something's got to be dripping. Something's got to be rusty. You have to have those sorts of aesthetics to it. And then the challenge was, well, we're not even focused on the Weyland-Yutani Corporation, and we're on Earth. And so how, from an aesthetic standpoint, do you make sure that it feels like Alien to the audience when, obviously, if we're not on a ship, it's just not going to look like that. So that was a long, long process.' Yes, there are other creatures. No, it won't be focused on the life cycle of the xenomorph. But the xenos are in there, crucial to the show, and in a way you've never seen them before. 'We never really see these creatures within an ecosystem, right?' Hawley said. 'They're always sort of an apex predator existing in a space with no other wildlife, really. And I was interested in that idea of, if you're going to bring these creatures to a terrestrial environment, how are they going to change it? And how are other creatures, bugs, any of it, going to interact with them? So some of that we address, some of that is still percolating for future stories.' 'I think just the idea of seeing these creatures in a landscape, an Earth landscape, is such a profoundly unsettling and kind of exhilarating thing when we get to that moment,' he added. 'It really felt like such a gift after, at that time, six movies, to be doing something new, right? To have that opportunity.' Hawley knows that it will be hard, if not impossible, to top the H.R. Giger design of the original Alien. But he also knows he has to make sure these new creatures can stand up against them. So lots of care has, and continues to be, taken in their designs. 'I will be adjusting the design until they tell me I absolutely can't do it anymore,' he said. 'Every element of it, from the skin texture to sound design, it all goes to the 'Get into your nightmares' part of it. And mostly my hope is that people who watch the show will never do anything comfortably again.' So, yes, this is a new story with new threads and perspectives, but it fits in with the original movies in some fun ways. That's especially driven by the fact this show isn't on a spaceship or an alien planet. It's on Earth, which is something the original films have almost wholly avoided. 'It's the first time we're coming to Earth,' Hawley said. 'I mean, there's a little on Earth in Prometheus, but with no sort of expansion on who rules the Earth, what are the politics, how does that work throughout the galaxy, etc. And so it was a gift to get a franchise this big with very little mythology to it.' 'So that I could say, 'All right, well, what do we know about the next hundred years?' Hawley continued. 'It's going to get hotter. It's going to get wetter. I'm not betting against capitalism so I think the corporations, that power is going to aggregate. And all we really know about Aliens is that there's this corporation called Weyland-Yutani. And for me, I just think that story, that Weyland-Yutani story, is really interesting, but I like the idea also of introducing that there's still a competition. And I also thought, in terms of the moment on Earth. I thought about the moment at the turn of the 20th century where you had Edison and Tesla and Westinghouse, and you weren't sure who was going to control electricity. So I thought if we had that kind of moment in which it's a contest between the sort of cybernetic enhancements and AI and transhumanism—and, like any technology race, you know, you don't remember who the competitor to Xerox was, right? And so that was exciting to me to explore that.' In addition to the opportunity of exploring what's happening on Earth, Hawley loved that the movies gave him a lot of open space to add to the story. 'If you remember the movie, they just get sent to this planet,' he said. 'I mean, clearly somebody knows about these creatures, right? They knew enough to send them there, but their knowledge of these creatures [is a mystery]. Now, of course, [the crew of the Nostromo] has been in cryosleep for, I don't know how many decades or years or whatever. So that's the interesting thing about the lack of mythology is these people who find those first eggs have been out of contact with Earth for who knows how long. And so there is a gray area that we could play in and try to create something with as big a scale as possible to justify the title while still making it credible for the rest of the canon.' 