logo
Sabrina Carpenter's racy dance at Brits sparks hundreds of Ofcom complaints

Sabrina Carpenter's racy dance at Brits sparks hundreds of Ofcom complaints

Yahoo05-03-2025

The Brit Awards sparked more than 800 Ofcom complaints over Sabrina Carpenter's raunchy opening dance routine and Charli XCX's sheer outfit.
Viewers made 825 complaints about the star-studded awards ceremony held at the O2 Arena, in London, after watching the broadcast on Saturday, 1 March on ITV1. The majority of complaints were made in relation to Carpenter's dance routine and Charli XCX's choice of attire at the occasion.
An Ofcom spokesperson told Yahoo UK: "We are assessing the complaints against our rules, but are yet to decide whether or not to investigate."
Charli XCX had no comment when approached by Yahoo UK. Yahoo UK has reached out to Sabrina Carpenter's representatives for further comment.
Fans on social media warned there would be "hundreds of complaints" after Carpenter took to the stage to perform a medley of Espresso and Bed Chem. Among the comments, one person said: "Every parent complaining to Ofcom after watching that Sabrina Carpenter performance with their kids #BRITs2025."
Other viewers spoke out in her defence, including one person who said: "Sabrina already getting ofcom complaints for her brits performance is so funny why does this country hate having fun."
The Brit Awards ceremony started at the family-friendly, pre-watershed time of 8.15pm with Carpenter opening the show.
Before the amount of complaints were published, the cheeky singer shrugged off the controversy around her performance. She laughed it off writing on Instagram to her 45.1 million followers: "Brits! I now know what post-watershed is."
Carpenter swapped her glamorous pink dress she wore on the red carpet for scarlet lingerie on stage. As well as underwear, the Espresso hitmaker accessorised her look with a waspie belt, fishnet tights and heels.
Another of her stage outfits was a nod to celebrating the United Kingdom with a red sequinned blazer dress, and her routine saw her walk down the aisle lit up with the Union flag.
However, one controversial moment from the dance routine saw Carpenter shimmy down to her backing dancer's waist with her microphone in her hand. Dressed as a royal guard, the dancer directly winked to the camera.
Carpenter received the global success award on the evening. She said of receiving her award: "The Brits have given me this award, and this feels like such an insane honour in a very primarily tea-drinking country... You really understood my dry sense of humour because your sense of humour is so, so dry. So I love y'all more than you even understand."
Charli XCX was among the biggest winners at the Brit Awards as she took home a total of five awards, including: best song, best album and best artist. Yet like Carpenter, the songwriter also drew controversy at the awards ceremony.
The Brat singer — real name Charlotte Aitchison — sparked Ofcom complaints when she graced the stage in her daring outfit. Her black dress featured a sheer skirt which put her underwear on display.
In November, she spoke about the return of "messy fashion". She told Harper's Bazaar of her looks: "I feel like we're in this world where there's so much pressure to uphold the standard of perfection, and it's just not realistic... I think when you see someone kind of embracing their flaws and being messy, you recognise a bit of yourself in that. You feel like it's okay to be messy yourself."
The Brit Awards are streaming on ITVX.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Review: ‘Iraq, But Funny' at Lookingglass Theatre is a stunning debut in need of an edit
Review: ‘Iraq, But Funny' at Lookingglass Theatre is a stunning debut in need of an edit

Chicago Tribune

time4 hours ago

  • Chicago Tribune

Review: ‘Iraq, But Funny' at Lookingglass Theatre is a stunning debut in need of an edit

