
Protesters call for RTE to boycott of Eurovision
Irish actor Stephen Rea read the poem If I Must Die by Palestinian poet Refaat Alareer, who was killed in an Israeli air strike in Gaza, as he joined scores of protesters gathered at the main entrance to RTE's campus in the Donnybrook area of Dublin on Friday evening.
The demonstrators, some wearing keffiyehs, waved Palestinian flags and held up banners with slogans including 'you can't culturewash genocide' and 'you need to boycott Israel now'.
Organisers staged a mini-concert featuring short speeches as well as musical performances of anti-war and pro-Palestinian songs.
Those taking part were calling for Ireland to boycott Eurovision 2025, saying more than 70 former contestants have backed the campaign to see Israel's national broadcaster KAN banned.
They note that the organisation behind the event, the European Broadcasting Union (EBU), indefinitely suspended Russia and Belarus in 2022.
The event featured artists, musicians and LGBT and human rights activists as well as the chairman of an RTE sub-branch of the NUJ Trevor Keegan.
RTE director general Kevin Bakhurst said it would not pull its entry – Laika Party performed by singer Emmy – out of the competition.
However, he said he had written to the EBU, chaired by Irishman and former RTE director general Noel Curran, to ask for a 'discussion' on Israel's inclusion in the contest in May.
Ireland-Palestine Solidarity Campaign chairwoman Zoe Lawlor accused Israel's national broadcaster of attempting to 'culturewash' an apartheid ideology at Eurovision.
She said: 'It's vital to exclude the genocidal apartheid state of Israel from this global cultural platform now.
'Ireland showed the way in the 1980s, standing resolutely against the racist and murderous crimes of apartheid South Africa.
'RTE can help do the same now, by withdrawing its participation and standing on the side of humanity, equality and human rights.'
Earlier on Friday, several pro-Palestine demonstrators picketed outside a BBC studio in Belfast city centre.
The activists banged dustbin lids on walls and shouted chants criticising the corporation's coverage of the conflict in Gaza.
They also called for a boycott of Eurovision, to which the BBC is sending Remember Monday with the song What the Hell Just Happened?
Eurovision, which is hosted by the EBU, will begin on May 13 in Switzerland with the final on May 17.
Israel is set to be represented at the contest by Yuval Raphael, 24, a survivor of the October 7 2023 Hamas attack.
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The Irish Sun
a few seconds ago
- The Irish Sun
Fury erupts after St George's flags are ripped down from city's streets by council over fears they ‘put lives at risk'
A politican also hit out after the move by the council 'UTTER ABSURDITY' Fury erupts after St George's flags are ripped down from city's streets by council over fears they 'put lives at risk' FURIOUS residents have blasted their local council after St George's flags were ripped down from city streets. Locals have put up flags on houses and streetlights in Northfield, Birmingham, in what was described as a show of "patriotic outpouring". 4 St George's and Union Jack flags tied to lamp posts in Birmingham Credit: BPM 4 But the council have decided to tear them down, sparking backlash Credit: BPM Advertisement 4 Many feel the move is excessive Credit: BPM The Union Jack and St George's flags were put up using ladders and cable ties by a group of residents called the Weoley Warriors. Funded by £2,500 of public donations, the campaign is intended to 'show Birmingham and the rest of the country of how proud we are of our history, freedoms and achievements'. The flags were first seen in Weoley Castle before spreading to other parts of Northfield including Bartley Green, Selly Oak and Frankley Great Park. Advertisement But Birmingham City Council have now confirmed the flags will be removed, saying the "unauthorised items" are "dangerous" and could potentially kill motorists and pedestrians. The council said that the extra weight could "potentially lead to collapse" in the future. However, the council's decision has sparked backlash from residents. One unnamed flag-flying resident told BirminghamLive that the patriotic bunting had been put up because people in the area have "had enough". Advertisement "This country is a disgrace and has no backbone," they said. "This isn't racism, it's frustration at being pushed into a corner and silenced." Jeremy Duthie, from Weoley Castle, also told the outlet: "My personal opinion is that anyone who has a problem with our national flag being flown is living in the wrong country and should maybe consider living in the country represented by whatever flag they prefer to see flying." Many have also pointed out that Palestinian flags were flying in other parts of the city to show solidarity over the Gaza crisis as well as Ukrainian flags in the past. And the council also lit up the