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Dave Grohl leads celebs at Wimbledon braving the rain alongside England manager Thomas Tuchel and ex-boss Roy Hodgson

Dave Grohl leads celebs at Wimbledon braving the rain alongside England manager Thomas Tuchel and ex-boss Roy Hodgson

The Irish Sun3 days ago
DAVE GROHL led the A-list celebrities braving the rain on Day Three of Wimbledon.
The Foo Fighters frontman, 56, looked the part in his glistening suit as he walked through the All England Club gates alongside wife Jordyn Blum.
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Dave Grohl and Jordyn Blum looked the part as they dressed up for the big day
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England manager Thomas Tuchel was all smiles on his first trip to Wimbledon as Three Lions boss
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Tom Daley looked effortlessly cool in his fashionable outfit
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And it was case of music greats past and present in attendance as play on the outside courts was delayed by the bad weather.
That is because Olivia Rodrigo was also invited to the tennis as a guest of the club, just three days after headlining the final night of Glastonbury.
And there was plenty of stars from the sporting world, too.
Current England manager Thomas Tuchel headed to SW19 for the first time since taking on the job from Gareth Southgate - who was at Wimbledon on Monday.
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But another predecessor, Roy Hodgson, also headed to South-West London on Wednesday alongside wife Sheila.
Graeme Le Saux earned 36 England caps - plus a fair few more in Soccer Aid.
But he also boasts membership at the All England Club and proudly wore his badge upon arrival this morning.
Diver Tom Daley - used to the water - proved he is just as capable at turning out a fashionable number as he is at twisting and turning into the pool.
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Golfer Tommy Fleetwood opted for a shimmering grey suit and tie paired with grey loafers.
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And actor Dominic Cooper defied his 47 years by dazzling in a brilliant sky-blue suit.
Despite the wet weather in SW19, the celebs can expect another bumper day from their seats in the Royal Box on Centre Court.
The day's order of play started with world No1 Aryna Sabalenka vs Marie Bouzkova followed by Brit Ollie Tarvet against defending champion Carlos Alcaraz.
And the third match on Centre saw two Grand Slam champions pitted against each other in round two as 2021 US Open queen Emma Raducanu faced 2023 Wimbledon winner Marketa Vondrousova.
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England boss Thomas Tuchel arrives at Wimbledon
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Tommy Fleetwood paired his shimmering grey suit and tie with grey loafers
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Roy and Sheila Hodgson headed for a day at the tennis
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Dominic Cooper is making 47 look easy with his dashing blue suit
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Leslie Mann looked glamorous in her cream blazer jacket
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Graeme Le Saux proudly wore his membership badge for the All England Club
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Rapper in Tupac Shakur's group who appeared on songs with music icon ‘dies by suicide' aged 47
Rapper in Tupac Shakur's group who appeared on songs with music icon ‘dies by suicide' aged 47

The Irish Sun

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  • The Irish Sun

Rapper in Tupac Shakur's group who appeared on songs with music icon ‘dies by suicide' aged 47

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Clodagh Finn: Carmel Snow, the Irish Anna Wintour who reshaped US fashion
Clodagh Finn: Carmel Snow, the Irish Anna Wintour who reshaped US fashion