'I've had some conversations with [the filmmakers],' Hawley admitted. '[But], you know, this is not a Kevin Feige Marvel Universe moment. I'm not saying that that in success that that we shouldn't be coordinating or thinking big picture about that. The show [just] has to be a hit before you can really have those conversations.' Hawley doesn't know how far the show will go along but, he has thought about potential links between the show and films. 'I haven't literally calendared it out,' he said, 'But we know that Ripley ends up in an escape pod and is found 57 years later. So we really have no idea what they know on Earth about what happened on the Nostromo. And so is my challenge really figuring what happens in those three years or in the 60 years before she comes back? So those are all active questions that were that we're discussing.' 'Well, it's not up to me,' Hawley said. But, in his mind it's a recurring series that could go on for more seasons. 'We created it as a recurring series, and I have great plans and ambitions for it as such.' For this one, we'll turn it over to David Zucker, the chief creative officer for Scott Free, Ridley Scott's production company. 'In all candor, we were approached many times [about making Alien shows] and there was no interest on our behalf,' Zucker said. 'And frankly, I don't think one could even conceive of delivering something of this kind of equivalency of what one can do [as] feature TV in this sort of modern era. But I think the thing that that also didn't exist before John [Landgraf, chairman of FX] and Noah had this conversation is somebody who could have this kind of vision, this kind of originality. Ridley was really, I think, enthralled by being able to relaunch the franchise. And he's excited about the extension of it, but it really required somebody who could take the essence, as Noah's talked about, and find a way to take viewers in an entirely different experience. And that that was just something we had never encountered before and couldn't have have imagined that that opportunity would exist. So the planets align, as they say.' The planets will further align on August 12 when Alien: Earth debuts on FX. Check back for more soon. Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what's next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.
Pink Villa
6 days ago
- Entertainment
- Pink Villa
Ram Kapoor has STRONG opinion on Deepika Padukone's 8-hour shift controversy: 'Once you have achieved success...'
Deepika Padukone and Sandeep Reddy Vanga's controversy has been a topic of discussion in the industry for a few days now. It all started when the actress stepped away from Vanga's upcoming movie Spirit. The reason for her exit was that her demand for an 8-hour work shift was declined. Several voiced their opinions on this, either supporting the actress' demand or sharing their contrasting opinion. Now, Ram Kapoor, who has been in the industry for many years, shared his take on this controversy. Ram Kapoor reacts to Deepika Padukone's demand In a conversation with Firstpost, Ram Kapoor stated the practicality of demanding fixed working hours like Deepika Padukone did. He said, "Once you have achieved success in showbiz, whether as a star, as an actor, and people want to work with you, then, yes, you are in a position to choose how many hours you want to work." Disclosing his similar demand, Ram Kapoor mentioned that he has been lucky as he is in a position to demand working hours. He said, "I have been in that position for many years, even when I was doing TV, I used to decide how many hours I want to work. So I've been lucky." The actor explained that anybody who is on a high level in the industry and who doesn't have to find work can demand fixed working hours. Kapoor shed light on Television's extensive working hours and recalled demanding an 8-hour shift. Revealing why he had this demand, Ram said, "Television was nonstop, there were no seasons. It was every single day of every single month for three years, four years, five years However, Ram said that on his recent OTT show, Mistry, he worked for 14 to 16 hours a day, revealing, "But it was only for four months. I'm very lucky that I'm getting to do whatever I want to do, then I don't want to restrict myself. I have no reason to complain." Sharing thoughts about the extensive working hours in the industry, the Bade Achhe Lagte Hain actor mentioned that the industry is challenging and the working hours are too much. Speaking about Deepika's exit, Triptii Dimri was roped in to play Deepika's role in Spirit.
