House vs unit: areas with smallest and biggest price gaps
House and unit prices have begun to converge in many Sydney areas, with new data showing property seekers can get houses for only marginally more than a unit in some locations.
The exclusive Ray White research indicated the average difference between units and houses in certain western suburbs was as little as 20 per cent – well below trend for Sydney, where houses are typically about 80 per cent pricier than units.
The narrowing of house and unit prices in some areas has followed a long run of unit price increases since interest rates began to rise in early 2022.
Higher rates forced more buyers to target cheaper units and the resulting increase in competition pushed up apartment prices – especially in suburbs west of Parramatta.
There has also been large scale unit development, which has meant units are often a lot newer than the local house stock and this has attracted a premium.
Western Sydney suburb Lethbridge Park had one of the tightest gaps between unit and house prices. A unit or townhouse in the area cost an average $647,000, while houses cost $838,000 – just 22 per cent, or $190,000 more, according to Ray White.
The analysis revealed that by boosting your budget between 20-25 per cent, buyers in St Clair, Gorokan, Kanwal, Charmhaven and Cambridge Park could buy houses instead of units.
Aus's worst neighbours exposed
20 suburbs where rents will rise for 'long period of time'
On the other hand, apartments offered an entry into some of Sydney's most sought-after and expensive markets, where the analysis revealed the difference between the two dwelling types was an eye-watering $3m.
Ray White chief economist Nerida Conisbee said the areas with a smaller price gap likely had older houses competing with newer apartments and townhouses.
'But if you're looking long term and might do a renovation project or a knockdown rebuild, there's opportunity there,' she said.
That climate contrasted with much of the north shore, including suburbs Greenwich and Riverview, where money-conscious buyers were far better off buying a unit.
Apartments in these areas cost about $1.07m compared to the median price of a house at $4.06m, a saving of almost $3m.
It was a similar story for nearby Mosman, along with eastern suburbs Bellevue Hill, Dover Heights and Rose Bay.
Ms Conisbee said Aussies in most city areas would need to embrace apartment living for affordability reasons but those who could afford houses would benefit from more capital growth.
'When we look overall at a city, houses do generally outperform apartments,' she said.
Buyers advocate Cate Bakos said it came down to the buyer's needs.
'If their dominant need is location I'll be talking to them about a unit if they're priced out of a suburb. If their dominant need is the dwelling size and the long tenure of the home, we look at houses,' Ms Bakos said.
Eddie Dilleen, one of the country's most successful investors, found purchasing a unit was more cost affective in building a large property portfolio.
'About 70 per cent of my portfolio is affordable units, townhouses and villas and I've had better results with these kids of properties,' he said.
Rose and Dave Ung decided to flip the narrative and sold their suburban family home to move into a three-bedroom apartment in Rhodes with their two kids and dog.
'(We're) well connected with public transport, we have immediate access to parklands,' Ms Ung said.
'There is such a big (price) difference between the houses, a couple million dollar difference … we have a three bed apartment and study, so it's quite generous and works for our family, there wasn't a benefit in forking out a couple extra million.
'What I like about apartment life is the community aspect, shops, convenience of things, I've connected with the community and the local cafe owner … in our house we didn't even have a favourite cafe.'
Billbergia's development director planning and design Saul Moran buyers aren't necessarily prioritising houses and land but 'liveability, the convenience of living close to amenity and transport'.
Rhodes residents in Bilbergia's Oasis and Peake buildings could access a pool, spa, kids splash zone, table tennis, work from home break outpaces and an off-leash dog park that added another element of convenience for the residents, he added.
'It's the evolving nature of the great Australian dream that's more viable in the modern economic world,' he said.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

ABC News
42 minutes ago
- ABC News
Australia is set to embrace energy from waste, but should it?
