Sarah Michelle Gellar teases huge Buffy The Vampire Slayer reboot update
Sarah Michelle Gellar is single-handedly keeping the memory of the 90s alive for millennials this year.
Earlier in 2025, she announced that she will be stepping back into Buffy Summers' stylish boots, and now she's once again seemingly risen from the dead with a surprise cameo in the reboot of
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
NZ Herald
a day ago
- NZ Herald
Cultural Attaché: Somi Kim
Reminder, this is a Premium article and requires a subscription to read. Listening to articles is free for open-access content—explore other articles or learn more about text-to-speech. Already a subscriber? Sign in here Access to Herald Premium articles require a Premium subscription. Subscribe now to listen. NZTrio pianist: Somi Kim. Photo / Supplied Somi Kim is one of Aotearoa's most sought-after pianists. She is a member of NZTrio, a group recognised as a 'national treasure' and as 'New Zealand's most indispensable ensemble'. NZTrio is on the road this month for its Fantastique concerts. What is your earliest memory? Winter in Korea, going to visit my great-granny after school. She used to keep freshly roasted kūmara under a blanket so that I could eat it warm when I arrived. What did you want to be when you were a kid? I wanted to be a zookeeper when I was young, then I went through an astronaut phase before deciding I wanted to play piano all the time when I grew up. When were you happiest? Holding our daughter in my arms for the first time with my husband by my side. I can't believe that was a year ago now. What makes you unhappy? An unadjustable piano stool. Performing a concert with a chair that isn't the perfect height is like running a marathon in shoes that don't fit. What's your greatest fear? Sleeping in a room filled with creepy-crawlies. I have a phobia about insects and for this reason I could never live in Australia. What trait in yourself do you least like? I can be quite particular and like things to be a certain way. It's something I've had to let go of since becoming a mother because all plans can go out the window with a baby! What trait in others do you least like? Lateness and indecisiveness, unless there is a good excuse for it. Being late implies a lack of respect of another's time. I'm slightly allergic to it. What characteristics do you most value in your friends? Patience, kindness and empathy – all of my husband's greatest traits. Apart from property, what's the most expensive thing you have bought? My Kawai piano that I've had since 2013. What is your most treasured possession? My diamond engagement ring. What was the last book you read? Crying in H Mart by Michelle Zauner. I read it in two days. A really touching memoir about loss, growth, culture and love. Who are your favourite writers? Sally Rooney, Delia Owens and Roald Dahl. Who is your favourite character of fiction? Captain Planet. An environmentalist superhero – what's not to love? Inspiring: Hoyeon Jung (left), Leonard Bernstein (top), and Cécile McLorin Salvant (bottom). Photos / Getty Images What book do you recommend to others to read? The Island of Sea Women by Lisa See. A beautiful novel about friendship and family secrets among female Korean free divers. The title of your autobiography would be … Confessions of a Perfectionist. What words or phrases do you overuse? Hectic and unhinged. It sums up my life as a first-time parent most of the time but we wouldn't have it any other way. What is your favourite word? Mellifluous. Do you have a quote you live by? Leonard Bernstein: 'To achieve great things, two things are needed; a plan, and not quite enough time.' What is your favourite museum/art gallery? Pinacoteca di Brera in Milan. I spent an unforgettable couple of days in Milan immersed in art and it completely exceeded my expectations. What is the artwork you could look at endlessly? Hieronymus Bosch's The Garden of Earthly Delights. It's surreal and abstract, especially considering it's from about 1500. I spent quite a bit of time in his hometown in the Netherlands; everywhere is filled with his artwork. What particular artistic talent would you like to have? I wish I could play jazz and improvise. What is your favourite film? Untouchable (the original French version) is one of my favourites. What a tearjerker. If a movie was made of your life, which song would be played over the end credits? The second movement from Robert Schumann's Piano Quintet in E-Flat Major, Op.44 Who would play you? Hoyeon Jung from Squid Game. What has been your most enjoyable theatre experience? Matilda the Musical in London's West End. Those kids are so talented. I loved it so much I went twice. What has been your most enjoyable live music experience? Listening to jazz at Ronnie Scott's in London, in a dimly lit booth sipping on