News.com.au
6 days ago
- Entertainment
- News.com.au
‘Unapologetically heartful': Actors praise Star Trek: Strange New Worlds as it returns to resolve massive cliffhanger
Star Trek: Strange New Worlds returns to our television screens tonight with its third season – and with a promise that the charming earnestness of the franchise remains undiluted. Season two ended on one of the more dramatic cliffhangers in Star Trek's history, with the Enterprise locked in a seemingly hopeless struggle against a bloodthirsty, lizard-like race of aliens called the Gorn. When we last saw this crew, the ship was outnumbered and under heavy fire. Starfleet had ordered Captain Christopher Pike (Anson Mount) to retreat. But multiple key members of his team, and hundreds of human colonists, had been abducted by the Gorn, and faced a horrific fate if Pike were to abandon them. Quite the impossible choice, then. Meanwhile his love interest, fellow Starfleet Captain Marie Batel (Malanie Scrofano), was quarantined in the Enterprise's sick bay and infected with Gorn young which, as we resume the story, are set to tear their way out of her, Alien -style, within hours unless a miraculous solution can be found. The season closed with a shot of Pike's tortured, indecisive face on the bridge, and his crew begging him for orders. So, the first order of business is to resolve that cliffhanger. Only then will Strange New Worlds be able to settle back into its usual rhythm. Speaking ahead of the new season's two-episode premiere, the show's actors stressed that it will remain true to the spirit of the franchise. 'I think, for me, personally, the thing about Star Trek that always touches me – and it has not dulled at all in the five years that we've been doing this show – it just opens my heart a lot to engage with it,' said Australian actress Jess Bush, who plays Nurse Christine Chapel. ' Star Trek is so unapologetically optimistic and heartful. It just believes in goodness, in the inherent goodness of humanity, and a positive version of what the future could be. 'What I find with a lot of other TV shows that I've watched is there's almost a cynicism, or self-deprecation, or you know, there's a fear of being earnestly pro -stuff. 'And Star Trek is really different in that way. It's just very positive, and wondrous, and curious, and really owns that characteristic for itself, which is something I am so proud to be a part of.' Another fairly unique quality of Star Trek is the freedom with which it can dip in and out of different genres. One episode might be serious and philosophical; the next a silly comedy; the next something approaching horror. Strange New Worlds has been criticised at times for its handling of this inconsistent tone, most famously after its, ahem, offbeat musical episode Subspace Rhapsody late in season two. That was immediately followed by a deeply dramatic finale, with its aforementioned cliffhanger. The actors, however, enjoy the dancing between genres, which gives them a chance to explore their characters more fully. One upcoming episode in season three features an early version of the holodeck, a staple of Star Trek later in the in-universe timeline. Christina Chong, who plays the outwardly serious security chief La'an Noonien-Singh, leads the cast in a Knives Out -style detective story. She described the episode as 'a huge gift'. 'I mean, to be able to number one, play a different character – or be La'an playing a different character – to be able to get into the film noir/sixties world, to be able to mash those two kind of periods together and play with all the amazing characters the writers created. The holodeck was an incredible excuse to do that,' said Chong. 'It was the most incredible episode. I cried at the end of it.' Asked whether it was difficult to pull off the show's tonal shifts, and to keep their characters feeling consistent and believable, Bush said it was, in fact, quite the opposite. 'Actually, I think it's an absolute gift for an actor to have that,' she said. 'As soon as I feel comfortable, they shift it to something else, and you're constantly moving and evolving in a way that's kind of like a jungle gym, for an actor. 'And I don't think you often get opportunities like that with long-running shows. So while it is challenging and thrilling. Like, actors are masochists.' 'Exactly. What other show do you get to do this on? Or will we ever get to do this on in our lifetime?' said Chong. 'It helps you feel more three-dimensional,' added Martin Quinn, introduced to Strange New Worlds' cast in season two's finale, who plays the beloved legacy character Scotty. 'You're learning so much more about your character as another episode, or another scenario, something completely different, comes up.' You can look forward to many of those wildly different scenarios as season three progresses. The show remains as eclectic as ever and, to steal Bush's term, unapologetically 'heartful' – as every Star Trek story should be.