Overlooking the huge Woodlawn landfill about three hours from Sydney, the scale of Australia's waste challenge is laid bare. All day, every day, a procession of trucks make their way to the bottom of the former open pit mine and dump their loads of rubbish. Nearly half of Sydney's non-recyclable waste winds up here. "1,000,000 tonnes (per year) arrives here at Woodlawn on a train," CEO of Veolia Australia and NZ, Richard Kirkman told 7.30. "That's what we do with it. We put it in this landfill." Just down the road from the landfill, Veolia is proposing to build a plant that will burn rubbish in a high-tech furnace to produce electricity. The technology, known as energy from waste, is common around the world. "There's an incredible opportunity, I think, in Australia to convert from land-filling our residual waste to move to energy from waste," Mr Kirkman said. The proposed energy from waste plant at Woodlawn would burn 380,000 tonnes of rubbish a year, producing enough electricity to power about 40,000 homes. But it will also emit carbon dioxide into the atmosphere when rubbish is burned, and produce tens of thousands of tonnes of bottom ash — in the form of non-combustible materials like stones, grit, glass, and rocks. There are currently 11 energy from waste plants either operating or proposed across the country. In the Perth suburb of Kwinana, Australia's first energy from waste plant opened in 2024 after years of delays. Another plant, located in East Rockingham, Western Australia, is almost complete. Six energy from waste plants are planned in Victoria, two in New South Wales, and one in Queensland. Proponents have long argued that energy from waste is more sustainable than landfill because energy is created from what would otherwise be thrown away. But many critics argue that the practice should be known by what we used to call it: incineration. And they dispute that it is in any way sustainable. "I don't want my kids to grow up in a throwaway society, one that is unsustainable and where your attitude to waste is, 'I can just toss it away because we can throw it in an incinerator and burn it'," said farmer Tom Martin, part of the Longwater Agricultural Association, a local group trying to stop the Woodlawn project. For decades energy from waste plants surged in Europe. There are now 500 plants that provide electricity and heating and Denmark was a pioneer. Copenhagen's Amager Bakke plant is famed for its ski run on the roof, where visitors can enjoy downhill fun literally on top of rubbish. But University of Copenhagen researcher Stine Madsen says that recently — as Denmark focuses on its greenhouse gas emissions target — the perception of energy from waste has changed dramatically. "There's really a growing focus on the CO2 emissions that come from waste incineration. And to meet that national target, incineration is considered problematic because it leads to CO2 emissions," Ms Madsen said. Mr Kirkman says emissions from energy from waste plants are far less damaging than those from landfills. "We have to reduce the methane we emit from landfills, and it's proven that [energy from waste] is better. That's why it's public policy," he said. The emissions are just one problem Denmark has with the process. The country doesn't produce enough rubbish to keep them going and has to import waste to keep the plants running. "You have a state-of-the-art facility, but you also need to feed it with waste … and the whole narrative around waste is changing." Near the proposed Woodlawn plant in NSW, many locals are angry. State policy bans incinerators in metropolitan Sydney, but not in the areas where they live. "We feel very discriminated against," said Paige Davis from Communities Against The Tarago Incinerator (CATTI). "The NSW government has decided from a precautionary principle that incinerators can't be built in Sydney because of the risk to human health and the environment. What about us? Why don't we count?" Local farmer Tom Martin worries for the health of his livestock, with the energy from waste plant just five kilometres away. He believes if incinerating rubbish isn't suitable in Sydney, it shouldn't be suitable near his farm. In the Melbourne suburb of Hampton Park, Jill Nambu and her neighbours are opposing a new waste transfer station. Hundreds of rubbish trucks a day could be coming and going for the next 25 years. Veolia, which runs the landfill site wants to build a waste transfer station for rubbish. Trucks will then carry trash to a proposed energy from waste plant in Maryvale, 120 kilometres away in Gippsland. "It makes me want to cry," Ms Nambu said. "I don't understand why they have to put it literally right in a community residential area." Groups opposed to the waste transfer station have also protested at Victoria's parliament. Veolia's development application was refused by the state's Environmental Protection Agency, but the company is appealing the decision. Mr Kirkland says he understands why locals may object to these projects but believes they are essential. "Every week they put their bin out, and it has to be collected, and it has to go somewhere." Watch 7.30, Mondays to Thursdays 7:30pm on ABC iview and ABC TV Do you know more about this story? Get in touch with 7.30 here.

