Disney's First-Ever ‘Lilo & Stitch' Collab Delivers A ‘Delightful Escape'
Disney fans, get ready for a tropical, Hawaiian escape–and forget heading to the airport, you'll want to find your nearest Tropical Smoothie.
On Monday, the popular chain of cafes announced a new menu item inspired by the legendary media company's live-action Lilo & Stitch film, which is set to debut in theaters later this month, noting it would only be around for a limited time.
Tropical Smoothie's new 'Ohana Breeze Smoothie is blended with pieces of pineapple, mango, banana, orange juice, and a sprinkle of blue spirulina for the fun-colored drink that delivers "naturally sweetened tropical flavor, bursting with island magic."
Related:Dairy Queen's 'Scrumptious' New Limited-Edition Blizzard Flavor Finally Gets Release Date
According to the May 12 press release, it took nearly 20 flavor combinations to get the first-ever collaboration between Tropical Smoothie and a Disney feature film just right. The company said the film's visual and emotional aesthetics "were a creative springboard for concepting the smoothie's ingredients, recipe, color and name."
"The 'Ohana Breeze Smoothie represents the wholesome spirit of family, and we're excited to offer a refreshing smoothie that provides our guests with a fun, delightful escape from the everyday while celebrating the new 'Lilo & Stitch' movie," saidTropical Smoothie Café CMO Deborah von Kutzleben.
The smoothie will be available in two sizes, 12 and 24 ounces, at participating Tropical Smoothie locations nationwide this summer or as long as supplies last.
Next: Cult-Favorite Coconut Water Brand Drops New 'Vacation-In-A-Bottle' Flavor
Copyright 2025 The Arena Group, Inc. All Rights Reserved
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
an hour ago
- Yahoo
‘Snow White' sets Disney+ premiere date, ‘Eurovision' heads to Broadway, and the rest of today's top stories
Gold Derby's for June 4, 2025. heads to Disney+ The live-action adaptation of Disney's first animated feature will bow on the company's streaming service on June 11. Snow White, which stars Rachel Zegler and Gal Gadot, was a major box office disappointment, earning only $43 million domestic returns, a number recently dwarfed by the Lilo & Stitch redo. More from GoldDerby 'Holy sh-t, this is like "Star Wars"': The ultimate oral history of 'Severance' Season 2 Inside Gold Derby's first digital issue Jennifer Lopez dazzles as a screen diva in the first 'Kiss of the Spider Woman' trailer Jacob Tremblay is going to play the Unabomber What else is there to say? Deadline revealed that the cast has been set for Unabom, a dramatic retelling of the serial bomber for Netflix. Joining the Oscar nominee are Russell Crowe, Shailene Woodley, and Annabelle Wallis. Writers Guild sets date for 2026 awards The scribes union will celebrate the year's achievements in film and television on March 8, 2026. As is tradition, the night will be split between the coasts with two events — one at the JW Marriott Los Angeles L.A. LIVE and the other at the Edison Ballroom in New York City. tickets now on sale For those fans looking to avoid any risk of spoilers, Marvel Studios has announced that tickets for its reboot of the OG super family, The Fantastic Four: First Steps starring Pedro Pascal, Vanessa Kirby, Joseph Quinn, and Ebon Moss-Bachrach, are available for purchase. And to mark the occasion, a new preview has debuted online, offering new glimpses at Julia Garner's Silver Surfer and Galactus big ol' boot. The Fantastic Four: First Steps opens in theaters on July 25. to light up Broadway Will Ferrell has revealed plans to bring his Netflix comedy Eurovision Song Contest: The Story of Fire Saga to the stage as a musical. The funnyman is writing the book for the show with Harper Steele and Anthony King. Alex Timbers, who helmed Moulin Rouge! The Musical, Beetlejuice, and Gutenberg! The Musical! is directing, with Savan Kotecha providing music. Best of GoldDerby Wes Anderson movies: All 12 films ranked worst to best Liam Neeson movies: 12 greatest films ranked worst to best Paul Giamatti movies: 16 greatest films ranked worst to best Click here to read the full article.