a delicious cocktail. What were your top songs in Spotify 2024 Wrapped? Tiny Ruins, Me at the Museum, You in the Wintergardens; Cécile McLorin Salvant, La route enchantée; Keith Jarrett, Köln, January 24, 1975, Part 1, Bluey theme tune. What song aways gets you dancing? APT. – Rosé & Bruno Mars. Images / Getty Images What is a streaming series/TV show you recommend? The Bear. I watched most of it on the edge of my seat with my fingernails digging into the cushions. It took me right back to working in hospitality. If you weren't a musician what would you be doing instead? Travel blogger or CEO of my own company. Do you have a skill or ability that might surprise people? I can fall asleep anywhere. This skill is very handy when I'm on tour. My husband is envious. Which three people ‒ dead or alive ‒ would you like to have dinner with? Sir David Attenborough, Coco Chanel and Franz Schubert. Where is your favourite place in New Zealand? Hawke's Bay. Gorgeous wineries, beaches and family. What is your favourite place outside of Aotearoa? Hydra, Greece. It's so special that I don't like sharing it with people. I spent 10 magical days there holidaying with a friend. It's an island with no cars, just donkeys. What is a destination you'd love to visit? Japan. The culture fascinates me and I want to go for the food. What is a building or piece of architecture that you admire? Hallgrímskirkja in Reykjavík, Iceland. It's breathtaking. I loved performing there. A good day starts with … Morning cuddles (and a sleep-in) with our daughter, a workout at BFT Birkenhead followed by a cup of ceremonial cacao. What is comfort food to you? A bowl of Korean bone broth with rice and kimchi cooked by my mum. There's nothing that quite compares to her cooking – homemade Korean food nourishes my soul. What can't you resist on a menu restaurant menu? Chicken liver parfait, sticky toffee pudding and a crisp glass of chenin blanc. What is your guilty pleasure? Cancelling plans to stay at home by myself. And snacks. All the snacks. NZTrio's Fantastique tour runs until August 31, see for details.
NZ Herald
2 days ago
- NZ Herald
Claressa Shields v Lani Daniels: Champion's warning for Kiwi rival ahead of undisputed title fight
'I'm grateful and blessed to be here. I'm grateful to have a voice. I'm not as good as these fullas at talking but I think I'm better at fighting,' Daniels said. 'I'm grateful for the talk practice, because it'll prepare me for Saturday when my hands go to work. I don't have too much to say, I just want to thank everyone for making this fight and event possible.' Daniels goes into the bout with an 11-2-2 record, most recently defending her light heavyweight title last September. She faces a big step up in competition against Shields, with the bout scheduled to play out over 10 two-minute rounds. American Claressa Shields will put her undisputed heavyweight crown on the line against Kiwi Lani Daniels (inset) in Detroit this weekend. Photo / Getty Images, NZME 'I have a very sturdy opponent in front of me in Lani Daniels,' Shields said. 'I want to tell you something; I have not taken you lightly. 'People keep saying they don't know who Lani is and sad to say you guys don't know who half of the girls, who any of the girls fighting [are] because nobody works on building their brand like I do. You can't try to shoot me in the foot over that. 'I've been building my brand so I have 1.4 million followers, I think it's over 2 million worldwide, so to share that platform with Lani is very, very special. 'There's going to be more eyes than have ever been on you on Saturday; in the building, online, on DAZN, it's going to be huge... I cannot let you beat me up. I can't do it. 'There's a lot on the line here... I have prepared for you and your coach very, very hard, and me and my team know what you bring to the table. We respect you and I thank you for coming all the way over here from New Zealand, bringing your family. I look forward to sharing the ring with you.' While Daniels goes into the bout as the underdog, Shields was expecting the Kiwi to present her with a challenge. 'Everyone keeps saying that they're a little scared for you. I'm not. I'm not a little scared for you. 'I know you're going to come and you're going to bring it, but if you can bring out a different beast in me to where I have to rise to a different occasion, then I'll be scared for you,' she said. 'I'm not scared for you yet. I am ready to see how hard you're going to come out there and fight on Saturday, and... if you really want to be champion. If you do that, that's when you're going to see a great fight.' How to watch The bout will headline the card in Detroit on Sunday, which begins at midday NZT on streaming platform DAZN. According to DAZN, Shields and Daniels are estimated to make their walks to the ring about 2pm.
