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Selena Gomez had 'magical' time on Emilia Perez

Selena Gomez had 'magical' time on Emilia Perez

Perth Now25-04-2025

Selena Gomez found making 'Emilia Perez' "magical" and "rewarding".
The 32-year-old singer-and-actress faced criticism for her accent and apparent difficulty with the dialogue in the Spanish-language film but she relished the challenge and praised the musical's director Jacques Audiard.
She told Billboard: 'I pushed myself into uncomfortable spaces which as an actress are the most rewarding.
"It was a magical time and working with [director] Jacques Audiard was one of my best experiences.'
The 'Only Murders in the Building' star won't rush into taking on another movie role because she wants to find the right "challenge".
And when it comes to her next acting gig, the Only Murders in the Building star is willing to be challenged again.
She said: 'I am taking my time to find the right role and director to work with next. Because I want it to be a challenge and unexpected.'
Selena previously defended her performance after Eugenio Derbez branded her scenes "indefensible".
Speaking on the 'Hablando de Cine' podcast, the 'Miracles from Heaven' star said: "Selena is indefensible. I was there [watching the movie] with people, and every time a scene came [with her in it], we looked at each other to say, 'Wow, what is this?'"
Podcast host Gaby Meza subsequently observed that Selena is a "very talented actress" and a "very good singer" but suggested the former Disney star had struggled performing in Spanish, describing the actress' efforts as "unconvincing" and "uncomfortable".
Gaby said: "Spanish is neither her primary nor secondary language nor fifth. And that's why I feel she doesn't know what she is saying, and if she doesn't know what she's saying, she can't give her acting any nuance … And that is why her performance is not only unconvincing but uncomfortable."
Eugenio then added: "I'm glad you're saying that because I was saying, 'I can't believe no one is talking about it?'"
Selena - who has Mexican and Italian ancestry - later took to TikTok to defend herself.
She commented: "I understand where you are coming from ... I'm sorry I did the best I could with the time I was given. Doesn't take away from how much work and heart I put into this movie."
Eugenio later apologised for his "careless" remarks.
He wrote on TikTok: "I truly apologise for my careless comments - they are indefensible and go against everything I stand for.
'As Latinos, we should always support one another. There's no excuse. I was wrong, and I deeply admire your career and your kind heart.
''Emilia Pérez' deserves to be celebrated, not diminished by my thoughtless remarks. I'm walking away from this with an important lesson learned. While I understand if you cannot accept my apology, please know it comes from the heart. With all my love and admiration, Eugenio Derbez.'

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Ed Sheeran: Global English pop star teases return to Australia for ‘Start of 2026' in casual TikTok comment
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Ed Sheeran: Global English pop star teases return to Australia for ‘Start of 2026' in casual TikTok comment

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  • Perth Now

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Streaming giant Disney+ pumped in plentiful cash to boost the budget. One of the hottest young actors around inherited the sonic screwdriver. Whovians were abuzz with anticipation. Early signs were positive, but the expected resurgence didn't come to pass. Ratings have nosedived, averaging 5 million for Jodie Whittaker's last series but a mere 3 million for Gatwa's latest. Loading It's predicted Disney won't renew its deal to bankroll the series. Rumours are rife that production will be paused for the first time since the cult show went off-air between 1989 and 2005 after a previously unbroken 26-year run. Gatwa's Tardis tenure has been a flop of intergalactic proportions, putting Doctor Who firmly back in the doldrums. What went wrong? For a start, his portrayal has missed the mark. Gatwa's time traveller has been the most emotional yet – prone to tears and petulant outbursts. 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Guesting on a themed edition of Mastermind shortly before his series debuted in 2005, Eccleston pointedly replied, when being introduced as the Doctor, 'Well, for now'. When Gatwa was cast in 2022, he said: 'This role and show means so much to so many around the world, including myself.' However, those fans have largely been let down. In addition, Gatwa was reportedly not universally popular on set in Cardiff, where the series has been filmed since Davies took over. Rumours circulated about difficult behaviour during production. 'I think he has sights beyond [ Doctor Who ] … I think it was a stepping stone for him, rather than wanting to do it,' an insider claims. 'Nobody particularly knows him.' Having tasted Hollywood in the Barbie movie and Steven Spielberg's Masters of the Air, Gatwa's ambitions appear to have always stretched further than Tiger Bay. Neither does he have the mainstream recognition of previous incumbents. Gatwa could probably walk down the street relatively unnoticed. It's partly his prior CV – his breakthrough part was a supporting turn in Netflix teen drama Sex Education – and partly down to his Doctor lacking a signature onscreen look. Changing costume (and even hairstyle) for each adventure has been a mistake. From Tom Baker's scarf to Matt Smith's bow tie, the best Doctors had a sartorial trademark. Gatwa's Doctor never settled on one. Lastly and most crucially, Gatwa has been ill-served by the scripts. Davies might be one of our most decorated screenwriters, but when it comes to the Whoniverse, he's lost his golden touch. Overcomplicated storylines have paid off poorly. Rip-roaring thrills have been in short supply. Self-reflexive writing and fourth-wall breaks, with meta-references to the show's fan base and the villainous Mrs Flood (Anita Dobson) whispering asides to camera, are symptoms of a show increasingly in thrall to its lore and impenetrable for newer viewers. Davies has deliberately swerved classic monsters this time around. Daleks and Cybermen haven't appeared during his current stint. Instead, we've been underwhelmed by the baffling return of obscure old enemies – The Rani, Omega, Sutekh, the Toymaker – who mean nothing to most viewers. The show has entered the realm of fan fiction, rather than primetime entertainment with broad appeal. Anybody who hasn't been watching for decades won't have a clue as to what's going on. Scripts have forgotten ye olde maxim of 'show not tell', with too much proselytising and expositional dialogue. Naysayers believe Davies has focused far too much on identity politics and culture wars issues, rather than family-friendly fun. Plots have featured incels and imperialism, coercive control and conspiracy theorists, non-binary aliens and discussions of pronouns. Crowbarring those topics in has sparked a backlash, with the series being dubbed 'Doctor Woke'. 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