News.com.au
an hour ago
- News.com.au
Sing, dance, play, act: Policy helps put SA talent in the spotlight
A 10-year cultural policy will help ensure South Australia's arts, cultural and creative industries thrive throughout the next decade. CreateSA executive director Clare Mockler says the recently-released policy – titled A Place to Create – is backed by an $80 million State Government investment to help support these sectors within the state. 'South Australia has a long and proud history of being national leaders when it comes to arts, culture and creative industries and having a 10-year policy builds on this,.' she says. 'Its purpose is to enrich South Australia's future by strengthening our communities, enlivening our places and connecting us through arts, culture and creativity. 'It supports more artists and creatives to thrive and will ensure our state's arts organisations, creative businesses and cultural institutions are robust and sustainable for the future. 'This policy underscores the Government's commitment to the arts as central to South Australians' quality of life and collective identity – and sits as a companion to the state's Economic Statement.' Speaking during a brief visit to the Adelaide Festival Centre – which is in the midst of a comprehensive $35.5 million upgrade – Mockler says key funding initiatives include a $2.5 million injection to 'kickstart' opportunities for children and young people to develop their creativity and more than $2.3 million in investment into First Nations arts and culture in SA. She says much-loved established events such as the Adelaide Fringe and the recent Chihuly glass exhibition at the Adelaide Botanic Garden – are all part of the rich cultural landscape that plays a crucial role in South Australia. 'Evidence shows that a strong arts, culture and creative sector has a great impact on people's mental health, their wellbeing and their community participation,' she says. 'It's absolutely an essential part of the community's social fabric. 'It allows people to get out, to celebrate, to think about who they are as South Australians – to be challenged about who they are and to hear different stories and experiences.' Aside from helping shape South Australia's cultural identity, the sector is also a billion-dollar economic driver. 'The economic contribution of the sector to the state is more than 10,000 creative businesses employing more than 15,000 people and contributing more than $1.8 billion to the state's economy,' Mockler says. 'We know that people will visit South Australia for artistic and cultural experiences. 'We see that across many of our festivals and events – for example, WOMADelaide and Adelaide Festival to name just two – people will travel for artistic experiences.' Mockler says a thriving arts industry has lasting benefits for all South Australians – now and in the future. 'Arts, cultural and creative industries create opportunities for young people to develop their creativity to become participants in our state's future,' she says. 'A thriving sector enhances the state's global reputation and contributes to the international export of film, music, art, performance and more. It also attracts foreign and domestic investment, supports tourism and creates further motivation for migration.' SA talent takes centre stage A rising audience seeking a night out at the theatre is having an increasingly powerful impact on the state's economy, creating employment not only for the actors on stage but a host of other workers. State Theatre Company audiences have grown by almost 20 per cent in the past five years, with 50,000 people in Adelaide alone attending 130 performances in 2023-24. The company's nine seasons of work last financial year employed more than 140 artists, including 116 freelance actors, directors and designers as well as stage management, production and technical personnel. However, touring productions nationally also is bringing money back to the state, with thousands more people attending seasons in theatres interstate. Artistic director Petra Kalive says its play The Dictionary of Lost Words, for example, has had enormous success, with seasons at the Sydney Opera House and Arts Centre Melbourne counting towards its more than 200 performances. 'I think it's one of the few works that's not a musical that's gone on to over 200 performances,' she says. 'Not only is this work – and the works that we want to continue to create – creating work for actors in the state, but we're providing an economic uplift for these actors for longer seasons.' Kalive says even when shows have only one or a few actors on stage, the 'machine behind it is massive'. 'There's a full workforce that helps to develop and deliver the show,' she says. 'We've got full-time staff in the workshop – builders, prop makers, scenic designers, wardrobe costumers – but also, if a show is big, we will recruit casual employees. 'That's also why I'm keen to continue to do large-scale works like The Dictionary of Lost Words so we can open up and continue to create pathways for young people to get trained up in these very skilled jobs. 'Casual contracts and larger shows give us the opportunity to see who's out there and to train them.' Kalive says its influence on the economy is also occurring outside theatres, with patrons often coupling their theatre visit with dinner, a pre-show drink or even a hotel stay. 'We know that those audiences who come into these theatres at night have such an impact on the night-time economy,' she says. 