NZ Herald
2 days ago
- NZ Herald
Cleo Laine, Grammy-winning jazz singer and actor, dies at 97
Laine, who rarely appeared without Dankworth at her side as her musical director, made dozens of recordings, including albums with classical guitarist John Williams and flutist James Galway. She recorded songs from Porgy and Bess with Ray Charles. Ray Charles and Cleo Laine recording Porgy and Bess, the Gershwin folk opera in a studio at RCA records in Los Angeles, California, in July 1976. Photo / Afro American Newspapers, Gado, Getty Images Her parallel career as a theatre actor informed the dramatic flair she brought to her singing. 'I'm a cabaret singer wherever I am,' she once told The Washington Post. 'I think it's a part of me that the words are very important, much more so than improvisation. I think that the drama of a song is a lot more important than oobly-shoobling all over the place.' In 1961, she had a song in the Top 5 on the British pop chart (You'll Answer to Me), appeared as a nightclub singer in the film The Roman Spring of Mrs. Stone and received glowing reviews for her performance at an Edinburgh arts festival when she filled in at the last minute for Lotte Lenya in The Seven Deadly Sins, a theatrical piece with music and dance by Lenya's husband, Kurt Weill. The following year, Laine – who identified herself as Black and biracial – appeared in two plays on the London stage, including in Caryl Brahms and Ned Sherrin's Cindy-Ella, or I Gotta Shoe, an all-Black musical based on the Cinderella story. She had dramatic roles in other British productions, including a modern adaptation of Euripides' The Trojan Women, Shakespeare's A Midsummer Night's Dream and the title role in a 1970 staging of Henrik Ibsen's Hedda Gabler. Laine had a showstopping role in a long-running 1971-1972 London revival of Jerome Kern and Oscar Hammerstein II's Show Boat, playing Julie, a mixed-race singer whose story ends in tragedy. Her songs, including Can't Help Lovin' Dat Man and Bill, invariably brought the audience to its feet. The cast of the musical production Cindy-Ella (Or 'I Got A Shoe') during a performance, from left: actor and singer Elisabeth Welch, jazz singer Cleo Laine, and actors Cy Grant and George Brown, at the Garrick Theatre, London, in December 1962. Photo / Bryan Wharton, Daily Express, Hulton Archive, Getty Images In 1972, after Laine made her New York debut at Alice Tully Hall, New York Times jazz critic John S. Wilson called her one of Britain's 'national treasures… with a remarkable voice that ranges from an exotically dark, breathy quality to high-note-topping exclamation'. Despite her undeniable vocal dexterity, other reviewers were unmoved by the commanding theatricality she brought to the concert stage. 'She has a frighteningly accurate ear and a teasingly infallible sense of rhythm,' Times music critic John Rockwell wrote in 1974 of Laine's performance at New York's Carnegie Hall. 'But for this listener, admiration stops a good deal short of real affection. Miss Laine strikes me as a calculating singer, one whose highly perfected artifice continually blocks communicative feeling. To me, she has all the personality of a carp. But then, obviously, I'm just a cold fish.' Nonetheless, Laine maintained a large and loyal following for both her singing and her theatrical work. Dankworth wrote a musical play for her, based on the life of the French writer Colette, that premiered in 1979 and later moved to London's West End. In 1985, Laine developed the role of Princess Puffer in the original Broadway production of The Mystery of Edwin Drood (later called Drood), based on an unfinished novel by Charles Dickens, and earned a Tony Award nomination for best actress in a musical. In 2000, she played a singer in The Last of the Blonde Bombshells, a joint US-British TV movie about a latter-day reunion of an all-female band from World War II, also starring Judi Dench, Olympia Dukakis and Ian Holm. Cleo Laine and her second husband John Dankworth. Photo / Mick Hutson, Redferns via Getty Images 'Whatever I'm doing at the time is my favourite thing,' Laine told The Post. 