An apt subtitle for Atra Asdou's 'Iraq, But Funny' might be: 'How the British Caused Every Problem in the Middle East (With a Late Assist from the U.S.A.).' It always cracks me up how, in progressive artistic circles, Brits are exempted from the pervasive disdain for stereotyping. Asdou leans into all of it with confident impunity: the accent, the physical appearance, even the quality of one's teeth. Substitute any other nation and she'd be canceled forthwith. Luckily, Asdou, a veteran of the Second City, also is exceptionally funny and there are moments when the latest, massively ambitious show at Lookingglass Theatre struck me as an astonishingly brilliant first theatrical play, even though it will almost certainly infuriate a decent percentage of the audience that has historically supported that particular theater. It annoyed me, too, in places, especially in its determination never to consider the relative merits of other narratives and, more specifically, its lack of a full consideration of the geopolitical impact of the Holocaust, not to mention the British success in fighting against Nazi sympathizers in the mid-century Middle East. But in others, it took my breath away. And, for the record, I believe from the tip of my head to the bottom of my toes that satirists have no obligation whatsoever to be fair. In essence, Asdou has forged a one-night history of the Middle East from the perspective of Iraqi Assyrians, some of whom have, of course, now settled in the Chicago area. The storyteller is an English, Sgt. Pepper-like buffoon and the style is best described as a blend of Monty Python and Howard Zinn. It reminded me most of a similarly cartoon-styled telling of the history of the same region from the perspective of the Palestinian people that I watched a couple of years ago in a museum inside The Walled Off Hotel, outside Bethlehem in the West Bank. But that was on film; the motor-mouthed Asdou puts it out herself, live and in person. I suspect that Lookingglass was knocked out by the script and basically just told Asdou and director Dalia Ashurina to go ahead and express themselves. But they still have to make it great. In essence, Asdou has created two separate shows and spliced them together. One is a familial story about multiple generations of Iraqi Assyrians (played by Susaan Jamshidi, James Rana and Sina Pooresmaeil) and the struggles of a smart young daughter (Gloria Imseih Petrelli) to both honor the sacrifices of her parents and strike out on her own. The second show is Asdou's British alter-ego explaining the history of how everything led to everything in the Middle East. The first one is funny and sometimes quite moving, but despite the references to reclaiming one's own story from someone else's voice, it's also a very familiar narrative when the Midwest-based children of immigrants from Iraq and Iran write plays. I've reviewed a version of it three times already this season in Chicago: it's at the core of Sadieh Rifai's 'The Cave,' Michael Shayan's 'Avaaz' and Esho Rasho's 'Dummy in Diaspora,' also told from an Assyrian perspective. Those are diverse shows in many ways, my point is that the children of the diaspora telling their own stories. I, for one, am glad to hear them. But the comedic, opinionated political history with zany graphics, audience interaction, physical clowning, improvisational antics fueled by political outrage and one hilariously caustic line after another? No one else is doing that. Not at this level. I don't think Asdou has to drop her family story entirely but this style of satirical theater would work far better at around 90 minutes than almost two and a half hours; that's why Second City pays close attention to length. If Asdou could force herself to cut her weaker material and repetitions and keep the familial arc more fully in the context of her lead comedic character and the geopolitical history that character is telling, she'd really have something here. Right now, that character drops away at the end after morphing into Uncle Sam without explanation. That's all part of the standard anti-colonialist/anti-capitalist narrative, I know, but it still needs explaining for those at the back. Asdou wants her family to triumph and, for the most part, and with this capable director's help, she manages to skillfully navigate her twin impulses of moralistic political activism and sharp-elbowed satirical destruction, even though they are actually contradictory when it comes to their artistic obligations. But the core of this piece is political, not 'thanks Mom and Dad, for all you did,' and that is something Asdou has to face if she wants a show that's viable as well as heartfelt. But after one more draft? Sensational, potentially. Already, if I were a scout looking for colossal young talent, I'd jump on a plane, buy a ticket and see what Asdou can do. Review: 'Iraq, But Funny' (3 stars) When: Through July 20 Where: Lookingglass Theatre, 163 E. Pearson St. Running time: 2 hours, 25 minutes Tickets: $30-$90 at

Charli xcx Brings Out Bladee for Live Debut of ‘Rewind' Remix at London's Lido Festival, Declares ‘Brat' Summer a ‘Forever Thing'
Charli xcx Brings Out Bladee for Live Debut of ‘Rewind' Remix at London's Lido Festival, Declares ‘Brat' Summer a ‘Forever Thing'

Yahoo

time10 hours ago

  • Yahoo

Charli xcx Brings Out Bladee for Live Debut of ‘Rewind' Remix at London's Lido Festival, Declares ‘Brat' Summer a ‘Forever Thing'

Charli xcx declared 'Brat' summer a 'forever thing' during her headlining set at Lido Festival in London on Saturday night, just over a year since the album released and took over the music world. At the end of the hour-long performance, Charli left fans with a written message displayed on the stage's screen with flashing lights: ''Brat' summer is over. But actually… I don't think it is. So tell me the truth: Will you hate me if I stick around? Because honestly I don't know who I am if it's over. And so… I've decided I want this to last forever. It wasn't just a summer thing… it's a forever thing. Please don't let it be over.' More from Variety Charli xcx Drops 'Party 4 U' Video Five Years After Release '100 Nights of Hero,' Fairy Tale Romance Starring Emma Corrin, Charli XCX, Nicholas Galitzine, Maika Monroe Sells to Independent Film Company (EXCLUSIVE) Charli xcx to Star in and Produce 'Audition' Director Takashi Miike's Next Film (EXCLUSIVE) The avant-pop pioneer also brought out elusive Swedish rapper Bladee for the first-ever live performance of their 'Rewind' remix, though it wasn't without technical difficulties. The original version of 'Rewind' was played at first, with Charli singing through the lyrics: 'I used to never feel embarrassed/Feel embarrassed when I called up the paparazzi.' She then realized and said, 'Wait, hold on. We gotta stop, we gotta stop. Are we doing the wrong version?' As the crowd chattered in confusion, Charli walked off stage for a brief moment as Bladee greeted the crowd. 'What's up, London? Let's try again.' After Charli and Bladee hugged it out, the remixed version of the song started to play. 'My bad!' Charli added. Charli xcx halts a performance of 'Rewind' ft. Bladee at London's #LidoFestival: 'Hold up, are we doing the wrong version?' — Variety (@Variety) June 14, 2025 Bladee had just headlined the event's second stage as part of Charli's curated 'Partygirl' lineup at Lido Festival. Other performers included the Dare, who brought out Pink Pantheress for their song 'Stateside'; French DJ Gasaffelstein, who delivered his set covered in dark silver body paint; the Japanese House; 070 Shake; A.G. Cook; Magdalena Bay; and Kelly Lee Owens. Elsewhere in Charli's set, 'Chicken Shop Date' host Amelia Dimoldenberg was selected as the 'Apple' girl, performing the viral TikTok dance as fans shouted in approval. Paul Mescal and Harris Dickinson — who are set to portray Paul McCartney and John Lennon, respectively, in the upcoming Beatles biopics — were also spotted together in the crowd (with many hoping they would be the 'Apple' dancers). Dickinson was at the fest to support his girlfriend, Rose Gray, who performed on the festival's club stage. Amelia Dimoldenberg from "Chicken Shop Date" as Charli XCX's "Apple" girl. — Variety (@Variety) June 14, 2025 Charli xcx will continue her 'Brat' festival tour with a highly anticipated set at Glastonbury later this month. Best of Variety New Movies Out Now in Theaters: What to See This Week 'Harry Potter' TV Show Cast Guide: Who's Who in Hogwarts? 25 Hollywood Legends Who Deserve an Honorary Oscar