Yahoo
an hour ago
- Yahoo
‘Andor' creator Tony Gilroy on the show's greater impact on the ‘Star Wars' universe and how much K-2SO is enough
Fresh off writing and producing the critically acclaimed Disney+ series Andor, Tony Gilroy has earned a well-deserved victory lap. He managed to create a Star Wars project that delivers a darker, more mature, and grounded look at the Rebellion — something deeper than anything previously seen in the franchise — while also winning over the notoriously divided fan base. Now that he's finally stepping away from the Star Wars universe — a journey that began when he reworked Rogue One into a fan-favorite — Gilroy is making the FYC rounds, celebrating Andor's critical success and saying goodbye to the galaxy far, far away … at least for now. While attending an awards event at the Writers Guild Theater in Beverly Hills, he spoke with Gold Derby about Andor's influence on the franchise's future, how a dream project nearly turned into a nightmare, and why just a little K-2SO can go a long way. More from GoldDerby How Seth Meyers is still laughing after 11 years: 'We've taken advantage of bad things' Chloë Sevigny on Kitty Menendez and 'Monsters' fascination: 'People are endlessly curious about those who have privilege and abuse it' 'Snow White' sets Disney+ premiere date, 'Eurovision' heads to Broadway, and the rest of today's top stories Lucasfilm/Disney+ Gold Derby: Are you sure you're going to set down? Have you been thinking about it with all the accolades and the wildly enthusiastic response? Tony Gilroy: It's six intense years, and 10, sorta, years in total. It's 26 hours of Star Wars. Leave the campsite cleaner than you found it I mean, really. I think I'd never say never, but I'm not doing that next. has long lived in the fairy-tale realm, but shifts it toward allegory — something George Lucas hinted at with the original film's commentary on Vietnam. What's exciting about making that kind of paradigm shift, and do you see it influencing future stories beyond ?" The mandate was to open a new land, right? The mandate was to try to do something really different with a different grammar and different vocabulary and a different ethic and really go for it. And we showed a lot of work before we started and they were like, 'OK, we're eager for that.' It was never meant to turn an entire continent around or change everything. It was never meant to be in contrast with anything else. It was meant to be its own thing and to open the possibilities for all kinds of other things. I'd get very disappointed when people try to benchmark it against the other shows that they have and try to make a conflict. That's always annoying, and sometimes more than annoying. It's a losing game, too. Yeah, and it's just really annoying. But the other thing is, the lesson that I wouldn't want people to slavishly say, 'Oh, well this is what we have to do now. No, if there's any lesson, it's like swing away and see what you can get away with. In receiving the response to the show now that it's all out there, is there something that's been a favorite aspect of yours or a surprise element that you've enjoyed in the audience reaction? The scale of the show and the scale of the reaction is so huge. I think the best answer to your question is that I think if you're a creator and you're honest enough — and people say they don't read reviews and other things, but I always liked test screenings, but I hated focus groups. Test screens were always valuable, but focus groups, there was always somebody who thought they didn't have an audience and they took over. I find social media commentary to be so vast and the things that are wrong with it are actually good for you to listen to. And to watch people — you can ignore the ones you think are useless and you can focus on [the constructive] but so many people, all of us, our community on the show, we're all in awe of the level and depth of conversation about things that we thought no one would ever get, or things that we didn't even really fully realize we were putting in there. The depth of interest and comprehension and the depth of analysis, politically, artistically, it's staggering to us. It's weird that it's very weird, that. It's a new development, it's a new thing At the tail end of the second season you have so much fun with security droid K-2SO. Did you ultimately wish you had more room to explore the Cassian-K-2 two relationship? No. I think I was a stern taskmaster about that, and I'm sure … I mean, the audience was impatient for it and Alan [Tudyk] was impatient for it and Lucasfilm was impatient for it. Everyone was impatient for it. I knew from the very first day I started the show when he would be coming in, and I knew it could be great if he came in the right way and we could really do it. I also worked on Rogue [One] enough to know how difficult the character he is to carry around, as a plot. As much as people love him, he's very difficult to tell a story with. It's a very big piece of luggage to carry around into a story, so it's very problematic. So I just kept telling people, 'Please wait. Please wait.' What was that day that you were working and you thought 'We're making what I wanted to make, I'm making ?' Honestly? I mean, I was hoping all through COVID that the show would go away. I was terrified of the show, when I finally realized what we were into. Still during COVID, my brother John moved to New York and we set up a cutting room, a COVID cutting room on 86th Street. It's a couple blocks from my house. We had an assistant that I never even saw! He was in the basement, no one could talk to anybody. He was like Igor in the basement. And Johnny and I tested four times a week and the dailies started to come in that Toby was shooting after we started. And I think it was about week three or four when — my brother's a pretty hardcore coconspirator, and he finally just said, 'Dude, give up. This is happening. It's great. It's going to be great, and start to enjoy yourself.' And I turned around when the dailies really started coming in and I started seeing what the actors could do. I was like, 'Oh my God! Well, I'm on this ship and it's launched and it can be really cool.' But I think you go back and forth between confidence and fear all the time. Best of GoldDerby Chloë Sevigny on Kitty Menendez and 'Monsters' fascination: 'People are endlessly curious about those who have privilege and abuse it' Jason Isaacs relives filming 'The White Lotus' piña colada scene: 'It was one of the reasons I was worried about taking the job' Kaitlyn Dever on playing 'horrible' characters in 'Last of Us', 'Apple Cider Vinegar': 'I just don't see any other option but to give 100 percent' Click here to read the full article.