The National
7 days ago
- Entertainment
- The National
Emmy Awards 2025: Where to watch nominated shows in the UAE
Award season is back and the 2025 Primetime Emmy nominations have spotlighted some of the most compelling shows on television. Returning favourites such as The Bear, Severance and The White Lotus earned several nods, while newcomers such as Nobody Wants This, The Studio and Adolescence also made a strong impression. Whether you're into sharp comedies, gripping dramas or twisted anthologies, this year's line-up has something for every kind of viewer. Luckily, most of the top contenders are available to stream in the UAE — here's where to find them. Andor Where to watch: Disney+ Main nominations: Outstanding Drama Series, Outstanding Writing for a Drama Series, Outstanding Guest Actor in a Drama Series Premise: A tense, slow-burn prequel to Rogue One in the Star Wars universe, the show follows Cassian Andor as he transforms from a cynical thief into a revolutionary hero. The Diplomat Where to watch: Netflix Main nominations: Outstanding Drama Series, Outstanding Lead Actress in a Drama Series Premise: Kate Wyler is the new US ambassador to the UK and, through her role, helps to defuse an international crisis, forge strategic alliances and adjust to her new place in the spotlight. The Last of Us Where to watch: OSN+ Main nominations: Outstanding Drama Series, Outstanding Lead Actress in a Drama Series, Outstanding Lead Actor in a Drama Series Premise: The show follows survivors caught up in a zombie apocalypse caused by the outbreak of aggressive mushrooms that take over the human brain. Paradise Where to watch: Disney+ Main nominations: Outstanding Drama Series, Outstanding Lead Actor in a Drama Series, Outstanding Supporting Actor in a Drama Series, Outstanding Supporting Actress in a Drama Series Premise: Years after a doomsday event, Secret Service agent Xavier Collins investigates the US President's murder from within a vast underground bunker. As suspicion turns toward him, Xavier uncovers shocking secrets in a world where no one can be trusted. The Pitt Where to watch: OSN+ Main nominations: Outstanding Drama series, Outstanding Supporting Actress in a Drama Series, Outstanding Writing for a Drama Series Premise: Set during a single 15-hour ER shift, the show follows a team of overworked doctors and nurses at a Pittsburgh trauma hospital as they battle non-stop medical crises. Led by veteran doctor Michael 'Robby' Robinavitch, the team faces everything from mass casualties to personal trauma in real time. Severance Where to watch: Apple TV+ Main nominations: Outstanding Drama Series, Outstanding Lead Actor in a Drama Series, Outstanding Lead Actress in a Drama Series, Outstanding Supporting Actress in a Drama Series, Outstanding Supporting Actor in a Drama Series, Outstanding Writing for a Drama Series Premise: An employee of Lumon Industries agrees to a "severance" programme in which his non-work memories are separated from his work memories. Slow Horses Where to watch: Apple TV+ Main nominations: Outstanding Drama Series, Outstanding Lead Actor in a Drama Series, Outstanding Writing for a Drama Series Premise: A misfit group of British intelligence agents, exiled to a dead-end department called Slough House, stumble into real danger while handling low-stakes assignments. Under the gruff and foul-mouthed leadership of Jackson Lamb, they reluctantly find themselves defending the country from threats no one else sees coming. The White Lotus Where to watch: OSN+ Main nominations: Outstanding Drama Series, Outstanding Supporting Actress in a Drama Series, Outstanding Supporting Actor in a Drama Series, Outstanding Writing for a Drama Series Premise: Set over one intoxicating week at a luxury spa resort in Thailand, the show offers a satirical exploration of wealth, spirituality, death and privilege as elite guests and staff collide in a paradise full of hidden tensions and fatal consequences. Abbott Elementary Where to watch: Disney+ Main nominations: Outstanding Comedy Series, Outstanding Lead Actress in a Comedy series, Outstanding Supporting Actress in a Comedy Series, Outstanding Writing for a Comedy Series Premise: The mockumentary sitcom follows the lives of teachers working in an underfunded, predominantly black primary school in Philadelphia. The Bear Where to watch: Disney+ Main nominations: Outstanding Comedy Series, Outstanding Lead Actress in a Comedy Series, Outstanding Lead Actor in a Comedy Series, Outstanding Supporting Actress in a Comedy Series, Outstanding Supporting Actor in a Comedy Series Premise: A troubled, award-winning chef returns home to Chicago to take over his late brother's chaotic sandwich shop, determined to transform it into a refined restaurant amid financial chaos, grief, and staff tension. Hacks Where to watch: OSN+ Main nominations: Outstanding Comedy Series, Outstanding Lead Actress in a Comedy Series, Outstanding Supporting Actress in a Comedy Series, Outstanding Writing for a Comedy Series Premise: Deborah Vance, a famous Las Vegas