Library of Birmingham in green and white to mark the anniversary of Pakistan's independence day yesterday. Advertisement Cabbies have hit out at a 'woke' ban on flying England flag MP Sir Iain Duncan Smith accused Birmingham City Council of piling "bias and absurdity on top of their utter incompetence". He pointed out that they have managed to find workers to take down flags after months of bin strikes. But a spokesman for the council said: "People who attach unauthorised items to lampposts could be putting their lives and those of motorists and pedestrians at risk. "Placing unauthorised attachments on street furniture, particularly tall structures like lampposts, can be dangerous." The council added: "Lampposts and other street furniture need to be protected which is why highways staff across the city removed around 200 advertising banners and flags that had been attached to lampposts since the start of this year. Advertisement "They take down attachments from lampposts routinely, including advertising signs, bunting trails and flags." 'PROUD OF COMMUNITY' However, Councillor Simon Morrall, who represents Frankley Great Park on the city council, said it was a "clearly peaceful moment" that "residents love". He has also written to the council to suggest an "amnesty" on removing any flags until at least the end of August. Helen Ingram, a historian who lives in the area, told the Mail: "Since the flags appeared everyone in Northfield has been talking about them – friends, family, neighbours, even strangers. "Everyone I've spoken to loves them and there's a buzz in the air, an almost carnival-like atmosphere. Northfield was once a tight-knit community and it's heart-warming to get back that strong sense of community pride and unity. Advertisement "Some of the residents of Northfield have pointed out that there are plenty of Palestinian, Ukrainian and Pride flags that fly freely around the city every day without issue. "They argue that flying a Union Jack or England flag aligns with this same spirit of being proud of your identity, your roots and the community that you represent. "That is surely a sentiment that a city council should be championing rather than condemning!" It comes after thousands of England flags put up on an estate to cheer on the Lionesses were ripped down by a mystery vandal. The area in South-East London is famous for its huge displays of flags and murals in support of the national team during major football tournaments. Advertisement


Irish Independent
2 minutes ago
- Irish Independent
From beekeeping to ostrich farming: Kerry friends hatch chicks with homemade incubator
The creators of The Bee Beds Experience and The Revive Experience in Valentia Island, have just successfully incubated their very first ostrich chicks With no fancy equipment, the two friends successfully hatched ostrich chicks by building their own homemade incubator and, between them, they turned the eggs by hand ten times a day for 40 days. "By day 46, there was still no sign of hatching, so we decided to help. Ostrich shells are incredibly strong, so out came the hammer – carefully tapping into the air sac to give the chicks a start. Some found their own way out after that, while others needed a little more help,' explained Paul. "We honestly didn't know how it would turn out – it was all a bit 'eggs-perimental' – but to our delight, we had a surprisingly good success rate. Now, at just a week old, the chicks have moved into a bigger incubator, where we're gently lowering the temperature to help them adjust to our beautiful Irish climate.' The ostriches are extremely cute and are attracting a lot of attention but they are set to grow very quickly. Ostriches grow at about a foot a month, with females reaching over 6 feet and males sometimes an incredible 9 feet tall. Both Paul and Anton are currently developing plans to create Kerry's very first ostrich farm in Glenbeigh – a place where people can learn about these magnificent creatures, feed them, and enjoy a fun, interactive experience for all ages. Paul O'Neill lives on Valentia Island with his family, where he runs Island Organix, growing micro-plants and vegetables and selling honey products from his hives. Anton Tovarnitskyi is Ukrainian refugee who fled the war and found himself on the remote Kerry island. The two became friends and business partners when they set up Ireland's first Bee Beds and now they are hoping to develop another unique experience with their ostrich farm. They hope their latest business ideas will bring more visitors to South Kerry just like their Bee Beds project which has allowed visitors and locals relax while listening to bees. "We plan to use their eggs, breed them, and give visitors a chance to meet the largest birds in the world up close,' continued Paul. 'From bees to ostriches, life has taken us on some unexpected adventures – but the goal is always the same: to bring joy, connection, and a touch of wonder to everyone who visits.'


