logo
From Seventh Avenue to Parisian Ateliers—Here are 10 Books to Learn About Fashion History

From Seventh Avenue to Parisian Ateliers—Here are 10 Books to Learn About Fashion History

Elle3 days ago
Every item on this page was chosen by an ELLE editor. We may earn commission on some of the items you choose to buy.
There's no way to dive into fashion without immediately coming face to face with two of the modern greats: Alexander McQueen and John Galliano. Dana Thomas's Gods and Kings follows the course of the pair's similarly timed (and in the eyes of the media, often rival) careers while giving context to both their personal lives and the rapid rise and growth of LVMH. It was a time of big ideas, scrappy personalities, and cutthroat business—and it changed fashion forever.
The Battle of Versailles is probably one of the lesser-known events to occur within the infamous palace halls, but it's definitely one of the most important for the fashion industry. Written by Pulitzer Prize–winning fashion critic Robin Givhan, the book examines the unprecedented runway walk-off between European and American designers that solidified Seventh Avenue in fashion history.
Also by Givhan, 'Make It Ours' is an in-depth look at both the late Virgil Abloh and the traditional luxury industry over which he triumphed. The book deftly chronicles the rise of his career alongside the rapidly changing fashion landscape, leading to his historic and ultimately brief appointment at Louis Vuitton. With an approach that's part biography and part cultural analysis, Givhan offers a thorough portrait of luxury's streetwear era.
A little bit more on the theory side, Sex and Suits charts the history of men's and women's dress all the way from medieval times to the modern day. The book questions why menswear underwent such a drastic transformation following the 18th century and looks at how gender affects fashion to this day. Hollander is unafraid to get into the nitty-gritty—all of her books are a must-read.
'It's been Bleak Street over here in America!' Those are the famous words of the late André Leon Talley, who once declared a 'famine of beauty' in New York fashion. Talley's memoir paints a moving portrait of his singular career. From North Carolina to New York to Paris and beyond, The Chiffon Trenches is an intimate and, at times, ruthless account of his experience across the fashion industry.
Believe it or not, the American fashion industry is largely responsible for much of the way designers think about ready-to-wear today. Prior to the modern-day Fashion Week, the youthquake movement, and the Battle of Versailles, European ateliers often snubbed the factories on Seventh Avenue. But Nancy MacDonell's Empresses of Seventh Avenue examines the historic shift in clothing following World War II and the select group of movers and shakers in New York City who made it happen.
As the foundational text for the 2025 Met Gala theme, Monica L. Miller's Slaves to Fashion is a crucial examination of the history of the Black dandy. Beginning in the 1700s, Miller observes how the archetype has contextually transformed across generations, from its origins within the slave trade to representations of the Black dandy in art and music today.
Claire McCardell helped radically transform the way women dress. To the designer, clothing served as an opportunity for female empowerment, which led to more casual, freeing silhouettes that helped form the basis for American sportswear. Elizabeth Evitts Dickinson's biography sheds light on McCardell's underappreciated career.
Behind every garment is the person who made it, and behind every maker is a story about the inner workings of our clothes. Sofi Thanhauser's Worn is a deep dive into global textiles, both historic and new, and how their production processes have changed over time. The book also examines the industry's waste, pollution, and labor exploitation, painting a comprehensive backstory of our garments.
From ELLE's own Véronique Hyland, Dress Code dives into how style—and the way we talk about it—shapes our daily lives. The book explores how fashion permeates all aspects of life, from the enduring allure of the 'French girl' archetype to the politics of how we dress in the workplace. Hyland examines how fashion is inextricably linked to our routines and why it remains undervalued within the realms of art and culture.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Trader Joe's Brings Back Fan-Favorite Cookie That Tastes Like ‘A European Picnic'
Trader Joe's Brings Back Fan-Favorite Cookie That Tastes Like ‘A European Picnic'

Yahoo

time22 minutes ago

  • Yahoo

Trader Joe's Brings Back Fan-Favorite Cookie That Tastes Like ‘A European Picnic'