comic, mentors a young and entitled comedy writer named Ava Daniels. Nobody Wants This Where to watch: Netflix Main nominations: Outstanding Comedy Series, Outstanding Lead Actress in a Comedy Series, Outstanding Lead Actor in a Comedy Series Premise: A witty rom-com about an agnostic podcaster who unexpectedly falls for a newly single rabbi. As they navigate cultural differences, meddling families and the demands of a podcast about relationships, their unexpected bond threatens to disrupt both their worlds. Only Murders in the Building Where to watch: Disney+ Main nominations: Outstanding Comedy Series, Outstanding Lead Actor in a Comedy Series Premise: Three neighbours who are obsessed with true crime create their own podcast looking to solve a murder in their exclusive apartment building in Upper West Side, New York City. Shrinking Where to watch: Apple TV+ Main nominations: Outstanding Comedy Series, Outstanding Lead Actor in a Comedy Series, Outstanding Supporting Actress in a Comedy Series, Outstanding Supporting Actor in a Comedy Series Premise: Jimmy is a grieving therapist who is mourning the death of his wife and navigating life as a single father to teenager Alice. Meanwhile, he offers brutally honest advice to his patients – and chaos ensues. The Studio Where to watch: Apple TV+ Main nominations: Outstanding Comedy Series, Outstanding Lead Actor in a Comedy Series, Outstanding Supporting Actress in a Comedy Series Premise: Matt Remick is thrust into the role of head of the struggling Continental Studios, where he desperately tries to balance corporate demands with his passion for filmmaking. As he navigates an industry dominated by IP-driven blockbusters, he struggles to keep art alive on studio terms. What We Do in the Shadows Where to watch: Disney+ Main nominations: Outstanding Comedy Series, Outstanding Writing for a Comedy Series Premise: A group of ancient vampires live in modern-day Staten Island and struggle with everything from local politics to internet trolls. Adolescence Where to watch: Netflix Main nominations: Outstanding Limited or Anthology Series, Outstanding Lead Actor in a Limited or Anthology Series or Movie, Outstanding Supporting Actress in a Limited or Anthology Series or Movie, Outstanding Supporting Actor in a Limited or Anthology Series or Movie, Outstanding Writing for a Limited or Anthology Series or Movie Premise: After a 13-year-old is arrested for stabbing his female classmate, this British limited series unravels the events leading up to the crime. Told through immersive, single-shot episodes, it explores family dysfunction, school pressures and the dark influence of online incel culture. Black Mirror Where to watch: Netflix Main nominations: Outstanding Limited or Anthology Series, Outstanding Lead Actress in a Limited or Anthology Series or Movie, Outstanding Writing for a Limited or Anthology Series or Movie Premise: The latest season of Black Mirror delivers six standalone sci‑fi tales and features the first-ever sequel episode, USS Callister: Into Infinity, which tackles AI, virtual reality, memory and the distortion of reality. Dying for Sex Where to watch: Disney+ Main nominations: Outstanding Limited or Anthology Series, Outstanding Lead Actress in a Limited or Anthology Series or Movie, Outstanding Supporting Actress in a Limited or Anthology Series or Movie, Outstanding Supporting Actor in a Limited or Anthology Series or Movie, Outstanding Writing for a Limited or Anthology Series or Movie Premise: Based on a true story and podcast, this poignant dramedy follows a woman with a terminal illness who embarks on an awakening that deals with themes about friendship, freedom and facing mortality on your own terms. Monsters: The Lyle and Erik Menendez Story Where to watch: Netflix Main nominations: Outstanding Limited or Anthology Series, Outstanding Lead Actor in a Limited or Anthology Series or Movie, Outstanding Supporting Actress in a Limited or Anthology Series or Movie, Outstanding Supporting Actor in a Limited or Anthology Series or Movie Premise: This series tells the story of Lyle and Erik Medendez, two brothers who killed their parents in 1989 and the events surrounding the brutal slayings. During their trials, the brothers cited years of abuse as the reason for murdering their parents. However, prosecutors argued that their motive was to get their hands on the family fortune. The Penguin Where to watch: OSN+ Main nominations: Outstanding Limited or Anthology Series, Outstanding Lead Actress in a Limited or Anthology Series or Movie, Outstanding Lead Actor in a Limited or Anthology series or Movie, Outstanding Supporting Actress in a Limited or Anthology Series or Movie, Outstanding Writing for a Limited or Anthology Series or ovie Premise: The Penguin picks up one week after the events of The Batman. The city's most powerful crime boss, Carmine Falcone, is dead, leaving a power vacuum in his wake. And a flood caused by a terrorist attack has wiped out large parts of the city, leaving many desperate for a way to survive, or a way to escape.