Irish Post
18 minutes ago
- Irish Post
Exploring Dublin - a city of poets, rebels, art and literature
IT REMAINS one of the great cities of Europe. The invader, the trader, the traveller, the settler, the oppressor, the rebel and the writer have all added colour and culture to Dublin, to Baile Átha Cliath, to Dubh Linn. Few places have produced so many heavy hitters in the literary field— Swift, Joyce, Shaw, Wilde, Beckett, Behan. Plus the greatest horror-writer of them all, Bram Stoker. Lesser-known writers too: Dublin man Robert Tressell, born Robert Noonan in 1870, left for England where he wrote The Ragged Trousered Philanthropists , exposing the harsh realities of working-class life. Their ghosts lurk in every corner of Dublin. The city that produced these writers along with the political thinker Edmund Burke, social reformer Dr Barnardo, the artist Francis Bacon, the Duke of Wellington and U2, hasn't changed that much in character over the years, despite the many superficial changes. Dublin is in equal measure thoughtful and frivolous, decadent and pious, creative and convivial — and undoubtedly one of the great cities of the world. Between the reels and jigs THE COBBLESTONE in Smithfield is basically pints on the table and music in the air. Sessions, gigs, classes, talks, dances — you can expect them all. For a more choreographed story of one arm of Irish music, traditional dance, head for nearby Jig, the Story of Irish Dance located at the theatre within the Powerscourt Centre. Jig is a show featuring performers who take audiences, yes, step by step, through the history of Irish dance, explaining it all. A 'Hop Up', an interactive option for those who want to learn to dance themselves. Take to the floor. Speaking as someone who really only dances when no one is looking, I was a tad more interested in the Irish Dance Museum in the same part of Powerscourt and which is covered by your admission ticket. Park and recreation, plus history STEPHEN'S GREEN, an exquisitely manicured park, dates back to a time when open space and fresh air were at a premium: Victorian Ireland, 1880. In 1880 Sir Arthur Edward Guinness, later Lord Ardilaun, funded its restoration and opened it to the public. Today, it remains a green refuge in the city, popular with office workers, tourists and students alike. The park bears the imprint of Irish political and cultural history. The Fusiliers' Arch at the Grafton Street entrance commemorates Royal Dublin Fusiliers killed in the Second Boer War and bears marks consistent with 1916 gunfire. During the Easter Rising, members of the Irish Citizen Army under Michael Mallin and Countess Markievicz briefly occupied the park before retreating to the nearby Royal College of Surgeons. On the south side, a bronze bust of James Joyce, sculpted by Marjorie Fitzgibbon in 1982, faces Newman House, which housed University College Dublin during Joyce's student years. More drinks, please DOHENY & NESBITT'S pub near St Stephen's Green was crowded. It was still early on a Tuesday lunchtime, but already all the mahogany-lined and glass-fronted snugs were taken. The buzz from the clientele was already rising — office workers, groups of businessmen, visitors, locals, were enjoying the Guinness or tucking into hearty food. The barman approached through the throng, multi-tasking on the way: cleaning tables, stacking empty glasses, dispensing racing tips to a snugful of construction workers, keeping his eye on the Guinness taps. He arrived at our table with the lunchtime menu. 'Ach,' he said, 'there has to be an easier way to make a thousand euro a week.' Stories in every snug, every sip THE Palace on Dublin's Fleet Street is one of the great bars of the world, in the same company as the Bull and Castle on Lord Edward Street, near Christ Church. Both are almost the embodiment of 'Dublin in the rare ould times'. At the Shelbourne Hotel, waiting staff in black and white livery will sway as they carry silver platters of gleaming black Carlingford and Galway oysters through the famous Horseshoe Bar. As well as being a five-star slice of studied luxury overlooking St Stephen's Green, the Shelbourne resounds with echoes from Ireland's momentous past. This is where, you will be told by the barman, two very significant events in Irish history happened: the drawing up of the Irish Constitution and the creating of Black Velvet, the Guinness and champagne cocktail. Unlike most other pubs in Dublin which have been frequented by a battalion of the finest writers in the English language, Ryan's in Parkgate is notable in that Ludwig von Wittgenstein was a local. The philosopher regularly sat in the pub, doubtless thinking thoughts along the lines of: 'Whereof one cannot speak, thereof there must be silence.' Philosophy, eh? Makes you think. While reflecting on religion — which would have been relatively easy in Dublin, he said: 'If there were a verb meaning 'to believe falsely', it would not have any significant first