Trader Joe's Brings Back Fan-Favorite Cookie That Tastes Like 'A European Picnic' originally appeared on Parade. If your summer vacation feels like a distant memory, or you haven't had the chance to take one yet, Trader Joe's has a snack that can transport you straight to the Mediterranean. They've just brought back the fan-favorite All-Butter Shortbread Cookies in Apricot, and even the packaging looks like it belongs in a European market. They were a hit last year in Apple, and this version is getting equal buzz. Check out this Instagram video from August 13 to see the can't-miss find: Natasha (@traderjoeslist) describes that 'this cookie transports you to a picnic in Europe,' and it's easy to see why. Even the little cardboard basket, reminiscent of farmers' market baskets as she points out, makes them perfect for presentation. You don't even need a plate. These All-Butter Apricot Shortbread Cookies can go from pantry to table on their own, and at just $3.49 a box, they're an absolute all-butter shortbreads have a perfect crispy crunch that pairs beautifully with almost anything, whether it's a cheeseboard, a cup of afternoon tea, morning coffee, or alongside your favorite glass of wine. Not everyone agreed with Lisa's surprisingly low rating of 6.8, though. Viewer @ wrote, 'Deserves higher than a 6.8! My score is 8.6! Delicious!' Meanwhile, @kenyamtate shared, 'So. Good! I just ate half a box and came here to see if you reviewed them.' Another fan chimed in, 'Delish, and I saw similar cookies at a different store for $10.' So if your next vacation isn't on the horizon, grab a box of these apricot shortbread cookies on your next Trader Joe's run. Sometimes a few indulgent bites in the afternoon are all it takes to make you feel like you're on a mini European getaway. Trader Joe's Brings Back Fan-Favorite Cookie That Tastes Like 'A European Picnic' first appeared on Parade on Aug 14, 2025 This story was originally reported by Parade on Aug 14, 2025, where it first appeared. Solve the daily Crossword

Carrie Bradshaw dressed for herself, not men, and gave us licence to follow suit
Carrie Bradshaw dressed for herself, not men, and gave us licence to follow suit