Al Jazeera
16-07-2025
- Entertainment
- Al Jazeera
Emmys 2025: Full list of top nominees
The nominees for the 2025 Primetime Emmy Awards have been announced. Actors Harvey Guillen and Brenda Song revealed the nominations at the Television Academy's Wolf Theater in Los Angeles, California, on Tuesday in advance of the 77th annual ceremony. Severance stood out from the competition, earning 27 Emmy nods, while Apple TV's The Studio topped the comedy categories with 23 nominations. HBO's dark Batman spinoff, The Penguin, secured 24 nominations. Here is the list of nominees in key categories: Andor Paradise Severance Slow Horses The Diplomat The Pitt The Last of Us The White Lotus #EmmyNoms for Best Drama Series:#Andor – 97%#TheDiplomat – 95%#TheLastOfUs – 91%#Paradise – 87%#ThePitt – 95%#Severance – 94%#SlowHorses – 100%#TheWhiteLotus – 86% Who do you want to see take home an #Emmy? — Rotten Tomatoes (@RottenTomatoes) July 15, 2025 Hacks The Bear The Studio Only Murders in the Building Abbott Elementary Nobody Wants This Shrinking What We Do in the Shadows #EMMY nominations — Outstanding Comedy Series Abbott ElementaryThe BearHacksNobody Wants ThisOnly Murders in the BuildingShrinkingThe StudioWhat We Do in the Shadows — Film Updates (@FilmUpdates) July 15, 2025 Adolescence The Penguin Dying for Sex Monsters: The Lyle and Erik Menendez Story Black Mirror #EmmyNoms for Best Limited or Anthology Series:#Adolescence – 98%#BlackMirror – 86%#DyingForSex – 98%#Monsters – 45%#ThePenguin – 95% Who do you want to see take home an #Emmy? Sterling K Brown, Paradise Gary Oldman, Slow Horses Pedro Pascal, The Last of Us Adam Scott, Severance Noah Wyle, The Pitt Kathy Bates, Matlock Sharon Horgan, Bad Sisters Britt Lower, Severance Bella Ramsey, The Last of Us Kerry Russell, The Diplomat At 77, Kathy Bates is the Oldest #Emmy Nominee for Best Actress, Drama Ever Show Some Love to a Living Legend — Cinema Tweets (@CinemaTweets1) July 15, 2025 Seth Rogen, The Studio Martin Short, Only Murders in the Building Jeremy Allen-White, The Bear Adam Brody, Nobody Wants This Jason Segel, Shrinking Uzo Aduba, The Residence Kristen Bell, Nobody Wants This Quinta Brunson, Abbott Elementary Jean Smart, Hacks Ayo Edebiri, The Bear The Amazing Race RuPaul's Drag Race Survivor Top Chef The Traitors The 2025 Emmy nominees for Outstanding Reality Competition Program are: The Amazing RaceRuPaul's Drag RaceSurvivorTop ChefThe Traitors — Reality TV News/Updates (@Realitytv__fan) July 15, 2025 The Daily Show with Jon Stewart Jimmy Kimmel Live The Late Show with Stephen Colbert The Dirt Under Your Nails Arcane They Slug Horses, Don't They? Bob's Burgers Cliff's Edge Common Side Effects Spider Rose Love, Death + Robots Bart's Birthday Congrats to "THE SIMPSONS" and "BOB'S BURGERS" crews for their Emmy nominations for Outstanding Animated Program -The Simpsons – 'Bart's Birthday'-Bob's Burgers – 'They Slug Horses, Don't They?' Other nominees include Arcane, Common Side Effects and Love, Death & Robots. — DTVA News (@DTVANews) July 15, 2025 Patricia