Yahoo
an hour ago
- Yahoo
Second Alleged Sean Combs Sex Trafficking Victim Begins Testimony
Follow all our Sean Combs trial coverage The second woman allegedly sex trafficked by Sean Combs took the witness stand at the hip-hop mogul's criminal trial Thursday, just months after she first started speaking with prosecutors but more than a year after she purportedly told Combs that reading Casandra 'Cassie' Ventura's graphic lawsuit was like reading her own 'sexual trauma.' More from Rolling Stone Woman Recalls Sean Combs' Alleged Threat: 'I'm The Devil, And I Could Kill You' Judge Dismisses Four Claims in Ex-Assistant's Sexual Battery Lawsuit Against Vin Diesel Tom Girardi Sentenced to 7 Years in Prison for Embezzling Millions From Clients The woman, testifying under the pseudonym Jane, is listed as Victim-2 in the Southern District of New York's sex trafficking and racketeering case against Combs. Prosecutors previously kept much of Jane's story under wraps, but they allege Combs fed her drugs and coerced her into highly choreographed 'freak-offs' with male escorts between 2021 and 2024. In the courtroom in lower Manhattan, Jane told jurors she first met Combs in 2020, while he was dating one of her friend. She said he paid for their trip to Miami, hosted them at his home and quickly made it clear he was interested in her. 'He was really charming, really nice, and I was already drawn to him pretty instantly,' she testified, according to CNN. 'There was a little bit of flirting going on.' Jane said Combs pursued her after that. She held him at bay at first, at least until her friend got engaged to someone else, she testified. Jane said Combs invited her back to Miami in early 2021, and their first date lasted five days. She said they developed pet names. She called Combs 'Ernie,' and he called her 'Bert,' a reference to the Muppet characters. (Combs previously appeared in Disney's 2014 movie Muppets Most Wanted.) Jane said Combs took her out to a restaurant and walked with her on the beach. 'I was head over heels,' Jane reportedly testified. She later traveled with him on a two-week trip to Turks and Caicos and the Bahamas. Prosecutors say Combs used manipulation, threats and physical violence to get what he wanted from Jane, busting down doors, dragging Jane, by her hair and kicking Jane while she was curled up in a ball on the ground. (Ventura previously testified that Combs coerced her into hundreds of freak-offs during their 11-year relationship that ended for good in 2018.) Prosecutors have indicated they only began speaking to Jane in January, after they uncovered text messages she sent Combs in the days after Ventura's lawsuit was first filed in November 2023. 'It makes me sick how three solid pages, word for word, is exactly my experiences and my anguish,' she texted Combs. After Combs allegedly fed Jane a 'false narrative' and made a vague reference to supporting her financially, Jane continued dating Combs into 2024, prosecutors said. In her opening statement, Assistant U.S. Attorney Emily Johnson told jurors they would hear recordings of phone calls in which Combs called Jane after Ventura filed her lawsuit. 'You will hear him try to manipulate Jane into saying she wanted to have freak-offs. You will hear him interrupt Jane when she pushes back,' Johnson said. Johnson described Jane as a single mom who started spending time with Combs in 2020 and 'fell in love with him quickly.' Johnson said Jane was not seeing other men, but Combs was dating other women and kept his relationship with Jane out of the public eye. Johnson said Combs lured Jane into her first freak-off with little warning or notice. The two already had taken drugs together and been intimate, and Jane complied with the surprise request in an effort to please Combs, Johnson said. Within a matter of hours, Jane found herself in a hotel room, having sex with a stranger while Combs directed her step by step, Johnson told the jury. 'The defendant continued asking Jane to have freak-offs and promising that if she did, they would spend quality time together, they would go on dates together, they would go on trips,' Johnson said on the first day of Combs' trial last month. 