person, present indicative.' The Shelbourne Hotel, Dublin (Pic: Tourism Ireland) A Dublin rite of passage NO VISIT to Dublin's coast is complete without a stop at the Forty Foot, the legendary bathing spot at Sandycove, just a short DART ride from the city centre. Once an exclusive gentlemen's swimming club in the 19th century, the Forty Foot is now open to all, year-round, regardless of weather or water temperature. A cool tradition. Despite its name, it isn't exactly 40 feet deep — but no one can quite agree where the title comes from. Some say it refers to a British regiment once stationed nearby; others suggest it was just a convenient nautical exaggeration. No one can, ahem, fathom it. What is certain is that the spot has been drawing brave bathers for over 150 years. The Forty Foot crops up in Irish literary history. James Joyce set the opening scene of Ulysses just above the rocks, at the Martello Tower. Buck Mulligan — towel over shoulder — headed for a dip in the Irish Sea. You can follow in his footsteps, if you think you're hard enough. Where the books are older than the dust YOU'RE on your holliers, so no better place to head for than Marsh's Library. When you've maybe seen one hen party too many in Temple Bar (or perhaps participated in one), take sanctuary just beside St Patrick's Cathedral. Ireland's oldest public library was founded in 1707 by Archbishop Narcissus Marsh (now that's an excellent name for a bishop) and holds over 25,000 books from the 16th–18th centuries. The library smells of candle wax, polished wood, leather and old books (naturally enough), and the shelves are still enclosed in their original 18th-century cabinets. Brew with a view THE HQ of the black stout, the Guinness Storehouse, has restaurants that serve fresh food designed to pair with Guinness. And although you wouldn't come here specifically to eat, once you've downed a pint or two, you'll be glad of the facility. Also, advance tickets come with a complimentary pint in the Gravity Bar when you complete your tour. This gives you one of the finest views across Dublin. Where art meets architecture THE Irish Museum of Modern Art (IMMA) is Ireland's home for modern and contemporary works by Irish and international artists, housing over 4,500 pieces in its collection, all from the 1940s and later. Where Dublin shops the world REFERRED to as Moore Street Mall or Moore Street Market, this is an open-air hub for international fare, produce, and specialty food vendors. Dating back to the 18th century, the culinary hub is a destination for Dubliners craving Korean kimchi pancakes, Ethiopian injera, or Senegalese yassa chicken. If it grows, simmers, ferments or sizzles, chances are someone's selling it here. In good spirits JAMESON Distillery, Bow Street, is a distillery-turned-museum and an attraction for all whiskey lovers. It stands at the site of Jameson's original distillery, dating back to 1780, though the brand's major production now takes place in Cork. The 40-minute distillery tour includes a comprehensive Jameson history, a tasting section, and a drink on the house at JJ's Bar, the downstairs whiskey bar. Let there be light…reading THE world was created on October 23, 4004 BC at around 6pm according to erstwhile Archbishop of Armagh James Ussher. (The specificity of that '6pm' is quite arresting — 'The end is nigh, but we'll have our tea first.') Archbishop Ussher's idea of the Creation may be at odds with current scientific thought, but the Armagh prelate's personal literary collection remains a core part of Trinity College Library. As regards the end of the world, he was so learned that he was able to resist the temptation to talk about Armaghgeddon. Sadly, lesser mortals have been unable to follow the great man. But part of his life's works live on in Trinity, and nearby is the Book of Kells — a tome that most definitely defies the old saw 'you can't tell a book by its cover'. Produced by Celtic monks around AD 800, it is quite simply one of the most beautiful man-made creations you'll ever see. It was written in Latin on the vellum of, reputedly, 170 cattle – sadly there's no vegan version, no vegetarian option. The Long Room, Trinity College (Pic: Diliff/Wikimedia Commons) A staircase, a meal, and a view of the void THE Winding Stair, named after a Yeats poem, features Irish, British and European editions of contemporary literature as well as soda bread in the restaurant upstairs. Grab a good book, a sarnie and head above for views of the River Liffey. Clear your mind, forget the great unknowables of life, enjoy the food and soak in the atmosphere of Dublin. As Beckett himself said: 'What do I know of man's destiny? I could tell you more about radishes.' City of love 'Some who have heard him, say that he speaks with a Dublin accent.' That was James Joyce referring to the devil – and he could be right. But there are plenty of people in Dublin who'd keep the devil in his place, not least the battery of saints acknowledged in