Arquette, Severance Carrie Coon, The White Lotus Katherine LaNasa, The Pitt Julianne Nicholson, Paradise Parker Posey, The White Lotus Natasha Rothwell, The White Lotus Aimee Lee Wood, The White Lotus Zach Cherry, Severance Walton Goggins, The White Lotus Jason Isaacs, The White Lotus James Marsden, Paradise Sam Rockwell, The White Lotus Tramell Tillman, Severance John Turturro, Severance Congratulations to the entire Severance team on their 27 Emmy Nominations. Drama Series Lead Actor: Adam Scott Lead Actress: Britt Lower Supporting Actress: Patricia Arquette Supporting Actor: John Turturro Supporting Actor: Tramell Tillman Supporting Actor: Zach Cherry… — Apple TV (@AppleTV) July 15, 2025 Colin Farrell, The Penguin Stephen Graham, Adolescence Jake Gyllenhaal, Presumed Innocent Brian Tyree Henry, Dope Thief Cooper Koch, Monsters: The Lyle and Erik Menendez Story Cate Blanchett, Disclaimer Meghann Fahy, Sirens Rashida Jones, Black Mirror Cristin Milioti, The Penguin Michelle Williams, Dying for Sex Erin Doherty, Adolescence Ruth Negga, Presumed Innocent Deirdre O'Connell, The Penguin Chloe Sevigny, Monsters: The Lyle and Erik Menendez Story Jenny Slate, Dying for Sex Christine Tremarco, Adolescence ADOLESCENCE, Netflix's second most-viewed English-language show of all time, has earned 13 Emmy nominations. • Outstanding Limited Series• Acting nominations for Stephen Graham, Owen Cooper, Ashley Walters, Erin Doherty, and Christine Tremarco• Outstanding Directing•… — Netflix (@netflix) July 15, 2025 Javier Bardem, Monsters: The Lyle and Erik Menendez Story Bill Camp, Presumed Innocent Owen Cooper, Adolescence Rob Delaney, Dying for Sex Peter Sarsgaard, Presumed Innocent Ashley Walters, Adolescence Ike Barinholtz, The Studio Colman Domingo, The Four Seasons Harrison Ford, Shrinking Jeff Hiller, Somebody Somewhere Ebon Moss-Bachrach, The Bear Michael Urie, Shrinking Bowen Yang, Saturday Night Live Liza Colon-Zayas, The Bear Hannah Einbinder, Hacks Kathryn Hahn, The Studio Janelle James, Abbott Elementary Catherine O'Hara, The Studio Sheryl Lee Ralph, Abbott Elementary Jessica Williams, Shrinking Congratulations to the cast and crew of The Bear for their 13 Emmy® nominations. — Disney+ (@DisneyPlus) July 15, 2025 Bridget Jones: Mad About the Boy The Gorge Mountainhead Nonnas Last Week Tonight With John Oliver Saturday Night Live The Apple Music Super Bowl LIX Halftime Show Starring Kendrick Lamar Beyonce Bowl The Oscars SNL50: The Anniversary Special SNL50: The Homecoming Concert Beyoncé has earned TWO Emmy nominations for BEYONCÉ BOWL. • Outstanding Directing for a Variety Special• Outstanding Variety Special (Live) Elizabeth Banks, Press Your Luck Steve Harvey, Celebrity Family Feud Ken Jennings, Jeopardy! Colin Jost, Pop Culture Jeopardy! Jimmy Kimmel, Who Wants To Be A Millionaire Talk about hosts with the most! Congratulations to both Ken Jennings and Colin Jost, and the whole Jeopardy! team on the 140th Emmy® nominations for the show! Thank you @TelevisionAcad #Jeopardy! #Emmys — Jeopardy! (@Jeopardy) July 15, 2025