Irish Examiner

timean hour ago

  • Irish Examiner

Clodagh Finn: Carmel Snow, the Irish Anna Wintour who reshaped US fashion

Carmel Snow, the influential Irish woman who transformed US fashion magazine Harper's Bazaar, was born Carmel White in Dalkey in 1887. Had she been a fan of the double-barrel name, she would have become Carmel Snow-White. I love that quirky if little-quoted fact, not least because it shows our insistence on shoehorning trailblazing women, such as Carmel and the in-the-news phenomenon that is Anna Wintour, into fairytale stereotypes. Women with power, influence and fearsome reputations are no Snow Whites, of course; they are cast as cartoonish wicked women. Or devil women. For proof, look no further than the box-office sensation, The Devil Wears Prada, the film supposedly based on Wintour. Mind you, as steely editor of Runway magazine, the wondrous Meryl Streep (Miranda Priestly), offered us a poised and immensely entertaining version of female wickedness, one which we will happily see again soon. News that a sequel has just gone into production lands hot on the heels of confirmation that Anna Wintour is stepping down from her role as editor-in-chief of Vogue. Anna Wintour who is to step aside from her role as the day-to-day editor of American Vogue, with the magazine hiring a new head of editorial content. HISTORY HUB If you are interested in this article then no doubt you will enjoy exploring the various history collections and content in our history hub. Check it out HERE and happy reading She is not stepping back, though. Make no mistake about that. Anna Wintour, the woman lauded for revitalising the celebrated magazine and chairing the annual Met Gala, will continue to work as Condé Nast's global chief content officer. There has been much coverage of the woman herself — her razor-sharp bob, her trademark sunglasses, her achievement in fashion-empire building and her icy demeanour. At least there is also some recognition that she is a real person behind the curated image. I like this description of the personal Wintour from fashion editor Jess Cartner Morley: 'In private, [she] is devoted to her family, is a tennis superfan, a passionate supporter of the arts and a witty and phenomenally well-read conversationalist.' Maybe she is glued to Wimbledon right now. One of the many things I admire about her is her sense of humour. Here's a fine example: She turned up to the London premiere of The Devil Wears Prada musical wearing Prada. And she told reporters that it was up to the public to decide if she and Miranda Priestly were 'twinsies'. Though we might not like to think so, we — the observing public — will never be able to make an informed choice about that because it is impossible to get behind the caricatural Anna of the headlines. There is, however, one undeniable fact in all of it: Anna Wintour is 75 years old and she is still at the top of her game. In all the coverage, that single figure is the one that remains after the clichés and wooden generalisations drain away. Having this elegant, high-powered executive back in the news also gives us a joyous occasion to recall the Irishwoman who was the Anna Wintour of her day. Or maybe that should be the other way around — Wintour is the Carmel Snow of her day. Happily, this Irish 'icon of impeccable style', editor of Vogue and transformer of Harper's Bazaar is now quite well-known, but that is recent. When, in the 1990s, writer and TV producer/director Anne Roper first came across a reference to her, she had been all but forgotten. American fashion journalist Carmel Snow (1887 - 1961) attends a function in London in 1956. Picture: Getty Images After reading this tantalising footnote in Truman Capote's biography — 'The remarkable Mrs Snow, Dublin-born, had transformed Harper's Bazaar from a simple fashion magazine into a haven for the new and daring, in photography and design as well as fiction' — Roper rang the magazine's New York offices to find out more. They had only vague memories. Then she came across her out-of-print memoir, The World of Carmel Snow, and began the process of writing this tenacious and supremely talented woman back into the public consciousness. Let's start with a bit of name-dropping to put her importance into context. To quote none other than Capote again: 'Diane Vreeland was her fashion editor. Alexey Brodovitch, who designed for the Ballets Russes, was her art director. There was no question, Bazaar was the magazine to work for.' Capote was a contributor along with Katherine Anne Porter, Evelyn Waugh, Frank O'Connor, Louis MacNiece and Maeve Brennan. As she put it herself, Carmel Snow was creating a magazine for 'well-dressed women with well-dressed minds'. She discovered Balenciaga, Christian Dior and Hubert de Givenchy. She gave Cartier-Bresson his first magazine assignment, and counted Coco Chanel, Colette, Salvador Dali, Liam O'Flaherty and Noel Coward as friends. Her vision was an immediate success. She took over Harper's Bazaar in 1935, tripling the circulation in jig time. It happened by accident, in a sense. Or rather due to the tragic death of her businessman father Peter White who died suddenly in Chicago in 1893 while setting up the Irish village, a showcase of Irish history, culture and industry, at the World Fair. Carmel's mother, Anne White, took over from him and did an exceptional job. A commemorative stamp of Carmel Snow. Picture: An Post The 'very capable and charming Mrs Peter White', as one newspaper described her, decided to stay in the US and open a craft shop. She later took over a dressmaking firm with a workroom of over 250 fitters and seamstresses who produced Parisian haute couture for the US market. Carmel later recalled her mother's 'momentous decision' to stay on and take over with admiration. 'Her determination had taken her a long way in that period when women, particularly Irish women, seldom ventured,' she wrote. Her mother's career brought Carmel to America and introduced her to the fashion world. She accompanied her mother on buying trips to Paris where she met Coco Chanel and witnessed the 'birth of the revolution in fashion'. She moved to the city — after a failed love affair, apparently — and worked for the Red Cross during WWI. Her big break into the fashion world came in the early 1920s when she filled in for a New York Times fashion correspondent who couldn't make one of the Paris fashion shows. Her copy was so good it led to a column in that paper and later a job as assistant fashion editor in Vogue. 'For the first day, I got myself up to kill. I wore a smart, but dead black crepe-de-chine dress and jacket from Vionnet, the exciting new Paris designer whose bias cut was so subtle I was proud of myself for recognising that here was an artist in fashion,' she wrote. Her subsequent career at Harper's has been well-covered; here was an early high-flier who did not let the birth of her children slow her down: 'I was never without a baby under the desk.' Much attention has been paid to her drinking in later life, too, and the dignity-stripping reality of that, but let us hope that serves as a reminder that people, even talented and successful ones, have feet of clay. I did not discover until this week, however, that she wrote a six-part series published by the Evening Echo in 1953. Here's a flavour of it: 'To wear the new Dior line, you cannot have a spare tire [sic]. What you need is a spare rib. You must have a concave stomach and pretty well nothing to sit on. You must be slender as a willow and as few of us are this, we must be prepared to be stern with ourselves.' Plus ça change. Although I do, naively perhaps, hold out hope for change. The collective noun for those at a publication's helm is, I read somewhere, 'a revision of editors'. How nicely put. Maybe we can now revise the caricatures we sketch for the women who sit in that hot seat.