Yahoo

time22 minutes ago

  • Yahoo

Carrie Bradshaw dressed for herself, not men, and gave us licence to follow suit

Overdocumented as they might be now, the Nineties were a strange and lonely decade to be a fashion-lover. Fashion was a niche interest, like bone or stamp collecting. All information was strictly channelled through the pages of monthly magazines such as Vogue, Elle, The Face or i-D, bar the occasional style page in a newspaper. Interviewed for my first job as fashion editor of a national broadsheet, the editor asked, 'So, do you like clothes?' One wonders whether he asked the sport editor whether he liked football. It's hard to remember a time when people didn't post videos of their weird shoes, designer hauls, salacious handbag unboxings, bargain charity shop finds and #OOTDs on social media. In 2025, having a unique sense of style can make you rich and famous. In 1995, it was more likely to have you bullied or ostracised. Into this barren wasteland in 1998 tripped Carrie, Charlotte, Samantha and Miranda, four New York women who loved sex, shopping, cocktails and men, though never as much as they loved each other. Based on a newspaper column of the same name by Candace Bushnell (published in the New York Observer between 1994 and 1996), Sex and the City (SATC) revolutionised fashion: how it was perceived, how it was documented and how it was consumed. It legitimised fashion – not because naysayers suddenly realised the allure of a Fendi Baguette bag, but because the show's popularity proved that clothes, shoes and accessories had mainstream appeal, and deserved to be given space beyond the pages of a glossy magazine. You might think that the vast exposure inherent to being featured on a TV show would be catnip to fashion designers, whose only recourse to publicity was via print and billboard advertising, magazine editorial or catwalk shows. Not so. Rather than seeing it as an opportunity, many designers were reluctant to place their brand in an environment where they would be unable to control the narrative. 'It was difficult to borrow clothes, as everyone heard the name 'Sex And The City' and thought 'what is this?'' remembers costume designer Molly Rogers. 'I guess it sounded pretty racy. No one loaned to TV shows then, as I remember – that world was strictly for editorial.' She cites Chanel, Dior and Christian Lacroix as early supporters of the show. Rogers worked on SATC from 1998 to 2002, and served as costume designer on the 2008 and 2010 films, as well as all three seasons of And Just Like That, the divisive sequel. She witnessed first hand the genius of Patricia Field, the show's formidable New York stylist and costume designer whose eclectic, exuberant tastes ensured that Carrie would never fall into the dreary trap of wearing 'quiet luxury'. Without Field, there would be no oversized floral corsages, diamanté skull caps or ballgowns as daywear. Nor would there be what many consider to be Carrie's most iconic look, a tiered white tutu teamed with a pale pink vest top and strappy sandals, as immortalised in the show's opening sequence. Field later revealed that she'd sourced the tutu from a thrift store bargain bin and bought it for $5 – a common practice for stylists and costume designers today, but an unusual one in 1998, an era when luxury brands would pull their advertising if a glossy magazine had the temerity to feature their expensive wares next to items that might threaten to devalue them. Field's 'high-low' approach of mixing designer and vintage together was hugely influential, although it wasn't until the beginning of season three that designers wanted in on the action. 'The show exploded then,' Field said in an interview, adding that costume design 'isn't about selling clothes, it's about telling a story. That's something I learned along the way.' Now 84, Field is still telling stories through clothes, most recently as the costume designer for Emily in Paris (Netflix), the fifth season of which is due to air later this year. Before Sex and the City, the idea of 'fashion' as a main character in any TV show was virtually unheard of. While clothes had an important role in shows such as Dynasty, Friends or Beverly Hills 90210, they existed as costume, and were rarely, if ever, discussed by the characters themselves. They certainly weren't an integral part of the plot: characters didn't utter pithy lines like 'I like my money right where I can see it – hanging in my closet.' SATC made fashion a fundamental part of each character's identity – literally, in the case of Sarah Jessica Parker's 'Carrie' necklace. Here were four women with very different aspirations: Carrie a hopeless romantic, Miranda a driven career woman, Charlotte keen to settle down and Samantha happy to play the field. Their wardrobes were a visual shorthand for their aspirations. From the beginning, the clothes were given as much consideration as the acting and the script. 'At the very start [of filming], Pat [Field] had an extensive conversation with [producer and writer] Darren Starr, where he gave her so much background information on each of the actresses that it really aided in building their costume DNA,' remembers Rogers. 'Charlotte was 'Upper East Side', Miranda was 'corporate', Carrie was 'eclectic and downtown' and Samantha spoke for gay men. Pat always said three things: that SATC was a moving fashion magazine, that we aren't making a documentary therefore I don't care where she gets these clothes, and finally, that we should never repeat an outfit – they don't repeat scripts.' This idea of SATC as 'a moving fashion magazine' is spot-on. Like many viewers, I might not always have loved the wilder reaches of Carrie's style, but I loved what she stood for. Thanks to a writing and production team powered largely by women and gay men – co-creator and writer Michael Patrick King, producer and writer Darren Star, with Parker co-producing from 1999 onwards – viewers were served a heroine who wasn't traditionally beautiful (straight men almost universally seem to think SJP is unattractive, and probably wouldn't have cast her in a lead role), who unabashedly loved clothes, smoked cigarettes, enjoyed sex and had an enviable career as a writer. Who said women couldn't have it all? Well, heterosexual men, for a start. 'I despised Candace Bushnell's vile cultural monster as a book and as a TV series,' one male critic opined in 2008. 'They represented a vacuous, trivialising, anti-feminist act of self-sabotage on the part of women. What amazed me was that women, even quite smart women, seized on this frivolous, vain confection as an emblem of sisterhood and empowerment.' It shouldn't need saying that women can be clever and stylish, or debate geopolitics with the same expertise that they discuss Phoebe Philo's latest drop. Yet there still exist people who seek to diminish anyone whose interests they deem less serious or worthy than their own. Rather than being a 'vain confection', it was a joy to see Carrie – and in a different way, Samantha – dress for themselves, seemingly unconcerned with any other gaze than the one that greeted them in the mirror. 'Carrie made me bolder,' says Alison Cragg, a 50-something fan who works in HR. 'I remember having a boyfriend in the early 2000s who had a habit of laughing at some of the wilder clothes I wore. I've still got most of the clothes, but I don't have the boyfriend.' In the absence of a fulfilling relationship, a good pair of shoes is a decent consolation prize. Most fans would agree that friendship, not fashion, was the beating heart of SATC. Flawed as the sequel was, when Michael Patrick King announced earlier this month that its third and current season would be its last (the final episode airs on Aug 14), longstanding fans of Carrie, Charlotte, Miranda and Samantha took to social media to share their sadness. 'Carrie Bradshaw is the most important character that has ever graced television, and arguably, she is up there with the likes of Odysseus, Hamlet and even Jesus,' said one user, perhaps only half-joking. While their fashion prowess will live on through re-runs and Instagram fan accounts such as @everyoutfitonsexandthecity, their honest representation of female friendship will die with them. I'll miss their finery, but more than that, I'll miss their flaws. As someone who grew up with them, I'd have happily watched these women navigate life, love and Loewe into old age. 'I'd have loved the actresses to make it to 'Golden Girl' status and create their own commune,' Rogers admits. 'But I always thought Carrie should have a certain ending, and when I read the last script of season three, I knew the final cosmopolitan had been drunk. I have not processed what it means – though superficially, it means no more stoops, no more closet scenes and no more shoe shots. It was the most incredible experience of my life. 'I saw the world and learnt from Pat and Sarah Jessica how to achieve visual success. The key to that is to be detail-oriented to a fault, make everyone around you nuts because you demand perfection – and never, ever, settle or compromise on an outfit.' Carrie couldn't have said it better. Broaden your horizons with award-winning British journalism. Try The Telegraph free for 1 month with unlimited access to our award-winning website, exclusive app, money-saving offers and more. Solve the daily Crossword