'We add $2 million to the night-time economy – we're stimulating local business and we're boosting tourism, creating employment and creativity and innovation to the state. 'The cultural and social factor of what we do can't go unrecognised as well. 'What we do for the economy goes without saying, but it's also the audiences that we reach, it's the pathways that we create and the way that theatre is able to foster dialogue.' Looking forward, the company anticipates its growing value will continue. 'There's lots of other works that we've got in the pipeline that could be as impactful as something like The Dictionary of Lost Words and in this way, I think State Theatre Company is punching well above its weight compared to other theatre companies around the country – it's really exciting,' she says. 'We've got this incredible talent pool of South Australian artists, actors, performers, musicians that I'd like to make sure stay in South Australia so I want to be creating work that celebrates their talent and then showcases them to Australia and the world.' Next generation dreams big South Australia's heart of the arts is enhancing the learning experience for students throughout their school years when they are building their creativity skills. Adelaide Festival Centre's centrED program, supported by the Department for Education, is also giving students greater access to artistic performers and performances to help them engage with and be inspired by the arts. The centrED program co-ordinates workshops for students from preschool through to secondary school, complementing and linking what is taught at school with the artists and festivals that occur during the year. It also hosts matinees for performances from home and visiting theatre companies, which can break down access barriers, particularly for students from disadvantaged backgrounds or regional areas who may find it difficult to attend performances outside of school hours. Renee Gibson, centrED's education manager, says activities are held year-round at schools or on-site at the Adelaide Festival Centre while tours, work experience and traineeships also are available. 'We look at each festival and find the best ways we can curate the program to fit into the curriculum,' she says. 'We'll look at where there are gaps in engagement, in year levels or subjects and try to respond to those as well as work with teachers about what they'd be like to be able to do.' Activities range from Adelaide Guitar Festival performers visiting preschools to Year 11 and 12 students embarking on the five-month, SACE-credited Class of Cabaret program, which culminates in their own performance at the Adelaide Cabaret Festival. Meanwhile, Asian-Australian relations and cultural understanding is fostered through workshops run during the OzAsia Festival, above. 'One of the national curriculum's cross-curriculum priorities is Asia and Australia's engagement with Asia, so the OzAsia Festival is really valued by teachers because it gives students the opportunity to connect with Asian and Australian artists and creatives,' Gibson says. School activities such as performances, exhibitions and interactive workshops also are a focus of the DreamBIG Children's Festival. 'We very much believe all young people should have the opportunity to participate in the arts, not only because of the career benefits or artistic benefits but also those connections around wellbeing,' Gibson says. 'We receive a lot of feedback from teachers about the positive impact on wellbeing; attendance at school is increased because kids want to be able to participate; and by having philanthropy programs where we provide transport and free tickets to performances like Beauty and the Beast, we are making sure that all young people have the opportunity to learn, engage, feel inspired and have that transformative arts learning experience.' Online centrED programs help schools and students engage when it is not logistically possible for activities to be held in person.


SBS Australia
an hour ago
- SBS Australia
Anthony Albanese to meet Donald Trump on G7 summit sidelines
Prime Minister Anthony Albanese has confirmed he has a meeting scheduled with the United States President Donald Trump on the sidelines of the G7 in the Canadian Rockies on Tuesday. The on-again off-again talks were being thrown into doubt by the escalating conflict in the Middle East, but are now expected to take place. It will be the first time the pair have met face to face, and the Prime Minister told reporters in Seattle he is looking forward to "constructive engagement". "I do expect to meet the president on the sidelines of the G7 meeting," he said. Anthony Albanese will use the opportunity to raise the AUKUS review being conducted by the Pentagon, and to highlight the contribution Australia is making to the defence industrial complex alongside its investment in the Perth shipyards to allow American submarines to use those facilities. The talks will also focus on securing better conditions for Australia under the Trump Administration's tariff regime. Underscoring the benefits of two-way trade, Anthony Albanese has made a joint announcement with Amazon Web Services, inside the famed Seattle Amazon Spheres, as the international business commits an additional $6.8 billion to fund data centres in Australia and confirms plans for three additional renewables projects in Australia to offset energy costs. This is a developing story and this article will be updated.