'A lot of people would say I'm too eclectic, diversifying far too much, but I think that because of that I've worked longer and had a much more interesting life.' Clementina Dinah Campbell was born October 28, 1927, in the Southall district of London. She had a Black Jamaican father and a White English mother who were not married to each other when their daughter was born. In a 1994 autobiography, Laine called her mother 'a bigamist' who had not obtained a divorce before marrying Laine's father. The family moved frequently, and her parents held a variety of jobs, including running a cafe and boardinghouse. Her father also worked in construction and 'would sing at the drop of a hat', Laine told The Post. 'He was a busker, singing on street corners in the Depression,' she said. 'It was a matter of need, dire need, in those days. Being Black, it was difficult for him to get work, so he busked. I wasn't really aware of this until much later, when I realised that he used to bring a lot of pennies home and count them.' Young Clementina was strongly influenced by her father's interest in jazz and was encouraged by her mother to study music and acting. She left school at 14 and became an apprentice hairdresser, always hoping to break into show business. 'I would sit in the cinema,' she later told Britain's Daily Telegraph newspaper, 'watching Lena Horne and Judy Garland and think: 'I want that for me.'' At 19, she married George Langridge, a roofer, and had a son. Five years later, in 1951, Laine had a tryout with Dankworth, then emerging as one of England's leading jazz musicians. 'I think she's got something, don't you?' he told his bandmates after the audition. Dame Cleo Laine attends the Jazz FM Awards 2018 at Shoreditch Town Hall in London, England. Photo / David M. Benett, Getty Images 'Something?,' a trumpeter answered. 'I think she's got everything.' Her name at the time was Clementina – or Clem – Campbell Langridge. After some brainstorming, the band members decided to call her Cleo Laine. 'They decided my real name was too long and sounded like a cowboy,' she told the Chicago Sun-Times. Her sister raised her son while Laine devoted herself to her career. She impressed Dankworth and his band not just with her voice but with her ability to match them, glass for glass, in drinking ale during their tours of British nightclubs. By the mid-1950s, Laine was anointed Britain's top jazz singer by critics and music magazines. She divorced her first husband, from whom she had grown apart, and she married Dankworth in 1958. They had two children, who were raised by nannies and attended boarding schools while their parents were on tour. They lived about 80km from London in the village of Wavendon, where they established a theatre and an educational foundation. In the 'show must go on' tradition, Laine gave a performance at Wavendon on February 6, 2010. Only at the end did she announce that Dankworth had died earlier that day. Dankworth was presented with a fellowship of the Royal Academy in 1973 and the following year appointed a Commander of the Order of the British Empire. He was knighted in 2006, the first British jazz musician to receive this honour. Survivors include a son from her first marriage, Stuart Langridge; two children from her second marriage, singer Jacqui Dankworth and jazz bassist and composer Alec Dankworth; and several grandchildren. Laine wrote two volumes of memoirs and received the title of Dame Commander of the Order of the British Empire in 1997. Her voice remained supple and precise well into her 80s. In 1983, she told The Post how she sought to connect with her listeners: 'I like to imagine when I'm singing that it's not thousands of people but one person, and a love affair can be created that way. I ignore my husband in the background: This is a love affair going on.' Matt Schudel has been an obituary writer at The Washington Post since 2004.