‘She played such incredible tennis and she pushed me really hard' – Aryna Sabalenka praise for beaten Emma Raducanu
‘She played such incredible tennis and she pushed me really hard' – Aryna Sabalenka praise for beaten Emma Raducanu

Irish Independent

time3 hours ago

  • Irish Independent

‘She played such incredible tennis and she pushed me really hard' – Aryna Sabalenka praise for beaten Emma Raducanu

The 22-year-old played some electrifying tennis under the roof on Centre Court but was unable to apply the finishing touches, eventually going down 7-6 (6) 6-4 after exactly two hours. The first set alone took 74 minutes, with Raducanu saving seven set points and creating one of her own, while she led 4-1 in the second before Sabalenka recovered to set up a fourth-round clash with Elise Mertens. Raducanu will now drop to British number three behind Katie Boulter and Sonay Kartal, who is the last home woman left in singles, but that will not be the case for long if she can maintain this level. The former US Open champion has made it her goal to close the gap to the world's best and, having lost twice heavily to Iga Swiatek in the other two grand slams this year, she can feel very differently after her performance here. 'She played such incredible tennis and she pushed me really hard to get this win,' said Sabalenka. 'I fight for every point like crazy. 'I'm super happy to see her healthy and back on track. I'm pretty sure that she will be back in the top 10 soon. 'What an atmosphere, my ears are still hurting. I was telling myself, just pretend they're cheering for you, and I was having goosebumps.' Unlike Jack Draper, Raducanu is naturally at home on grass, with her exceptional ability to take the ball early, particularly on return, mitigating her lack of pure power. She gave Sabalenka a decent run for her money in their only previous meeting, in Indian Wells last spring, and a clean return winner off a second serve in the opening game showed the Belarusian that she very much meant business. Raducanu played an almost flawless match to beat former champion Marketa Vondrousova in the second round and, although this was a very different prospect, the 22-year-old once more appeared calm and clear-minded. She had the top seed under pressure again in the fifth game, bringing up three more break points and taking the third when Sabalenka netted a backhand. That was greeted by a huge roar from the packed stands, but Raducanu then made her first missteps serving at 4-3 to hand the advantage back amid a run of eight points in a row for Sabalenka. A forehand winner played from virtually sitting down by Raducanu earned a clap from Sabalenka but too many errors had crept into the home favourite's game and a netted forehand gave her opponent a first set point. She saved that with an ace, and Sabalenka remarkably missed backhands on every one of six more opportunities before Raducanu finally held in one of Centre Court's more memorable games. It seemed impossible for it not to be a key moment, and Sabalenka had a face of thunder after watching two Raducanu passing shots fly beyond her reach. Concern replaced cheers when Raducanu suffered a nasty slip in retrieving a short ball, briefly staying down clutching her left hip before gingerly getting to her feet. It did not stop her creating two break points, though, and Sabalenka overhit a backhand to leave her opponent serving for the set. This time Sabalenka did not let Raducanu off the hook, forcing a tie-break, where a drive volley hooked wide of an open court at 5-4 looked like it might have cost the world number one when she then netted a return to give Raducanu a first set point. But Sabalenka saved it in style with a drop shot before finally taking her eighth opportunity, this time making no mistake at the net. It was important for Raducanu to recover from the disappointment quickly, and she did, producing two strong holds of serve and taking advantage of a dip from Sabalenka to move 4-1 ahead in the second set. Sabalenka has been far and away the best player in the world over the last year but suddenly she was struggling to live with Raducanu, who played a series of sublime points to create a chance to win a fourth game in a row only to just miss with a forehand. Had she taken it, a deciding set was most certainly on the cards, but Sabalenka, who is the only top-six seed left in the tournament, barged the door wide open and charged through it, reeling off five games in a row.

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