the city. Helping Dublin to be a city of love is St Valentine. His remains lie in a modest casket in an unassuming Dublin church, with little in the way of commercialism surrounding it. Whitefriar Street Church on Aungier Street has no big red neon heart announcing the site of St Valentine's remains, no interactive digital display welcoming you to some romance heritage centre, no themed museum or 'Valentine Experience'. Well done to all concerned! Valentine of course wasn't Irish — it's doubtful if Guinness ever passed his lips. But his remains were brought to Dublin in 1835 by one Father John Spratt, donated to him by a grateful Pope. Glowing grills, flowing cocktails ELEVEN, Bray Road, Loughlinstown, Dublin, D18 is on the outskirts of Dublin and has casual charm — think velvet banquettes, exposed brick, and the scent of woodsmoke from the grill. As our food critic Tony Clayton-Lea put it: 'The food is a series of stunners that benefit from being cooked on a wood-burning grill — although the vegetarian options are also spot-on. My scallops were primped and pimped and preened until they were just about the best I'd ever tasted. And as for puddings, well, my dear! For desserts, more is definitely more.' Global echoes in EPIC THE Irish Emigration Museum (EPIC), located in Dublin's Docklands, is an exploration of Ireland's emigration story. It highlights the journeys of over 10 million Irish people who left the island. Through interactive exhibits, visitors discover how Irish emigrants influenced global culture, politics, and science. The museum covers the Great Famine, conflict, and opportunity, showcasing personal stories alongside broader historical narratives. EPIC emphasizes the enduring impact of the Irish diaspora worldwide. This digital museum features 1500 years of Irish history and relives some of the greatest achievements in music, literature, sport, politics, fashion and science. Stairway to Handel OK, LED ZEPPELIN may have played the very first live version of Stairway to Heaven in the Ulster Hall in Belfast (really), but St Michan's Church in Dublin 3 has the very organ, built exactly 301 years ago in 1724, on which Handel practised his Messiah . While he composed the oratorio in London, the organ offers a rare surviving connection to his time in Ireland. The church, which was built in 1685–86 on the site of a former (probably) Danish chapel, is famous for its collection of mummified bodies stored in the vaults. The limestone in the ground has kept the air dry and has helped preserve the earthly remains of crusaders, leaders of the 1798 Rebellion, plus the ordinary people of Dublin. Five stars and 200 years of secrets THE Shelbourne is not just a hotel — it's a front-row seat to Irish history dressed in five-star drapery. Opened in 1824, this grand dame of St Stephen's Green has hosted everyone from Queen Victoria's son to JFK, Grace Kelly, and the Irish Constitution drafters of 1922 (they used Room 112, naturally renamed The Constitution Room). Today, amid chandeliers, cocktails and discreet bustle, it remains a Dublin landmark where old money, new ideas and passing American tourists all meet under one neoclassical roof. The bar's good, the doormen better, and the gossip that's passed through its walls? Untouchable. Where ratatouille meets Rathmines LOTTIE'S, at 7–9 Rathgar Road in Rathmines (D6), is a stylish, neighbourhood brasserie co-owned by Domini Kemp and Brian Montague (of Winding Stair fame). The sleek, spacious interior sets it apart from other city eateries, with roomy seating, counter views of chef Tudorel 'Ted' Ostache at work, and a buzzy yet relaxed vibe. Ted — formerly of Chapter One and Pichet — oversees a menu of well-priced, flavour-packed dishes. Front-of-house director Geoff Graham curates an expertly matched selection of cocktails and wines, reinforcing its Michelin-noted reputation for hospitality and value. From Silkbeard to Swift in Dublin's cathedrals Christ Church Cathedral in Dublin IRELAND'S oldest cathedral, Christ Church, was founded sometime after 1028 by King Sitric Silkbeard, the Hiberno-Norse king of Dublin. It was a Viking wooden affair, so a complete rebuilding was commissioned in 1172 by Norman overlord Strongbow, aided by Archbishop Laurence O'Toole, Dublin's patron saint — both of whose remains lie in the cathedral. A short stroll from Christ Church is St Patrick's Cathedral. The patron saint baptised converts to Christianity in the grounds of the cathedral with water from a local well. Since then (5th century) a church has stood on the grounds. The Normans built a substantial edifice in the 12th century, the core of today's cathedral. Jonathan Swift, dean here in the 18th century, has a suitably impressive epitaph on his tombstone: Here is laid the body of Jonathan Swift, Doctor of Divinity, Dean of this cathedral Church, / Where fierce indignation can no longer Rend his heart / Go, traveller, and imitate if you can This earnest and dedicated Champion of Liberty