Charli xcx Brings Out Bladee for Live Debut of ‘Rewind' Remix at London's Lido Festival, Declares ‘Brat' Summer a ‘Forever Thing'
Charli xcx Brings Out Bladee for Live Debut of ‘Rewind' Remix at London's Lido Festival, Declares ‘Brat' Summer a ‘Forever Thing'

Yahoo

time11 hours ago

  • Yahoo

Charli xcx Brings Out Bladee for Live Debut of ‘Rewind' Remix at London's Lido Festival, Declares ‘Brat' Summer a ‘Forever Thing'

Charli xcx declared 'Brat' summer a 'forever thing' during her headlining set at Lido Festival in London on Saturday night, just over a year since the album released and took over the music world. At the end of the hour-long performance, Charli left fans with a written message displayed on the stage's screen with flashing lights: ''Brat' summer is over. But actually… I don't think it is. So tell me the truth: Will you hate me if I stick around? Because honestly I don't know who I am if it's over. And so… I've decided I want this to last forever. It wasn't just a summer thing… it's a forever thing. Please don't let it be over.' More from Variety Charli xcx Drops 'Party 4 U' Video Five Years After Release '100 Nights of Hero,' Fairy Tale Romance Starring Emma Corrin, Charli XCX, Nicholas Galitzine, Maika Monroe Sells to Independent Film Company (EXCLUSIVE) Charli xcx to Star in and Produce 'Audition' Director Takashi Miike's Next Film (EXCLUSIVE) The avant-pop pioneer also brought out elusive Swedish rapper Bladee for the first-ever live performance of their 'Rewind' remix, though it wasn't without technical difficulties. The original version of 'Rewind' was played at first, with Charli singing through the lyrics: 'I used to never feel embarrassed/Feel embarrassed when I called up the paparazzi.' She then realized and said, 'Wait, hold on. We gotta stop, we gotta stop. Are we doing the wrong version?' As the crowd chattered in confusion, Charli walked off stage for a brief moment as Bladee greeted the crowd. 'What's up, London? Let's try again.' After Charli and Bladee hugged it out, the remixed version of the song started to play. 'My bad!' Charli added. Charli xcx halts a performance of 'Rewind' ft. Bladee at London's #LidoFestival: 'Hold up, are we doing the wrong version?' — Variety (@Variety) June 14, 2025 Bladee had just headlined the event's second stage as part of Charli's curated 'Partygirl' lineup at Lido Festival. Other performers included the Dare, who brought out Pink Pantheress for their song 'Stateside'; French DJ Gasaffelstein, who delivered his set covered in dark silver body paint; the Japanese House; 070 Shake; A.G. Cook; Magdalena Bay; and Kelly Lee Owens. Elsewhere in Charli's set, 'Chicken Shop Date' host Amelia Dimoldenberg was selected as the 'Apple' girl, performing the viral TikTok dance as fans shouted in approval. Paul Mescal and Harris Dickinson — who are set to portray Paul McCartney and John Lennon, respectively, in the upcoming Beatles biopics — were also spotted together in the crowd (with many hoping they would be the 'Apple' dancers). Dickinson was at the fest to support his girlfriend, Rose Gray, who performed on the festival's club stage. Amelia Dimoldenberg from "Chicken Shop Date" as Charli XCX's "Apple" girl. — Variety (@Variety) June 14, 2025 Charli xcx will continue her 'Brat' festival tour with a highly anticipated set at Glastonbury later this month. Best of Variety New Movies Out Now in Theaters: What to See This Week 'Harry Potter' TV Show Cast Guide: Who's Who in Hogwarts? 25 Hollywood Legends Who Deserve an Honorary Oscar

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store