When Will the Spike Lee and Denzel Washington Movie ‘Highest 2 Lowest' Be Streaming on Apple TV+?
When Will the Spike Lee and Denzel Washington Movie ‘Highest 2 Lowest' Be Streaming on Apple TV+?

Yahoo

time2 hours ago

  • Yahoo

When Will the Spike Lee and Denzel Washington Movie ‘Highest 2 Lowest' Be Streaming on Apple TV+?

Two of Hollywood's greatest artists, Denzel Washington and Spike Lee, are teaming up for the first time in nearly 20 years with Lee's new movie, Highest 2 Lowest, opening in theaters this weekend. Highest 2 Lowest is Lee's modern-day, American take on the classic 1963 Japanese crime film, Akira Kurosawa's High and Low, about a wealthy businessman who gets held for ransom when a criminal calls to inform him his son has been kidnapped. The only problem? The kidnapper took his chauffeur's son by accident. Oops! In this modern-day reimagining, Washington stars as David King, a wealthy music mogul, while frequent Lee collaborator Ilfenesh Hadera stars as his on-screen wife, Pam King. Also starring Jeffrey Wright, ASAP Rocky, and Ice Spice, Highest 2 Lowest has received positive reviews from critics so far, and is likely to be a contender in this year's award season. It's the first Lee-and-Washingon team-up since 2006's Inside Man, so you don't want to miss it. Read on to find out where to watch Highest 2 Lowest, and when you can watch Highest 2 Lowest on streaming. Where to watch the new Denzel Washington movie Highest 2 Lowest: Right now, the only place to watch Highest 2 Lowest is in a movie theater, when the film opens in select U.S. theaters on August 15. You can find a showing near you via Fandango. That said, if you don't feel like going to the theater, Highest 2 Lowest will also be available to watch on streaming on Apple TV+ very soon. When will Highest 2 Lowest be streaming on Apple TV+? The Highest 2 Lowest Apple TV+ release date is September 5, 2025. Beginning on Friday, September 5, you'll be able to stream Highest 2 Lowest free on Apple TV+, with an Apple TV+ subscription. Apple TV+ comes with a seven-day free trial for new subscribers and has just one ad-free streaming plan available for $9.99/month. TRY APPLE TV+ FOR FREE Highest 2 Lowest is being co-released by Apple TV+ and A24, so the film will be getting an Oscar-qualifying three-week run in theaters before it will be available on streaming on Apple TV+. This is similar to other A24 and Apple co-releases, like Sharper, Causeway, and The Tragedy of Macbeth. That said, we have a feeling this movie might be one you want to see on the big screen. If that's the case, don't hesitate to see Highest 2 Lowest in theaters, because it won't be staying in theaters for long.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store