'That was what Jane wanted more than anything, a real relationship … But even though the defendant promised her quality time and trips, he never delivered. Those were just lies he told her to get more nights in dark hotel rooms with escorts.' According to prosecutors, Combs took steps to control Jane financially, discouraging her from working so that she could be available to him on a moment's notice. Although Jane repeatedly told Combs that she didn't like 'freak-offs' and only wanted to be alone with him, Combs dismissed the request. He also allegedly ignored Jane's pleas for the male escorts to wear condoms. Combs is accused of threatening to release explicit videos of Jane, supplying her with narcotics to keep her awake and compliant, and using physical violence to trap Jane in his abusive dynamic. During one purported incident, Combs allegedly kicked down four of Jane's doors and lifted her off the ground in a chokehold. Later that night, Combs allegedly beat Jane again, punching her in the face, kicking her on the ground, and dragging her by her hair before forcing her to have a freak-off. 'You're not going to fuck up my night,' Combs allegedly told Jane, according to the government's opening statement. When Ventura filed her stunning complaint and Jane worked up the courage to confront Combs, the Bad Boy Records founder allegedly tried to feed her a 'false narrative' over the phone, prosecutors allege. Combs attempted to convince her 'that she had willingly engaged in sex acts with him,' prosecutors said at Combs' bail hearing last September. 'In this call, the defendant ensures the victim that if she continues to be on his side and provide support and friendship, that she doesn't have to worry about anything else, which is just a thinly-veiled reference to continuing that financial support,' a prosecutor told the court. In the defense's dueling opening statement, Combs' lawyer, Teny Geragos, sought to set Jane apart from Ventura. She told jurors that by the time Combs started seeing Jane, 'he was more upfront about his dating life,' including the fact that he was dating multiple women. She said Jane also was older and more mature than Ventura, 'living her own life in a different state raising her child.' Geragos said that after Jane's first experience with a freak-off, 'she began to do everything possible to make these nights incredible for Combs.' Geragos suggested Jane 'made the choice' to engage in freak-offs 'out of love.' 'She was desperate to spend time with him, to be with him, and ultimately, to give him something none of the other girlfriends that he was dating at the time were giving him. She will tell you that she tried many times to change the tenor of the relationship from one of a purely sexual nature to something maybe deeper or more meaningful,' Geragos said. She blamed the alleged violence in the couple's 'toxic and dysfunctional' relationship on Jane's 'jealousy.' In her opening, Geragos said Combs was interested in a 'swingers lifestyle,' which she described as a predilection for consensual 'threesomes by adults.' She told jurors it was not their job 'to judge him for his sexual preferences.' She said the government had the burden to prove Combs coerced the women, and that the evidence would show the women willingly stayed with Combs out of love and because he was a 'wealthy rapper' who gave them generous financial support. Geragos acknowledged that Combs was violent in the video showing him kicking and dragging Ventura in a hotel hallway in 2016, but she said 'domestic violence is not sex trafficking.' Jane's time on the stand is expected to stretch well into next week. More than two dozen witnesses already have testified at Combs' trial, which is now in its fourth week. Prosecutors have called multiple former assistants, alleged male escorts, and even Scott Mescudi, the musician and actor known as Kid Cudi, to support their allegations Combs used his wealth, influence, and inner circle to carry out crimes aimed at fulfilling his sexual desires and protecting his reputation. Best of Rolling Stone The 50 Greatest Eminem Songs All 274 of Taylor Swift's Songs, Ranked The 500 Greatest Albums of All Time